These videos are ther perfect mix of technical stuff for a nerd and like a proper well storied vlog that's captivating. Love to see these keep coming out no misses so far
Hi! It's amazing how well you understand this profession. I am a 13-year-old boy, I live in Hungary. That's why I'm sorry if the text is strange, I only use google translate. So, returning to the topic: I also want to learn this, this "profession", and I hope my dream will come true. It's great to see you do all of this in such a way that you understand it. You are super good, produce the content for a long time, I enjoy them! I wish you another nice day. Hi!
Hey Guys, I love this, and can’t get enough of it! Thankful that you record and document everything! I know it’s an extra step, but trust me, it doesn’t go in vain! Greatness all around!
Love your videos! I always stop what I’m doing to watch them as soon as they pop up. Would love to hear how you handle power issues at venues that don’t supply adequate power for your equipment?
Thanks a ton! I’m glad you love the vids! For power issues, I usually just roll with the punches, my gear doesn't draw too much... But if there's a safety issue, an electrician gets called.
I guess I’m not understanding why you would have a snake to a stage box. Why. Waste of time and added fail point. If they’re that close together, why not centrally locate your stage box? That’s what 10-15-20 foot cables are for. Instead, you have 100’ of snake, or multiple snakes “hiding” somewhere. And it has to be wrapped back up and you have to carry it. Not like you have a splitter. Makes my back hurt. Plus, you seem to have 25’ mic cables barely unraveled having to ‘hide” those as well. Isn’t that what stage boxes try to eliminate? Seriously, if that is how you do it, then more power to you. You do you. I’m all about the out, though.
Unlike the DL8, SD8 and SD16, the DL32s are not designed to be utilized on stage, but designed to be put in a rack backstage / sidestage. For such a small stage, it's possible that some longer cables could've been a better solution, but practically it's always best to have the shortest distance from source to socket. My guess would be that this is part of a fixed setup that he rolls out, and it's easier to just keep that pattern and not change the gear, even if you don't necessarily need all the benefits from it. Also, digital stageboxes are primarily made to avoid long and thick analog multicable runs from FOH to stage. In this case, there is no FOH to send to, so the benefits of a stagebox here is I/O expansion and slightly better preamps on the DL32 vs the X32 Rack
This gig was a lot of fun, but man, it started out a little rough! Thanks for watching ya'll!
"Nothing good happens after midnight," and then a truck smacks a curve and almost rams your gear. Ha ha. That was great edit.
lol thanks! Gotta keep an eye out for stuff like that!
These videos are ther perfect mix of technical stuff for a nerd and like a proper well storied vlog that's captivating. Love to see these keep coming out no misses so far
Thanks for the kind words man! And thanks for watching!
That truck running over the curb was icing on the cake in this one...
Thanks for including problems, solutions and near-misses. Those are the best parts!
glad you enjoyed the video man! thanks for watching!
Hi! It's amazing how well you understand this profession. I am a 13-year-old boy, I live in Hungary. That's why I'm sorry if the text is strange, I only use google translate. So, returning to the topic: I also want to learn this, this "profession", and I hope my dream will come true. It's great to see you do all of this in such a way that you understand it. You are super good, produce the content for a long time, I enjoy them! I wish you another nice day. Hi!
Good luck!
Always listen to the missus when she says its gonna rain confetti... love your work keep it up y'all.
wise words to live by!
Hey Guys, I love this, and can’t get enough of it! Thankful that you record and document everything! I know it’s an extra step, but trust me, it doesn’t go in vain! Greatness all around!
Thanks dude! We’re just having fun documenting everything, and it’s awesome to know you’re enjoying it!
@ Absolutely!
That clicky noise is so satisfying! Great vid as usual! Cheers from Chicago!
I think so too! Thanks for watching!
for sure. I'd vote less background music and more gear-clanky ASMR and raw banter during setup/teardown. feels more like we're there!
Another great video definitely the most different event you have done.
Thanks man! It was definitely a unique venue!
That ending had me rolling, lol, nicely done! 🤣
Keep grinding. Great walkthrough and video
Thanks dude! Glad you liked the video!
Love the channel! Wish you uploaded more frequently
what a dope prom location and theme
It was sweet and so much clean power to pull from!
Love your videos! I always stop what I’m doing to watch them as soon as they pop up. Would love to hear how you handle power issues at venues that don’t supply adequate power for your equipment?
Thanks a ton! I’m glad you love the vids! For power issues, I usually just roll with the punches, my gear doesn't draw too much... But if there's a safety issue, an electrician gets called.
Whew! That's a kot! Nice going! By the way, what do you call the EWI console?
Wow...nice setup. How many zlx speaker for this setup?
Contenido para nerds, me encanta.
I'm glad you liked it! Thanks for watching!
Hey - just curious how much do you charge to do an event like this? Thanks!
Curious to know your price for this type of service.
I’m not sure how it sounds, but I think you should consider hiring someone to assist you on stage-it would make things much easier.
hmm you might be on to something!
@@SilverCreekAudio depending where your located, I can fill out an application.
Semangat ya
the way I laughed at this is not ok. Especially the end. Good thing you got out of dodge quick
I'm glad you enjoyed the video, thanks for watching dude!
can u please give us more infos about your WiFi access point? thanks
Song Name at 2:34..?
Healthy Human - Ben Strawn
I guess I’m not understanding why you would have a snake to a stage box. Why. Waste of time and added fail point. If they’re that close together, why not centrally locate your stage box? That’s what 10-15-20 foot cables are for. Instead, you have 100’ of snake, or multiple snakes “hiding” somewhere. And it has to be wrapped back up and you have to carry it. Not like you have a splitter. Makes my back hurt. Plus, you seem to have 25’ mic cables barely unraveled having to ‘hide” those as well. Isn’t that what stage boxes try to eliminate?
Seriously, if that is how you do it, then more power to you. You do you. I’m all about the out, though.
Unlike the DL8, SD8 and SD16, the DL32s are not designed to be utilized on stage, but designed to be put in a rack backstage / sidestage. For such a small stage, it's possible that some longer cables could've been a better solution, but practically it's always best to have the shortest distance from source to socket. My guess would be that this is part of a fixed setup that he rolls out, and it's easier to just keep that pattern and not change the gear, even if you don't necessarily need all the benefits from it.
Also, digital stageboxes are primarily made to avoid long and thick analog multicable runs from FOH to stage. In this case, there is no FOH to send to, so the benefits of a stagebox here is I/O expansion and slightly better preamps on the DL32 vs the X32 Rack
@@petterrong1590 you can use a DL32 on stage and have on tour many times. not for all inputs, but it's fine onstage if it makes sense..