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Chocho Angel
United States
เข้าร่วมเมื่อ 28 ก.ค. 2018
bilibili: ChochoAngel
A Score-Video Maker. I upload scored videos .
If a copyright owner has issues with any videos here or my videos in bilibili, please contact me at 944902596angelcho@gmail.com or 944902596@qq.com and I will delete them.
A Score-Video Maker. I upload scored videos .
If a copyright owner has issues with any videos here or my videos in bilibili, please contact me at 944902596angelcho@gmail.com or 944902596@qq.com and I will delete them.
Pierre Boulez - Première sonate pour piano
Pierre Boulez - Première sonate pour piano (1946)
Performer: Pi-Hsien Chen
00:00 - I. Lent - Beaucoup plus allant
05:00 - II. Assez large - Rapide
In early 1945, Boulez, who had been studying with Olivier Messiaen at the Paris Conservatoire, attended a performance of Arnold Schoenberg's Wind Quintet, conducted by René Leibowitz. Boulez later reflected: "It was a revelation to me. It obeyed no tonal laws and I found in it a harmonic and contrapuntal richness and a consequent ability to develop, extend, and vary ideas that I had not found anywhere else. I wanted, above all, to know how it was written". Boulez and a group of fellow students sought out Leibowitz and began studying privately with him. Thanks to Leibowitz, Boulez became familiar with the music of Anton Webern, who would prove to be a major influence.
Performer: Pi-Hsien Chen
00:00 - I. Lent - Beaucoup plus allant
05:00 - II. Assez large - Rapide
In early 1945, Boulez, who had been studying with Olivier Messiaen at the Paris Conservatoire, attended a performance of Arnold Schoenberg's Wind Quintet, conducted by René Leibowitz. Boulez later reflected: "It was a revelation to me. It obeyed no tonal laws and I found in it a harmonic and contrapuntal richness and a consequent ability to develop, extend, and vary ideas that I had not found anywhere else. I wanted, above all, to know how it was written". Boulez and a group of fellow students sought out Leibowitz and began studying privately with him. Thanks to Leibowitz, Boulez became familiar with the music of Anton Webern, who would prove to be a major influence.
มุมมอง: 155
วีดีโอ
Franz Liszt - Réminiscences de Norma, S394 (Jorge Bolet)
มุมมอง 23914 ชั่วโมงที่ผ่านมา
Franz Liszt - Réminiscences de Norma, S394 Performer: Jorge Bolet The Norma Fantasy stands next to that on Don Giovanni for its ability to capture the essence of the operatic drama in a new structure. It is probably for dramatic reasons that Liszt ignored the famous aria ‘Casta Diva’ (which Thalberg used as the basis for his fantasy) but instead chose no fewer than seven other themes for his gl...
Franz Liszt - Réminiscences de Don Juan, S418 (Grigory Ginzburg)
มุมมอง 27016 ชั่วโมงที่ผ่านมา
Franz Liszt - Réminiscences de Don Juan, S418 Performer: Grigory Ginzburg Much has been written about the uncanny insight into Don Giovanni which Liszt shows by taking the seduction duet (with variations), the drinking song and the music of the statue of the dead commendatore and weaving a commentary upon the moral pith of the original. Even Bernard Shaw (who dismissed a masterpiece like the ‘D...
Béla Bartók - 3 Etudes, Sz.72
มุมมอง 23421 ชั่วโมงที่ผ่านมา
Béla Bartók - 3 Etudes, Sz.72 Performer: Zoltán Kocsis 00:00 - 1. Allegro molto 02:07 - 2. Andante sostenuto 05:06 - 3. Rubato - Tempo giusto, capriccioso With these three studies Bartók quite deliberately aimed to leave his mark on New Music in 1918. The first study is a kind of super-charged, motorically vehement Allegro barbaro, while the second, with its effervescent waterfalls of sound, se...
Frédéric Chopin - Fantasie in f minor, Op. 49 (Vlado Perlemuter)
มุมมอง 382วันที่ผ่านมา
Frédéric Chopin - Fantasie in f minor, Op. 49 Performer: Vlado Perlemuter Scholars have long been trying to figure out the mystery of Chopin’s one and only solo Fantasie. The highly individual form is a puzzle to all who prefer more traditional genre concepts. Is it a sonata movement, a rondo, or even a free combination of character movements such as march, recitative or chorale? Chopin lovers ...
Frédéric Chopin - Ballade No.1 in g minor, Op.23 (Sergio Fiorentino)
มุมมอง 8914 วันที่ผ่านมา
Frédéric Chopin - Ballade No.1 in g minor, Op.23 Performer: Sergio Fiorentino When Chopin gave his Opus 23 the title “Ballade” in the mid 1830s, he established the piano ballade as a new musical genre which was subsequently taken up by others, including Brahms, Liszt and Grieg. The idea of transforming a fictional, dramatic and mystical event into music particularly suggested itself to the Roma...
Arnold Schönberg - Drei Klavierstücke, Op. 11
มุมมอง 10621 วันที่ผ่านมา
Arnold Schönberg - Drei Klavierstücke, Op. 11 Performer: Mitsuko Uchida 00:00 - I. Mäßig 04:25 - II. Sehr langsam 11:10 - III. Bewegt The Three Piano Pieces were written in Schönberg’s extremely productive creative phase in 1909, during which he also composed the Five Pieces for Orchestra, op. 16, and “Erwartung,” op. 17. Besides fundamental innovations in the handling of material (mainly in th...
Leoš Janáček - Piano Sonata 1. X. 1905
มุมมอง 164หลายเดือนก่อน
Leoš Janáček - Piano Sonata 1. X. 1905 Performer: Rudolf Firkusny 00:00 - 1. Předtucha 05:02 - 2. Smrt The composition “1.X.1905,” generally referred to as a “sonata,” stems from the autumn of 1905, the peak of the riots between the Czech- and German-speaking populations in Janáček’s hometown Brno. Reacting to the violent death of a Czech worker, Janáček wrote a three-part composition for piano...
Béla Bartók - Improvisations on Hungarian Peasant Songs, Sz.74
มุมมอง 243หลายเดือนก่อน
Béla Bartók - Improvisations on Hungarian Peasant Songs, Sz.74 Performer: Zoltán Kocsis 00:00 - 1. Molto moderato 01:19 - 2. Molto capriccioso 02:16 - 3. Lento, rubato 04:35 - 4. Allegretto scherzando 05:16 - 5. Allegro molto 06:04 - 6. Allegro moderato, molto capriccioso 07:26 - 7. Sostenuto, rubato 09:13 - 8. Allegro After his 15 Hungarian peasant songs, these Improvisations on Hungarian peas...
Franz Liszt - Ballade No.2, S171 (Ernst Levy)
มุมมอง 173หลายเดือนก่อน
Franz Liszt - Ballade No 2 - Deuxième Ballade, S171 Performer: Ernst Levy The more substantial Ballade No 2 is one of Liszt’s finest piano works. It has been linked with the story of Hero and Leander, but it is more generally accepted to have been inspired by Gottfried Bürger’s ballad Lenore. Sacheverell Sitwell found in the work ‘great happenings on an epic scale, barbarian invasions, cities i...
Franz Liszt - Ballade No.1 Le chant du croisé, S170 (Sergio Fiorentino)
มุมมอง 422หลายเดือนก่อน
Franz Liszt - Ballade No 1 Le chant du croisé - Première Ballade, S170 Performer: Sergio Fiorentino Composed between 1845 and 1848 (i.e., before Chopin’s death), the Ballade No 1 is a sadly underrated work. The subtitle ‘Le chant du croisé’ (‘croisé’ means ‘crusader’ rather than ‘cross’) suggests an underlying narrative that Liszt declined to elaborate further, but the work is an evocation of t...
Franz Liszt - 2 Légendes, S175 (Mieczysław Horszowski)
มุมมอง 423หลายเดือนก่อน
Franz Liszt - 2 Légendes, S175 Performer: Mieczysław Horszowski 00:00 - 1. St François d'Assise - La prédication aux oiseaux 08:47 - 2. St François de Paule marchant sur les flots The St Francis Legends are two of Liszt’s finest examples of conjuring up natural imagery at the keyboard, the first with its very delicate imitation of birdsong-of which we are given quite a feast before the sermon b...
Franz Liszt - Sarabande und Chaconne über Themen aus dem Singspiel Almira, S181 (Gunnar Johansen)
มุมมอง 628หลายเดือนก่อน
Franz Liszt - Sarabande und Chaconne über Themen aus dem Singspiel Almira, S181 Performer: Gunnar Johansen Almira was Handel’s first opera, and it received such scant attention that it is little short of amazing that Liszt should have taken it up, writing a sort of double set of variations on the two dances which occur near the beginning of the work (Chaconne then Sarabande in the opera). Curio...
Franz Liszt - Les adieux, rêverie sur un motif de l'opera Romeo et Juliette, S409
มุมมอง 280หลายเดือนก่อน
Franz Liszt - Les adieux, rêverie sur un motif de l'opera Romeo et Juliette, S409 Performer: Soyeon Kate Lee Les Adieux, described as a Rêverie on a motif from Gounod’s opéra Roméo et Juliette, was written in 1867, the year of the first staging of Gounod’s opera in April at the Paris Théâtre Lyrique. Liszt’s tribute uses several motifs from the opera, all concerned with the partings of the love...
Franz Liszt - Rigoletto de Verdi - Paraphrase de Concert, S434 (Grigory Ginzburg)
มุมมอง 256หลายเดือนก่อน
Franz Liszt - Rigoletto de Verdi - Paraphrase de Concert, S434 (Grigory Ginzburg)
Sergei Rachmaninoff - 9 Études-Tableaux, Op.39 (Sergio Fiorentino)
มุมมอง 293หลายเดือนก่อน
Sergei Rachmaninoff - 9 Études-Tableaux, Op.39 (Sergio Fiorentino)
Alexander Scriabin - Complete 10 Piano Sonatas (Igor Zhukov) [Score-Video]
มุมมอง 3382 หลายเดือนก่อน
Alexander Scriabin - Complete 10 Piano Sonatas (Igor Zhukov) [Score-Video]
Franz Liszt - Grande fantaisie de bravoure sur La clochette, S420 (John Ogdon)
มุมมอง 5032 หลายเดือนก่อน
Franz Liszt - Grande fantaisie de bravoure sur La clochette, S420 (John Ogdon)
Franz Liszt - Grosse Concert-Phantasie über spanische Weisen, S253
มุมมอง 5152 หลายเดือนก่อน
Franz Liszt - Grosse Concert-Phantasie über spanische Weisen, S253
Franz Liszt - Réminiscences de Lucrezia Borgia, S400
มุมมอง 5692 หลายเดือนก่อน
Franz Liszt - Réminiscences de Lucrezia Borgia, S400
Franz Liszt - Réminiscences des Puritains, S390i
มุมมอง 3392 หลายเดือนก่อน
Franz Liszt - Réminiscences des Puritains, S390i
Arnold Schönberg - Phantasy, Op.47 (1949)
มุมมอง 1362 หลายเดือนก่อน
Arnold Schönberg - Phantasy, Op.47 (1949)
Sergei Rachmaninoff - 8 Études-Tableaux, Op.33 (Sergio Fiorentino)
มุมมอง 3373 หลายเดือนก่อน
Sergei Rachmaninoff - 8 Études-Tableaux, Op.33 (Sergio Fiorentino)
Franz Liszt - Variationen über das Motiv von Bach, S180 (Maria Yudina)
มุมมอง 5003 หลายเดือนก่อน
Franz Liszt - Variationen über das Motiv von Bach, S180 (Maria Yudina)
Franz Schubert - 4 Impromptus, D899 (Artur Schnabel)
มุมมอง 1354 หลายเดือนก่อน
Franz Schubert - 4 Impromptus, D899 (Artur Schnabel)
Alexander Scriabin - Polonaise, Op.21 (Vladimir Sofronitsky)
มุมมอง 1.4K4 หลายเดือนก่อน
Alexander Scriabin - Polonaise, Op.21 (Vladimir Sofronitsky)
Franz Liszt - Album d'un voyageur, S156 (1837-1838)
มุมมอง 10K6 หลายเดือนก่อน
Franz Liszt - Album d'un voyageur, S156 (1837-1838)
Frédéric Chopin - Barcarolle, Op.60 (Vladimir Sofronitsky)
มุมมอง 4547 หลายเดือนก่อน
Frédéric Chopin - Barcarolle, Op.60 (Vladimir Sofronitsky)
Franz Liszt - Sonata in b minor, S178 (Sergio Fiorentino)
มุมมอง 5427 หลายเดือนก่อน
Franz Liszt - Sonata in b minor, S178 (Sergio Fiorentino)
00:00 - I. Lent - Beaucoup plus allant 05:00 - II. Assez large - Rapide
The great Bolet
Is there a performance that plays the chordal version?
Alkan was so good he could make Steibelt sound like actual music
Bolet shows that color over speed gives a long but interesting interpretation. The passion is there, especially in that sad aria in B minor, the textures are so huge too. Though not my cup of tea its definitely not like any recording, The voicing is very clear , after all, Jorge Bolet himself studied under Leopold Godowsky.
Thank you for this valuable upload! Love this beautiful sensitive and powerful interpretation but not my favourite (that being Tozer) because of the tempo. But still the way he plays the arpeggiated section is absolutely stunning and triumphant and he truly makes it sound like a climax.
Epic video! Where did you get the sheet to this and the Album d'un Voyageur? I can't find it in any of the usual places.
This is the Editio Musica Budapest edition. it is quite expensive, Its one of the Best Liszt Score Editions to work with that contains best urtext and includes extra texts like album leafs or written for someone (Sophie menter)
@@lajonnunez5578 I am aware. What I'm not aware of, however, is how one can get a copy for themself. I've tried looking for these scores specifically on certain websites, and I haven't been met with much luck.
@@thypie Pretty much there's no other way than just having to buy one unless there's a guy you know and owns one can have it scanned. However, There is this problem with EMB when it comes to specific scores since most of the Liszt arrangements are randomized and placed in other books (except for Sets ex. Album d'un Voyageur that have been separated like a set into 2 books)
@@lajonnunez5578 Having written about two-thirds of its IMSLP page, I'm quite aware of that. But your point about having to get someone to scan it doesn't quite hold - if you look hard enough you can probably find it. (Obviously, this was not the case with these specific scores.)
Gosh I love these EMB Scores of Liszt. Anyways, Nice video as always. Grigory Ginzburg was Definitely the pianist of his Era, not too flashy but very precise technique. Heinrich Neuhaus (a classmate of Horowitz) once said that Ginzburg was the only pianist to not smudge and miss the notes during the insane note leaps in the 1st variation of La ci darem la mano. Nowadays you probably got other pianist like Hamelin, Katsaris etc. (Crazy to think I was listening to this recording 5 hours ago to be greeted with a score video)
he did some wrong notes on the leaps tho
@@jukeban646I know he did miss a couple of them in this recording, Which is from 1957 around this time he was quite older but its still quite precise though but not as clean as his earlier performances (I can't find them though sadly)
Sheet?
Does anyone know the theme? I have no liner notes, so I don’t know. I wonder if it comes from one of Steibelt’s sonatas. It sounds more like a vocal melody though.
I think it's the theme from the Rondo movement of his 3rd piano concerto. I might be wrong but it sounds very similar.
🐔📕❌
Chicken book wrong?
Pdf
アルカンの初期スタイルは楽しく美しく、リストの初期スタイルは少し高級志向で美しいです。
美しい
Straordinario Maestro
もう、どうしてくれるんだ...アルカンしか愛せない身体になってしまった..罪な男...
Magnifique ...Zoltan et Bartok ...Merci à vous.
8:19 sounds like Waldesrauchen..!
Bravo
where did you find score?
Alkanの影響は顕著です
Thanks for posting! For a different sonic perspective, you can now hear this piece played on an 1842 Pleyel, by French pianist Tanguy de Williencourt: th-cam.com/video/Gj5YJaMi70o/w-d-xo.html
The recording is so unexciting though?
I just sight read this to my school 😅 so much enjoyment playing it thank you
Wolframs Interpretation is so much better
Liszt once again making more of another composer's material than one might have imagined possible! A lovely and unexpectedly moving piece, far beyond a "transcription" -- more like a "transformation."
Thank you for posting! Fiorentino was a wonderful Liszt interpreter, and his two recordings of both Ballades are particularly fine. 🙂
w shred man
Great rendition of an oft overlooked piece
haoting
So beautiful!
Wow!!! 🙂
Trying to compare the pieces of the same names to Annees de Pelerinage SUISSE....Amazing differences. Need to explore history 🤔
my favourite Gounod transcription!! nice video as always hehe, though I think using Andreas Stockinger's interpretation would have been way better
01:36:46
3:58
3:37
🙂🙂🙂 Thank you for posting!
This is the most underrated and unknown Liszt's masterpiece!
So glad to see performances by the wonderful Sergio Fiorentino posted here! Thank you! 🙂
Do you own the sheets that you show on the videos or you found them on a website ?
The sheet is available on imslp and other websites, but I wouldn’t be surprised if he also owned the Urtext lmao
@@Fy37-Pianoyeah I found the Spanish fantasy sheet but the Henle sheets I can’t find them so yeah he probably owns them
shit
Epos! Surely do the 2nd fantasy on the Soirées musicales next (here is a recording - th-cam.com/video/ZpUhQtnbd_o/w-d-xo.html )
What an introduction! So dreaming
Paganini could compose
Probably sight read it to lol
Interpretação singular.
20:28 that ossia though
He doesn’t play the ossia
@@jukeban646 I know, i just pointed it out
Wild
Nice cleaner video