@@pawdaw Marton's high C took less than 10 years to leave. Here, she can't even sing the word to get to the C, she just mouths the notes without any text at all. By the time the Met production rolled around, her Bb, B, and C were highly unreliable.
@@jabber12345 The big sound is impressive but you can already hear the technical problems - sound forced into the mask and overworked chest resonance. I also dislike the clipped phrase ends - very unitalianate.
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She has power and beauty in her voice!
Escuché a Marton hace años en el Liceu…nunca, nunca he olvidado su enorme voz que lo llenaba todo❤❤❤❤Gracias
Una de las grandes Turandot!!
BRAVISSIMAAAAA!!!👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏
The last real Turandot…
Netrebko, listen and learn a little…!
You're right about Netrebko! The other great Turandot was the very underrated Ghena Dimitrova.
Ghena era sensacional ❤❤❤❤
EVA Marton buries Carreras in the last phrase. Totally overpiwers him.
You can barely hear the he note while she overpowers everything. But it was there! She needs a booming tenor to match her magnificence!
Carreras had an unreliable top C - 10 years later Marton also had an unreliable top C
@@pawdaw Marton's high C took less than 10 years to leave. Here, she can't even sing the word to get to the C, she just mouths the notes without any text at all. By the time the Met production rolled around, her Bb, B, and C were highly unreliable.
@@jabber12345 The big sound is impressive but you can already hear the technical problems - sound forced into the mask and overworked chest resonance. I also dislike the clipped phrase ends - very unitalianate.
He destroyed his voice singing these heavy roles