Edmundson, Garth (1937): Toccata “Vom Himmel hoch, da komm Ich her” (Christus Advenit IV) - A. Lucas

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  • เผยแพร่เมื่อ 7 มิ.ย. 2023
  • Composer: Garth Cowden Edmundson (11 April 1892 - 2 April 1971)
    Organist: Andrew Lucas (born 1958)
    Organ: Grand Organ of Saint Paul's Cathedral, London
    More accurately: 'Toccata-Prelude'.
    An extract, frequently performed individually, of the composer's Christmas Suite II (Christus Advenit); of which it is the fourth movement.
    Based on the Advent chorale by Martin Luther, “ Vom Himmel hoch, da komm Ich her” (From Heaven above come I to earth). In a French style.
    As per the description of this channel, I do not own anything within this video. The music and performances have been uploaded for exclusively and entirely for the purposes of divulgation and spreading interest in music and the arts.
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ความคิดเห็น • 9

  • @m.offermans1783
    @m.offermans1783 9 วันที่ผ่านมา

    Beautiful 👌

  • @carryfreak5059
    @carryfreak5059 3 หลายเดือนก่อน +8

    That next to last chord….IV DIMINISHED VII/V is soooo cool.

  • @marccheban194
    @marccheban194 5 หลายเดือนก่อน +3

    What a MONUMENTAL undertaking to learn this piece! Bravo!

  • @RalphLooij
    @RalphLooij 11 หลายเดือนก่อน +6

    Terrific playing by Lucas, and a very enlightening piece.

  • @organo3112
    @organo3112 หลายเดือนก่อน

    Wonderful. I once had the pleasure of hearing this live in Liverpool Anglican Cathedral. It was also stupendous.

  • @ipercalisse579
    @ipercalisse579 5 หลายเดือนก่อน +1

    Superb❤

  • @scottw6704
    @scottw6704 หลายเดือนก่อน

    Deceptively simple but showy! The 32-note runs are generally the same two patterns over and over, with the exception of a few raised tones here and there. Would be a good showpiece for a pianist transitioning to organ.

  • @bryshares
    @bryshares 11 หลายเดือนก่อน +2

    a little meandering but still enjoyable

    • @chronochromie772
      @chronochromie772  11 หลายเดือนก่อน +4

      It's exactly the point. That's the French toccata style.
      Perhaps the acoustic instead has a more prominent part to play in completely transforming the character of the work?