Daniel Barenboim on Pierre Boulez

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  • เผยแพร่เมื่อ 30 ก.ย. 2024
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ความคิดเห็น • 15

  • @sleeve51
    @sleeve51 8 ปีที่แล้ว +9

    R,I,P, Pierre Boulez... ... ...1-6-2015 Brilliant mind.

  • @clarinetjo
    @clarinetjo 6 ปีที่แล้ว +7

    Fascinating how Boulez was thinking for years about some works, before writing them down, then transform them, correct, rearrange, expand them, closer and closer to the most minutious, effective, expressive, and striking musical result ! That's dedication !
    And always with wonderful colors, fantastic energy and sensual musical expressivity. It's great to hear mr Barenboim talk about that passion of Boulez for music !
    Thanks for sharing this interview !

    • @universaledition
      @universaledition  6 ปีที่แล้ว

      You're welcome of course, glad you like it!

  • @MorganHayes_Composer.Pianist
    @MorganHayes_Composer.Pianist 3 ปีที่แล้ว +2

    “ you can’t be radical in a mild way “ interesting statement.
    In temperament Xenakis seemed rather mild judging by the interviews I’ve seen. Maybe the exception.

  • @gregorypatriciaandjiyajais8819
    @gregorypatriciaandjiyajais8819 8 ปีที่แล้ว +4

    Many talented musical minds disliked Boulez s music I have found poetry within his works To each their own

  • @stephenjablonsky1941
    @stephenjablonsky1941 2 ปีที่แล้ว

    Pierre's tuxedo was a metaphor for his personality. It was strict black on the outside and had a flaming red lining that was only revealed in conducting gestures of great passion.

  • @geddavies7032
    @geddavies7032 8 ปีที่แล้ว +1

    sunt lacrimae rerum et mentem mortalia tangunt.RIP.

  • @mariawimmer4541
    @mariawimmer4541 6 หลายเดือนก่อน

    So menschlich liebevoll differenziertes Gespräch. Wunderbarer Boulez, wunderbarer Barenboim!

  • @Bashkii
    @Bashkii 5 ปีที่แล้ว +4

    Good analyst,good conductor.
    His music is a senseless extrapolation of the 12 tone system.
    Arrogant condescending dictator,like the entire Darmstad school. They actually believed being the Illuminatti.
    There is NOTHING french in his music. He should have been German.

    • @emanuel_soundtrack
      @emanuel_soundtrack 4 ปีที่แล้ว +3

      Alvaro Bertrand i dont have problems with contemporary but also find his music not intriguing. Messiaen is the last great composer from France

    • @santiagolopezmoskovits132
      @santiagolopezmoskovits132 4 ปีที่แล้ว +4

      have you listened to pli selon pli, répons or derive ii? those have an undeniable french flavor that comes directly from his teacher Messiaen, and in turn from Debussy and Ravel, especially the former

    • @dieterammann4
      @dieterammann4 3 ปีที่แล้ว +1

      @@santiagolopezmoskovits132 Absolutely right.

    • @jacobmorris3664
      @jacobmorris3664 ปีที่แล้ว

      Absolutely. The shimmering sensuality and pointillism (not to mention the gamelan and other Asian influences) of a piece like Le marteau seems so obviously descended from Debussy.@@santiagolopezmoskovits132