I don't know how they do it. No songs sound the same. Different vibes. No band has come close, song for song, moving me the way Pink Floyd does. Greatest Musical Beings Ever
One of these days I saw Roger's concert in Curitiba, Brazil... This song made me cry, I thought about how great these guys are to have made this masterpiece and countless other unbelievable songs 50 years ago, songs that still bring out all kinds of feelings on the crowd... fucking awesome!
@@luigialbertini8279Behave yourself! It’s his personal opinion music is subjective therefore he is allowed to hold his and express it. Personally I prefer early Pink Floyd with Sid Barret as lead singer, when Gilmour joined their best period for me was around the Live At Pompeii film, the later stuff I can take it or leave it. BUT everyone’s mileage varies.
I couldn't agree more. I really focus in on the drums when I'm listening to live Floyd shows. The drums and the bass. There's a huge difference between the drums & bass work on the studio LPs and the drum & bass working during their live performances. More often than not, the live drums & bass are WAY better than what was on the record. Like, "Live at Pompeii"... Jesus Christ! What I said about Nick & Roger is true for David & Rick as well, but it all dependinds on the performance. Like, Echoes (Part I) from Pompeii is SO MUCH BETTER than what's on Meddle. The bassline during the "Funky Section" is SO different, so much better than what the bassline is on the album. Nick was right there with him killin' it, David's guitar work in that section, Rick holding everything else down like the badass he was. It's probably my favourite piece of music ever made. The Pompeii performance of A Saucerful of Secrets is probably the best performance of that song ever. Same goes for "Careful with That Axe, Eugene", & One of These Days... I mean, Pompeii is so fvcking incredible as a whole, as a music film, as a documentary, as a live performance, etc. They managed to catch lightning in a bottle with Pompeii. We got to hear & see Pink Floyd at the absolute top of their game, by then they had finally figured out what their sound was without Syd, and what their sound was going to be, and they were just so in sync with each other, they were working together better than they ever had at that point. It's just awe inspiring to experience it. Not to say that they weren't incredible from the start, but having lost Syd, continuing on with David in his place was very difficult for them. Waters had to become the primary songwriter, & start singing lead vocals. David had to step up as the only guitarist, as well as sing lead vocals, rick had to sing lead & backing vocals, etc. A LOT of things changed for them very quickly & they had to adapt. A Saucerful of Secrets, More, Atom Heart Mother, Everything released before "Meddle" was fvcking brilliant, but all that music was still just those four guys experimenting, trying shit out, trying to figure out where to go from the moment Syd became unreliable. They were figuring out what the music was that they were going to make. What it should be, what it should sound like, & ultimately what type of band they wanted to be. I think by the time they recorded Meddle, they knew exactly what they were doing, knew exactly what type of music they wanted to make, and exactly what type of band they wanted to be. They were working together PERFECTLY as a group. N somehow they were able to capture that on film with the Pompeii performances. You're watching a band that's newly confident, every member is firing on all cylinders, giving it everything they've got, all while making it look effortless. They seemed to be enjoying themselves quite a bit. They were having a fvcking blast. The Pink Floyd we all know and love had finally figured it all out, & cemented themselves as the greatest band on the planet. Meddle was their first "Masterpiece". Most people consider The Dark Side of the Moon as their first "Masterpiece", but na, Meddle is their first album that completely changed music forever. They improved as they continued on all the way to The Wall, & then after that it was never the same again. I like all those "Post-The Wall" albums, but none of it's actually Pink Floyd (to me anyway). "Wish You Were Here" was probably their best album, "Animals" is right up there too but as a whole, "Wish You Were Here" is just absolute perfection at the height of the band's talent. Issues between Roger & the other three members started to be a problem around Animals, & that's why Animals is so drastically different from any of their previous LPs. Roger was running the show, & then by The Wall it was just all Roger for the most part. N that was the last Pink Floyd album. "The Final Cut" is not a Pink Floyd album, it's just a "Roger Waters Solo Album" with David on guitar & Nick on drums. Once Roger left, Rick came back, & they started a different band, but kept the name "Pink Floyd". It's obvious why they kept the name, but I found it to be very... "misleading" at the very least. The Wall is Pink Floyd's last album. At least the band ended on a good note, The Wall is one of the greatest albums ever made. Not my favourite Floyd LP, but it's pretty high up on the list. Aight I definitely went overboard with this comment. That is all... -
@@shroomshady27 I REALLY enjoyed reading this. Thank you! And what I loved so much about this performance was that is almost seemed organic. Like it was created right there on the spot. And IMO, Nick carried the entire performance. One of the greatest drumming performances ever. Shit, it was like he was playing the melody. With Richard laying that foundation. And David. What can you say? Silence is better. I have major issues now with Roger as a person, so I’ll just say that he night have been at his best right here. That’s not an insult at all. But his bass here was like gravity holding the earth in orbit.
@@davsaltego Ha, right on man. A person on youtube responding to a comment of mine with a genuinely nice response! It's almost always the exact opposite. That's so refreshing, I appreciate it. I agree with everything you said. Quite a bit of this performance was created eight there on the spot. Floyd never plays any song the same exact way twice. Any Colour You Like is one of the best Floyd songs to hear live. We've all heard Dark Side, we all know exactly how that song sounds, note for note. Ever since they first started playing it live in early '72, before it got its proper name, it was fvcking amazing every single time. I could watch them play this song for an hour and I'd love every minute of it. Very much a Rick Wright piece, but by the time they got all the Dark Side tracks in order & started playing the entire album live in its entirety in '72, Any Colour was epic from the very beginning. By '74 they had been playing Dark Side like it is on the LP, and continued to improve upon, and change things. This Wembley show is considered by most to be the greatest live performance of Dark Side EVER. I can't disagree, it is fvcking phenomenal. N since it's an instrumental, they can keep playing it for as long as they feel like, and change as many things as they wanna change. I've heard just about every live performance of this song from early '72 all the way to the last time they ever played it. N this is probably my favourite version. Especially now that it's been remastered and the audio is so crisp and clean now. I've had a copy of this entire concert for over a decade, & when I finally heard the 50th Anniversary remaster, I cried. It was just so fvcking beautiful. (I was also on magic mushrooms at the time but that's neither here nor there). So Nick Mason, exactly like you said in your comment, he is criminally underrated. I don't think people take into account how insanely talented you'd have to be to play drums for Pink Floyd. It's not an easy task, and this performance is a glorious example of how dope Nick was, and still is. They all continued to get better as time went on, so '74 Nick could drum circles around "Live at Pompeii Nick". That film and those performances of all those songs in particular just blew my fvcking mind the first time I watched it, and more importantly heard it for the first time. I'll always put Pompeii up on a pedestal, it's so nostalgic for me and I'm so familiar with every note played in that film. I loved Nick's tight purple shirt with the colourful butterfly on the front that he wore during Pompeii. His drumming on "One of These Days" from Pompeii really caught my attention, same with "Careful" & "Saucerful" like I mentioned in that last comment. I just remember thinking "How the fvck is this guy keeping up with all this insanity?!? That was the moment I realized how underrated he really is. N this performance of Any Colour, he's just killing it. He's keeping the beat, playing it like it's played on the album, and then playing all these different fills and adding all these little changes, he really does kinda steal everyone else's thunder once they really get into it. He's just in the zone and playing the shit outta that song. I feel you about Roger. He's never been the greatest bassist, not even close. His basslines are usually very simplistic, & I'm a bassist myself, so I've learned and pkayed along to most of Floyds studio albums. When he plays live he adds a lot of "funk" to many if the appropriate basslines. Like when I mentioned that "Funky Section" of "Echoes (Part One)" from Pompeii, I swear to god, Roger and Nick together completely transform that section of Echoes into one of the greatest pieces of music ever. N the studio version of Echoes, during that "Funky Section", the drums are still amazing, but the bassline on the album is basically two notes played over and over again, with a few little fills and seemingly random notes. That section in Pompeii is SO MUCH BETTER. I'll have to send you the link with a time code so you can hear exactly what I'm referring to. It's like a completely different bassline. N Nick is right there with him just absolutely killing it. The drums in that section are so much more powerful than what he played on the album, and what he's playing is very noticeably different, but it's like Nick and Roger are sharing the same brain, like they just complimented each other so well in "Funky Section" from Pompeii, and in live performances in general. In this, the same thing's happening, you just can't take your eyes off of Nick. He was putting on a fvcking show that night, and it couldn't be more obvious. I never understood why Nick was and IS so underrated, he's one of my favourite drummers of all-time. I think people tend to think that the "Best Drummers", or "Greatest Bassists", etc. are the ones that are insanely technical. I mean I love me some really complicated drumming and bass playing, but I've seen some of the most technically complicated drum work performed live right in front of my face, and the we're times where I was not impressed at all. Like, the technical abilities and the complexity of the drumming is always impressive, but a lot of times after some "Epic" crazy complicated drum solo or something, I've found myself unimpressed. Just because it didn't sound good. Just because a drummer can play insanely complicated shit doesn't mean anything unless it sounds good, and works with/within the song. Same goes for basslines. I grew up learning PRIMUS basslines when I barely knew how to play. Which is nuts because Les Claypool is a mad scientist and one of the most technically proficient bassists of all-time. His bass work (especially live) is unfathomably complicated. Took me years to learn how to play some of his easier basslines. He's a unicorn though, the second you hear him play one note, you know it's Claypool. That's why I love Roger's bass work so much. N since I started learning all these damn near impossible basslines, once I was finally a proficient bass player, I decided to learn some Floyd songs, & playing those basslines compared to literally any PRIMUS song felt so effortless. That's what made me want to try and take on entire Floyd LPs on bass, and I even figured out that "Funky Section of Echoes from Pompeii. It was much more complicated than what's on the album, but it was worth every second I spent learning it and figuring out what exactly Roger was doing with all these "new" fills and runs and all that. I can't speak the same way about drums, because I just never learned how to play them. I was taught how to hold the sticks, how to sit properly and how to keep a beat and stay in the pocket with the bassline, but I can't sit down at a kit and do anything impressive. A four-string bass however, that's a different story all together. I'll send you a link & a timecode for that funky bit of Echoes from Pompeii. I swear you'll be like "Oh, yeah this is WAY BETTER than the album!". It's shockingly better, and so much funkier. If you listen to it, and then go listen to that same section from the studio version, you'll be like "This is boring as shit compared to Pompeii". I'ma find it real quick... -
Saw them in 1973. They played dark side of the moon start to finish. First time I heard it. Despite having been to over 100 concerts since, that one remains the best.
I saw them on that tour 4th November 1974 Usher Hall Edinburgh I was 15 years old and it was very special, they started the show with Shine On You Crazy Diamond and did other tracks from the album Wish You were Here (six months prior to release), Echoes and all of Dark side Of The Moon, this is amazing thank you.
Rog actually hit a couple harmonic notes at one point. Open G and D at the 12th fret, so not difficult to play at all. It's just unlike him lol. He must have been feeling extra perky at that moment.
@@Mojorising1328 yes I agree. Damn fine lyric writer though. Can you imagine Rog playing fretless bass on Hey You? Neither could Rog, which is why Dave recorded it 🙂
How many acid trips had this soundtrack. They were comforting in that state. Never too scary, just spoke to and guided us along. Everything was o.k. til I saw the black squirrel in Amherst. Evil demon for sure. Ahhh memories of youth.
Fantastic. An 8-minute live version of what was a 3 1/2 minute song on the album. Awesome. The recording and on-the-fly mixing is on-point. With the Crystal Voyager footage as well. Very nice.
Remembering Richard Wright born on July 28. 1943. He was an English keyboardist and songwriter who co-founded the progressive rock band Pink Floyd. He appeared on almost every Pink Floyd album and performed on all their tours. - en.wikipedia.org/wiki/Richard_Wright_(musician)
Thanks for posting. Sadly no proper film with audio exists for this period, which is a tragedy, at least there is plenty of decent live audio about. Perhaps one day some will emerge. Cheers to you all.😊
Musica sumamente setentera es una máquina de tiempo escuchar y mirar a estos genios me transporta a la magia es potente la coordinación la sintonia todo padre mío magia total amo esta música y a pink
First album I ever bought and still my favorite of all time. Speaking of Time, it was the first tune I taught myself on guitar. It would have sounded better if i owned a fuzz and delay, but I was just a kid, too young to go to a Pink Floyd concert 😡. Great video of the band, hope to see something released soon.
Pink Floyd was performing Dark Side in live shows prior to recording the album with Alan Parsons. This video sounds like it would've been before the studio recording.
@@emilerioux9704 the four of them together! I’ve seen all four live but not all four together live. Even so those were great shows, but I’d have loved to see the group when they were all together of course. This video shows that. Thanks. They are one of the greatest original and creative bands ever IMO.
Bonsoir Émile, Est-ce que ce spectacle était une diffusion spécial de la BBC? Les effets visuelles me semble similaires à celles de la programmation de Tubular Bells par la télévision australienne dans les années 70'. Très bon travail de restauration en tous cas.
If you look at Dave's, Roger's, and Nicks fingers on their instruments it is not nearly in sync with what they are playing. Why is that? It appears this film is from a different show and has been edited to fit over the music. I've seen other Floyd live shows where this is not the case. What's the deal with this?
![[60fps] Pink Floyd - Us And Them/Any Colour You Like/Brain Damage/Eclipse (Live P.U.L.S.E)](http://i.ytimg.com/vi/__vds6iE8qU/mqdefault.jpg)
This is the sound of our galaxy created by the life that arose within it.
Nice
@@MrAmsterdawg1:42 que merda galmtad
Correct, and a great way to describe it
So are my farts
Excellent though 👌
one of the best insturmentals produced
Haven’t heard better
Absolutely stunning and timeless
I listen too Pink Floyd now for 50 years 😊
Me too. Almost 73 trips around the sun.
ME TOO .
My favorite UK Band
Ditto!!! Never gets old!!
I don't know how they do it. No songs sound the same. Different vibes. No band has come close, song for song, moving me the way Pink Floyd does. Greatest Musical Beings Ever
They took lots of acid. That's literally why.
@ElleesD-95 AFAIK, none of the members involved at this point took much acid, at all.
One of these days I saw Roger's concert in Curitiba, Brazil... This song made me cry, I thought about how great these guys are to have made this masterpiece and countless other unbelievable songs 50 years ago, songs that still bring out all kinds of feelings on the crowd... fucking awesome!
qualquer dia desses!! te parto em pedacinhos
@@cirofolchini emphasized: f-ing awesome 💯
No matter what anyone says, in my opinion I put Pink Floyd as one of the top 5 rock bands of all time, without a doubt.
I Pink Floyd sono La Band!!!! Nessuno come loro🎼🎼🎼
Grosso errore, è il numero 1
@@luigialbertini8279Behave yourself! It’s his personal opinion music is subjective therefore he is allowed to hold his and express it. Personally I prefer early Pink Floyd with Sid Barret as lead singer, when Gilmour joined their best period for me was around the Live At Pompeii film, the later stuff I can take it or leave it. BUT everyone’s mileage varies.
Absolutely
@@Wishful-Thinking nice observation and a kind word, WT
Nick Mason was criminally underrated. If you just listened to his drumming here, that would be amazing
He’s an alright drummer not the best
I couldn't agree more. I really focus in on the drums when I'm listening to live Floyd shows. The drums and the bass. There's a huge difference between the drums & bass work on the studio LPs and the drum & bass working during their live performances. More often than not, the live drums & bass are WAY better than what was on the record. Like, "Live at Pompeii"... Jesus Christ! What I said about Nick & Roger is true for David & Rick as well, but it all dependinds on the performance. Like, Echoes (Part I) from Pompeii is SO MUCH BETTER than what's on Meddle. The bassline during the "Funky Section" is SO different, so much better than what the bassline is on the album. Nick was right there with him killin' it, David's guitar work in that section, Rick holding everything else down like the badass he was. It's probably my favourite piece of music ever made. The Pompeii performance of A Saucerful of Secrets is probably the best performance of that song ever. Same goes for "Careful with That Axe, Eugene", & One of These Days... I mean, Pompeii is so fvcking incredible as a whole, as a music film, as a documentary, as a live performance, etc. They managed to catch lightning in a bottle with Pompeii. We got to hear & see Pink Floyd at the absolute top of their game, by then they had finally figured out what their sound was without Syd, and what their sound was going to be, and they were just so in sync with each other, they were working together better than they ever had at that point. It's just awe inspiring to experience it. Not to say that they weren't incredible from the start, but having lost Syd, continuing on with David in his place was very difficult for them. Waters had to become the primary songwriter, & start singing lead vocals. David had to step up as the only guitarist, as well as sing lead vocals, rick had to sing lead & backing vocals, etc. A LOT of things changed for them very quickly & they had to adapt. A Saucerful of Secrets, More, Atom Heart Mother, Everything released before "Meddle" was fvcking brilliant, but all that music was still just those four guys experimenting, trying shit out, trying to figure out where to go from the moment Syd became unreliable. They were figuring out what the music was that they were going to make. What it should be, what it should sound like, & ultimately what type of band they wanted to be. I think by the time they recorded Meddle, they knew exactly what they were doing, knew exactly what type of music they wanted to make, and exactly what type of band they wanted to be. They were working together PERFECTLY as a group. N somehow they were able to capture that on film with the Pompeii performances. You're watching a band that's newly confident, every member is firing on all cylinders, giving it everything they've got, all while making it look effortless. They seemed to be enjoying themselves quite a bit. They were having a fvcking blast. The Pink Floyd we all know and love had finally figured it all out, & cemented themselves as the greatest band on the planet. Meddle was their first "Masterpiece". Most people consider The Dark Side of the Moon as their first "Masterpiece", but na, Meddle is their first album that completely changed music forever. They improved as they continued on all the way to The Wall, & then after that it was never the same again. I like all those "Post-The Wall" albums, but none of it's actually Pink Floyd (to me anyway). "Wish You Were Here" was probably their best album, "Animals" is right up there too but as a whole, "Wish You Were Here" is just absolute perfection at the height of the band's talent. Issues between Roger & the other three members started to be a problem around Animals, & that's why Animals is so drastically different from any of their previous LPs. Roger was running the show, & then by The Wall it was just all Roger for the most part. N that was the last Pink Floyd album. "The Final Cut" is not a Pink Floyd album, it's just a "Roger Waters Solo Album" with David on guitar & Nick on drums. Once Roger left, Rick came back, & they started a different band, but kept the name "Pink Floyd". It's obvious why they kept the name, but I found it to be very... "misleading" at the very least. The Wall is Pink Floyd's last album. At least the band ended on a good note, The Wall is one of the greatest albums ever made. Not my favourite Floyd LP, but it's pretty high up on the list. Aight I definitely went overboard with this comment. That is all... -
@@shroomshady27 I REALLY enjoyed reading this. Thank you!
And what I loved so much about this performance was that is almost seemed organic. Like it was created right there on the spot. And IMO, Nick carried the entire performance. One of the greatest drumming performances ever. Shit, it was like he was playing the melody. With Richard laying that foundation. And David. What can you say? Silence is better. I have major issues now with Roger as a person, so I’ll just say that he night have been at his best right here. That’s not an insult at all. But his bass here was like gravity holding the earth in orbit.
@@davsaltego Ha, right on man. A person on youtube responding to a comment of mine with a genuinely nice response! It's almost always the exact opposite. That's so refreshing, I appreciate it. I agree with everything you said. Quite a bit of this performance was created eight there on the spot. Floyd never plays any song the same exact way twice. Any Colour You Like is one of the best Floyd songs to hear live. We've all heard Dark Side, we all know exactly how that song sounds, note for note. Ever since they first started playing it live in early '72, before it got its proper name, it was fvcking amazing every single time. I could watch them play this song for an hour and I'd love every minute of it. Very much a Rick Wright piece, but by the time they got all the Dark Side tracks in order & started playing the entire album live in its entirety in '72, Any Colour was epic from the very beginning. By '74 they had been playing Dark Side like it is on the LP, and continued to improve upon, and change things. This Wembley show is considered by most to be the greatest live performance of Dark Side EVER. I can't disagree, it is fvcking phenomenal. N since it's an instrumental, they can keep playing it for as long as they feel like, and change as many things as they wanna change. I've heard just about every live performance of this song from early '72 all the way to the last time they ever played it. N this is probably my favourite version. Especially now that it's been remastered and the audio is so crisp and clean now. I've had a copy of this entire concert for over a decade, & when I finally heard the 50th Anniversary remaster, I cried. It was just so fvcking beautiful. (I was also on magic mushrooms at the time but that's neither here nor there). So Nick Mason, exactly like you said in your comment, he is criminally underrated. I don't think people take into account how insanely talented you'd have to be to play drums for Pink Floyd. It's not an easy task, and this performance is a glorious example of how dope Nick was, and still is. They all continued to get better as time went on, so '74 Nick could drum circles around "Live at Pompeii Nick". That film and those performances of all those songs in particular just blew my fvcking mind the first time I watched it, and more importantly heard it for the first time. I'll always put Pompeii up on a pedestal, it's so nostalgic for me and I'm so familiar with every note played in that film. I loved Nick's tight purple shirt with the colourful butterfly on the front that he wore during Pompeii. His drumming on "One of These Days" from Pompeii really caught my attention, same with "Careful" & "Saucerful" like I mentioned in that last comment. I just remember thinking "How the fvck is this guy keeping up with all this insanity?!? That was the moment I realized how underrated he really is. N this performance of Any Colour, he's just killing it. He's keeping the beat, playing it like it's played on the album, and then playing all these different fills and adding all these little changes, he really does kinda steal everyone else's thunder once they really get into it. He's just in the zone and playing the shit outta that song. I feel you about Roger. He's never been the greatest bassist, not even close. His basslines are usually very simplistic, & I'm a bassist myself, so I've learned and pkayed along to most of Floyds studio albums. When he plays live he adds a lot of "funk" to many if the appropriate basslines. Like when I mentioned that "Funky Section" of "Echoes (Part One)" from Pompeii, I swear to god, Roger and Nick together completely transform that section of Echoes into one of the greatest pieces of music ever. N the studio version of Echoes, during that "Funky Section", the drums are still amazing, but the bassline on the album is basically two notes played over and over again, with a few little fills and seemingly random notes. That section in Pompeii is SO MUCH BETTER. I'll have to send you the link with a time code so you can hear exactly what I'm referring to. It's like a completely different bassline. N Nick is right there with him just absolutely killing it. The drums in that section are so much more powerful than what he played on the album, and what he's playing is very noticeably different, but it's like Nick and Roger are sharing the same brain, like they just complimented each other so well in "Funky Section" from Pompeii, and in live performances in general. In this, the same thing's happening, you just can't take your eyes off of Nick. He was putting on a fvcking show that night, and it couldn't be more obvious. I never understood why Nick was and IS so underrated, he's one of my favourite drummers of all-time. I think people tend to think that the "Best Drummers", or "Greatest Bassists", etc. are the ones that are insanely technical. I mean I love me some really complicated drumming and bass playing, but I've seen some of the most technically complicated drum work performed live right in front of my face, and the we're times where I was not impressed at all. Like, the technical abilities and the complexity of the drumming is always impressive, but a lot of times after some "Epic" crazy complicated drum solo or something, I've found myself unimpressed. Just because it didn't sound good. Just because a drummer can play insanely complicated shit doesn't mean anything unless it sounds good, and works with/within the song. Same goes for basslines. I grew up learning PRIMUS basslines when I barely knew how to play. Which is nuts because Les Claypool is a mad scientist and one of the most technically proficient bassists of all-time. His bass work (especially live) is unfathomably complicated. Took me years to learn how to play some of his easier basslines. He's a unicorn though, the second you hear him play one note, you know it's Claypool. That's why I love Roger's bass work so much. N since I started learning all these damn near impossible basslines, once I was finally a proficient bass player, I decided to learn some Floyd songs, & playing those basslines compared to literally any PRIMUS song felt so effortless. That's what made me want to try and take on entire Floyd LPs on bass, and I even figured out that "Funky Section of Echoes from Pompeii. It was much more complicated than what's on the album, but it was worth every second I spent learning it and figuring out what exactly Roger was doing with all these "new" fills and runs and all that. I can't speak the same way about drums, because I just never learned how to play them. I was taught how to hold the sticks, how to sit properly and how to keep a beat and stay in the pocket with the bassline, but I can't sit down at a kit and do anything impressive. A four-string bass however, that's a different story all together. I'll send you a link & a timecode for that funky bit of Echoes from Pompeii. I swear you'll be like "Oh, yeah this is WAY BETTER than the album!". It's shockingly better, and so much funkier. If you listen to it, and then go listen to that same section from the studio version, you'll be like "This is boring as shit compared to Pompeii". I'ma find it real quick... -
Yes him and Bill Ward.
Roger, David, Nick, & Richard were magicians!
All inspired by syd
@@Eetshytmothalickaz Didn't you mean "All inspired by Syd"? 😀
Am 52. Just listen to it,,1feel so high,,n remember my first college girl frnd with our natural smoke😊,,yeeeppp
Saw them in 1973. They played dark side of the moon start to finish. First time I heard it. Despite having been to over 100 concerts since, that one remains the best.
They’re so good, its almost magical ❤
This is tight!!! And those sista"s humming in the background gives it a like a churchy call and response.
Roger: I don’t listen to rock n roll
Also Roger: Absolutely grooving the fuck out to this song
The song is not rock and roll
It is avant-garde experimental music😊
Waters is braim dannaged. Polly is right about that old windbag.
Polly Just wants a cracker @@kentalanlee
1974? Hell, this is when Floyd was at the top of their game for sure!!
Words don't describe them ❤❤❤❤
Pure Wright goodness. Nothing else like it.
he was the best
Best Pink Floyd moment of their career in my opinion. Simply legends.
Thank you for the upload.
I saw them on that tour 4th November 1974 Usher Hall Edinburgh I was 15 years old and it was very special, they started the show with Shine On You Crazy Diamond and did other tracks from the album Wish You were Here (six months prior to release), Echoes and all of Dark side Of The Moon, this is amazing thank you.
Some of Roger's best bass playing.
Rog actually hit a couple harmonic notes at one point. Open G and D at the 12th fret, so not difficult to play at all. It's just unlike him lol. He must have been feeling extra perky at that moment.
@@RafaelStrangiato
David likely came up with the bass parts. Roger was extremely basic on bass.
@@Mojorising1328 yes I agree. Damn fine lyric writer though.
Can you imagine Rog playing fretless bass on Hey You? Neither could Rog, which is why Dave recorded it 🙂
it is the usual two notes rog line
Nobody of them was virtuoso
How many acid trips had this soundtrack. They were comforting in that state. Never too scary, just spoke to and guided us along. Everything was o.k. til I saw the black squirrel in Amherst. Evil demon for sure. Ahhh memories of youth.
Fantastic. An 8-minute live version of what was a 3 1/2 minute song on the album. Awesome. The recording and on-the-fly mixing is on-point. With the Crystal Voyager footage as well. Very nice.
Roger plays such melodic basslines. Very tasteful and considered.
This is their best live version of this magnificent song.
I wish that first sort of minute was on the album ,. just perfection 👌
Remembering Richard Wright born on July 28. 1943. He was an English keyboardist and songwriter who co-founded the progressive rock band Pink Floyd. He appeared on almost every Pink Floyd album and performed on all their tours. - en.wikipedia.org/wiki/Richard_Wright_(musician)
Literally one of the greatest pieces of creative media ever created by the human race
We’re all trying to write something comparable to the greatness of the song.
Any Magic you like!
i used to listen to the PULSE version like crazy, this instantly became chosen over that on the first listen
Roger bounces around, David stands real still. Love them both.
This has always been my favorite song on dsotm
This is Excellent ❤❤
The masterpiece. ❤
The Bass line Riff is a Magical Carpet Ride through the Aurora Borialis
Aurora Borealis? At this time of year? At this time of day? In this part of the country? Localized entirely within your kitchen?
Time is freaking wildddd....
the amount of hours ive listened to this track alone...
Never gets old bro
fuck yeah
Thanks for posting. Sadly no proper film with audio exists for this period, which is a tragedy, at least there is plenty of decent live audio about. Perhaps one day some will emerge. Cheers to you all.😊
Musica sumamente setentera es una máquina de tiempo escuchar y mirar a estos genios me transporta a la magia es potente la coordinación la sintonia todo padre mío magia total amo esta música y a pink
First album I ever bought and still my favorite of all time. Speaking of Time, it was the first tune I taught myself on guitar. It would have sounded better if i owned a fuzz and delay, but I was just a kid, too young to go to a Pink Floyd concert 😡.
Great video of the band, hope to see something released soon.
Those drums are awesome
God created the universe in six days. And on the seventh day, Pink Floyd played this.
After Echoes
Doskonalosc jest zawsze ponadczasowa.Chwala Pink Floyd
One of my fave instrumentals still - fantastic.
So good!
Still one of my favorite LPs
A clock machine without limits, there ('74) when the break of dawn was a the most clear hour. (from Jujuy,Argentina)
It is okay to color outside the lines in your coloring book. Much like Pink Floyd colors outside the lines in their music. Heaven.
Musica intramontabile sempre attuale ....❤
Thanks.
Takes me where I want to " GO"!
То, что они делают - просто удивительно ХОРОШО!!!!!
👍👏👏👏👏👏👏👏
Noviembre 25 de 2024.
La mejor canción de Pink Floyd... 🔼🌈🌑🌌✨💯
I'm seeing photo snapshots they must have taken from this show for the posters inside Wish You Were Here album the following year....
Pink Floyd was performing Dark Side in live shows prior to recording the album with Alan Parsons. This video sounds like it would've been before the studio recording.
@@MoJoeShoMo they were playing it after releasing it too ! They played dark side of the moon from the 1972 tour all the way to the 1975 tour.
Divino!
Never seen this one before. Great stuff.
@@julianllew its because I created it, i will (maybe) try to make a new version, buy that's still not sure.
Thank you for leaving a comments!
@@emilerioux9704 the four of them together! I’ve seen all four live but not all four together live. Even so those were great shows, but I’d have loved to see the group when they were all together of course. This video shows that. Thanks. They are one of the greatest original and creative bands ever IMO.
Pink flow for sure....❤
One of the greatest tracks from the greatest band of all time.
These guys are pretty good. Which one’s Pink?
Pink's not well, he stayed back at the hotel.
Excellent stuff.
Absolutely magic, epic, immortal
Rick Wright in his prime
Absolutely Awsome. 😀😃😄😁😊
guess what? this is the coolest part of music ever.
It took all four of them to make this. Not one or the other; all of them
Ikr , can't stand those that think it was just Rog , sad 😢
The footage at the start is at the corn exchange Brighton June 1972
Prefer that stripped back version, this one loses the melody.
amazing!
This version is a little better than the studio version on dark side of the moon
Way better
This version reminds me of the vibe of Live At Pompei.
Yes it is. Kind of like the way Led Zepps live version of No Quarter is better than the studio version.
Brutal!
Se não for isso que toca no céu, prefiro nem morrer.
Can't wait! 🥳
Magnifique
I can’t believe an advertisement actually interrupted this song. That’s a great way to destroy your product. Absolutely never interrupt Pink Floyd.
Since I’m using Pink Floyd Content (owners rights) I have no control over the ads on my video. I wouldn’t put any if I could
Never use their product
A great way to destroy any artist's product is to watch it on TH-cam for free instead of buying it.
All art should be free.
Buy it or don't bitch, lol
Unici nessuno nessuno mai riuscirà a imitarlo almeno, sara' impossibile GRANDI
When Gilmore comes back up in decibels at 6:30 is very uplifting!
I'm floating after a hard day....
❤ピンクフロイド❤最高❤
Fantastica
Обалдеть. Такой версии я ещё не слышал.
Zalig !
Bonsoir Émile, Est-ce que ce spectacle était une diffusion spécial de la BBC? Les effets visuelles me semble similaires à celles de la programmation de Tubular Bells par la télévision australienne dans les années 70'. Très bon travail de restauration en tous cas.
Great concert...If it werent for David and Rick...they are the floyd.....the other guys are super great too.
Fantastico⚡⚡⚡⚡
Genial!
Formidable. 🔥🎸🪐
50 th years ago!!!!
Damn I'm glad I run across this didn't have this version fuckin awesome
Totally 😮 😊 🤓 🫶
Is that THE Black Strat that went-on having neck changes and then a black pick-guard?
To me this is the best I've ever heard waters playing bass seriously he's a musical genius song writer and a British asshole
Live with me by Humble Pie is the source of this song
LOUCURA 😊
Thank god for Alan Parsons
If you look at Dave's, Roger's, and Nicks fingers on their instruments it is not nearly in sync with what they are playing. Why is that? It appears this film is from a different show and has been edited to fit over the music. I've seen other Floyd live shows where this is not the case. What's the deal with this?
❤❤❤❤❤❤❤
The video has nothing to do with the featured music - as great as it is.
When the mind leaves the body.
The massive success of Dark Side had supposed to have destroyed the Floyd, but they look and sound awesome here.
Them live are something different man
❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤
❤
If this is Wembley 74 ,does this mean the whole gig, with the Animals tunes are going to be one day released?
th-cam.com/video/wG7xzB0Jp4U/w-d-xo.html
I mean on film. I luv Animals but prefer the earlier lyrics if u know what i mean❤
@@alunlane9036 no this video is a compilation of footage to recreate the song because the real footage sadly doesn’t exist
Pink Floyd were the greatest practitioners of avant-garde music of all time!
Way better than Phillip Glass, Terry Riley or anyone else!
The Floyd IS the Dark Side Of The Moon..
2 chords ladies and gentlemen… 2 sheeesh