Hi! I saw few videos about collapsed head voice in female voices and I want to ask two questions about a difference between head voice (light chest voice) and collapsed head voice (like a falsetto): 1. are there any ways to recognize which of these kinds of sound do woman use when she sings softly? In all your examples, women sing strongly, already having developed voices, but how to understand whether a beginning vocalist uses a head voice or collapsed head voice? 2. one friend of mine sings low notes in a chest voice, and then, when voice goes up, it smoothly transitions to the upper register, which may or may not have been collapsed, but she can both make it loud or quiet and easily go down ... Does this say something? I mean... Does it mean that her upper register is not collapsed? Or.. Do even vocalists with collapsed head voice can easily go down and sing strong chest notes? I understand that these questions can be too meticulous, but probably no one but You can answer it. Thanks for attention!
Anita is using pop ("collapsed" head voice) instead of opera head voice (strong head voice). That's why her voice isn't projecting as far as it should.
I don’t hear the “acoustic box” under her sound. The rib cage itself is weak. The voice isn’t buoyant on top of the rib cage. The sound is all on the throat, and that’s why it’s unpleasant. The voice itself is a major gift, but the technique is bad.
I know just a bit of technique and I learn. Lot with this channel. This "portrayal" of a "Latina" it's soooo irritating. I'm from the Río de la Plata, Montevideo. I've heard the great tango singers interpreting Piazzolla.....this is a disaster. No subtleties...so ...her Amneris is the same...so overacted
Anita's chest voice is amazing
Wish she used in opera stages
Same!!
6:26 that is opera being sacrificed for the sake of business 🤑💰
Hi! I saw few videos about collapsed head voice in female voices and I want to ask two questions about a difference between head voice (light chest voice) and collapsed head voice (like a falsetto):
1. are there any ways to recognize which of these kinds of sound do woman use when she sings softly? In all your examples, women sing strongly, already having developed voices, but how to understand whether a beginning vocalist uses a head voice or collapsed head voice?
2. one friend of mine sings low notes in a chest voice, and then, when voice goes up, it smoothly transitions to the upper register, which may or may not have been collapsed, but she can both make it loud or quiet and easily go down ... Does this say something? I mean... Does it mean that her upper register is not collapsed? Or.. Do even vocalists with collapsed head voice can easily go down and sing strong chest notes?
I understand that these questions can be too meticulous, but probably no one but You can answer it. Thanks for attention!
They had to use an Amneris that would be equally as bad and "woofy" as Netrebko's Aida! (But she was still better than Netrebko, but not by much!)
Anita is using pop ("collapsed" head voice) instead of opera head voice (strong head voice). That's why her voice isn't projecting as far as it should.
Her chest voice does not sound free. Also, she sounds like she is belting instead of using covered chest voice.
I agree. To me the pop example is unpleasant. Not woofy or wooly, but not nice to listen to.
I don’t hear the “acoustic box” under her sound. The rib cage itself is weak. The voice isn’t buoyant on top of the rib cage. The sound is all on the throat, and that’s why it’s unpleasant. The voice itself is a major gift, but the technique is bad.
I know just a bit of technique and I learn. Lot with this channel. This "portrayal" of a "Latina" it's soooo irritating. I'm from the Río de la Plata, Montevideo. I've heard the great tango singers interpreting Piazzolla.....this is a disaster. No subtleties...so ...her Amneris is the same...so overacted
Woofy, wobbly and undeveloped (soprano?)...
That was so that her Amneris would match the bad singing of Netrebko's Aida. Lol!
When opera singers choose pop material to sing, 99% of the time it is execrable junk and reveals their appalling lack of taste and musicianship.
Listen to Eileen Ferrell singing jazz...
@@FelipeViannaNutriUFRJ Eileen Farrell is a truly wonderful jazz singer. “I Got It Bad, And That Ain’t Good.”
Pot meet kettle, those behind This is Opera.