0:00－Grande Fantaisie (Variations) sur des thèmes de Paganini -- La Clochette et Le Carnaval de Venise S.700i 14:28－Grande Fantaisie (Variations) sur des thèmes de Paganini S.700ii
amazing video!!!!! also actually this is one of my favorite Liszt's operatic transcriptions ever :)) those variations of the carnival de venice as just so beautiful as heck
לגמרי כך. היצירות האהובות עליי שלו הן יצירה זו, liszt études d'exécution transcendante d'après paganini no. 3 ו-transcendental étude no. 12. למרות זאת, אני מעדיף את שופן, שכן לדעתי שופן הביא לידי ביטוי את המוזיקליות בכל היצירות שלו ולא ניסה להשוויץ בכישוריו, כמו שליסט ניסה לעשות לעיתים.
this is actually the 2nd/3rd version of La Campanella before the La campanella name was even coined. It started with S.420 then S.700a/1 then S.700a/2 then S.140 and finally 141. The spanish results are from constant variations and othwr themes like Carnival de venise.
Thats correct Ex nihilo nihil nothing comes from nothing .All composed music are heard somewhere Beethoven Vivaldi and many others were going to the woods to listen to the birds song Liszt should do the same. For a musician the hardest part is the motive the theme the rest is homework
"Liszt should do the same" well, he did. Listen to his St. Francis of Assisi tone poem, where the woodwinds clearly imitate the sounds of birds chirping.
@@MoisesJimenezTorres I find it too cautious and timid, which is not at all what Liszt should sound like. Also it never sounds effortless, but in fact rather labored and heavy. Certainly, some passages in Liszt must have an element of "struggle", but not this piece :)
Laparidis does a better job, but he rushes in a decent amount of parts. He does have 3 separate recordings of S.700ii, all of them pretty different from one another, but still sharing the basic elements.
Liszt suffers of a great sterility he doesnt have own creation own themes own music he must transcript other composers music and take credit. Not surprised why he is an underrated musician.
So did Paganini as well, the Carnival of Venice melody you hear here wasn't his to begin with either lol. Just about every composer took melodies/themes of their time and transformed and incorporated into their music. Back in the day people couldn't just open up spotify and listen to their favorite opera, best they could do was play piano transcriptions which Liszt definitely provided for in a skillful way. I don't see how he "takes" credit when it literally says "themes of [composer]" in the titles. I'm not going to bother with your statement that he doesn't have his own themes because that's just painfully untrue and I think you know that too, unless you discovered him yesterday.
0:00－Grande Fantaisie (Variations) sur des thèmes de Paganini -- La Clochette et Le Carnaval de Venise S.700i
14:28－Grande Fantaisie (Variations) sur des thèmes de Paganini S.700ii
THANKS
Thanks
Thanks
They are now S.700a/i and S.700a/ii. S.700 is the variations on Carnival di Venise
@@TheModicaLiszt 、s700(carnaval de venise)
Thank you so much for this fantastic upload!
amazing video!!!!!
also actually this is one of my favorite Liszt's operatic transcriptions ever :)) those variations of the carnival de venice as just so beautiful as heck
Operatic? Lol
@OLIVIER MESSIAN IS REAL 100% Ok boomer
@OLIVIER MESSIAN IS REAL 100% e
@Schuyler Bacn h
Superbe version des variations sur des thèmes de Paganini brillantes enlevées inspirées par ce spécialiste de Liszt Leslie Howard.
12:12 - aka Howard's transition, is beautiful af.
Agreed!!!
Thank you very much
Howard plays 30:54 beautifully.
Yes, perfect voicing!
Look at 12:13 !!!!!!!
I just sight read this to my school 😅 so much enjoyment playing it thank you
You’re a legend for this. Thanks for the upload.
12:14 it's not Howard's transition, it's two pages that Liszt crossed out in the autograph.
pretty good execution of this piece
Excepcional
これを聞きたかった！！！！
ハワード普通に上手いですよねー
15:57
how can one use the first & second thumb to do tr and the fourth & fifth to do dysphonia Skillfully?
Thank you so much for this. :)
הגאונות של ליסט במלוא הדרה מקסים
לגמרי כך. היצירות האהובות עליי שלו הן יצירה זו, liszt études d'exécution transcendante d'après paganini no. 3 ו-transcendental étude no. 12. למרות זאת, אני מעדיף את שופן, שכן לדעתי שופן הביא לידי ביטוי את המוזיקליות בכל היצירות שלו ולא ניסה להשוויץ בכישוריו, כמו שליסט ניסה לעשות לעיתים.
Epic
The recording is so unexciting though?
What does howard transition mean? Does he improvise it
Yes
@@thenotsookayguyNo
@@TheModicaLiszt mb
Interesting piece. Sounds like a Spanish La Campanella
this is actually the 2nd/3rd version of La Campanella before the La campanella name was even coined. It started with S.420 then S.700a/1 then S.700a/2 then S.140 and finally 141. The spanish results are from constant variations and othwr themes like Carnival de venise.
Where can I get the sheet music
Idk
Are these harder than Brahm's?
Ye
@@dzordzszs how so?
@@iliketurtles5180
I mean, look at the score
@@iliketurtles5180 big hands
4:37
Damn this is good
Why did he mix these two together?
La escuche ayer
Can you arrange for Piano and Orchestra?
WHERE IS THE CLARITYYYY IT NEEDS MORE CLARITY UGHHHHH
Calculations 200fans!
Thanks for your calculation!Good math!
Typically frenetic Liszt.
伟大の
poggers
first and no views yay
h
h
Thats correct Ex nihilo nihil nothing comes from nothing .All composed music are heard somewhere Beethoven Vivaldi and many others were going to the woods to listen to the birds song Liszt should do the same. For a musician the hardest part is the motive the theme the rest is homework
Wtf
yea, Vivaldi listened to birds singing for him to write all of his "few" violin concertos, what's next? cows flying?
everyone can make a theme, not everyone can turn a theme into music
"Liszt should do the same" well, he did. Listen to his St. Francis of Assisi tone poem, where the woodwinds clearly imitate the sounds of birds chirping.
Hahahahaha
Esta fallando
great piece, terrible performance
Terrible performance is you playing this.
@@MoisesJimenezTorres I find it too cautious and timid, which is not at all what Liszt should sound like. Also it never sounds effortless, but in fact rather labored and heavy. Certainly, some passages in Liszt must have an element of "struggle", but not this piece :)
@@townc2824 I 100% agree
@@paolo6219 ok
Laparidis does a better job, but he rushes in a decent amount of parts.
He does have 3 separate recordings of S.700ii, all of them pretty different from one another, but still sharing the basic elements.
Don't like it.
Liszt suffers of a great sterility he doesnt have own creation own themes own music he must transcript other composers music and take credit. Not surprised why he is an underrated musician.
"he doesn't have his own creation"
aight imma head out
Dumbass.
So did Paganini as well, the Carnival of Venice melody you hear here wasn't his to begin with either lol. Just about every composer took melodies/themes of their time and transformed and incorporated into their music. Back in the day people couldn't just open up spotify and listen to their favorite opera, best they could do was play piano transcriptions which Liszt definitely provided for in a skillful way. I don't see how he "takes" credit when it literally says "themes of [composer]" in the titles.
I'm not going to bother with your statement that he doesn't have his own themes because that's just painfully untrue and I think you know that too, unless you discovered him yesterday.
Sounds like you haven't listened to Liszt at all
I don't think this is a wise commemt.If you listen to his work indeed,you will not say this.