AWESOME lesson, and extremely essential viewing. I loved how you emphasized the importance of starting (and/or landing) on the root notes. I also thought that your use of popular blues songs as examples was fantastic and it really gives the student a better grasp of what you're conveying. Also, you have just the right amount of "talk time" vs. actual playing demonstrations.
Thanks for the lessons on pentatonic boxes.I found my self only using box 1&2 now I have a bigger perspective.I find your teaching very direct and easy to understand.James Scott Nicholson!!!
Robin Trower says he dose not read any music ... yet he is one of the top guitar players with 50 years of experience . He avoids the typical 12 bar blues format . His concert on You Tube Winterland 1975 is an excellent example .... maybe you could teach us how to do Cant Wait Much Longer . Thank You .
The beginning of Red House is a descending 7th triad. Jimi is playing vibrato simultaneously on all three strings as he picks the notes and lets them ring-out.
8:35 I also use second strings to vibrato as there is more room to shake it. But sometimes more importantly is the gauge of the strings. Shaking a thicker string has increased tonality's. and a perfect example is the tonal quality's in this video (when you are shaking your 1st string VS. shaking your 2cnd string on the same note. I can hear a distinct difference. As well I can on my guitar as well.
AWESOME lesson, and extremely essential viewing. I loved how you emphasized the importance of starting (and/or landing) on the root notes. I also thought that your use of popular blues songs as examples was fantastic and it really gives the student a better grasp of what you're conveying.
Also, you have just the right amount of "talk time" vs. actual playing demonstrations.
One of the best lessons ever. How and when to start a solo is a huge step in this journey. Thanks.
Thanks for the lessons on pentatonic boxes.I found my self only using box 1&2 now I have a bigger perspective.I find your teaching very direct and easy to understand.James Scott Nicholson!!!
Your relaxed manner is
Verrrry helpful
What an excellent teacher.
Robin Trower says he dose not read any music ... yet he is one of the top guitar players with 50 years of experience . He avoids the typical 12 bar blues format . His concert on You Tube Winterland 1975 is an excellent example .... maybe you could teach us how to do Cant Wait Much Longer . Thank You .
Wonderful Griff! You've showed pretty much that how to start. It's hard to avoid watching again and again. Wow! I've told you so, remember?
really like the content and pace of your tutorials. thanks! keep 'em coming!
In 50 years of playing blues, I have never heard any major blues guitarist play like this guy. Has he ever recorded? I'd be interested to hear ...
Check out "Griff Hamlin and the Single Barrel Blues Band".
Excellent, Griff. Many thanks.
These are great lessons
The beginning of Red House is a descending 7th triad. Jimi is playing vibrato simultaneously on all three strings as he picks the notes and lets them ring-out.
Awesome lesson that I am going to have to listen to more than once. I have to digest it in chunks! Thank you!! :)
8:35 I also use second strings to vibrato as there is more room to shake it. But sometimes more importantly is the gauge of the strings. Shaking a thicker string has increased tonality's. and a perfect example is the tonal quality's in this video (when you are shaking your 1st string VS. shaking your 2cnd string on the same note. I can hear a distinct difference. As well I can on my guitar as well.
Hi.. nice playing
Man you got a new subscriber...Cool lesson...Keep it up...
Excellent lessons here!
Great info!!!
good tips, thx
Very good explanation- even I understood it😉👍👍
Bellissima lezione 👏👏
such a cool collection of amps that egnater looks early
Very helpful, thanks.
Also I have never seen anyone (or heard) use vibrato with their first finger on the top E-string. FWIW
I do it a lot and I’m a self-taught hack. Maybe because no one told me not to.
how to understand blue to me
how do you know when a song is OK to mix with major and minor when soloing?
As a rule it's OK for all except for minor blues
I see.... Can the blues scale be used to play country?
I don't play country, but normally it has a major tonality. I'm sure some people do use the blues scale however
If you are in a major key, (for the typical I IV V or A, D7, E7 etc) you can use both. If you are in a minor song, minor only.
Thanks
What would you say about this video...intermediate beginner? Are your DVDs like this? Tired of buying stuff that doesn't cut it.
The singer points at me, I think ‘crap’ then come in on beat two!
ok i dont understand the keys stuff O_o key e/c ect.. no idea what youre talking about lol... :(
XwhiSprsX be patient .... Keep searching... It's around here somewhere
show
You keep calling it box two! That’s actually box three! Makes it confusing.
Watch again, I think you're missing something there. Box 3 looks very different from box 2 and would not be used that way.
Ah, Devin Nunes. Fighter of sedition, guitar instructor.
What a lot of bollocks you start however the mood takes you
and you finish when the audience starts throwing cans.