Pure Goldsmith, snarling brass, rumbling piano in the lower keys, and syncopated rhythmic thrusts, typical of his dynamic action cues at this time. Heaven!!!
The end of “Take Us In”, after the Klingon theme cameo for Worf, has so much swagger. It’s one of the coolest things I’ve ever heard. Tragic that the Holoship cue was never included on the original album. Such a cool aural journey that explodes with rhythmic energy at the end. The cute electronic accompaniment for data entering the water is a real highlight as well. But holy the revised version of The Healing Process slaps so much harder than the original. Fantastic stuff. I really dig the part where Riker says the line “set a collision course” and that whole thing where it’s basically just the synthesizer, piano, percussion, and violins/violas doing a variation on the main motif starting at 34:43
Pure Goldsmith, snarling brass, rumbling piano in the lower keys, and syncopated rhythmic thrusts, typical of his dynamic action cues at this time. Heaven!!!
The end of “Take Us In”, after the Klingon theme cameo for Worf, has so much swagger. It’s one of the coolest things I’ve ever heard.
Tragic that the Holoship cue was never included on the original album. Such a cool aural journey that explodes with rhythmic energy at the end. The cute electronic accompaniment for data entering the water is a real highlight as well.
But holy the revised version of The Healing Process slaps so much harder than the original. Fantastic stuff. I really dig the part where Riker says the line “set a collision course” and that whole thing where it’s basically just the synthesizer, piano, percussion, and violins/violas doing a variation on the main motif starting at 34:43
TOP ❤👍
Discrimination x