I've said it before and I'll say it again: you are the film school most of us can't afford! Love these tutorials and thank you. You are really a great talker and great teacher: barely realized that half an hour had gone by.
Even if one did go to film school. This tutorials is still worth watching. Like Ted said, Gerald you are a great teacher but maybe just a tiny bit fast in your talking.
I went to film school and this is def junior/senior year level stuff. Gerald doesnt mess around! He’s the only film youtuber who doesnt cater to the same round of “content” that all the other ones do. I hope he never does
Quick tip, man. That line moving that you mentioned at 10:03 can be fixed by holding shift when setting a point. They are very sensitive, that's for sure.
I got myself a color chart and I've watched a few videos covering that topic. This is the first where I get the feeling that the presenter thoroughly understands what he's talking about and is not simply regurgitating something someone else said. Your video helped me a lot in getting a grip on the whole concept. Thank you!
Hours, days, months, years, centuries spent on tons of video here on the Tube trying to understand how to match clips. The you came and in less 20 minutes you dissipate my doubts. Thank you.
I literally just spent the last few days in quarantine trying to figure out how to do this. Gerald, you are a god amongst men! Seriously, thank you for all that you bring to the creative community, I love how thoroughly you cover topics, and your communication skills are on point. Keep it up my dude, you have a viewer for life.
THIS is the video everyone should start with when it comes to learning color correction and grading. I've been watching videos from other "pro colorists" that like to talk about ACES and throw jargon around with totally different workflows in each video... still leaving me feeling completely lost. Finally a video that clearly explains not only how to actually use a color checker, but how to match shots with it, as well as grading LOG footage.... All without using LUTS or saying "just use the proper color transform and gamma" and only demonstrating RED footage. THANK YOU.
There are so many Horrible color videos and this is ACTUALLY helpful, not just in practice but in understanding conceptually. I might just take a nap I'm so happy.
the best thing to take away from this video . . . "embrace that experimentation" . . . ohhh man I'm going to look at some footage now, and just start messing around with it. thank you, thank you, thank you!! (even though, as I said yesterday on another video's comments, this is WAAAAYYYYY over my head. . . but I'm listening, and I'm experimenting. You are awesome.
This should be the #1 video that beginners watch when learning to color grade/color correct. This video is so well done and the explanations are very thorough, yet engaging.
A thumbs up wasn't enough for this. Really great. I'm a novice and this is just at my point in the learning curve. I appreciate the nice, clear explanations.
Finally, someone who just *does the process of color grading* in depth with great explanation of what actions affect which aspects of the grade, without simply shilling their own LUT or preset pack and wasting my time! Of course it would be Gerald who brought this information to the masses! Why did I ever have any doubt? Thanks very much for this extremely helpful video.
I'm a first grader when it comes to grading video. I definitely had to bookmark this tutorial so I can watch it many more times. Fantastic information. I'm gonna have to create a sub folder in my bookmarks in the Bookmark Bar folder for Gerald Undone.
A newbie with video editing and especially color for my new Mavic Air 2. I was pretty well lost (still stepping slowly through Blackmagic's excellent and voluminous documentation) until I found this! Now I know why my color mucking didn't do anything, just by watching you work. Now I need to find a DJI-cinelike LUT to start.
I just got a new camera the other day after using the same one for over 9 years. Learning how to better use color grading, working with Log, and other more advanced features is very important to me right now so I love seeing this kind of simple help with learning how to correctly color grade. Very helpful. Thank you.
“I’m Gerald Undone and I put film schools out of business.” Seriously tho. Probably 95% of my workflow is based on what I learn from your videos! Keep them coming and honestly, I have no idea why you’re not at at least a million subs. It’s a shame!
I was listening to a podcast and the guest talked about how he hadn’t touched a camera until senior year in film school 😵 jesus. I hope he puts them out of business
There's no real way to thank you, I believe. What you teached is priceless, and being already subscribed and having hit that like button seems so small. Thanks a lot for your fantastic videos and skills. Greetings from Switzerland
Thank you so much for the comprehensive tutorials... a lot to unpack for a lowly producer learning to shoot and grade on my own.. and yes, I watch at 75% speed!
If you don't have a chart - you can easily match the luma by putting the two clips side by side and matching the waveform - the waveform will show left and right of the 2 -up.
Great tutorial :D And thanks for the shoutout :) One quick tip with Resolve - if you double click the title of the parameter you want to reset, it will instantly go back to the default number, eg. double clicking on the Temperature text will reset it to 0 immediately. Very handy when you are dealing with the Hue vs Hue stuff where you nudged it off 1 when clicking a point. Cheers!
"Editable Splines" is a nice way to really gradually affect the curve using long handles for more gradual and incremental changes. Available in the curves window 3 button menu. Next Video: "Boom Boom Boom lemme hear you say way-oh, way-oh!!"
Hey Gerald Undone! Great Video. I have to match to cameras to one another in the near future, and even though I've been editing for quite some time now, color (color matching) has not been an issue for me until now, as I normally shoot with only one camera. This video is a very useful resource for anybody who wants to quickly be able to match or grade cameras. Thanks!
Im a fairly new fan of yours but have been watching your past videos. I don't recall seeing any software reviews/how-tos before so this is very awesome of you to make a video about this. Again, keep up the great work!
Hi, Gerald. In your Table of Contents section add "0:00 - Introduction" or something like this. Not all channels have this feature, but try it. It's a new feature on TH-cam which lets your viewers see chapters in your video.
You are an insane teacher! We need to add "Professor" to your name sir. Thank you for all your help and knowledge. Definitely purchasing a t-shirt to show support!
Thank you for the tutorial that uses no magic but only basic tools that are available in all video editors. OK there is one magic happening. You eyeballed a lot using your experience. I tried the same steps very often and failed so hard. Now I bought Leeming Luts and enjoy the precision.
Thank you very much this is the best and most comprehensive matching tutorial I have watched and believe me I have watched loads ! Interesting to me that you don’t mention the colour checker comparison feature or the built in shot match option, why is that?
Gerald, you are one awesome dude. Your knowledge and drive to get to bottom of things is amazing. Channel to go to for deep knowledge and understanding of how things work behind the scenes. thanks for all your time and effort!
As always, this has been great. I work almost exclusively with stills, but watching you run through this stuff with video is both very interesting and helpful for thinking about workflows
I've recently experimented with this type of process in Vegas Pro using a Datacolor Spydercheckr, with 48 color patches. Wasn't sure where the extra colors should hit on the vectorscope. Amazing how easy it is to get different cameras to match each other.
Exactly what I was thinking about the other day.. Thanks for the great work and afford for those in depth explanations/tutorials.. I love your technical videos so much👍🏼 Looking forward for more of your quality content! Wish you all the best 💪🏼
WOW was that a great tutorial! THANK YOU! I moved over to Davinci recently (I have the BMPCC4K) and I do use the X-Rite panels! Your explanations are perfect! FYI 1: in case you move the main line in say hue vs hue just select that point and type 0 into the right box below. FYI 2: The "still" can be added to the power bins for other projects.
Hi Gerald, great content, thank you. In the Hue VS Hue and other curves, if you hold the shift key when adding points to the line you wont keep bumping it off the zero mark.
So many fantastic tips in this video. One cool thing with saving your grade is that if you drag it from Stills into Powergrades you can access it from any project. Cheers!
Very cool - I use Resolve and this is very thorough and easy to follow. Thanks. Have you tried using the built-in Color Match tool, where you can line it up with your color checker? I'd imagine it would (should) get 2 different cameras to the same base-line staring point?
This is amazing! I still don't understand how to do it but the amount of information in this video is mind blowing. I think I just need Gerald to do my color grading for me :(
So good! There are two other channels where I've learned about resolve color grading from and each of you uses different tools and node structures to get to the final result. I really like what you've done here since it's more about camera matching (something I currently need to do better) than creating a look. As always, keep up the good work G.
that right click and "Show picker RGB value" totally helped a ton when i'm trying to white balance. really thank you for that, and literally thank you for all the other info. this is probably one of the more accurate video on color correcting if not the most accurate. btw, i think you're supposed to add another contrast node after HSL if u're using it to give it the "graded" look just for aesthetic workflow purposes, but it's not important nor needed, but could be handy :) and weren't you supposed to turn off the "Grade" node before you do all your correction nodes? unless you did a power window to isolate the background or something? i dunno, since u did mention it was specifically for the purple in the back ;)
I found this video to be very frustrating as I have spent good money on online DaVinci training, watched Casey Faris, and countless others and no one has explained anything as clearly and concisely as you have here. My frustration is that there is only one of you and you have gear to review and studios to critique so doing a full time Resolve series is of course not possible. That said if you ever do, I (and many others) would pay whatever the asking price. In the meantime, If you find the time, please do more!
Fantastic!!! Just got my colour checker so now I know what to do with it. Thanks for posting, I very much appreciate the time you put into making this video.
This tutorial was very useful when doing things manually but I would also like the same in depth demonstration on the auto match color chart feature within davinci resolve as no one else seems to know all the fine details that you do and I always find you teach me the most.
Hey! nice video! Question: Is this the same process you usually do? 1: Exposure 2: White Balance 3: saturation 4: contrast 5: skin tones AND THEN 6: Color grading ?? ****FOR THE SONY A7SIII: When do you apply the color transform effect? THANKS!
If you hold shift while putting a point on the hue vs sat line adjustment, it won't shift it at all. It puts a point exactly where your line is. I hated when it moved slightly every point I added.
Bro! I have been looking for a solid, fail-safe way to color match my Sony A7III and Pocket 4K. Most people are just going by eye. I don't really see the "by eye" method as sustainable. Your HSL method is spot on. I downloaded Leeming Lut on your recommendation from another video. The Leeming Luts plus this HSL method works with amazing results. Just wanted to say thanks!
I'm an amateur, using just Powerdirector...good enough for what I do/need but some aspects of what I see being done make me aware of things I should be aware of to get the best out of (or at least try and improve on) what I do. Great video...as usual.
Hey! Thanks for the detailed tutorial. Im kinda new to davinci and for some reason when using vectorscope it does not show those color dots that Gerald aligns with the appropriate boxes at 6:54. Could someone help me out and explain what might be wrong? It only shows a white blob.
This was an AMAZINGLY helpful video. I'll watch it several times I'm sure. I'm using three different cameras and need to get them to a consistent feel. All canon's but different. Plus the way to use the Color Checker was invaluable. Going to get the video version tomorrow (have the photo)
I've said it before and I'll say it again: you are the film school most of us can't afford! Love these tutorials and thank you. You are really a great talker and great teacher: barely realized that half an hour had gone by.
Ted MV Holy Shizzle! I had to look at the length of the video when you said that, that’s crazy!!!
Even if one did go to film school. This tutorials is still worth watching. Like Ted said, Gerald you are a great teacher but maybe just a tiny bit fast in your talking.
He knows how to simplify complicated things, and get to the point
I went to film school and this is def junior/senior year level stuff. Gerald doesnt mess around! He’s the only film youtuber who doesnt cater to the same round of “content” that all the other ones do. I hope he never does
Quick tip, man. That line moving that you mentioned at 10:03 can be fixed by holding shift when setting a point. They are very sensitive, that's for sure.
Haha. I tried ALT then CTRL and then gave up. Bah! Thanks. That's a great tip. Cheers!
@@geraldundone haha any time!
Came to say this : )
@@PostColorGear I was just about to type that in when I saw this.
@@JimRobinson-colors hey Jim, how are ya? Beat ya to the punch haha
I got myself a color chart and I've watched a few videos covering that topic. This is the first where I get the feeling that the presenter thoroughly understands what he's talking about and is not simply regurgitating something someone else said. Your video helped me a lot in getting a grip on the whole concept. Thank you!
This is what I love about Gerald, he really knows his shit and is maybe the smartest TH-camr I've watched.
Hours, days, months, years, centuries spent on tons of video here on the Tube trying to understand how to match clips. The you came and in less 20 minutes you dissipate my doubts. Thank you.
I literally just spent the last few days in quarantine trying to figure out how to do this. Gerald, you are a god amongst men! Seriously, thank you for all that you bring to the creative community, I love how thoroughly you cover topics, and your communication skills are on point. Keep it up my dude, you have a viewer for life.
🤓🙏💜
THIS is the video everyone should start with when it comes to learning color correction and grading. I've been watching videos from other "pro colorists" that like to talk about ACES and throw jargon around with totally different workflows in each video... still leaving me feeling completely lost. Finally a video that clearly explains not only how to actually use a color checker, but how to match shots with it, as well as grading LOG footage.... All without using LUTS or saying "just use the proper color transform and gamma" and only demonstrating RED footage. THANK YOU.
I don't know if someone already told you, but on any curve, if you shift-click you'll create a point without changing its value, I hope this helps!
I swear, when I become a millionaire, I will personally find you and give you a bag of money and a big hug. You are the very BEST, I don't care!!!
Well, you can start by giving him $5/month ... LOL
Alex Lesko 😂
a bag of ARRI Alexas, and lenses
There are so many Horrible color videos and this is ACTUALLY helpful, not just in practice but in understanding conceptually. I might just take a nap I'm so happy.
the best thing to take away from this video . . . "embrace that experimentation" . . . ohhh man I'm going to look at some footage now, and just start messing around with it. thank you, thank you, thank you!! (even though, as I said yesterday on another video's comments, this is WAAAAYYYYY over my head. . . but I'm listening, and I'm experimenting. You are awesome.
I gained so much knowledge after 26 mins. Thanks!
THIS IS THE VIDEO I"VE BEEN WAITING FOR!!!! Thanks soooo much for making this one - I've been looking for for months and nobody has done this (well).
It's so rare to find ultra-nerds at my level, but Gerald is one. I keep watching videos back to back and I think I may be falling in love
This should be the #1 video that beginners watch when learning to color grade/color correct.
This video is so well done and the explanations are very thorough, yet engaging.
A thumbs up wasn't enough for this. Really great. I'm a novice and this is just at my point in the learning curve. I appreciate the nice, clear explanations.
Finally, someone who just *does the process of color grading* in depth with great explanation of what actions affect which aspects of the grade, without simply shilling their own LUT or preset pack and wasting my time! Of course it would be Gerald who brought this information to the masses! Why did I ever have any doubt? Thanks very much for this extremely helpful video.
I'm a first grader when it comes to grading video. I definitely had to bookmark this tutorial so I can watch it many more times. Fantastic information. I'm gonna have to create a sub folder in my bookmarks in the Bookmark Bar folder for Gerald Undone.
Gerald is so pro that at 7:50 he did it speedy in real time.
Gerald, you have hands down the best technical channel on video there is. Great job and thank you!
A newbie with video editing and especially color for my new Mavic Air 2. I was pretty well lost (still stepping slowly through Blackmagic's excellent and voluminous documentation) until I found this! Now I know why my color mucking didn't do anything, just by watching you work. Now I need to find a DJI-cinelike LUT to start.
I just got a new camera the other day after using the same one for over 9 years. Learning how to better use color grading, working with Log, and other more advanced features is very important to me right now so I love seeing this kind of simple help with learning how to correctly color grade. Very helpful. Thank you.
As a color correction and grading novice working in Resolve, I really got a lot out of this tutorial. Thanks so much!
“I’m Gerald Undone and I put film schools out of business.”
Seriously tho. Probably 95% of my workflow is based on what I learn from your videos! Keep them coming and honestly, I have no idea why you’re not at at least a million subs. It’s a shame!
I was listening to a podcast and the guest talked about how he hadn’t touched a camera until senior year in film school 😵 jesus. I hope he puts them out of business
Without a doubt…you’re the best at this stuff. Thank you
I've seen so many colour correction tutorials, and this is so many levels above the rest it's ridiculous. Thank you.
There's no real way to thank you, I believe. What you teached is priceless, and being already subscribed and having hit that like button seems so small. Thanks a lot for your fantastic videos and skills. Greetings from Switzerland
Love that you teach and use Resolve. Just makes me want to see more and more videos from you like this. We really appreciate the hard work.
This video has given me so much more confidence using Davinci resolve. Thank you!
Hi Gerald, Thank you for the tutorial. I am wondering why you don't you the auto color correction function in resolve?
I've never found it to produce results I'm happy with. Cheers!
Good God man! This is one of the best Davinci Resolve tutorials I've seen.
This just helped me out so much. My footage looks SO much better than before. Thanks Gerald! :)
This is a confusing topic for a lot of people. This is an excellent tutorial and very well presented. Thanks.
Love it everytime he says “Let’s get undone” 👍😊
Omg!
Thank you so much for the comprehensive tutorials... a lot to unpack for a lowly producer learning to shoot and grade on my own.. and yes, I watch at 75% speed!
You are an excellent teacher for someone like me who is learning color grading! Thanks a lot!
If you don't have a chart - you can easily match the luma by putting the two clips side by side and matching the waveform - the waveform will show left and right of the 2 -up.
Good tip!
Great tutorial :D And thanks for the shoutout :) One quick tip with Resolve - if you double click the title of the parameter you want to reset, it will instantly go back to the default number, eg. double clicking on the Temperature text will reset it to 0 immediately. Very handy when you are dealing with the Hue vs Hue stuff where you nudged it off 1 when clicking a point. Cheers!
Thanks, Paul! Cheers!
Thanks Gerald. Answered so many of my colour correction issues in one video.
This is the most helpful grading video I have watched on TH-cam. Thank you Gerald.
FINALLY!!!! This was the most helpful color tutorial video I have watch in the last two years!!!!! THANK YOU!!!!
Ευχαριστούμε!
This is amazing Gerald. I continue to learn so much from your content. Thank you!
OMG I learned so much...I hope I can engrain this in my mind because it will save countless hours.
Thanks Gerald
"Editable Splines" is a nice way to really gradually affect the curve using long handles for more gradual and incremental changes. Available in the curves window 3 button menu.
Next Video: "Boom Boom Boom lemme hear you say way-oh, way-oh!!"
Yes! Great tip. Much smoother result. Cheers!
Hey Gerald Undone! Great Video. I have to match to cameras to one another in the near future, and even though I've been editing for quite some time now, color (color matching) has not been an issue for me until now, as I normally shoot with only one camera. This video is a very useful resource for anybody who wants to quickly be able to match or grade cameras. Thanks!
Im a fairly new fan of yours but have been watching your past videos. I don't recall seeing any software reviews/how-tos before so this is very awesome of you to make a video about this. Again, keep up the great work!
Hi, Gerald. In your Table of Contents section add "0:00 - Introduction" or something like this. Not all channels have this feature, but try it. It's a new feature on TH-cam which lets your viewers see chapters in your video.
1 of the best tutorial of DaVinci i ever seen!!!!!🙌
watch this video several times, i think the best video about how to grade logs
Since you were kind enough to put this video together I am going to give Resolve another try. 👍👍👍
This is EXACTLY what I've been looking for. You're a life saver Gerald. Thank you
Extraordinary! Best explanation on YT, thank you Gerald!
This was (or is) a fantastic color grading tutorial. You gave me a better understanding of the vectorscopes than I've had before. Thanks a million.
You are an insane teacher! We need to add "Professor" to your name sir. Thank you for all your help and knowledge. Definitely purchasing a t-shirt to show support!
Best video ever. Was struggling with this very issue. WB, color correction were my weakness. Pretty good at getting the “look” I want.
Thank you for the tutorial that uses no magic but only basic tools that are available in all video editors. OK there is one magic happening. You eyeballed a lot using your experience. I tried the same steps very often and failed so hard. Now I bought Leeming Luts and enjoy the precision.
Thank you very much this is the best and most comprehensive matching tutorial I have watched and believe me I have watched loads !
Interesting to me that you don’t mention the colour checker comparison feature or the built in shot match option, why is that?
Color correction is probably my main issue I should work more on... Thanks for the tips!
Gerald, you are one awesome dude. Your knowledge and drive to get to bottom of things is amazing. Channel to go to for deep knowledge and understanding of how things work behind the scenes. thanks for all your time and effort!
YES!! Little filmmaker Ronald is in a Gerald Undone Video! Thank you for choosing my comment for the intro!
your work is becoming an encyclopedia of technique. Really, it is essential. Keep up the good work :)
Normally I can set my speed to 1.5 and follow along but this was so rich in info I kept it at normal speed. Great video!
As always, this has been great. I work almost exclusively with stills, but watching you run through this stuff with video is both very interesting and helpful for thinking about workflows
Amazing video! You take a complex concept and make it simple to understand and execute!
Absolutely brilliant Gerald! I'm thoroughly enjoying these insightful videos.
This is just outstanding. It is Gerald at his super best. Thankful for this! 💛😎
Such a great video. Always helpful! 😉😉
I've recently experimented with this type of process in Vegas Pro using a Datacolor Spydercheckr, with 48 color patches. Wasn't sure where the extra colors should hit on the vectorscope. Amazing how easy it is to get different cameras to match each other.
Exactly what I was thinking about the other day.. Thanks for the great work and afford for those in depth explanations/tutorials.. I love your technical videos so much👍🏼
Looking forward for more of your quality content!
Wish you all the best 💪🏼
WOW was that a great tutorial! THANK YOU! I moved over to Davinci recently (I have the BMPCC4K) and I do use the X-Rite panels! Your explanations are perfect! FYI 1: in case you move the main line in say hue vs hue just select that point and type 0 into the right box below. FYI 2: The "still" can be added to the power bins for other projects.
Hi Gerald, great content, thank you. In the Hue VS Hue and other curves, if you hold the shift key when adding points to the line you wont keep bumping it off the zero mark.
Bruh! This was the most helpful grading video I’ve ever seen! Thank you so much for sharing all of this voodoo-science knowledge 😍🤤🙌🏻🙌🏻🙌🏻
Unreal From Undone! Thank you too much for all this valuable information, you are an incredible teacher!
So many fantastic tips in this video. One cool thing with saving your grade is that if you drag it from Stills into Powergrades you can access it from any project. Cheers!
Very cool - I use Resolve and this is very thorough and easy to follow. Thanks.
Have you tried using the built-in Color Match tool, where you can line it up with your color checker? I'd imagine it would (should) get 2 different cameras to the same base-line staring point?
Phenomenal amount of usable info here. Thank you!!!!!
This is amazing! I still don't understand how to do it but the amount of information in this video is mind blowing. I think I just need Gerald to do my color grading for me :(
So good! There are two other channels where I've learned about resolve color grading from and each of you uses different tools and node structures to get to the final result. I really like what you've done here since it's more about camera matching (something I currently need to do better) than creating a look. As always, keep up the good work G.
Incredible info, thank you so much
Your visual explainations are amazing. Best channel!
You can search the whole internet but you won‘t find so much information about color matching in 27mins 😄
that right click and "Show picker RGB value" totally helped a ton when i'm trying to white balance. really thank you for that, and literally thank you for all the other info. this is probably one of the more accurate video on color correcting if not the most accurate. btw, i think you're supposed to add another contrast node after HSL if u're using it to give it the "graded" look just for aesthetic workflow purposes, but it's not important nor needed, but could be handy :) and weren't you supposed to turn off the "Grade" node before you do all your correction nodes? unless you did a power window to isolate the background or something? i dunno, since u did mention it was specifically for the purple in the back ;)
16:27 how do you do this without color checker and without a human face? just a normal scene of the environment for example a garden?
I found this video to be very frustrating as I have spent good money on online DaVinci training, watched Casey Faris, and countless others and no one has explained anything as clearly and concisely as you have here. My frustration is that there is only one of you and you have gear to review and studios to critique so doing a full time Resolve series is of course not possible. That said if you ever do, I (and many others) would pay whatever the asking price.
In the meantime, If you find the time, please do more!
Fantastic!!! Just got my colour checker so now I know what to do with it. Thanks for posting, I very much appreciate the time you put into making this video.
Extremely helpful. Subscribed instantly.
This tutorial was very useful when doing things manually but I would also like the same in depth demonstration on the auto match color chart feature within davinci resolve as no one else seems to know all the fine details that you do and I always find you teach me the most.
can't figure out if the shift in colour and contrast @4:28 is on purpose?
if you want to quickly reset your value after creating a point in for example hue vs hue curve you can junt double click "hue rotate"
this is one of your best videos. super useful
Hey! nice video!
Question: Is this the same process you usually do?
1: Exposure
2: White Balance
3: saturation
4: contrast
5: skin tones
AND THEN
6: Color grading
??
****FOR THE SONY A7SIII: When do you apply the color transform effect?
THANKS!
If you hold shift while putting a point on the hue vs sat line adjustment, it won't shift it at all. It puts a point exactly where your line is. I hated when it moved slightly every point I added.
Love your videos. I've learned so much from them. Just signed up with Storyblocks under your account to show my support!
Bro! I have been looking for a solid, fail-safe way to color match my Sony A7III and Pocket 4K. Most people are just going by eye. I don't really see the "by eye" method as sustainable. Your HSL method is spot on. I downloaded Leeming Lut on your recommendation from another video. The Leeming Luts plus this HSL method works with amazing results. Just wanted to say thanks!
This is just perfect. Gerald is the man! Thx for another insightful video 🤓
Scenario: If I were stranded on a deserted TH-cam island, and could only watch one channel, I'd get Undone. That's crazy.
I'm an amateur, using just Powerdirector...good enough for what I do/need but some aspects of what I see being done make me aware of things I should be aware of to get the best out of (or at least try and improve on) what I do. Great video...as usual.
I can't stress enough how much I love your short, simple intro...
Hey! Thanks for the detailed tutorial.
Im kinda new to davinci and for some reason when using vectorscope it does not show those color dots that Gerald aligns with the appropriate boxes at 6:54. Could someone help me out and explain what might be wrong? It only shows a white blob.
This was an AMAZINGLY helpful video. I'll watch it several times I'm sure. I'm using three different cameras and need to get them to a consistent feel. All canon's but different. Plus the way to use the Color Checker was invaluable. Going to get the video version tomorrow (have the photo)