Bravi for Anna and Vladimir! Galouzine's "La mia vittoria" in the riddle scene and thereafter his "ti voglio tutta ardente de amor!" are overwhelming and beautiful at the same time. On "ardente", he places a puntatura by taking the optional high C with breathtaking attack and pervasive energy. Neither Bjoerling nor Corelli nor Pavarotti nor Domingo took ever this optional Do di petto in their records.
Aqui en México cantó Shafajinskaia Turandot y tengo 2 funciones grabadas, y en ambas como en este video desmerece la voz real, su voz no solo es enorme es bellísima, cuidadosa para el fraseo y con pianissimi que se escuchan hasta la última butaca. simplemente BRAVISSSIMA
4:32 Simplemente precioso, cuando suena por primera vez en toda la ópera el famoso tema del Nessun Dorma. Es una de las grandes habilidades que tenía Puccini a la hora de orquestar, cuando suena un tema nuevo, es la orquesta la que lo expone, mientras que el cantante tan solo canta parte de ella, como si se montara en ella una vez arrancada. Puccini, el genio al que mucho le estaremos eternamente agradecidos por todas sus óperas.
Or at least a very high b flat...well no I think it is mostly a b, and not the b flat and not even a flat b but it isn´t that much a c, that it was supposed to be, or as Puccini intended it to be... Well, a b that isn´t that flat isn´t a shame nowadays. There are not many dramatic sopranos able to sing the high c! Maybe Rosa Raisa (the first Turandot) was rather more lyric than todays overdramatic sopranos?
Che Coro grandioso!Bellissimo
Il ruolo della principessa Turandot,e' veramente arduo.Stupefacente!
OMG spanish people are so lucky to have such production! The best Turandot,wonderful Calaf, exelent conductor! Brava Anna & Co!!!
It seems like an extravagant and beautiful proficiency production.💖
РОСКОШНАЯ ПОСТАНОВКА! ПОЕТЕ , КАК БОГИ, РЕБЯТА!!! БРАВО, АНЮТА!!!!!!!!!!
Merci, Dimulja:)
Bravissima! très beau et encore plus émouvant que le début! Grazie tanto! Aussi bravo Galouzine! AV
Ets la millor, eres la mejor, sei la migliore, t'est la meilleure, you're the best, du bist die beste!!!!
To resting without breath.. Great Puccini! Great Italian music.
What a voice!She is the best Tourandot ever!
Beautiful DIVA! Unique voice! Amazing performance!
Bravi!!
Shafajinskaja e una vera divina!
Anna is the ONE!
Franchement Divina! Brava! AV
La voz de Ana es una maravilla, grande y bellisima.. Sabe cantar y mucho.
Tengo algunos alumnos en el coro. Galouzine tambien que bueno!.
I performed TURANDOT with this lady, she really IS fantastic, and she is a little bitty thing too, and with a voice like that
Bravi for Anna and Vladimir! Galouzine's "La mia vittoria" in the riddle scene and thereafter his "ti voglio tutta ardente de amor!" are overwhelming and beautiful at the same time. On "ardente", he places a puntatura by taking the optional high C with breathtaking attack and pervasive energy. Neither Bjoerling nor Corelli nor Pavarotti nor Domingo took ever this optional Do di petto in their records.
Aqui en México cantó Shafajinskaia Turandot y tengo 2 funciones grabadas, y en ambas como en este video desmerece la voz real, su voz no solo es enorme es bellísima, cuidadosa para el fraseo y con pianissimi que se escuchan hasta la última butaca. simplemente BRAVISSSIMA
By accident saw your comment:). Thank you for such kind words about my voice. With all my best,
Anna
Grandissimo Vladimir Galouzine.....
4:32 Simplemente precioso, cuando suena por primera vez en toda la ópera el famoso tema del Nessun Dorma. Es una de las grandes habilidades que tenía Puccini a la hora de orquestar, cuando suena un tema nuevo, es la orquesta la que lo expone, mientras que el cantante tan solo canta parte de ella, como si se montara en ella una vez arrancada.
Puccini, el genio al que mucho le estaremos eternamente agradecidos por todas sus óperas.
How huge voice Galouzine have!!
Здравствуйте! Подскажите, пожалуйста, а существует ли полная запись? Спасибо!
WOW! It is almost a high c at 2:50. It´s at least a b...
A b, yes...
Corelli Always sung high C or DO di Petto in ''Ti voglio ardente D'amore'' here Galouzine Sung B not C Sorry.
That's just not even true. It's not his best C of course, but it's most certainly a C.
Galouzine after just a few years a shadow of himself. Sad.
Or at least a very high b flat...well no I think it is mostly a b, and not the b flat and not even a flat b but it isn´t that much a c, that it was supposed to be, or as Puccini intended it to be... Well, a b that isn´t that flat isn´t a shame nowadays. There are not many dramatic sopranos able to sing the high c! Maybe Rosa Raisa (the first Turandot) was rather more lyric than todays overdramatic sopranos?
huge voice, but terrible pronounciation!