Alexander Lubyantsev plays in Dinard International Music Festival, France in 2008, August 4 Моя партнерская программа VSP Group. Подключайся! youpartnerwsp.com/ru/join?62260
Dear Alexander, please upload more of your interpretations. Consider making a recording of Liszt's transcendental études after Paganini, I WILL BUY IT.
Playing a piece like this(unless played perfectly) is not that hard if you’ve been playing diligently since 5. But to compose this..that is beyond this world
@@manuelcastro3382 I think more classical pianists should explore improvisation and maybe jazz? You rarely see classical musicians changing a piece just for fun and to explore new sounds, but jazz pianists do. Check out some jazz improvisations on popular classical music they sound really cool. In my opinion concentrating only on the classical pieces is maybe a bit limiting (at least when you reach a high level of playing). Nahre Sol does a great job exploring different genres, improvising, composing etc, and each time she does, she learns a lot.
@@pleasecontactme4274 I think performers and conposers of the time used to improvise or at least there was like a "genre" of improvisation. Apparently Fantasie Impromptu was improvised. I didn't mean change the whole piece every time, I just meant that improvisation is not a skill most classical pianists ever learn and it's a shame I think.
@@xhivo97 yeah taking example of FI, the newer version isnt as good. its simplified, the original is better so i learnt the original even though i had learnt half of it in the later one, i re learnt it. but there was not much different anyways
I really like your style! You make the most difficult pieces look so easy and enjoyable. Thank you for sharing videos with us. appreciate your effort and you make me wanna play piano again. Thank you!
when i heard u play this,,, it makes me smile... ur superb just wow wow wow im glad that i found a great pianist like you, to be one of my inspiration! please continue making music much love, Shiena♪ ♫
Sí, poco se habla de la excelente técnica que tiene este señor. Tal vez el próximo año intente aprenderla :P por ahora estoy aprendiéndome la campanella
May I invite all of you that liked his playing of thiss utmost difficult etude to watch his rendition of another jewel for virtuosos only... Scriabin Sonata No. 5. Absolutely awesome musicality and technique!
@musicioso come on you are jealous......this young russian pianist Mr Alexander Lubyantsev is excellent, hear his other recordings. He will make a good career. There is no doubt about that. He makes music and he is intelligent and comes out of one of the best schools in russia. He is the proof that the russian teachers are still very good.
I find it unfortunate how this piece has been forgotten by many, for it may be the hardest piano piece to have been made. Many if not all pale in comparison, for it contains everything.
It's not even close. The original version however, is definitely up there with the most difficult pieces ever. Even then though, 4b of the same set is 'more impossible'.
Love for music and pleasure playing. "I try to play the way a cat jumps. It must be completely natural. I have promised myself that whenever I feel a kind of routine creeping into my playing, I will stop. Now when I play I am almost in ecstasy, a creative ecstasy, which I wouldn't miss for anything. This is what I live for."
I am really curious as to how this was recorded. I have had etude 6 coming and going in my head for about six weeks now and have listened to many performances. What is striking to me about this recording is the audio balance. The bass seems boosted or better miced than what I usually hear. This comes out especially clearly at 0:32 when the left hand starts to play the melody that has shifted from the right hand to it, but it is also fairly clear in variation number 5 @ 1:45 or so. Yet, we're able to hear so much of the audience, it isn't as if the other ranges are really missed. I wonder if they had a microphone one piano at all, or if the camera has a microphone and it is mostly an artifact of the camera and microphone being situated closer to the pianos low range? What I can say is that there are places that I like the effect, and might encourage other performers to try and bring this part of the range into greater attention in their play.
Playing The Paganini Etudes rubato ? Are you fucking kidding me ? Some pieces are much better played exactly the way they were fucking written, and this is one of them. Now if you want to slow down in the most difficult parts and then explain that it was an interpretation, you're free to do so, but you have failed to understand Liszt then.
Playing The Paganini Etudes rubato ? Are you fucking kidding me ? Some pieces are much better played exactly the way they were fucking written, and this is one of them. Now if you want to slow down in the most difficult parts and then explain that it was an interpretation, you're free to do so, but you have failed to understand Liszt then.
You guys obviously do not play an instrument. I used to play a piece that I was completely addicted to(Chopin nocturne op 9 no 2). I'd literally come home and play that piece repeatedly many MANY times every single day after school. . .after a few months, the melody was dead to me, and I couldn't bear to hear it. Now, a year later, I played it a few times, and it sounded meh. . .I just follow the beat and don't put in any extra 'expressions' if you get what I'm saying, sounds more clean
Liszt would be proud of you.
hideous piece, great pianist
Bulbophile Explain??
I am :')
@@Bulbophile The first half of your opinion is declared illegal.
yoshi_drinks_tea it’s so repetitive as it’s just an etude
I love how his face changes at 2:42
Jonathan Li agree, lol XD
I was writing exactly this!
Woah .. Geass face
alli el demonio de franz lizt tomo posesion de su cuerpo
may be paganinin o la legion que formaron ambos
Can’t believe people are whispering during the performance
I think thats him breathing because the piano is probably miced up
Great, you notice the slightest things
@@Noggenfogger1 nope, at 3:08 people are whispering.
@@cubernetes I just wanted to be positive
@@Noggenfogger1 i can understand
It was the best performance. I really admire Alexander Lubyantsev. I found Lizst etude 6 I wanted.
Look at his new videos now ;'(
@@aeroslothy exactly what happened?
Toni Kroos Stan in a piano vid XD
I am PROUD.
하 진짜 이거 한번만 실제 공연장에서 듣고싶다.. 15년도에 왔었는데 한번만 더 내한공연와줘ㅠㅠㅠ
소리 진짜 깔끔하게 친다.. 어떻게 저렇게 칠까
За гранью возможного! Восторг и уважение к вашему труду!
この曲弾けるの羨ましい
Dear Alexander, please upload more of your interpretations. Consider making a recording of Liszt's transcendental études after Paganini, I WILL BUY IT.
Me too!
Muito bom.
My favorite version
He is twenty two in the video, and has been playing since he was 5
Playing a piece like this(unless played perfectly) is not that hard if you’ve been playing diligently since 5. But to compose this..that is beyond this world
@@manuelcastro3382 I think more classical pianists should explore improvisation and maybe jazz? You rarely see classical musicians changing a piece just for fun and to explore new sounds, but jazz pianists do. Check out some jazz improvisations on popular classical music they sound really cool. In my opinion concentrating only on the classical pieces is maybe a bit limiting (at least when you reach a high level of playing). Nahre Sol does a great job exploring different genres, improvising, composing etc, and each time she does, she learns a lot.
@@xhivo97 no fun. we've seen a lot of interpretations and they just ruin the piece so it's best to play it the way its supposed to be
@@pleasecontactme4274 I think performers and conposers of the time used to improvise or at least there was like a "genre" of improvisation. Apparently Fantasie Impromptu was improvised.
I didn't mean change the whole piece every time, I just meant that improvisation is not a skill most classical pianists ever learn and it's a shame I think.
@@xhivo97 yeah taking example of FI, the newer version isnt as good. its simplified, the original is better so i learnt the original even though i had learnt half of it in the later one, i re learnt it. but there was not much different anyways
He's mastered this.
I really like your style! You make the most difficult pieces look so easy and enjoyable. Thank you for sharing videos with us.
appreciate your effort and you make me wanna play piano again. Thank you!
One of the best performance I have ever heard. Thank you!:)
I always like the 24th caprice before, until i found it. This Etude is great and he play it so well
Fantastic, wonderful.
아니 테크닉을 떠나서 어떻게 터치해야 저런소리가 가능한지 들을때마다 경이롭네.
Beautiful
От души братан. Лучшее исполнение!!!!
예전영상보다 더 깔끔해졌고 여유로워졌네... 그때 막 땀 뻘뻘흘리던데
Супер!!! БРАВО!!! Я ВОСХИЩЕНА ВАШЕЙ ИГРОЙ! ТВОРЧЕСКИХ ВАМ УСПЕХОВ!
SEMPLICEMENTE MAGNIFICO !!!!!!!
Талантище, виртуоз, красавец, вот показывать кого нужно по ТВ, а не грубого М..
when i heard u play this,,, it makes me smile... ur superb just wow wow wow im glad that i found a great pianist like you, to be one of my inspiration! please continue making music
much love,
Shiena♪ ♫
vy prosto master, Alexander! Ja v bol'schom vostorge!
Amazing technic and pianist.
feel the crazyness of Liszt for breaking at least 2 piano , .... for playing this one ..
Ференц Лист - это божественно! Как и Ваше исполнение)
это не одно и то же )
my favourite interpretation of this piece
정말 파가니니 연주는 이분것밖에 안들음 진짜 최고다 기교는 물론이와 소리가 진짜 깔끔해요
ᄏᄏ심심행 진짜 공감...
가장 악보대로 군더더기 없이 친 연주인 듯 해요
ㅋ 이 유투버가 저사람임
@@user-mu3om8pj7g Alexander Lubyantsev, 알렉산더 루비얀체프 라고 해요! 2015 년에 차이코프스키 수상자로 한국에 온 적 있더라구요ㅎㅎ
에튀드6번 장인 ㅠㅠㅠㅠ
인정... 진짜 개잘쳐
Liszt speaks!
Ooh this and his other Paganini/Liszt interpretation are truly awesome!! those were literally perfect, in all aspects
Wow !!!! 👍👍👍
Insane technique...I stopped attempting this piece but I want to finish it one day. Hopefully.
Its been 8 years any progress?
@@Luke-eq5di ahahahhahah, I also want to know
@@Luke-eq5di lol
@@Luke-eq5di judging by the lack of response, i'm guessing no
@@noahha5972 Probably doesn’t get on youtube anymore like it has been basically a decade
Wow......Bravo!!!
Esecuzione potente. Fortissimo👊
Bravo👏
AMAZING......
HOLY! ITS SO HARD AND JUST....
Hats off to this guy
Молодец. Некоторые из вариаций особенно хорошо.
Ma dude that's how you play this masterpiece
La canción es hermosa, y la manera en la que la toca es espectacular, de verdad que ganas de ser pianista o violinista profesional 🙁😭💖💖
Sí, poco se habla de la excelente técnica que tiene este señor. Tal vez el próximo año intente aprenderla :P por ahora estoy aprendiéndome la campanella
Люблю твою музыку, perfect in every way.
Н
the most accurate and flawless play,
personally felt it is better than his play in earlier
May I invite all of you that liked his playing of thiss utmost difficult etude to watch his rendition of another jewel for virtuosos only... Scriabin Sonata No. 5. Absolutely awesome musicality and technique!
still the best performance of Liszt etude
not a machine,very talanted boy!
Nice fingers!He isn't machine. Good talented and skillful boy!
Lang Chen you writing this comment 7 years ago, OMAGAD
@@user-hy6tf9yw8l well the video is 10 years old
Weldon Percy how fast time goes😳
@@user-hy6tf9yw8l ikr mindblowing
@musicioso come on you are jealous......this young russian pianist Mr Alexander Lubyantsev is excellent, hear his other recordings. He will make a good career. There is no doubt about that. He makes music and he is intelligent and comes out of one of the best schools in russia. He is the proof that the russian teachers are still very good.
I find it unfortunate how this piece has been forgotten by many, for it may be the hardest piano piece to have been made. Many if not all pale in comparison, for it contains everything.
This is not even the hard version of this piece...
The hard version is literally comparable to the most impossible songs made by classical musicians. (Yes they did that too if you didn't know.)
It's not even close.
The original version however, is definitely up there with the most difficult pieces ever. Even then though, 4b of the same set is 'more impossible'.
@@dhruvsawant9234 Etude 4 (Caprice 1) original is still the hardest Liszt song ever made, followed by Etude 6 (Caprice 24)
“Hardest piano piece ever made”
“Forgotten by many”
*_This comment has everything wrong LMFAO_*
best of best
Search "Arrau plays Liszt Paganini Etude no. 6 (rec. 1928)"
Martin van Boven yes! I remember his amazing speed. how was he that fast? o.o
Love for music and pleasure playing. "I try to play the way a cat jumps. It must be completely natural. I have promised myself that whenever I feel a kind of routine creeping into my playing, I will stop. Now when I play I am almost in ecstasy, a creative ecstasy, which I wouldn't miss for anything. This is what I live for."
i love you
noticed that he was more relaxing and very fluent to playing this piece, because this was 2 years after the competition.
예전영상보다 엄청여유롭네ㅋㅋㅋㅋ겁나쉬운곡치듯이 치시네....
호우
같은생각..
ㅇㅈㅇㅈ 쉬운곡이어서 그럼
@@Franz_Liszt_Korean 6번변주 너프좀
@@user-cz6ow2lf1b ㅎㅎㅎ
Extra X !!!
Музыкальное образование на высоте,Юноша играет просто бесподобно .
Your fingers are probably about as long as Liszt’s were. Also, impeccible style!
I am really curious as to how this was recorded. I have had etude 6 coming and going in my head for about six weeks now and have listened to many performances. What is striking to me about this recording is the audio balance. The bass seems boosted or better miced than what I usually hear. This comes out especially clearly at 0:32 when the left hand starts to play the melody that has shifted from the right hand to it, but it is also fairly clear in variation number 5 @ 1:45 or so. Yet, we're able to hear so much of the audience, it isn't as if the other ranges are really missed. I wonder if they had a microphone one piano at all, or if the camera has a microphone and it is mostly an artifact of the camera and microphone being situated closer to the pianos low range? What I can say is that there are places that I like the effect, and might encourage other performers to try and bring this part of the range into greater attention in their play.
かっこよ。
@newFranzFerencLiszt your comment is funny. alexander lubyantsev is one of the best young pianist i know. Technique, musicality, and personality!
축하합니다 당신은 알고리즘의 선택을 받았습니다👍
@newFranzFerencLiszt
Agree. But i have to say, i would die for....i would die for having his technique
Cool
WOW how many years have you played? I mean thats excellent fingerwork and very very fast .... wow again :)
この曲には原曲があるそうで・・🙄✨余りに音域が広すぎ、余りに早くて誰も弾けないので難易度下げて今の曲になったんですって😃✨
✨✨゚+.゚(*´∀`)b゚+.゚✨✨
1番超絶早くて粒立ち美しい✨
それは超絶技巧練習曲の方でしょう
th-cam.com/video/mOh5uXcVyZM/w-d-xo.html
Does he have any recordings that I can buy?
와..
若い演奏者にリスペクト😊🎼
I actually think that he should compose music as im sure with his technical talent he would be remembered.
I like you
훗 머이쯤이야 얼마든지
라고치시네😄👍
The bad quality camera MAKES it sound dry! It is almost the same as the other performance, with all of the good comments!
I bet the piano needed a cigarette after that.
You're a better Life form then me
Like Paganini!
파가니니 에튀드 6번은
이 피아니스트가 빠르기, 강약조절 등 가장 표현 잘함
suit is cute.
Origin from Caprice 24, Paganini
Le mec à 3:07 c'est un génie!!!
comment ça xD?
どれくらい手が大きいんだろう…
첫음부터 끝났어..
파가니니/리스트 에튀드 6은 이분이 최고다! 휘몰아치면서 강한
😻👍🏻👏🏻👏🏻
This is definitely your piece
So this is how its supposed to sound like
😊😊😊😊😊
대박 깔끔하게 친다
grate
DCARTOONS Can you speak English??
It's too fast...
You are amazing!
누가 기침소리를 냈는가
나다!
응애
3:41
I'mNotOkayWithThis nhooooo
It would be amazing if he made a video of him play Liszt Etude 6 but playing as fast as he could.
Yes and maybe with one hand in the nose and the right leg in the left shoulder
Do you know the word agogic or rubato???
Playing The Paganini Etudes rubato ? Are you fucking kidding me ? Some pieces are much better played exactly the way they were fucking written, and this is one of them. Now if you want to slow down in the most difficult parts and then explain that it was an interpretation, you're free to do so, but you have failed to understand Liszt then.
ㅈㄴ잘치네
He turns his hacks on at 3:42
machine
Playing The Paganini Etudes rubato ? Are you fucking kidding me ? Some pieces are much better played exactly the way they were fucking written, and this is one of them. Now if you want to slow down in the most difficult parts and then explain that it was an interpretation, you're free to do so, but you have failed to understand Liszt then.
@@julienlepine7560 are you just copy pasting another persons comment without reading the entire thing lol
No ling ling comments?
You guys obviously do not play an instrument. I used to play a piece that I was completely addicted to(Chopin nocturne op 9 no 2). I'd literally come home and play that piece repeatedly many MANY times every single day after school. . .after a few months, the melody was dead to me, and I couldn't bear to hear it. Now, a year later, I played it a few times, and it sounded meh. . .I just follow the beat and don't put in any extra 'expressions' if you get what I'm saying, sounds more clean
audio was rubbish but nontheless the pianist is one amazing boi
This video is 9 years old
@@lurs21. Oh. guess i shouldn't really be complaining.
lurs If you look at the description of the video, you can see that it was recorded in 2008. So it is even more older...