Tom Scott's Podcast Express: Dave Grusin

Tom and his longtime friend Dave Grusin sit down and discuss the remarkable (and historic) career of the composer, arranger, producer, pianist and co-founder of GRP Records. From Dave’s early career with Andy Williams to scoring “The Graduate” and “Heaven Can Wait” to building a hugely successful record label to being the subject of a documentary and more.
tomscottmusic.com

[@GaryFox11000]

Tom really a great interview with one of the greatest producer / pianist / composer.
Dave Grusin top tier with Quincy as one of the legends ; pioneer of digital music !
Bravo 👏

[@DTmaster]

awesome

[@jazzupthattriad1257]

What I would do to see Yutaka Yokokura as your guest. Tom, brilliant stuff, your podcast’s the absolute bomb.

[@MakeSomeNoiseAgencyPlaylists]

legends 😍

[@paulmcateer]

Thanks for this interview Tom. What incredible contributions you Gentlemen have made and hopefully continue to make for many more years. I have been fortunate to have had Tom Scott and Dave Grusin as influences in my Musical pursuits.

[@barnaby12345]

Thank you so much for this great interview with one of the true geniuses of modern music! You and I have had so many conversations about our mutual respect for this incredible musician. It was great having someone who worked with Dave extensively do the interview, and your research and preparation really kept the momentum going, and that made it very interesting. Great job, Tom!

[@jazzaman147]

iam 50 years old and i was 17 when i got into Dave Grusin it was three Days of the Condor which sparked my intrest in dave grusin such a great artist thanks for the upload

[@philouze1815]

Dave rules. That's all I've got to say.

[@finemusic1000]

Inc: Chuck Findley, trumpet; Frank Rosolino, Charlie Loper, Joe Howard, trombone; Vince DeRosa, Richard Perissi, French horn; Tommy Johnson, tuba; Bud Shank, Jerome Richardson, Tom Scott, reeds; Artie Kane, Ian Underwood, keyboards; Lee Ritenour, guitars; Chuck Rainey, Ray Brown, acoustic double bass; Harvey Mason, drums, Joe Porcaro, Emil Richards, drums.

[@PatchmanMusic]

Great interview, Tom. That arrangement of Fool On The Hill for Sergio Mendes has always been a favorite of mine. A Latin 3/4 feel. Timeless.