We assume that you play all the above-mentioned instruments and you are a great connoisseur of Shostakovich's work. Therefore my request is: play the 15th symphony without shortcomings and for the joy of mankind, let us admire perfection! we will be waiting for you!
Мне очень понравились тромбоны, особенно 1 и 2, Можно с ними пообщятся, так первый держыт опертуру,и звук такой собранный я аш стал ему подражать😂.Подскажите можно их где нибудь ещё посмотреть
Noticeably worse than the performance from the Concertgebouw 2014. First of all, the soloists. The first flute solo left much to be desired, and the piccolo was also not up to par: in particular, the last note in the Scherzo was swallowed. And the first violin is very sluggish. The theme of the passacaglia in the finale (pizzicato of the double basses) turned into some kind of indistinct muttering, after the climax the tam-tam was almost inaudible. But some details were expressive. Both climaxes are done strongly. But still there was a lack of integrity.
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Гениальный Шостакович блеснул для меня непревзойденным Хайтинком. Как жалко, что Бернарда с нами больше нет.
🙏
Превосходно, медные духовые великолепны
0:00 - Allegretto
9:11 - Adagio - Largo - Adagio - Allegretto
25:03 - Allegretto
30:00 - Adagio - Largo - Adagio - Allegretto
We assume that you play all the above-mentioned instruments and you are a great connoisseur of Shostakovich's work. Therefore my request is: play the 15th symphony without shortcomings and for the joy of mankind, let us admire perfection! we will be waiting for you!
Мне очень понравились тромбоны, особенно 1 и 2, Можно с ними пообщятся, так первый держыт опертуру,и звук такой собранный я аш стал ему подражать😂.Подскажите можно их где нибудь ещё посмотреть
Оркестр? Год? Место?
У второго тромбона что за мундштук? И он щёки надувает😅 сколько ему лет?как его зовут?, по моему я его знаю.
Он в цирке ещё работает?
Noticeably worse than the performance from the Concertgebouw 2014. First of all, the soloists. The first flute solo left much to be desired, and the piccolo was also not up to par: in particular, the last note in the Scherzo was swallowed. And the first violin is very sluggish.
The theme of the passacaglia in the finale (pizzicato of the double basses) turned into some kind of indistinct muttering, after the climax the tam-tam was almost inaudible.
But some details were expressive. Both climaxes are done strongly.
But still there was a lack of integrity.