It’s difficult to ‘react’ to the Grateful Dead music. Each version of a song is different. Each song takes you on a different journey. It’s about making the music in the moment and having a collective experience. If ‘you know’… you know. 😉 🌹 💀 ✌️⚡️
The version of Eyes of the World on the 1990 live album "Without a Net" is also HIGHLY worth a listen. It features Brent Mydland on keyboards and Branford Marsalis on tenor and soprano sax.
Doug, if I could like this more than once, I would. I can say with confidence that we will watch every Dead tune you listen to on this channel, likely several times over. Cheers.
I hear someone say once that the Dead sounds like everybody is soloing at the same time...but no one gets in the way. Just a conversation about the most wonderful thing!
Hey @Doug.Helvering , thanks for giving the Grateful Dead some long-overdue attention on your channel. There are 110 comments above this as I write, so if you see this I'll be surprised, but here goes: David Crosby once compared the Grateful Dead to an electric Dixieland jazz band - they have four lead instruments, and each improvises a separate melody line. The art of this band is the way these musical ideas interact in a live setting. Listen for that. A couple more thoughts to help get you pointed in the right direction with the Grateful Dead: 1) Just listen to their live stuff. It's where they shine brightest. 2) Eyes of the World is a very calming song, and this version a great example of the band playing well in 1991, but there's *a lot* more to the Grateful Dead than this. They wrote songs in many styles. Not all Grateful Dead songs are as tranquil or soothing as this one. They could do this, but they also did so much more than "just" this. 3) The Grateful Dead's infamous logo is a skull being zapped by a lightning bolt, and that's also their mission statement: they are coming for your mind, and they intend to leave a mark. The Grateful Dead were the original Godfathers of LSD-driven psychedelic rock, and it's important to state that they NEVER (!) stopped being psychedelic, and LSD (and other psychedelics) have always and forever been an essential part of the GD scene. I'm noy saying one should take drugs to enjoy this music, but I will say plainly that Grateful Dead music makes a lot more sense and assumes its full dimension when listened to on mind altering substances, especially psychedelics. Grateful Dead music is made with psychedelics in mind. 4) Lastly, the deepest end of the Grateful Dead's musical pool is their heavily improvised psychedelic classic, "Dark Star". I highly, *highly* recommend listening to this song soon, as it is the beating heart of this band's extensive songbook. There are many great versions, each gloriously different, but for a first listen I emphatically recommend listening the version that opens their 1969 live album, Live/Dead - imho it may be the single best thing they ever put on record, and it is the essence of why they matter so much to so many of us. Dark Star was this band's signature song, and it was played as if everyone in the room was going on a musical journey to the unknown together, band and audience alike. The version that appears on Live/Dead is an especially melodic version that is both very approachable (for this song) and yet will 100% take you to the most distant of galaxies if you let it. The Live/Dead performance, recorded live on 2/27/69, is *THE* touchstone version of a song that undoubtedly launched thousands of trips. This song exemplifies why they matter to so many of us. Imho, you have not heard the full range of this band until you have heard the Live/Dead version of Dark/Star. And turn up the bass! If you got this far, thank you for taking the time to read that, I hope you really get into this band and we get to see you review a more of their live material. Cheers! Edited for punctuation
It was that Dark Star from Live Dead that gave me the impression that they were playing just for me...Jerry especially, then the words "shall we go, you and I while we still can .... " And then I was sure of it. I've no doubt that a lot of us over the years feel that way, which makes the music so special to all of us who get that sense of it. They're playing for me... wow.
Yes indeed. I wore the grooves off of that album. Listening to Dark Star with headphones while tripping on acid was truly one of the highlights of my youth.
Probably my favorite Dead song. The bass drives the song. First saw them as the Warlocks. The last time I saw them was Jerry's last CA concert at Shoreline.
@@bradchun21 technically, Formerly The Warlocks in Va. ‘89. I had the same thought tho. Certainly not unheard of to have somebody On The Bus from then to still be telling tales now. It’s becoming a smaller& smaller crowd in 2024.
Great vid today Doug! Personally, I always preferred this song when it was paired "Estimated Prophet" and they jammed on F# minor in 7/4 heading out of "Estimated" into the intro to "Eyes" intro in E maj 4/4. Some of those improvised transitions were incredibly inventive. "Estimated" also does some very odd key changes as well. The verses were in F# minor and the Chorus is in G major. Back in the early 80's the band I was in during high school used to cover this song; "Eyes" is a great dance tune. I think, if you're going to do more Grateful Dead videos, they will probably need to be a little longer than usual; Deadheads tend to think by show (or at least first or second set of a show). Each set tended to make some kind of statement - in an offhand way. Be careful what you wish for! There really isn't anything quite like a well executed Grateful Dead concert. If you ask me, where the band really shined was in their ability to improvise their way from one song into a totally new song without any stops at all - often in very strange keys and meters. A good "Playing in the Band" jam is a good example; they typically go off into a middle section that contained some pretty cool 10/4 modal improv that acts as a springboard to jump to other songs. But at some point they would always do a recapitulation back to "Playing" - but in between there would be an entire set of other songs that would segue from song to song as well. Some of the more psychedelically tinged tunes aren't quite so mellow and placid as "Eyes of the World" is - usually a hard hitting version of "The Other One" was a good deal stormier - but in a really cool way. During the Brent years you would be sure to hear some truly hair raising B-3 organ during "The Other One". I think next time a good "Scarlet Begonias - Fire on the Mountain" or "China Cat Sunflower - I Know You Rider" might be a good choice for something reasonably encapsulated - that won't be an hour or more long.
Only serious intellectuals here 😎. Jokes aside, totally agreed. No weirdly strong and negative comments that were clearly the result of a bad trip or obsession w/o the understanding that may be necessary to empathize with the groups MASSIVE pressure in life.
Bruce was a DEADHEAD, had his own Dead over band in high school. After losing Brent he really helped the whole community get through a difficult time, fulfilling a personal dream, but he wouldn't take the gig, he helped take pressure off of Vince for sure learning that vast catalog, finding your sound, he was in The Tube's, but this was the Grateful Dead. Brent was a huge loss though, a crater. Always feeling the outsider he carved his way into the band, powerful vocals, that B3 he was a beautiful mess, gone too soon. Listen to the finest version of BLOW AWAY 7/7/89 JFK, he's bleeding on stage, living every word. People said "everyone's hairs were standing on end". Watch it, he and his gal were split, could see his daughters picture on the keyboards, review it.
I’ve never been able to pick a “favorite” period of Dead; I find so much in all of them. In this case,though, I highly suggest a listen to some 73-74 versions (maybe even a follow-up video) since the band played additional sections, including an odd-meter riff and modulations to other keys. Also most of Phil Lesh’s bass solos come from this song and that period. Love your video series! Even when the music isn’t my cup of tea they’re fun and informative.
Really like what you do with your channel. My two cents: as someone who first saw the Dead in the early seventies and continued into the nineties and has play both guitar and bass in more than a couple of GD/Jamband,. What I always thought was unique to the dead was their use of polyphonic (as opposed to homophonic) texture. Each instrument is in constant conversation with the other. Yes, Jerry is first among equals but at any moment, you can be into what Phil, Bobby or the keyboard player(s) are doing. That and their deconstruction of form by the use of open ended jams that morph into songs and then dissolve back into openness made them truly unique and special. I know there are more than enough suggestions for what's next so here are mine: Playing The Band - dig the use of odd time signatures and the aforementioned use of song/open improv/song structure. I would suggest the studio version from the Bob Weir solo album ACE for it's relative short length and conciseness. Other examples of song -> open improv -> song: Help On The Way/Slipknot/Franklin' Tower - studio version (again for the same reason as above). China Cat Sunflower/Know You Rider - Can't go wrong with Europe 72 but versions from 73 usually feature a cool inserted section known as the "Feeling Groovy" jam Scarlet Begonias/Fire On The Mountain - Barton Hall 77 Personal favorite because I third row in front of Phil - Dancing In The Streets Springfield MA 78. Also, as I am writing this, I'm listening to 11/17.1971 Albuquerque, NM. Pretty awesome! (th-cam.com/video/I5jBJFHOev0/w-d-xo.html)
Eyes of the World (Live at Roosevelt Stadium, Jersey City, NJ, August 6, 1974) - Jerry & band at their best! th-cam.com/video/bbdmg_IaTDM/w-d-xo.htmlsi=aTunIIjfTxFturdj
I also forgot SO MUCH… Forget the Chords Doug… look at the interplay between Bruce and Jerry G…. Jerry was so thrilled to have him there and was having so much FUN!! Also the other Piano player is Vince Welnick from THE TUBES!!! These folks are accomplished in their own right!!! Btw, Phil L is a classically trained musician and picked up the bass to play with the Dead… So much here to absorb… ask your brother my man…. Enjoy the ride with these folks as I think you will love it… I hope you do, but it’s your call to get on the bus to Terapin my man!!!
My first Dead show was 6/18/74 with the Wall of Sound. And they did a breathtaking version of 'Eyes'. Also was also the first time I had a small piece of paper melt under my tongue. That show was truly a life moving experience I will never forget. And saw them as frequently as possible until Jerry passed away. Only regret is that I never saw Pigpen
Hi Doug ! When you said you want to JUST HEAR MORE - that is called" The moment you got on the the bus !" Welcome aboard dear traveler, Mickey Hart said" We're in the travel business, we take people places !"
I will go out on limb here, but I feel that the whole jam band genre most certainly would scarcely exist without the dawn of the Grateful Dead or Jerry Garcia’s approach to music. They were the quintessential live band for decades and little known outside of the culture. My non Dead Head friends never got hip because they only knew ‘Radio Dead’ so how can you blame them? Now, with the advent of a wealth of well recorded live content spanning decades on Apple and Spotify, I send my friends playlist’s and they begrudgingly check them out. Literally saw one of my coworkers jaw drop and tear up! One of a few new devotees. I’m just sorry none could have experienced the real deal go down! It’s also awesome that I get to revisit several shows that I was witness too. (I occasionally tear up from time to time as well!) Peace
One of the best things about a 48 track recording, you can really hear each individual musician very, very clearly. And like you said Doug, they are all excellent musicians. True professionals at work. Saw them on this tour and it was, as always, stellar. This is less than a year after Keyboardist Brent Mydland passed, hence both Vince Welnick and Bruce Hornsby are present, Bruce helping Vince learn the music.
This lineup was called the Magnificent Seven. These shows with Bruce and Vince were beyond outstanding. I remember these days well.... Jerry playing Rosebud which is the MIDI equipped version of his previous guitar Tiger led to a whole new era of sounds during Space.
Doug, Billy Kreutzmann and Mickey Hart are up there with Phil Collins and Chester Thompson for me in EXTRAORDINARY live drumming partnerships. Chieck out Space and Drums. One word: WOW
Back in the 80's I went to a Dead show, and I met a man selling $5 oranges out of the back of his van in the parking lot. Mind you at the time, grocery store oranges sold for $0.35 each and naturally I was curious. Long conversation short: That was the best gosh darn orange I've ever had in my life!
Jerry was the son of a bandleader and knew music theory in depth. One of the things that set them apart was Garcia’s surprising compositions that perfectly accompanied Robert Hunter’s lyrics. Rare and beautiful.
Gotta get into some 70s stuff Doug. 90s can't light a candle to the 70s Dead. A great version of this song is on One From The Vault (which is a great 'starter kit' for anyone wishing to get into The Dead). th-cam.com/video/-nztDwb8RZc/w-d-xo.html
I just got back from Vegas and saw Dead and Company. They are playing every weekend at the Sphere. A new high in human entertainment. Got my Eyes of the World tank filled til next month going back for three more shows! Thanks Doug
I don't want to start trouble but please for the love of God do not compare "Dead & Co." to the Grateful Dead. I don't care how cool The Sphere is, musically It is not in any way, shape or form the same thing, and frankly it's a hollow echo of this; It's a glorified cover band. Having said that, I'm glad you're enjoying the shows and hope you continue to do so. 🙏
This is one of my favorite dead songs. Favorite versions of it are with Branford Marsalis sat in. There's lots of ways to catch those versions. Enjoy, especially if you are a jazz fan.
I was at this show! It was the 3rd show in a row with my late friend. We saw 6/14/91 in DC, then 6/16/91 and 6/17/91. Good times. Other Eyes of the Worlds to also listen to: 7/8/90 in Pittsburgh (I was there, Crosby, Stills and Nash were the opening act!) and 3/29/90 with Branford Marsalis.
In the 1970's (73 and 74) when they wrote this song, they had a Coda in the song that turned into both King Solomon's Marbles and Slipknot (which is an instrumental thing the Dead generally performed between Help On The Way and Franklin's Tower). The coda was pretty damn cool.
This is one of my favorite live versions of Eyes. Phil the bass player just tears it up, the sound he’s getting from the bass he’s playing fits him just exactly perfect. Just listen to him. Another good Eyes, is from “without a net” with Branford Marsalis, highly recommend. Thank you for the video! Wow 7:21 was a surprise 😆
Hey Doug, I think you would really appreciate some of the live recordings from the Europe 72 record. The band at that time was really at their best - imo…✌️and thank you!
This is a solid version, but you really need to check out an early 70's really jazzy version like this. th-cam.com/video/lDfnJzHLYvk/w-d-xo.html You also must watch 3/29/90 with Branford Marsalis like mentioned previously th-cam.com/video/TO4YV185orE/w-d-xo.html.
Doctor Doug, if you do take the time to explore The Dead, bear in mind, Studio Dead is often..."less than". Live performances are usually better. I refer new listeners to "Europe '72" My preference is the "Pigpen" and Keith & Donna" eras, up to early '79. To each his own.
A fun thing for fans was figuring out what they may play while tuning up. They play a signature note or chord strumming. Tipped you off to the song that was incoming. I was arguing with my friend that I was hearing Eyes of the World. He kept saying that they never opened a show with that. But you must be open to musical surprises with the Dead....this was a big one
Doug, you gotta go back to ‘72-‘74 (live) to get the right versions of this (and many other) Dead tunes. Happy to offer suggestions, if/when needed. Enjoy. 🤙
There are different good things about each era. Early 70s is great , especially 4/28/71 and 4/29/71 at the Fillmore East. I can't remember the date, but there is also a show at the University of Florida's Alligator Alley from that era which just smokes!
Whoever recommended this version must’ve been at this show back in 91. It’s not bad but it should’ve been the Branford show in 89 or the awesome 73-74 Eyes with Keith on piano. There’s really nothing interesting about this one.
This is true. I have a 58-minute version of "In the Midnight Hour" from 1969. You wouldn't think a band could hold your attention that long with a simple song. You would be wrong!
Welcome to what is probably the largest musical rabbit hole in existence! Been waiting patiently for you to really start this journey, Doug. So much music to absorb. So many concerts that have been lovingly preserved by us fans.
Great video as always sir Doug! Also, if you need more reccomendations, HOUSE IN FATA MORGANA HAS AN INCREDIBLY INCREDIBLY UNDERRATED SOUNDTRACKK 😭 They aren't as amazing in orchestral quality as Final Fantasy tracks because Novectacle is just a small game developer, but I think he had them revamped! They're so so soulful, painful and just utterly beautiful- my favorites are Cicio, Twilight, Giselle, The House in Fata Morgana, and Passing Fata Morgana. My special mentions are Skia Oura, Diira Mincha, Everyone's Crying and Serie De Fragmento. If you checked out Novectacle's soundtracks it would also help give their game more exposure, it's already kind of well known for a visual novel without an anime, but still just... Incredibly underrated compared to what the game should have.
Ciao Carina is pretty famous too. Giselle, Cicio, and Ciao Carina are the most popular online. Twilight is still not shared enough since it's a new track.
Thanks for this great analysis, Doug. Consider also that "wake up to find out that you are the eyes of the world" points to a "waking up" to the philosophical realization that "you" -- the subject of experience -- are, in fact, one with the "objects" of experience, and that this fundamental duality is in some ways, illusory. Taken further, metaphysically, we are all the eyes of the world, together, as a unitary consciousness.
We are everywhere, So goes the old deadhead saying. Eyes of the world is a very unusual for an opener. So much so that I had to look it up. Looks like you would have been grooving right along with everyone. Thankfully, the recorded shows are many. Jam on
Doug, another great review. Your next Grateful Dead task is to check out 'Shakedown Street' live from the Rockpalast in 1981. A great era for the Dead and a classic upbeat performance of a fan favorite!
Crap! Thanks for doing this!!! I literally stumbled upon this… I’m a subscriber… lol so hard that … yes… 1 song per year will last 875 lifetimes!!! Good on you my man!
I was in attendance for this and it was a truly special moment for Deadheads as this was the first and only time I believe that they opened a show with Eyes.
Dead and Co. Are at the Sphere in Vegas right now, which is on TH-cam and is pretty cool, but it's not the Real Grateful Dead when Jerry was alive! I saw them "Numerous" times in the 80s, Best Experiences Ever! You have to experience them correctly normally with Psychedelics but not necessarily? But a typical concert will begin with a Blues, Country and or Rock & Roll number, migrate through expanding more and more until the second set, when they reach out more Jazzy and sometimes even Reggae into "Tribal Drumming, Deep Space" and then bring you back home with maybe a Gospel Blues or Rock & Roll song for a finale. Nothing like a Grateful Dead Concert!
TH-cam needs a love button for when Doug smokes weed and listens to my favorite song ever.
That look at 9:35 is just bliss.
He hit that bowl and I hit that SUBSCRIBE button!
Grateful Dead is the worlds deepest rabbit hole.
Also the most fun!
Infinite depth
In so many more ways than one too lol
I’d say more like a shaft of light…you know, rising up to paradise
only second to the jazz artists that preceded them
It’s difficult to ‘react’ to the Grateful Dead music. Each version of a song is different. Each song takes you on a different journey. It’s about making the music in the moment and having a collective experience. If ‘you know’… you know. 😉 🌹 💀 ✌️⚡️
Spot on Amanda! I could not have said it better. True masters of their art that nobody else can reproduce.
The version of Eyes of the World on the 1990 live album "Without a Net" is also HIGHLY worth a listen. It features Brent Mydland on keyboards and Branford Marsalis on tenor and soprano sax.
100% agree… I was there and it was awesome!
100% agree. I think the Bird Song from that show (also with Branford) is fantastic. 3/29/90 is an all time favorite
Hands down, best Eyes of the World version.
Agree with everyone else on this - worth hearing. It's the 3/29/90 show.
@@joncornick9705 I was there as well! Both this one and that one were great shows. 10/16/89 at Brendan Byrne was fantastic, too!
"They aren't the best at what they do, they're the ONLY ONES who do what they do." ~ Bill Graham
FUCK YEAH
Keep playing the Dead i'll keep coming' back!
Doug, if I could like this more than once, I would. I can say with confidence that we will watch every Dead tune you listen to on this channel, likely several times over. Cheers.
The beauty of the Grateful Dead is each member playing something different at the same time but it all fits together perfectly.
I hear someone say once that the Dead sounds like everybody is soloing at the same time...but no one gets in the way. Just a conversation about the most wonderful thing!
It's like Dixie!
Hey @Doug.Helvering , thanks for giving the Grateful Dead some long-overdue attention on your channel. There are 110 comments above this as I write, so if you see this I'll be surprised, but here goes: David Crosby once compared the Grateful Dead to an electric Dixieland jazz band - they have four lead instruments, and each improvises a separate melody line. The art of this band is the way these musical ideas interact in a live setting. Listen for that.
A couple more thoughts to help get you pointed in the right direction with the Grateful Dead:
1) Just listen to their live stuff. It's where they shine brightest.
2) Eyes of the World is a very calming song, and this version a great example of the band playing well in 1991, but there's *a lot* more to the Grateful Dead than this. They wrote songs in many styles. Not all Grateful Dead songs are as tranquil or soothing as this one. They could do this, but they also did so much more than "just" this.
3) The Grateful Dead's infamous logo is a skull being zapped by a lightning bolt, and that's also their mission statement: they are coming for your mind, and they intend to leave a mark. The Grateful Dead were the original Godfathers of LSD-driven psychedelic rock, and it's important to state that they NEVER (!) stopped being psychedelic, and LSD (and other psychedelics) have always and forever been an essential part of the GD scene. I'm noy saying one should take drugs to enjoy this music, but I will say plainly that Grateful Dead music makes a lot more sense and assumes its full dimension when listened to on mind altering substances, especially psychedelics. Grateful Dead music is made with psychedelics in mind.
4) Lastly, the deepest end of the Grateful Dead's musical pool is their heavily improvised psychedelic classic, "Dark Star". I highly, *highly* recommend listening to this song soon, as it is the beating heart of this band's extensive songbook. There are many great versions, each gloriously different, but for a first listen I emphatically recommend listening the version that opens their 1969 live album, Live/Dead - imho it may be the single best thing they ever put on record, and it is the essence of why they matter so much to so many of us. Dark Star was this band's signature song, and it was played as if everyone in the room was going on a musical journey to the unknown together, band and audience alike. The version that appears on Live/Dead is an especially melodic version that is both very approachable (for this song) and yet will 100% take you to the most distant of galaxies if you let it. The Live/Dead performance, recorded live on 2/27/69, is *THE* touchstone version of a song that undoubtedly launched thousands of trips. This song exemplifies why they matter to so many of us. Imho, you have not heard the full range of this band until you have heard the Live/Dead version of Dark/Star. And turn up the bass!
If you got this far, thank you for taking the time to read that, I hope you really get into this band and we get to see you review a more of their live material. Cheers!
Edited for punctuation
It was that Dark Star from Live Dead that gave me the impression that they were playing just for me...Jerry especially, then the words "shall we go, you and I while we still can .... " And then I was sure of it. I've no doubt that a lot of us over the years feel that way, which makes the music so special to all of us who get that sense of it.
They're playing for me... wow.
Love some fall ‘72 Darkstar as well
You definitely couldn't go wrong diving into some of the lovely '73-'74 versions of Eyes. They're my favorite by far!
Yes indeed. I wore the grooves off of that album. Listening to Dark Star with headphones while tripping on acid was truly one of the highlights of my youth.
More Dead!!! Love listening with ya Doug!
Probably my favorite Dead song. The bass drives the song. First saw them as the Warlocks. The last time I saw them was Jerry's last CA concert at Shoreline.
You saw The Warlocks?!
You’ve had a long strange trip, indeed.
Now... the Warlocks? Please tell us a story
@@j.mcsweeney4673must be 89 warlocks. That’s wild if he saw og warlocks
@j.mcsweeney4673 perhaps the 89 Hampton shows ..billed as warlocks
@@bradchun21 technically,
Formerly The Warlocks in Va. ‘89.
I had the same thought tho.
Certainly not unheard of to have somebody On The Bus from then to still be telling tales now. It’s becoming a smaller& smaller crowd in 2024.
"It's not about trying to be technical, it's about trying to be a human" - Doug Helvering
This is why Jerry is never in the best guitarist conversation but to me he makes his sing better than anyone to my ear.
immediately taking note of bobby's shorts...
we love it.
I think he sold them to Thomas Lennon for Reno 911.
More Dead = more visits from this guy
Great vid today Doug!
Personally, I always preferred this song when it was paired "Estimated Prophet" and they jammed on F# minor in 7/4 heading out of "Estimated" into the intro to "Eyes" intro in E maj 4/4. Some of those improvised transitions were incredibly inventive. "Estimated" also does some very odd key changes as well. The verses were in F# minor and the Chorus is in G major. Back in the early 80's the band I was in during high school used to cover this song; "Eyes" is a great dance tune.
I think, if you're going to do more Grateful Dead videos, they will probably need to be a little longer than usual; Deadheads tend to think by show (or at least first or second set of a show). Each set tended to make some kind of statement - in an offhand way. Be careful what you wish for! There really isn't anything quite like a well executed Grateful Dead concert.
If you ask me, where the band really shined was in their ability to improvise their way from one song into a totally new song without any stops at all - often in very strange keys and meters. A good "Playing in the Band" jam is a good example; they typically go off into a middle section that contained some pretty cool 10/4 modal improv that acts as a springboard to jump to other songs. But at some point they would always do a recapitulation back to "Playing" - but in between there would be an entire set of other songs that would segue from song to song as well.
Some of the more psychedelically tinged tunes aren't quite so mellow and placid as "Eyes of the World" is - usually a hard hitting version of "The Other One" was a good deal stormier - but in a really cool way. During the Brent years you would be sure to hear some truly hair raising B-3 organ during "The Other One".
I think next time a good "Scarlet Begonias - Fire on the Mountain" or "China Cat Sunflower - I Know You Rider" might be a good choice for something reasonably encapsulated - that won't be an hour or more long.
I miss the shows, lots, and community. Toured from 91, to 95. Greatest time period in my life. Alot has changed .
I must say, the Sphere had a really good vibe a couple weeks ago. I'm dying to go back. Lots of love and a crowd full of joy. Quite nice.
Doug is being taken away by the bus as he stares out the back window.😮
LOL!! No doubt!!
Serious Dead head here - this is by far the best comment section of any dead related video and I’ve read thousands
Only serious intellectuals here 😎. Jokes aside, totally agreed. No weirdly strong and negative comments that were clearly the result of a bad trip or obsession w/o the understanding that may be necessary to empathize with the groups MASSIVE pressure in life.
No Vince bashing either lol..He played his ass off at this show (And I’m a BRENT GUY)😂
hello fellow Deadhead. wake up to find out ✌☮☮🕊🕊
the Dead almost quite literally a trip. The music took you places. varied landscapes, colors, regions, feelings.
Mickey said "We're in the travel business, we take people places "
You should check out the version of this song at Nassau with Branford Marsalis
Major7ths are so floaty and happy. Thank you for exposing people to the beauty of the Grateful Dead, particularly live Dead.
Bruce was a DEADHEAD, had his own Dead over band in high school.
After losing Brent he really helped the whole community get through a difficult time, fulfilling a personal dream, but he wouldn't take the gig, he helped take pressure off of Vince for sure learning that vast catalog, finding your sound, he was in The Tube's, but this was the Grateful Dead.
Brent was a huge loss though, a crater.
Always feeling the outsider he carved his way into the band, powerful vocals, that B3 he was a beautiful mess, gone too soon.
Listen to the finest version of BLOW AWAY 7/7/89 JFK, he's bleeding on stage, living every word.
People said "everyone's hairs were standing on end".
Watch it, he and his gal were split, could see his daughters picture on the keyboards, review it.
The best versions of Eyes come from around 1974.
Yep
11.11.73 is my fav
Yeah, the long coda versions (example 5.17.74) are the best - you likely won't find videos, but the music will still take you there
The best ever is the verion on One from The Vault from 1975
I’ve never been able to pick a “favorite” period of Dead; I find so much in all of them. In this case,though, I highly suggest a listen to some 73-74 versions (maybe even a follow-up video) since the band played additional sections, including an odd-meter riff and modulations to other keys. Also most of Phil Lesh’s bass solos come from this song and that period.
Love your video series! Even when the music isn’t my cup of tea they’re fun and informative.
Really like what you do with your channel.
My two cents: as someone who first saw the Dead in the early seventies and continued into the nineties and has play both guitar and bass in more than a couple of GD/Jamband,. What I always thought was unique to the dead was their use of polyphonic (as opposed to homophonic) texture. Each instrument is in constant conversation with the other. Yes, Jerry is first among equals but at any moment, you can be into what Phil, Bobby or the keyboard player(s) are doing. That and their deconstruction of form by the use of open ended jams that morph into songs and then dissolve back into openness made them truly unique and special.
I know there are more than enough suggestions for what's next so here are mine:
Playing The Band - dig the use of odd time signatures and the aforementioned use of song/open improv/song structure. I would suggest the studio version from the Bob Weir solo album ACE for it's relative short length and conciseness.
Other examples of song -> open improv -> song:
Help On The Way/Slipknot/Franklin' Tower - studio version (again for the same reason as above).
China Cat Sunflower/Know You Rider - Can't go wrong with Europe 72 but versions from 73 usually feature a cool inserted section known as the "Feeling Groovy" jam
Scarlet Begonias/Fire On The Mountain - Barton Hall 77
Personal favorite because I third row in front of Phil - Dancing In The Streets Springfield MA 78.
Also, as I am writing this, I'm listening to 11/17.1971 Albuquerque, NM. Pretty awesome! (th-cam.com/video/I5jBJFHOev0/w-d-xo.html)
sometimes the songs that we hear are just songs of our own😎
Eyes of the World (Live at Roosevelt Stadium, Jersey City, NJ, August 6, 1974) - Jerry & band at their best!
th-cam.com/video/bbdmg_IaTDM/w-d-xo.htmlsi=aTunIIjfTxFturdj
My first show!
The wife and i love watching your channel... we had literally just said, "haven't seen Doug light up in a while..." 😂😂😂
I also forgot SO MUCH…
Forget the Chords Doug… look at the interplay between Bruce and Jerry G…. Jerry was so thrilled to have him there and was having so much FUN!! Also the other Piano player is Vince Welnick from THE TUBES!!! These folks are accomplished in their own right!!!
Btw, Phil L is a classically trained musician and picked up the bass to play with the Dead…
So much here to absorb… ask your brother my man…. Enjoy the ride with these folks as I think you will love it… I hope you do, but it’s your call to get on the bus to Terapin my man!!!
My first Dead show was 6/18/74 with the Wall of Sound. And they did a breathtaking version of 'Eyes'. Also was also the first time I had a small piece of paper melt under my tongue. That show was truly a life moving experience I will never forget. And saw them as frequently as possible until Jerry passed away. Only regret is that I never saw Pigpen
“It just makes you happy”
EXACTLY!
Hi Doug ! When you said you want to JUST HEAR MORE - that is called" The moment you got on the the bus !" Welcome aboard dear traveler, Mickey Hart said" We're in the travel business, we take people places !"
I will go out on limb here, but I feel that the whole jam band genre most certainly would scarcely exist without the dawn of the Grateful Dead or Jerry Garcia’s approach to music. They were the quintessential live band for decades and little known outside of the culture. My non Dead Head friends never got hip because they only knew ‘Radio Dead’ so how can you blame them? Now, with the advent of a wealth of well recorded live content spanning decades on Apple and Spotify, I send my friends playlist’s and they begrudgingly check them out. Literally saw one of my coworkers jaw drop and tear up! One of a few new devotees. I’m just sorry none could have experienced the real deal go down! It’s also awesome that I get to revisit several shows that I was witness too. (I occasionally tear up from time to time as well!) Peace
The double of Scarlet Begonias and Fire on the Mountain is a must by them.
You're so right. 👍
One of the best things about a 48 track recording, you can really hear each individual musician very, very clearly. And like you said Doug, they are all excellent musicians. True professionals at work. Saw them on this tour and it was, as always, stellar. This is less than a year after Keyboardist Brent Mydland passed, hence both Vince Welnick and Bruce Hornsby are present, Bruce helping Vince learn the music.
You sir, are a treasure. It's this kind of thing that make the internet so cool.
Thanks for giving the Grateful Dead another go.
Thank you for covering the Dead!
This lineup was called the Magnificent Seven. These shows with Bruce and Vince were beyond outstanding. I remember these days well.... Jerry playing Rosebud which is the MIDI equipped version of his previous guitar Tiger led to a whole new era of sounds during Space.
Doug, Billy Kreutzmann and Mickey Hart are up there with Phil Collins and Chester Thompson for me in EXTRAORDINARY live drumming partnerships. Chieck out Space and Drums. One word: WOW
Having seen them work together in the 80s - the heyday of "The Beast" - it doesn't surprise me a bit.
Back in the 80's I went to a Dead show, and I met a man selling $5 oranges out of the back of his van in the parking lot. Mind you at the time, grocery store oranges sold for $0.35 each and naturally I was curious. Long conversation short: That was the best gosh darn orange I've ever had in my life!
😂
The electric orange Cool Aid kit.
I met that guy!!😉
Jerry clearly loved Bruce's playing. See him smile at Bruce as he plays is so heartwarming :)
Bruce added a spark to Jerry's presence during those times. Those shows were beyond outstanding and indeed heartwarming.
and Bruce loved playin w Jer...
Jerry was the son of a bandleader and knew music theory in depth. One of the things that set them apart was Garcia’s surprising compositions that perfectly accompanied Robert Hunter’s lyrics. Rare and beautiful.
Doug, you nailed it; it just makes you happy. And listen to Lesh's imaginative floating bass lines! God, I miss Jerry
Gotta get into some 70s stuff Doug. 90s can't light a candle to the 70s Dead. A great version of this song is on One From The Vault (which is a great 'starter kit' for anyone wishing to get into The Dead). th-cam.com/video/-nztDwb8RZc/w-d-xo.html
Some of the ‘73/‘74 versions are spectacular
I just got back from Vegas and saw Dead and Company. They are playing every weekend at the Sphere. A new high in human entertainment. Got my Eyes of the World tank filled til next month going back for three more shows! Thanks Doug
I don't want to start trouble but please for the love of God do not compare "Dead & Co." to the Grateful Dead. I don't care how cool The Sphere is, musically It is not in any way, shape or form the same thing, and frankly it's a hollow echo of this; It's a glorified cover band.
Having said that, I'm glad you're enjoying the shows and hope you continue to do so. 🙏
@@LoveMyCountry2845priced out of my range to boot. Pass.
This is one of my favorite dead songs. Favorite versions of it are with Branford Marsalis sat in. There's lots of ways to catch those versions. Enjoy, especially if you are a jazz fan.
A very rare 1st set Eyes of the World. Think opening song of the show. Bruce was trying to get them change up the setlists a little more.
I was at this show! It was the 3rd show in a row with my late friend. We saw 6/14/91 in DC, then 6/16/91 and 6/17/91. Good times. Other Eyes of the Worlds to also listen to: 7/8/90 in Pittsburgh (I was there, Crosby, Stills and Nash were the opening act!) and 3/29/90 with Branford Marsalis.
I second 3/29/90, possibly the very best (hard to make that claim on any of them though).
I may have seen you, but you were 'one of 10,000 to go to the show'!
My first show! Changed my life.
I love how Doug just picked out all the chords that took me forever to identify back in the 80s learning this song by ear off of bootleg tapes.
In the 1970's (73 and 74) when they wrote this song, they had a Coda in the song that turned into both King Solomon's Marbles and Slipknot (which is an instrumental thing the Dead generally performed between Help On The Way and Franklin's Tower). The coda was pretty damn cool.
Yes, Mixolydian is the mode most used by Garcia. Very impressed you picked up on that. Nice job
I'd love to see you do a tune or two from Blues For Allah. Maybe "Help On The Way/Slipknot!" or "Kind Solomon's Marbles."
This is one of my favorite live versions of Eyes. Phil the bass player just tears it up, the sound he’s getting from the bass he’s playing fits him just exactly perfect. Just listen to him. Another good Eyes, is from “without a net” with Branford Marsalis, highly recommend. Thank you for the video!
Wow 7:21 was a surprise 😆
I WAS THERE!!!!
Fantastic! Please more Grateful Dead!
Hey Doug, I think you would really appreciate some of the live recordings from the Europe 72 record. The band at that time was really at their best - imo…✌️and thank you!
Seriously this era isn’t even close to the 73/74 ones, particularly an Eyes. It almost hurts to think you’re starting here
This is a solid version, but you really need to check out an early 70's really jazzy version like this.
th-cam.com/video/lDfnJzHLYvk/w-d-xo.html
You also must watch 3/29/90 with Branford Marsalis like mentioned previously
th-cam.com/video/TO4YV185orE/w-d-xo.html.
In ‘74 the dead did a particularly interesting rendition of this song adding in G#m, Ebm & diminished in the jam.
I love those versions - commented on this elsewhere here... Particularly when those long jams would resolve to China Doll or Stella Blue.
Doctor Doug, if you do take the time to explore The Dead, bear in mind, Studio Dead is often..."less than".
Live performances are usually better.
I refer new listeners to "Europe '72"
My preference is the "Pigpen" and Keith & Donna" eras, up to early '79. To each his own.
A fun thing for fans was figuring out what they may play while tuning up. They play a signature note or chord strumming. Tipped you off to the song that was incoming. I was arguing with my friend that I was hearing Eyes of the World. He kept saying that they never opened a show with that. But you must be open to musical surprises with the Dead....this was a big one
Doug, you gotta go back to ‘72-‘74 (live) to get the right versions of this (and many other) Dead tunes. Happy to offer suggestions, if/when needed. Enjoy. 🤙
My experience has led me to believe youhave to find a live Era for the dead for me th early70sis my favorite dead
There are different good things about each era. Early 70s is great , especially 4/28/71 and 4/29/71 at the Fillmore East. I can't remember the date, but there is also a show at the University of Florida's Alligator Alley from that era which just smokes!
"I'm enjoying the shit out of this". Haha me too Doug, me too.
Whoever recommended this version must’ve been at this show back in 91. It’s not bad but it should’ve been the Branford show in 89 or the awesome 73-74 Eyes with Keith on piano. There’s really nothing interesting about this one.
It’s long? 2 1/2 hours?? This is the Grateful Dead. Time has no meaning.
This is true. I have a 58-minute version of "In the Midnight Hour" from 1969. You wouldn't think a band could hold your attention that long with a simple song. You would be wrong!
Bro, next check out Phil Lesh's masterpiece Unbroken Chain from Mars Hotel! I believe the changes will really interest you.
Awesome Doug, love some Grateful Dead
“I wonder how they’re going to end?” Listen to a version from 1974 and please do a video on that!!
WOW was just watching one of your older GD reaction videos and wanted to look and see if you had any others. What a Grate coincidence!
Hahahaha that bowl hit was so unexpected that killed me. Been watching some of your jam reviews
I'm a head....so this isn't a dis.....just a joke...so no offense....but..what did one deadhead say to the other deadhead when they ran outta pot?
Yes! I love when you do Grateful Dead
Welcome to what is probably the largest musical rabbit hole in existence! Been waiting patiently for you to really start this journey, Doug. So much music to absorb. So many concerts that have been lovingly preserved by us fans.
This doesn't even crack the top 50 performances of this song!
I was there. Legendary Eyes and got to see it again two weekends ago at The Sphere in Las Vegas.
Not the best time period for good playing especially Jerry
Glad you are exploring this band. They are an endless journey.
You have to make Jethro Tull's Velvet Green one of your next reactions
Great video as always sir Doug! Also, if you need more reccomendations, HOUSE IN FATA MORGANA HAS AN INCREDIBLY INCREDIBLY UNDERRATED SOUNDTRACKK 😭 They aren't as amazing in orchestral quality as Final Fantasy tracks because Novectacle is just a small game developer, but I think he had them revamped! They're so so soulful, painful and just utterly beautiful- my favorites are Cicio, Twilight, Giselle, The House in Fata Morgana, and Passing Fata Morgana. My special mentions are Skia Oura, Diira Mincha, Everyone's Crying and Serie De Fragmento.
If you checked out Novectacle's soundtracks it would also help give their game more exposure, it's already kind of well known for a visual novel without an anime, but still just... Incredibly underrated compared to what the game should have.
Ciao Carina is pretty famous too. Giselle, Cicio, and Ciao Carina are the most popular online. Twilight is still not shared enough since it's a new track.
Great thanks Doug Helvering...4 live albuns untill 73 you forgott the live dead with a great dark star
Too bad it's not a 74 or 77 Eyes before Jerry's voice was shot but better than nuthin'
Thanks for this great analysis, Doug. Consider also that "wake up to find out that you are the eyes of the world" points to a "waking up" to the philosophical realization that "you" -- the subject of experience -- are, in fact, one with the "objects" of experience, and that this fundamental duality is in some ways, illusory. Taken further, metaphysically, we are all the eyes of the world, together, as a unitary consciousness.
You are about to enter a very, very deep rabbit hole. A joyful and wounderous journey. The bus came by and I got on, that's where it all began.
Really recommend checking any post-pandemic King Gizzard concert, very different tone/style, but sick jams nonetheless
We are everywhere,
So goes the old deadhead saying. Eyes of the world is a very unusual for an opener. So much so that I had to look it up. Looks like you would have been grooving right along with everyone. Thankfully, the recorded shows are many. Jam on
*Weir everywhere*
Doug, another great review. Your next Grateful Dead task is to check out 'Shakedown Street' live from the Rockpalast in 1981. A great era for the Dead and a classic upbeat performance of a fan favorite!
10-25-79 Shakedown also a good time... Brent n Bobby wah wah interaction... band was inspired
A great song duo to check out is China Cat Sunflower/I Know You Rider. The Europe '72 version is really good.
One of my favourites is China/Rider from Providence Civic Center 1974-06-26.
Crap! Thanks for doing this!!!
I literally stumbled upon this… I’m a subscriber… lol so hard that … yes… 1 song per year will last 875 lifetimes!!! Good on you my man!
My first show! Not my last….Thanks Doug!
I was in attendance for this and it was a truly special moment for Deadheads as this was the first and only time I believe that they opened a show with Eyes.
Correct. And Bobby still followed with "Walkin' Blues." AARGH!
@@pierremontague4279 I take no issue with that
Keep diving Doug. I absolutely love your reactions and i cant help but watch some more than once. Glad for more Dead.
you need to listen to help/slip/frank and dark star
*hits pipe*
Hell yeah got the music Goggles on now
You should do Alligator by them at some point. Maybe Alligator into Caution. Pigpen was so great.
Add Mr. Charlie and Smokestack Lightning and make it set.
Try some Dead with Pig Pen.
Lovelight!
Hard to Handle, Easy Wind and Good Morning Little Schoolgirl are also great Pigpen songs.
Dead and Co. Are at the Sphere in Vegas right now, which is on TH-cam and is pretty cool, but it's not the Real Grateful Dead when Jerry was alive! I saw them "Numerous" times in the 80s, Best Experiences Ever! You have to experience them correctly normally with Psychedelics but not necessarily? But a typical concert will begin with a Blues, Country and or Rock & Roll number, migrate through expanding more and more until the second set, when they reach out more Jazzy and sometimes even Reggae into "Tribal Drumming, Deep Space" and then bring you back home with maybe a Gospel Blues or Rock & Roll song for a finale. Nothing like a Grateful Dead Concert!
"It's not about trying to be technical, its about trying to be a human" made me tear up. thank you