Love this! It took me way too long to understand that a double stop has more signal and that beautiful capability of pushing the signal into breakup when the gain is set for that, this is something that I learned from you and by trying to match your tone.
Extra cool, every lesson really helps, looking forward to the next lesson, this definitely helps with phrases and how to expand on what you're doing, thanks so much!!
Ya need to show me how you make that pick scrape moving to the resolve of the lick - I can hear what you doing back can't come close to making it sound so cool.....LOL
i would think the majority of the differences in sound are attributable to a combination of the thicker strings, the absence or presence of open strings and the ability of the performer to do hammer-ons, pull-offs, bending and vibrato, etc. similarly on strings of different gauges.
So my question and comment was you said go up to the fifth threat to form this triad? How is this possible? You cannot do an E triad on the fifth right?
I am replying to Jack. This reply here is supposed to be for Jack as was the original comment. I don’t even know who you are. He said go to the fifth threat to make an E triad which you cannot do so I would like a response please thank you from Jack
@@Panjaz B (4th fret on the 3rd/G string) . . . E (5th fret on the 2nd/B string) . . . G# (4th fret on the 1st/E string). The E triad at those locations looks like an open D chord . . . And I ain't Jack. 😎😎🎸🎸
No matter what guitar you play you always have the best tone
WOW! Your lessen so made me think of Johnny WInter's tune. Boogie Real Low. Mis him...
Love this! It took me way too long to understand that a double stop has more signal and that beautiful capability of pushing the signal into breakup when the gain is set for that, this is something that I learned from you and by trying to match your tone.
Those effortlessly played little trills are the smoothest I’ve ever heard
Another great lesson from a masterful teacher and a supreme player
great lesson - thanks!
Fantastic lesson! Thanks Jack!
This is AWESOME, thank you so much Jack.
Thanks, again, Jack! More blues magic from a true master. 💙💙💙
Another incredible lesson...so packed with great ideas and brilliant phrasing to try to emulate. Ty JR
Great lesson and nice sounding SG.
Always such valuable information contained in your posts. Thank you.
Sweet SG!! Incredibly tasteful playing as usual, Jack.
Just brilliant, thanks for sharing your talent and knowledge much appreciated.
The final solo is great!! Tying it all together and building up the solo!
Thank you Jack for the inspiration. Great blues lesson again! 💯
Extra cool, every lesson really helps, looking forward to the next lesson, this definitely helps with phrases and how to expand on what you're doing, thanks so much!!
Really good. Thanks!
Great lesson 👍
Great stuff. Thanks Jack. Happy Holidays to you and yours, brother.
Good video Jack...👍
Sublime ❤
Ya need to show me how you make that pick scrape moving to the resolve of the lick - I can hear what you doing back can't come close to making it sound so cool.....LOL
Great 🎉
Mantap Jack..!!!
i would think the majority of the differences in sound are attributable to a combination of the thicker strings, the absence or presence of open strings and the ability of the performer to do hammer-ons, pull-offs, bending and vibrato, etc. similarly on strings of different gauges.
NIce SG
Beautiful, stuff and a great lesson as always, Jack. Can I play this lesson over E minor as well?
👋👋
You said bring the E triad from the below open position up to the fifth threat. The fifth thread is a DNG where are you playing at at the fifth?
So my question and comment was you said go up to the fifth threat to form this triad? How is this possible? You cannot do an E triad on the fifth right?
I am replying to Jack. This reply here is supposed to be for Jack as was the original comment. I don’t even know who you are. He said go to the fifth threat to make an E triad which you cannot do so I would like a response please thank you from Jack
@@Panjaz B (4th fret on the 3rd/G string) . . . E (5th fret on the 2nd/B string) . . . G# (4th fret on the 1st/E string). The E triad at those locations looks like an open D chord . . . And I ain't Jack. 😎😎🎸🎸