@@VictorLaforteza indeed, if you talk about auto iso and exposure compensation you got to mention in what metering mode it is 😊 Great video this helped a lot!
Great video man, I would love an explainer video on the meaning of each dial you're tuning to get it to look right. I know there are other tutorials out there but I'm really liking your style!
Bro, first of all, though you may feel you posted a quick "Lemme show how I use HLG3" video, you need to realize how much value you've provided to your audience. Stop underselling yourself but stay humble as you are. Keep it up bud, I'll keep an eye on your channel. Also, for HLG3, use color mode BT2020 to maximize the color gamut at the time of recording instead of Rec709. Once you're editing, you can covert to Rec.709. Also, if you want customized highlight readings, set your Zebras to +95 Lower Limit (this is a custom Zebra setting).
thanks so much for the kind words!! I have tried BT2020 but just didn't like it for my workflow! I might have to revisit at some point as I'm always wanting to improve my HLG workflow
When filming with these settings, what are we looking for in that metering for the highlights? You went straight from settings to editing the footage, but I'm stuck on the actual filming bit lol Since ISO and white balance are set to auto, I guess that just leaves shutter speed and aperture to play around with so when adjusting those is there something to be mindful of doing or not doing based on that metering?
You don’t look at anything aside from the metering being underexposed / over exposed. The only thing you play around is aperture because you stick the shutter speed at 2x the frame rate. If anything is blinking, that means you have something over it’s limit and is under and over exposed. Overall, you let the camera do the work for you with these settings. The camera will automatically expose for +1 on the metering. You can adjust the setting to suit what for your manual needs.
@@VictorLaforteza it looks really nice. I filmed on ZVe10 and I’m really pleased. When you finalize a7s3/FX3 Filming and LUTs please me know. I will definitely get it. Thank you Happy Sunday.
Very very informative video. I really don't know the use hlg and ppl in editing and skin tone corrections. Your video is very helpful to me. Subscribed 👍
How do you get to that editing page with basic color correction? I've been trying to Google how to get my editing page to look like that but can't find an answer. I have Davinci 18.
Great video Victor, Quick one...what are your black level settings because I noticed that my PP10 on the a7iii has different settings, like the color mode is set to BT.2020...even when I reset...help please...thank you in advance)
@@VictorLafortezathank you for your reply man at 0:27 the bokeh and cinematic looks insane man. I was thinking there’s no way that’s kit lens.. anyway I just got my ev10 and can’t wait to try replicate that look.. keep up the great work man
Very nice video! I just got my ZV-E10 today and am really impressed with the capabilities. Question:Did you film your self-shot in this video with the ZV-E10 or the A7III? I noticed some color banding on your white wall in the background. Still, great video!
I think it’s the a7iii that I shot this video with. Most of the banding I think is the TH-cam compression but if we do push the 8bit footage, we’ll start to see the banding on our editing suite!
Most banding does come from exporting with codec H.264 which is 8bit only. It took me more than a year to get it right by using H.265 which is 10bit. 90% less banding issues since then.
Great video Victor :) didnt understand what you was doing with the skin tones, would love to see you explain what you was doing also have you got a video on how to set up HLG in the camera (A7C) and what setting you need to make in prem before you start your workflow if any? thanks again. Namaste 🙏
hey man, awesome video and super helpful, i legit just got my sony zv-e10 this morning, and i was wondering if you think these settings also work well if i were to sort of vlog, do standstill shots inside/outside, and record vlogs of trips and everyday activities with friends for my channel. Super awesome video, keep it up
@@VictorLaforteza how do you deal with the green overcast/tint of hlg3? It bothers me and I can't decide whether to shift the tint to magenta to globally adjust it in the clip, or do so in the tone curves?
@@PacoM. I would isolate the green cast from the HSL curves. Depending where it's prominent. You also gotta be careful with the skin tones and make sure they are aligned with the skin tone line on the vectorscope!
Hey again! Are you able to do a video on how to expose for HLG3/SLOG3 using false colors on an external monitor? I'm looking to do that, but would enjoy some assistance! Hope to use your LUTS on them!
of course! I'll put it on the list but probably will be posted around early next year. To sum up my workflow with false colours, I would always try to avoid the highest values so my footage wont clip. Same thing with shadows, I would try to lift it up with exposure or extra lighting if I do need to. I mainly use false colour on controlled sets or at least something I can add some lights in because it becomes a nuisance if I'm using it in run and gun situations. I would keep the skin tones to the 60-70% value (on the atomos I think it's pink colors) to make sure my subjects have the best exposure. Hope that helps! If you have any more questions feel free to ask !
@@VictorLaforteza Thanks, that does! I just purchased the Atomos V and am hoping to pick up the A7RV. Hoping to make higher-quality videos! Would love to see a demonstration video, I'll be on the lookout early next year!
I'm interested in buying your Base Luts for use on my ZV-E10. After I purchase, do I apply it under effects or under color? Is that the one you would recommend for use with HLG3, I'm also doing my recording from a studio (Indoors with lighting)? -Noob
@@UltratecJS Alright! so the tabs on top shouldnt matter it's just the layout! What you need to add it to is the "lumetri color" effect to the footage or an adjustment layer. From there, you need to ad it to input LUT or creative LUT if you want more control. Hope that helps!
Just tried this but had it set to BT2020. Skin tones were super hot on the red side. when i noticed it was in REC709 i changed it and skin tones were much closer to where they should be. Any idea why the huge shift with BT2020?
@@VictorLaforteza looks like I was just looking at the exposure meter and ignoring zebras. So, zebras should appear on the brightest part for right exposure?
No it’s not, it’s a7c but the layout and settings are very similar. You can still set the same settings. And you can also customize the “menu” from the function settings. That’s the beauty of Sony cameras.
@@VictorLaforteza Hello, brother. I watched this video and it was a good reference. I did as you advised. 1. I filmed with a Sony 8-bit camera. 2. I set it to HLG3 + 709. 3. The ISO value is set to 100-200. 4. Exposure is +1 5. Kelvin used a gray card. 5. And I also used ND filter, CPL filter, and BPM filter. The results were quite amazing. But there is a problem. It's skin tone exposure. I don't have a Philworld or a Port Key monitor. I want to use the zebra pattern. By the way, does Zebra pattern have different numbers for each picture profile? I want to know the value of zebra pattern that can determine the most beautiful skin tone when shooting with HLG3.
@@zazangbob Yeah, skintones is tricky sometimes with HLG when editing. Zebras are gonna change in different PP as it is finding IRE values. The value differs because of the dynamic range of each profile, you'll see it when you scroll through different pps
bro that sony zve10 footage is insaneeeeeee
The first one i have seen that finally mentions what metering mode he uses for his HLG setup!
Definitely one of the important parts!
@@VictorLaforteza indeed, if you talk about auto iso and exposure compensation you got to mention in what metering mode it is 😊 Great video this helped a lot!
This is the EXACT video I needed holy crap, you're a lifesaver and an amazing teacher!!!
glad the video helped!!
this video was so clutch at the perfect time. Thank you, my friend!
Great video man, I would love an explainer video on the meaning of each dial you're tuning to get it to look right. I know there are other tutorials out there but I'm really liking your style!
Thanks man! Already on the works!! Have a few videos lined up very soon
@@VictorLaforteza Thats great Victor, looking forward to them :)
I didn't realize first - you are wearing the Milan A.C. soccer team hat Congratulations 🙂
Bro, first of all, though you may feel you posted a quick "Lemme show how I use HLG3" video, you need to realize how much value you've provided to your audience. Stop underselling yourself but stay humble as you are. Keep it up bud, I'll keep an eye on your channel. Also, for HLG3, use color mode BT2020 to maximize the color gamut at the time of recording instead of Rec709. Once you're editing, you can covert to Rec.709. Also, if you want customized highlight readings, set your Zebras to +95 Lower Limit (this is a custom Zebra setting).
thanks so much for the kind words!! I have tried BT2020 but just didn't like it for my workflow! I might have to revisit at some point as I'm always wanting to improve my HLG workflow
fitted so well with my a7c
amazing!
thanks, just getting to learn how to use HLG3 on my ZV-E10
Hope you found it helpful 🙌🏽 any other questions let me know :)
Great video, these settings working on a Sony A7III ?
Yup!!
Feel free to join our little discord community - discord.gg/AjTWkD2A8B :) Share your work, get feedback, Q & A's, and a lot more!
When filming with these settings, what are we looking for in that metering for the highlights? You went straight from settings to editing the footage, but I'm stuck on the actual filming bit lol Since ISO and white balance are set to auto, I guess that just leaves shutter speed and aperture to play around with so when adjusting those is there something to be mindful of doing or not doing based on that metering?
You don’t look at anything aside from the metering being underexposed / over exposed. The only thing you play around is aperture because you stick the shutter speed at 2x the frame rate. If anything is blinking, that means you have something over it’s limit and is under and over exposed. Overall, you let the camera do the work for you with these settings. The camera will automatically expose for +1 on the metering. You can adjust the setting to suit what for your manual needs.
@@VictorLaforteza Thanks for clarifying!
great video! I have the zv-e10 and this was very helpful.
Game changer Thanks!
Good day brother, want to ask about HLG 2? What should I change in the settings for HLG 2?
Nah just shoot the same on HLG2!
This is great. I need to tinker with my imaging. I’ve never tried HLG but I will this week. Thank you 🙏 nice video
Thank you! If you have any questions, just ask :)
@@VictorLaforteza oh, I would appreciate that. Thank you 🙏
@@VictorLaforteza it looks really nice. I filmed on ZVe10 and I’m really pleased. When you finalize a7s3/FX3 Filming and LUTs please me know. I will definitely get it. Thank you Happy Sunday.
@@GroupIII That's great!! good to hear. Will definitely do once I come up with something
Hi Vic, great tutorial. May I know what you did with the zebra setting? HLG3 i usually set to lower limit 99+ , and Standard Range 86 +-
should be good! Mine's similar!
Great info
ask, how bout that kelvin set auto or?
auto or 5600k
@VictorLaforteza thank you 🙏📸
Great video Victor - thanks!
Hope you guys found it helpful! :)
Very very informative video. I really don't know the use hlg and ppl in editing and skin tone corrections. Your video is very helpful to me. Subscribed 👍
Glad you found it helpful!!! 👏🏽👏🏽 what camera are you using?
How do you get to that editing page with basic color correction? I've been trying to Google how to get my editing page to look like that but can't find an answer. I have Davinci 18.
Great video Victor, Quick one...what are your black level settings because I noticed that my PP10 on the a7iii has different settings, like the color mode is set to BT.2020...even when I reset...help please...thank you in advance)
black level is 0 and changed the gamma to HLG3 :) thats it! BT.2020 is okay or rec.709
Hey brother great video. What is the lens you used on the ZV E10 clips?
kit lens!
@@VictorLafortezathank you for your reply man at 0:27 the bokeh and cinematic looks insane man. I was thinking there’s no way that’s kit lens.. anyway I just got my ev10 and can’t wait to try replicate that look.. keep up the great work man
Very nice video! I just got my ZV-E10 today and am really impressed with the capabilities. Question:Did you film your self-shot in this video with the ZV-E10 or the A7III? I noticed some color banding on your white wall in the background. Still, great video!
I think it’s the a7iii that I shot this video with. Most of the banding I think is the TH-cam compression but if we do push the 8bit footage, we’ll start to see the banding on our editing suite!
Most banding does come from exporting with codec H.264 which is 8bit only. It took me more than a year to get it right by using H.265 which is 10bit.
90% less banding issues since then.
Would you use these settings for vlogging?
Yup!!
Great video Victor :) didnt understand what you was doing with the skin tones, would love to see you explain what you was doing also have you got a video on how to set up HLG in the camera (A7C) and what setting you need to make in prem before you start your workflow if any? thanks again. Namaste 🙏
The setting is pretty much the same in the video! I will do a tutorial on basic grading to elaborate how I was editing :)
@@VictorLaforteza fantastic man 😊
hey man, awesome video and super helpful, i legit just got my sony zv-e10 this morning, and i was wondering if you think these settings also work well if i were to sort of vlog, do standstill shots inside/outside, and record vlogs of trips and everyday activities with friends for my channel. Super awesome video, keep it up
Yup! Definitely can work! I suggest trying it out to see if you like the workflow! But the camera should do most of the work for you 🙌🏽
@@VictorLaforteza Thank You so much!! Should definitely be trying it out for my next video
Nice video, what kind of filter are you using?
Bhardesstttt😂❤
on my zv-e10 hlg3 looks weirdly pink and green. no matter how much tinkering i do, it can't get it to look natural. fun!
Really?! Can you join our discord link ( discord.gg/rPSz4u58 ) and upload the file? I’ll try to see what’s happening!
@@VictorLaforteza thanks man! will do. just joined the discord. will send some test footage shortly. appreciate the offer!
I appreciate this video to the most! Do the lut work with LumaFusion?
You're very welcome! and yes it does :)
@@VictorLaforteza just purchased it!!
Kinda late on this
But what zebra settings did you use when you would run this setup on Sony zve10?
I was at 97+-
what would be your fav picture style for shooting low light on Sony zv-e10 hlg1,hlg2 or hlg3 and why?
HLG3! Gerald undone tested all three and found hlg3 has slightly better dynamic range.
Thank you so much for Education
I've been looking into the video capabilities of the a7iii and these look beginner friendly for someone exploring HLG3.
Great! If you have any questions, feel free to ask :)
@@VictorLaforteza how do you deal with the green overcast/tint of hlg3? It bothers me and I can't decide whether to shift the tint to magenta to globally adjust it in the clip, or do so in the tone curves?
@@PacoM. I would isolate the green cast from the HSL curves. Depending where it's prominent. You also gotta be careful with the skin tones and make sure they are aligned with the skin tone line on the vectorscope!
hey brother ...
this same settings works on the a7iv?
Yes! Should work!
@@VictorLaforteza thanks
the zv-e10 is awsome for the price i think
Hey again! Are you able to do a video on how to expose for HLG3/SLOG3 using false colors on an external monitor? I'm looking to do that, but would enjoy some assistance! Hope to use your LUTS on them!
of course! I'll put it on the list but probably will be posted around early next year. To sum up my workflow with false colours, I would always try to avoid the highest values so my footage wont clip. Same thing with shadows, I would try to lift it up with exposure or extra lighting if I do need to. I mainly use false colour on controlled sets or at least something I can add some lights in because it becomes a nuisance if I'm using it in run and gun situations. I would keep the skin tones to the 60-70% value (on the atomos I think it's pink colors) to make sure my subjects have the best exposure. Hope that helps! If you have any more questions feel free to ask !
@@VictorLaforteza Thanks, that does! I just purchased the Atomos V and am hoping to pick up the A7RV. Hoping to make higher-quality videos! Would love to see a demonstration video, I'll be on the lookout early next year!
I'm interested in buying your Base Luts for use on my ZV-E10. After I purchase, do I apply it under effects or under color? Is that the one you would recommend for use with HLG3, I'm also doing my recording from a studio (Indoors with lighting)? -Noob
Which editing software do you use??
Yes! HLG3 is the all around picture profile that is pretty versatile in most scenarios!
@@VictorLaforteza I'm using Adobe Premiere.
@@UltratecJS Alright! so the tabs on top shouldnt matter it's just the layout! What you need to add it to is the "lumetri color" effect to the footage or an adjustment layer. From there, you need to ad it to input LUT or creative LUT if you want more control. Hope that helps!
@@VictorLaforteza 请问在哪里可以买到你的图片配置文件？ where can i buy your picture profile
@@RubyFPV 妳是说Presets吗？？:)
what editing software is this?
All of my Latest videos are filmed by Sony ZV-E10. Really a cool camera for beginner film makers.
I know I’m late but what was your in camera detail level on?
Default! But make sure you have it on -7 so it’s not overly sharp
Thanks a lot brother …. So for 4k it’s -7. what about HD ? People say to keep it on 0. What’s your opinion for that?
Can we use the same settings for both cameras?
100%!
The HLG Base luts, Can I use in davinci resolve ?
Of course! works on all editing platforms that can take luts
Just tried this but had it set to BT2020. Skin tones were super hot on the red side. when i noticed it was in REC709 i changed it and skin tones were much closer to where they should be. Any idea why the huge shift with BT2020?
I find myself in a similar results when I was testing it out hence why I went with rec709 instead. not sure why though!
Hi, when I use these settings with ND filter I get very dark image. What m I doing woring
the ND is making it hard to get more light in. That means you dont need it if you're getting dark images.
@@VictorLaforteza but when I remove the ND filter its over exposed. I need to take SS to 1/400 then. On Auto mode same ND filter works just fine.
@@missionearth101 seems like the ND filter is too strong. If you're at 24fps and at 1/50 and it's still dark, the ND is too strong.
@@VictorLaforteza looks like I was just looking at the exposure meter and ignoring zebras. So, zebras should appear on the brightest part for right exposure?
can this be also apply for hlg 2
Yep!
i though was on Davinci resolve jaja, nice video, thanks.
haha old video! no more premiere for me
Love it ! Xie xie for sharing haha
1:24 i guess it s better to use rec2020 instead of 709 in color
interpret footage to 709 already before grading?
This was before I knew how to actually colour grade 😭😭 but yes grading before converting to 709
@@VictorLaforteza unless when you convert the color does not change? I always thought that you need to convert first and then turn the wheels
@@Подписчик-у7о you can definitely still do it after you convert but it won’t be as flexible since it’s now on a smaller colour space
what software is it ?
Adobe Premiere Pro :)
just tried downloading your hlg3 LUT but google tells me it has a virus
I can assure you it’s not lol
This 1:30 menu is not from the ZV-e10
No it’s not, it’s a7c but the layout and settings are very similar. You can still set the same settings. And you can also customize the “menu” from the function settings. That’s the beauty of Sony cameras.
Why color mode is 709?
other youtuber use HLG3 + BT2020
I don’t like BT2020 for my use case. They both work but 709 is my preference
@@VictorLaforteza Hello, brother.
I watched this video and it was a good reference. I did as you advised.
1. I filmed with a Sony 8-bit camera.
2. I set it to HLG3 + 709.
3. The ISO value is set to 100-200.
4. Exposure is +1
5. Kelvin used a gray card.
5. And I also used ND filter, CPL filter, and BPM filter.
The results were quite amazing. But there is a problem.
It's skin tone exposure.
I don't have a Philworld or a Port Key monitor.
I want to use the zebra pattern. By the way, does Zebra pattern have different numbers for each picture profile?
I want to know the value of zebra pattern that can determine the most beautiful skin tone when shooting with HLG3.
@@zazangbob Yeah, skintones is tricky sometimes with HLG when editing. Zebras are gonna change in different PP as it is finding IRE values. The value differs because of the dynamic range of each profile, you'll see it when you scroll through different pps
Why not hlg2
Slightly better dynamic range. See Gerald undone’s video
Whats gimbal..?.
OMG no. Do not set White Balance to Auto because there's no reference point. Pick a Preset besides Auto, and you can always correct it in software.
What works for me doesn’t mean it’ll work for everyone else.
Will?
What do you mean? 🧐
i am using a6000 and i think it is good enought for me...... mayby.........😭
a6000 should be decent! the 4k isn't a big deal on the zv-e10 :)
@@VictorLaforteza no log
@@reverelsaep 8 bit log is hard to grade though
Que hay carnal
сделано чоень крутио
AUTO iso breaks me
Yeah sometimes it’s destructive but can be convenient if used in a certain way
демон,