A solid BTS that’s always interesting to see to compare smaller new teams to what we do with larger TV OB trucks. You guys are doing a solid job for the equipment and setup!
Thank y’all so so much for showing this. ❤️❤️ 💪🏾💪🏾 I have a starter production company and one of my goals for this company is to broadcast some high school sports. Y’all just showed me that this is more than possible.
pretty cool! Also, love seeing the use of the older panasonics. The SDI out is still very good for modern broadcast since you arent recording direct to camera. And they are cheap on ebay too. got one for 600 or so off ebay, and it works very good
@JRM Video Production wow great job on this BTS fantastic job on the explanations of the elements! the best so far you guys are doing a great job keep it up
Great stuff! I've been doing high school football and baseball broadcast and production for about 6 years and the level that you guys are doing this is amazing. I would love to know how you guys are incorporating scoreboard into LiveScore. I normally dedicate a camera to keep the clock and I have someone else keep score on an iPad. It would be awesome if I could link directly with the field scoreboard like you're doing.
Thank you! The way we obtain scoreboard data is difficult and probably our most asked question. The basics are, we use a Sportzcast ScoreLink to connect to the venue scoreboard. That plugs into our network and we’re able to pull the raw XML Data into live score from there.
@@jrmvideo thanks for getting back to me. What kind of sideline mic do you use and what's the range? I normally have a sideline reporter but the wireless audio range has been spotty at best.
That’s a Marshall Cube Cam. They are commonly used throughout productions anywhere you can put a large camera rig. We use them for a beauty shot and announcer snoop cam so we can see what’s happening in the booth.
Very well done. You guys running dual or triple roles in the truck with TD/GFX for one and Audio/Replay/probably something else. You're both obviously skilled, and this is a huge cost savings per show, but what do you do if you have an engineering issue to solve and one of you has to step away to fix?
Thank you! That is a very good question and it’s a recent issue we’ve encountered with the growing size of each production. Specifically for the football broadcasts, Cory our drone pilot has been with JRM since day one and understands the workflow of all the roles and technology involved with our productions. If we have an issue mid-show, he will step away from his role as drone pilot to go solve said issue. It’s worked out because we can sacrifice a live drone shot as he goes and tends to a problem. So he’s pretty much the engineer as well.
@@robertgrafe8775 Too much to explain, it's custom coded for a Microsoft tablet but I would check out "Video Pencil" for IOS devices. We just discovered this and it would've solved many issues for us. Software just came out a year ago
I have a few questions, also love the video, not even midway through the video but got questions😂: Have you guys had to use your own internet at a high school stadium? We’re going to start doing local sports broadcasts, and I know some of the fields in our league don’t have internet up in their press box and I would like to know what’s the best solution to that.
Yes, 95% of the time the venue has internet available for us. We are in communication with the schools IT teams several weeks before a broadcast date to ensure speeds, reliability and open ports. The rare case internet is not available, we will use a LiveU pack to transmit signal. This uses cellular bonding to send out the broadcast to any location you desire. They are very pricy so we rent per occasion basis.
Curious to know how you are getting your signal to the TV station. I did not see any antennas or satellite on or around your trailer. Thanks for the great examples you are setting. Keep up the good work and much success.
The station provided us with 2 video encoders which would send via RTMP streaming directly to the station. This meant we had to have good reliable internet at every location and we had to have specific ports open on firewalls. There was a lot of IT coordination every week. In the few cases internet was not available, they would provide us with a LiveU pack to transmit over cellular bonding.
Great content guys... Thanks a lot for sharing it. Writing from Italy, may I ask you what solution (brand and maybe model) are you using for playing video contents calling them via Streamdeck? Thanks it would be very helpful! Nick
We use DJI drone systems. Specifically, the DJI Smart Controller which has an HDMI out with the live video feed. We’ll just take that HDMI and convert it to SDI for our switcher.
I see that you are adding the graphics via OBS. When you are not broadcasting on TV and just going to the web are you using OBS as an "encoder" for the streaming?
What interesting is, is that you just have two atem camera converter in your pressbox. That means 2 feeds to and from your controle room. How to transmit all the other cameras? You have minimum of 3 cameras in that both. without explaining your routing, there are even more questions.
We have a total of 4 atem camera converters in the press box. The two you didn't see were at main camera and our PTZ. We also have a 4 channel SDI over LC Fiber converter mounted in our press box breakout which handles the wireless receivers and booth cameras. There's a total of 8 camera feeds coming from the press box.
I will mention that your TV timeout methodology feels quite convoluted and inconsistent compared to our method with the station. For established sports like ice hockey for example we usually have a TV timeout light that the referees look to to visually know to stop or restart play plus an established remaining time each period that we will go to TV timeout on the next whistle if no goal or penalty occurs at that point.
Funny you mention the indicator lights because we just designed a system for our stream decks to control red and green lights for TV timeouts. I also feel it depends on the sport. For hockey and basketball, it's easy to have a pre-planned tv timeout that the officials will follow. But for football, sometimes we take a break and sometimes we don't. The method we use is exactly what happens for NFL games. I work on the sidelines during NFL games and the networks have a red hat "Orange hat" that stands on the 30 yard line and will run out when there's a break. I also worry about daylight football games because the LED indicator lights won't be visible up in the press box. But we are experimenting.
When talking about game play, yes. They are working with us in the production truck and alerting the officials when we’d like to stop the game play and go to a commercial break or when we’d like to resume the game play.
A solid BTS that’s always interesting to see to compare smaller new teams to what we do with larger TV OB trucks. You guys are doing a solid job for the equipment and setup!
Really appreciate that!
Loving this stuff! Please keep posting more. It’d be really cool to see a few full multi cam and behind the scenes videos of an entire broadcast
I always enjoy your bts work and love getting insights on how you guys do what you do. Keep up the great work!
Appreciate it. Thanks!
Great info and insight!
where do you get your graphics from and what software do you use?
We create most of the graphics in-house via photoshop but any of the animated ones are from UNO Overlay by Singular.live
Awesome work guys!
Thanks!
Thank y’all so so much for showing this. ❤️❤️ 💪🏾💪🏾 I have a starter production company and one of my goals for this company is to broadcast some high school sports. Y’all just showed me that this is more than possible.
This is awesome. Been following you guys from the first trailer build. Great job.
Appreciate it!
This BTS content is 🔥 !! Thanks for sharing!
New fan from the Philippines
pretty cool! Also, love seeing the use of the older panasonics. The SDI out is still very good for modern broadcast since you arent recording direct to camera. And they are cheap on ebay too. got one for 600 or so off ebay, and it works very good
100%
@JRM Video Production wow great job on this BTS fantastic job on the explanations of the elements! the best so far you guys are doing a great job keep it up
Great stuff! I've been doing high school football and baseball broadcast and production for about 6 years and the level that you guys are doing this is amazing. I would love to know how you guys are incorporating scoreboard into LiveScore. I normally dedicate a camera to keep the clock and I have someone else keep score on an iPad. It would be awesome if I could link directly with the field scoreboard like you're doing.
Thank you! The way we obtain scoreboard data is difficult and probably our most asked question. The basics are, we use a Sportzcast ScoreLink to connect to the venue scoreboard. That plugs into our network and we’re able to pull the raw XML Data into live score from there.
@@jrmvideo thanks for getting back to me. What kind of sideline mic do you use and what's the range? I normally have a sideline reporter but the wireless audio range has been spotty at best.
This is great stuff!!!
Let's go, I've been waiting for this!
Loving the BTS. Hope to work with your team in the near future.
Very Impressive!
Thanks for sharing this video! Amazing. This is so inspiring. My next step is building a Truck.
6:58 What is name of the mini camera?
Guys just keep posting videos it is very inspirative. Thanks.
That’s a Marshall Cube Cam. They are commonly used throughout productions anywhere you can put a large camera rig. We use them for a beauty shot and announcer snoop cam so we can see what’s happening in the booth.
Thanks for leting me know.
Very well done. You guys running dual or triple roles in the truck with TD/GFX for one and Audio/Replay/probably something else. You're both obviously skilled, and this is a huge cost savings per show, but what do you do if you have an engineering issue to solve and one of you has to step away to fix?
Thank you! That is a very good question and it’s a recent issue we’ve encountered with the growing size of each production. Specifically for the football broadcasts, Cory our drone pilot has been with JRM since day one and understands the workflow of all the roles and technology involved with our productions. If we have an issue mid-show, he will step away from his role as drone pilot to go solve said issue. It’s worked out because we can sacrifice a live drone shot as he goes and tends to a problem. So he’s pretty much the engineer as well.
awesome video guys, very very good job! I need to build a press box and I would like to talk to some of you to see how we can do it.
Great BTS! What do you guys use for bump/intro outro music?
What softwhere are you using for your telestrator?
It's a custom built software
@@jrmvideocan you tell more about it?
@@robertgrafe8775 Too much to explain, it's custom coded for a Microsoft tablet but I would check out "Video Pencil" for IOS devices. We just discovered this and it would've solved many issues for us. Software just came out a year ago
I would like to know how you send the signal to the tv station ???
Via two teradek encoder sent out via SRT streaming. One primary and one backup.
@@jrmvideo Thanks, you guys are amazing!!
Do you use teradek bonded solution? Or just fibre at the stadium?
Great behind the scenes video. Awesome work
Thank you!
I have a few questions, also love the video, not even midway through the video but got questions😂:
Have you guys had to use your own internet at a high school stadium? We’re going to start doing local sports broadcasts, and I know some of the fields in our league don’t have internet up in their press box and I would like to know what’s the best solution to that.
Yes, 95% of the time the venue has internet available for us. We are in communication with the schools IT teams several weeks before a broadcast date to ensure speeds, reliability and open ports. The rare case internet is not available, we will use a LiveU pack to transmit signal. This uses cellular bonding to send out the broadcast to any location you desire. They are very pricy so we rent per occasion basis.
Finally!
Curious to know how you are getting your signal to the TV station. I did not see any antennas or satellite on or around your trailer. Thanks for the great examples you are setting. Keep up the good work and much success.
The station provided us with 2 video encoders which would send via RTMP streaming directly to the station. This meant we had to have good reliable internet at every location and we had to have specific ports open on firewalls. There was a lot of IT coordination every week. In the few cases internet was not available, they would provide us with a LiveU pack to transmit over cellular bonding.
@@jrmvideo Now I get it. Thnk you for the quick response and continued success.
How do you get in contact with the tv station?
Reached out to the station engineer. I would try station manager or sports director.
Great content guys... Thanks a lot for sharing it. Writing from Italy, may I ask you what solution (brand and maybe model) are you using for playing video contents calling them via Streamdeck? Thanks it would be very helpful! Nick
How do you guys get the feed from the drone into the production?
do you use obs studio?
How much does it cost to stream a football match online?
what wireless systems you use for the mobile cam?
We use all Accsoon products for our wireless needs. I highly recommend them. We’ve had zero issues with them for multiple years now.
How do you get your drone(aerial view) into your production gear?
We use DJI drone systems. Specifically, the DJI Smart Controller which has an HDMI out with the live video feed. We’ll just take that HDMI and convert it to SDI for our switcher.
I see that you are adding the graphics via OBS. When you are not broadcasting on TV and just going to the web are you using OBS as an "encoder" for the streaming?
bro many improvement..where is the og commentator they r still on your company guys
Yeah they still work with us on our second crew as well as for the college games.
What interesting is, is that you just have two atem camera converter in your pressbox. That means 2 feeds to and from your controle room. How to transmit all the other cameras? You have minimum of 3 cameras in that both. without explaining your routing, there are even more questions.
We have a total of 4 atem camera converters in the press box. The two you didn't see were at main camera and our PTZ. We also have a 4 channel SDI over LC Fiber converter mounted in our press box breakout which handles the wireless receivers and booth cameras. There's a total of 8 camera feeds coming from the press box.
Using an HD tape camera for a truck show. Nice cost saving measure.
Thank you! Always trying to get the most bang for our buck here haha
@@jrmvideo Old does not mean bad. Great way to get some nice broadcast optics for a reasonable price point. Great work guys.
Very well done! Amazing what you guys do.
Hey can you guys do one of these videos for soccer/football I love soccer and would love to see one?
Unfortunately, we don’t broadcast soccer. Maybe one day!
what software do you use for your graphics?
UNO Overlays. Pretty sweet free graphics software. Other graphics we use are designed in Photoshop.
I will mention that your TV timeout methodology feels quite convoluted and inconsistent compared to our method with the station. For established sports like ice hockey for example we usually have a TV timeout light that the referees look to to visually know to stop or restart play plus an established remaining time each period that we will go to TV timeout on the next whistle if no goal or penalty occurs at that point.
Funny you mention the indicator lights because we just designed a system for our stream decks to control red and green lights for TV timeouts. I also feel it depends on the sport. For hockey and basketball, it's easy to have a pre-planned tv timeout that the officials will follow. But for football, sometimes we take a break and sometimes we don't. The method we use is exactly what happens for NFL games. I work on the sidelines during NFL games and the networks have a red hat "Orange hat" that stands on the 30 yard line and will run out when there's a break. I also worry about daylight football games because the LED indicator lights won't be visible up in the press box. But we are experimenting.
The redhat controls the whole game?
When talking about game play, yes. They are working with us in the production truck and alerting the officials when we’d like to stop the game play and go to a commercial break or when we’d like to resume the game play.
This is the most stressed Job Ever when its Live