Mani Ratnam and AR Rahman Interview With Baradwaj Rangan | Conversation |
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- เผยแพร่เมื่อ 2 ต.ค. 2024
- #galattaplus #ponniyinselvan #maniratnam #arrahman #vikram #jayamravi #karthi #trisha #aishwaryaraibachchan #prakashraj #jayaram #aishwaryalekshmi #baradwajrangan #Galatta #BaradwajRanganInterview #baradwajrangan #baradwajranganinterview #brinterview
AR Rahman and Mani Ratnam Interview With Baradwaj Rangan | Conversations | #ponniyinselvan2
In this conversation, #maniratnam and #arrahman talk to Baradwaj Rangan
about music and the bond between them, the upcoming #ponniyinselvan2 and how the songs were conceived. They also share their experience on every film that they've worked together and lot more.
Credits:
Director - Nandhakumar
Cameraman - Surender
Editor - Santhosh Sivan
![[UNCUT] “บอสณวัฒน์” ลากไส้!! ใครหนุนหลัง "แม่ตั๊ก ป๋าเบียร์" I คนดังนั่งเคลียร์ I 30 ก.ย. 67](http://i.ytimg.com/vi/QlD7mU2KKRk/mqdefault.jpg)
When ARR said "even if he (Mani Sir) decides not to use me, I will still be praying for him because I am just so in awe of him", damn I shed a few tears there!!! Greatest example of Guru Bhakti and such deep love for someone who gave you life!! I wish I can be like that to the people who've done good things for me.
Yes. 👏👏👏
அருமை
❤
WATCH-GUIDE:
00:10 30 Years vs PS2
00:30 ARR teases Prequel to PS
00:45 Origin Story of ARR-MR Combo
07:25 On Roja's Music Composition
11:35 ARR on Working Style with MR
12:54 MR on Night Sessions with ARR
15:20 MR on ARR's Improvisations
16:45 On PS1 Album
18:00 On Kannaalaney Song
20:25 Deletion of Songs in Films
22:40 Dealing with High Expectations
24:25 On PS2 Anthem
29:35 On PS2 Album
32:30 On Composing Period Films (Iruvar,PS)
37:35 When ARR enters into an MR film?
38:50 MR's urge to make a songless film
41:10 On Contemporary Music Appreciation
43:09 MR on BG Scores of ARR
44:05 ARR on Conceiving his BG Scores
46:01 ARR on Clash of ideologies with films
47:22 MR & ARR on Music's influence in films
49:25 ARR on Range of his songs for MR
51:45 MR on Contemporary Music
52:15 ARR & MR on Accessibility of their Art
58:00 ARR & MR reflecting on changes in each other after 30 years
Thank you for your time ❤️
Time waste
❤
@@allvideoforyou1937 😂😂
🙏🏻
OMG what did I witness today. This is a blissful eye feast for Mani sir and AR Rahman sir’s fans. I’m sure this would be an iconic interview for my lifetime because these both legends are interviewed by Baddy sir who’s an epitome of interviewing.
Thank you so much Galatta plus for bringing such a great legends together and interviewing the GOATS. Thanks to baddy sir for making this happen because baddy sir interviewed both separately but this time it’s both together in one frame. And finally thanks a billion Mani sir for bestowing us with great films and thanks a billion AR Rahman sir for bestowing us with your great music, tunes and compositions.
To me Mani sir and AR Rahman sir’s combo is the best in the entire Indian Film industry. There is no replacement for this magical duo.
A slave of these both people from Andhra Pradesh.
Truly speaking I’m in love with Tamil movies especially Mani sir’s movies more than Telugu movies and I do listen to AR Rahman sir’s music more than Telugu songs. Mani sir and AR Rahman sir stolen my heart. Literally I can’t get over these both amazing people in my life at any cost. These people have my whole heart. Thank you so much Mani sir for introducing a gem of a person AR Rahman sir into movie industry. You’re ARR sir’s Guru and Mani sir you’re the guru for lot of budding directors in various industries. Truly I feel elated to have been living this era so that I’m able to witness Mani sir movies and ARR sir’s compositions.
Wow.. Rahman and Mani Sir is not the man of less words.. Its only the environment makes them to speak or not.. Thanks Bharadwaj Sir for making us to hear these legends mind..
Such a beautiful interaction between the maestros. A R Rahman seems to be much more comfortable with interviews now. I remember his initial days when he hardly used to utter few words in such interviews.
""Maestro" just fell off the cliff! Arr has given hour-long interviews even in the early 90s; just a bunch of words thrown around as usual; NO actual content. And this is just an unabashed PROMOTION for PS-2.
The sync these 3 stars have between each other, those child-like tiny sheepish laughs by AR as a response to few questions and finally MR's quick wit. Easily one of the best interviews of these legends in one frame and only BR could've pulled this off with such ease which definitely is not. Abso-loop-ely inspiring and many more to go!!
47:58 - In the Bombay movie, amidst all the riots and violent scenes, the music is a plea for peace. We truly felt it. Wow!
It is the freedom that Mani gave to ARR and the trust ARR had in Mani that has given us such a genius combo for 30+ years and many more years to come. The humbleness in both the geniuses is just awesome...lot to learn from them!!!
Smirking all through the interview. I guess only 80s kids will get that feeling of how nostalgia it is to see them sharing their experiences. Your prime time of exposure to cinema has been occupied by these two gentlemen.
FUNNY! Mani Ratnam came to IR in 1982; wanted ONLY ILAYARAJA to compose for his first movie Pallavi Anupallavi in Kannada. The album is an EVERGREEN superhit whose songs are popular even today across various platforms. IR was MAGNANIMOUS enough to compose for just 20% of his remuneration when MR said he could not afford. His second movie UNARU was composed at FREE of cost by IR! The popularity, soul, layering, complexity, intricacy and variety of MR's first 10 movies' music (albums) with IR is GREATER than all the 15+ albums with Arr! When people think MR as a "great" director, it is because of Naayagan, Thalapathi and Anjali. His post-1991 movies are pure and expensive fluff, with high aesthetics: fair-skinned cast, stylish costumes, lavish sets, good cinematography, frame composition, and little-to-very little content. Roja happened because IR refused to compose for KB who messed Pudhu Pudhu Arthangal background score. After that, MR with a now-bloated ego and ungratefulness was not ready to go back to IR.
In a creative field there is nothing called loyalty. MR is working with whomever he feels comfortable. Pre Roja was great but Roja or after is no way inferior and in fact took MR films to national stage. You are fed with a narrative that only IR is a composer and rest of them are programmers, IR is all live instruments and ARR is a computer generated one and so on..
@@cachegrk Roja went "national" because it was tirelessly PROMOTED heavily by KB as "patriotic" movie "against terrorism" - promos were as much or more than the scale of Baahubali in today's context. From 1991, there was a BOOM in the Cassette industry! CABLE TV era with Song Countdown programs ALSO gave Roja enough limelight. It was popular also because of the NEW SOUNDSCAPE that Arr provided. Even at his so-called 'peak', Arr was NOT ABLE to handle more than 5 movies per year (even in his own words)! That would explain why he still has not crossed 175+ movies after 3 decades in his self-"proLOONNGGED" career!! Arr in 2013 BBC interview threw all his predecessors under the bus talking as if he "changed" the music scene eliminating the Tabla dholak flute music! SO MUCH for "humility"! His right hand Srinivasa Murthy stated without blinking an eye that Arr was the one who gave importance to "live orchestra". Between the both, they should have at least taken a stand!
@@cachegrk Roja "was made to become" popular because of the fragile state of the nation owing to a rise in terrorist activities up North from 1989. SYMPATHY WAVE. And the dumb audience lapped it up just like the latter movies Bombay and Dil Se which came AFTER the blasts in 1993. MR's high-aesthetics: good-looking fair-skinned cast, good cinematography, choice of technicians, attractive packaging, negative promotions, good music with excellent sounds (does NOT mean "the best music in the country"), shallow and short dialogues, stylish costumes, expensive sets - art direction etc. HELPED his movies thereby helping Arr gain his foothold, after which it was Arr's PR skills and network / connections that took the latter this far.
ARR chose quality over quantity. Of course IR is a genius in a different league. Roja became famous because of ARRs work. Even if not, he again and again repeated success in Hindi film industry which none of the South Indian composers cracked even now. If IR’s strength is number of films, ARR had different set of strengths which no other musicians even came close. IR never allowed other musicians to grow and flourish. A director once chose other music director or even dared will never be allowed inside Prasad studio.
Didn’t want this interview to end.
We will see so many interviews but this one is an absolute masterclass !!
Will be watching even if it’s 5 hours for legends conversation ❤
Legend cameo in BR's interview was not something I was expecting
The way ARRahman behaves like a kid in-front of ManiRatnam, staying humble in front of his guru, teaches a lot about both these legends. One of the best interviews that I can loop all the time! Thank you so much, BR !
While seeing both Mani sir and A.R sir, i am going to my 90's where they caught my mind and soul in visual and music...
It is a testament to ARR''s immense talent that his music continues to captivate audiences around the world, decades after its creation. Their enduring legacy serves as a testament to the power of art to transcend time and inspire generations.
Sounds like ChatGPT.
Your comment is a testament to your lunacy!
@BC99 why are you spreading hate and bile on TH-cam. Please do better and aim for higher things in life
@@lancedsouza1547 Bitter truth hurt you badly. Take it with a pinch of salt.
@@BC999
கோணல் பார்வை. 😢
Two greatest treasure of Tamil cinema. Kids nowadays talking about pan india, This guys stared the trend in early 90s with Roja.
Roja album and movie become super hit in hindi.
Sadma (Moondraam Pirai), Naayagan, Appu Raja (Aboorva Sagodharargal) and Thalapathi were all PAN-INDIAN hits even before the overrated Roja. Oh these clueless Gen-Z!
From watching ARR in Surabhi with Renuka Sahaney to now it's such an amazing feeling
Had u seen his wonder baloon performance during early 80s in DD
@@gopinathbalakrishnan7390 oh no I didn't. I'll search for it now
Spirit of unity concerts ..intro and end
Music on DD..I just waited for it.
Dil Se background score is BY FAR the best score from Rahman and gave me goosebumps thoughout the film
For me, it is Rangde Basanthi and then only Dilse
Thiruda thiruda , iruvar, bombay
We have all seen interviews of celebs and movie makers do it for their upcoming movie, and here is this high octane creative class of geniuses coming together. I don't even remember when these two came on a chat show. What mesmerised me is the content of discussion. The creative haul, the thought process, increasing the bar they themselves have set. They just dont know the word called mediocrity. Hats of the Geniuses.
The time when "genius" jumped off the cliff!
Would be a lifetime opportunity to listen to the scratches and the entire process of getting the final song. I really want to see how kannalanae came into place after this.
'Mani Rathnam - ARR' - One of the Best Combo of a Whole Generation of Cinema and will be remembered & celebrated for many generations to come !
Love the energy from all the three legends here!
This is probably the best interview of BR for me so far❤️❤️❤️
Just loved every sec of the interview,being their fans over the years, just so much to learn from the geniuses...Looking forward to their future collaborations ❤❤❤
I think one interview I will revisit my entire lifetime! It is like a trip to a land that we are yet to reach❤, so much life and so much learning
What could we ask more from BR? Lol what a combo bairn? BR MR and ARR😂 Unequivocally this is gonna be in my go-to list for sure, after BR's masterclass with Mysskin, PS1 MR BR interview!
@BaradwajRangan! Bravo!! One of the best interviews I have seen!! Very thoughtful and excellent questions throughout the interview!! And very very insightful answers from both Maniratnam and ARR with very good examples from their previous movies!! I haven't seen these many examples given by ARR in any other interview!! Great Job BR!!!
Awesome interview baddy. AR & MR with BR eye catchy. This one hour long interview ❤❤ 30 years their journey. Really GOATED interview from you BR. ❤❤
What these two legends have given to Tamil Cinema is outstanding stuff...We all are so happy that these two always looked to raise the bar. Love you both 😊❤❤
How quick they forget Ilaiyaraaja's contribution in early Mani Ratnam movies.
Wow, what a delightful interview. Thanks BR for asking such pertinent questions. Can't wait to see PS2 in a theatre. Hope there will be an interview with these maestros after PS2. It is very true that MR and ARR influence each other so positively.
14:40 to 15:10 This is the spirit we all need in our life. we procrastinate and live an ordinary colourless life and oppositely, someone who is passionate and works whatever the time is, and that's why he is a legend in his career. This is the best thing to take from him as a life lesson. Hail ARR💯
Maestro ILAYARAJA composed for as much as 1000+ movies, 7000+ compositions, working hard in his 47th year of career, even at 80+ age, giving an album in 2023 that EASILY OVERTOOK Pathu thala, PS-1 and PS-2 combined - all WITHOUT any hype, hoopla, the crutches of so-called "critics" and social media. For more than 20 years, the same person composed anywhere between 40-60 MOVIES PER YEAR, working from 7 a.m. - 9 p.m., 5-6 days a week. There is NO remedy for ignorance!
@@BC999
Jumping into ARR interviews to just vomit your notions. Just shows out the childishness in so called IR fans like you.
It takes basic maturity to just go out and praise the genius IR at the places where he ought to be, rather than childishly rant out here.
I am an ARR fan, who always falls in awe of IR's compositions whenever I listen to it. I don't go out there and immaturely tell that ARR is better than IR. All that I feel at that moment of time is, just the genius in IR's compositions.
Grow up!!!
Which is that 2023 Ilayaraja movie?@@BC999
Just as farmers toil tirelessly to cultivate and harvest their crops, Mani Ratnam's dedication to his craft has resulted in some of the most iconic and memorable films of our time, while A R Rahman's music, like the spirit of women, has the power to transform, uplift, and inspire all those who experience it.
Mallu Nayalaa
FUNNY! Mani Ratnam came to IR in 1982; wanted ONLY ILAYARAJA to compose for his first movie Pallavi Anupallavi in Kannada. The album is an EVERGREEN superhit whose songs are popular even today across various platforms. IR was MAGNANIMOUS enough to compose for just 20% of his remuneration when MR said he could not afford. His second movie UNARU was composed at FREE of cost by IR! The popularity, soul, layering, complexity, intricacy and variety of MR's first 10 movies' music (albums) with IR is GREATER than all the 15+ albums with Arr! When people think MR as a "great" director, it is because of Naayagan, Thalapathi and Anjali. His post-1991 movies are pure and expensive fluff, with high aesthetics: fair-skinned cast, stylish costumes, lavish sets, good cinematography, frame composition, and little-to-very little content. Roja happened because IR refused to compose for KB who messed Pudhu Pudhu Arthangal background score. After that, MR with a now-bloated ego and ungratefulness was not ready to go back to IR.
This is an incredible interview. These 2 towers of creativity were seen in a different light by @BaradwajRangan’s fantastic thoughtful conversational questions. ‘Sometimes we need to give what is needed than wanted’ is so memorable…I’ve listened to this interview a couple of times already and will be back again😊 thank you BR and team
bestest interview. wishes to BR for making the interview with beautiful questions.
The accessibility that Mani Ratnam spoke about is what keeps A R Rahman's music still alive and consistent with his fans over the years. This is something the other directors fail to achieve because of which Rahman’s music doesn't warrant the repeat value that it used to at one point. Both of them are genius and there's no denial of the contribution to Indian Cinema.,
Mani Ratnam is like a farmer, tilling and nurturing the ground for new seeds of creativity, while A R Rahman is like a woman, bringing to life the beauty and richness of that which has been sown.
SSR's genius is nothing in front of this people. he has a heart of gold and mettle of a gold jeweller.
@@dearth_knell 10 seconds bow and arrow training and amazingly arrows never getting over and one man holding a mammoth sculpture..hero climbing the water falls without any props and soo on...yes no one can imagine like SSR..
@@ajaybn3538 Exactly that is what i am saying. In Eega he brought a house fly to life, imagine what he could have done to even a mosquito. people think it silly, but see hollywood made ant man and beetle, why cant we think big
FUNNY! Mani Ratnam came to IR in 1982; wanted ONLY ILAYARAJA to compose for his first movie Pallavi Anupallavi in Kannada. The album is an EVERGREEN superhit whose songs are popular even today across various platforms. IR was MAGNANIMOUS enough to compose for just 20% of his remuneration when MR said he could not afford. His second movie UNARU was composed at FREE of cost by IR! The popularity, soul, layering, complexity, intricacy and variety of MR's first 10 movies' music (albums) with IR is GREATER than all the 15+ albums with Arr! When people think MR as a "great" director, it is because of Naayagan, Thalapathi and Anjali. His post-1991 movies are pure and expensive fluff, with high aesthetics: fair-skinned cast, stylish costumes, lavish sets, good cinematography, frame composition, and little-to-very little content. Roja happened because IR refused to compose for KB who messed Pudhu Pudhu Arthangal background score. After that, MR with a now-bloated ego and ungratefulness was not ready to go back to IR.
ARR s method of making tunes is just outstanding.
Thank you BR for this enlightening interview.. I wondered why BR did not interview the duo for longest time. Finally it happened 🎉🎉..
Eley its happening le😍😍
All three🤞
The 2 most favorite music my child with autism likes is gazals and ARR’s music. Then comes Beatles, Queen, abba etc. Just loved listening to both of them about creating masterpieces!
His Strawberry Kannae song is the song which questioned everyone is this a Tamil song or an English song. He is sucha legend❤
creativity, passion to the power infinity and then squared. That is what this duo is. What else can we expect other than magic.
BR GOAT critic
MR GOAT director
AR GOAT musician
🐐🐐🐐
What a GOATED interview.
Telugu Goalti
@@toyotachevroIet4972 how do you know he is Telugu ? And next why did you start abusing. Telugu people love ar rehman and also maniratnam.. we too grew up watching them. Don't try to insult telugus. We dnever did for tamils. There are many Tamil movies dubbed and became blockbusters in Telugu states. Don't hate anyone just because they are not people of your language. It doesn't make sense.
@@raviteja9494 dsp is a better choice than ARR
@@dearth_knell DSP is nxt to ARR
But better than Ani😅
@@dearth_knell maybe. AR Rehman generally doesn't have middle ground. Either hit or flop. He is only in extremes. dsp is already busy with pushpa 2 and kanguva .
Omg thy r genius n hardworking.. so good in their field.. great interview.. in depth.. love it❤❤❤❤
Awesome conversation with two deep thinkers and icons of creativity from India .
Maniratnam and ar rahman. Best things to happen for Indian cinema. My respect gone many folds up for these legends.
Awesome 🤘🏻💯
Best masterclass interview arm is an always best music song❤
42:16 at the risk of sounding insincere SIR EVERYTHING YOU DO IS SO BEAUTIFUL AND SO SPECIAL, and having the opportunity to replay a part of your tracks so so many times just to experience THAT ONE feeling we got at that particular listen, sir, it is nothing short of magic
I don't think there is a single human in this world who can abuse you ARR. If humanism was a sound it would be your music. Sound belongs to everyone and thanks for giving us such an international experience. Waiting to listen the sounds of PS2 soon.
DIPLOMATIC people will never be "abused" by average dimwits!
This interview is a legit masterpiece. Mani and Rahman sir telling how Malayalam movies motivated them to innovate and elevate their craft ♥
Yes I like watching malayalam movie. Best in south India.
It's all promotion tactics bro
@@doyouhaveaminute281 don’t lose hope because the Telugu industry is coming for you
@@doyouhaveaminute281 How do you catch these zombies man... They come and blabber unrelated things 😂😂
@@doyouhaveaminute281 WTF I see so many comments here about great the mallus and how stupendous Telugu films are... Why are they spamming here... Hilarious
Unexpected interview.....
Expected promotion!
Maniratnam is more comfortable opening up during Rangan's interview. Good Job sir.
BR interviewing MR and ARR bringing out the chemistry between them..
I don't say interview but in fact it was an awesome interaction such an honest n quick reply that itself represents there are genius. I read a few comments seriously and my eyes became wet 🥹. Now I understand people love them like i love ❤ them both... Thank you Mani Sir n thank you ARR Sir for sharing all your journey n experience from scratch. Am literally blank n don't know how to react after watching such an amazing conversation of you both. My wishes for your togetherness over 3 decades n pray to continue throughout with never ending.. still from my whole heart love you both 💕....
Best part of this interview is ads… the legend and that oil pisapisa pillada tF does that even mean. Lol…. Great interview man……
😂😂😂😂😂
@@preethybalasubramanian haha
ARR's definition of creativity🎉❤loved it..
Arguably the very best interview ever of Mani Ratnam and ARR. Kudos to Baradwaj Ranganath 😁
Why did Mani leave out Thevarams? They were authentically 1000 years ago, created with the patronage of Cholas. Important question to ask them. Softball interview.
Film people - will they do real research. Can't expect that. Yes. Tevaram authentic for that period. Interviewer will not go to that depth to ask. Only critics has that element to question. Soft interview only.
Because Arr cannot handle "Kunitha puruvamum" type in Thalapathi!
Legend, Mani Ratnam and AR Raham. The crossover we never thought we would get
Lol what?!
I don’t see saravana anywhere. Get outta here troll !!
ரெண்டு பேருமே காலி டப்பா
@@TitusJudah the ad.
Legend saravana store owner ah
I think they are much more accomodative with other. ARR told in an interview that during 'Dil Se' he got a malyali tune in his mind and he wanted to use it. Mani agreed to it and changed Preeti Zinta's character into a malyali girl which was completely absent in the original script. He did it just to accommodate ARR's thought and his tune.
This is something which is unheard of normally.
For the first time, never skipped even a sec in the 1hr + full video. Mani sir & ARR sir For Life 🛐❤🔥.
Everybody's talking about how good the interview is. I'm here wondering who's picking baddy's wardrobe. (Nice shirt tho xD)
your instinct will give you old idea.
new ideas will come as accidentally. woww🤯
Awful.
No one can conduct such a wonderful interview with these two legends like BR!!! 🫡🫡
And thank you so much for 57:20. I have always wondered why do i like that song but you clearly spoke my mind 😁😁
Indeed ARRs songs are slow poison
Knowing the story and listening to Chinnanjiru (Marumurai), one gets the feeling of separation in Rahman's soundscape and rendition, which goes beyond separation of lovers as the lyric taken alone might convey. It's a whole world. Nice to hear Rahman talk about this at some point. It feels blessed to listen to such music. Well done BR MR AR ♥
Biggest take away from this interview is absence of ego, mutual respect and immense gratitude even after so much fame.
This is one for the ages. Thank you baddy sincerely for this. For me the brilliant part of the interview was how kannalane, uyire was born. No wonder these both are legends and should be respected for their craft :)
RRR - Ratnam Rangan Rahman
AR, MR, BR 😂
Thank you so much for the wonderful interview ✨😊 God bless✨😊🙏🏻
Brilliant interview, after a while. Keep it up !
Thoughtful conversation sharing deep insights of the music creation process and AR - MR journey together in creating musical magic. Great minds at work - AR, BR and MR 🎹 ✍️ 🎥
Goat interview! This combo is the goat by a long way! People who talk about Anirudh etc. easily forget that making mass songs is lot easier. Rahman is an ocean in comparison!
Excellent Interview with the Two Legends, Mani Ratnam Sir & A.R Rahman Sir..
Great interview! Making two men of few words speak so much! 52:38 however is from Shankar's gentleman!
What’s that song BR is referring to at 57:23? “When that mannava part comes in”
Which song is that? Please help?
Simtangaran.. frm sarkar..
One word.....ultimate....still havent finished watching.....but could not ask for more....
Two legends, ARR Sir what a music PS movies supperb
Such a delight hearing AR's process! such a genius. this is such a good interview by BR, asking really good questions on the process. The friendship of MR and AR is so organic. Love them. Without a doubt Thiruda Thiruda one of AR's completely flawless Tamil soundtracks, followed by Rangeela for a Hindi movie.
I thoroughly njoyed ur combo.......but the music and bgm in movies like thalapathy, Nayagan, geethanjali still they are haunting mani sir. Many of us thought or dreamt like atleast once in a while that magic might get repeated, but not happened.
Very good Questions from Mr.Rangan
Amazing interview. Always Happy to see 2 legends together
Don't forget BR he is also a doyen in his field.
The interview we were waiting for!
Promotion - misspelt!
You should have asked him about his association with Ram Gopal Varma and Shekhar Kapoor
Wow so much indepth details were shared! Fantastic interviewing by Baddy... getting the duo to talk. Loved this one.
Wish there was a question on the process of Dil Se/Uyire music and in totality of that film. It's one of the top most film of this duo imho but brutally underrated. Writing, making, music, emotions & concept is all surreal and also ethereal. @baradwajrangan please ask about Uyire in your next catch up :)
There is a lot of content on Dil Se/Uyire in the book "Conversations with Mani Ratnam" written by Baradwaj Rangan himself.
@@MrSutharsan2 thank you
Baradwaj Rangan did great as well except for the one place where he unnecessarily stopped the flow by making fun of ARR for now only recognizing mani to be ambitious. I know he tried to say that in humor but that stopped the flow of what ARR was getting at. Anyway, otherwise great interview and we got a glimpse of the behind the scenes happenings.
Now I will put the blame on Mani for the choice of period inappropriate songs of PS-1 and PS-2 did great amends on that front.
Seeing the legend at the start was such a shock lol
PS1 & 2 deserves a national award
Proud of these 2 Legends we r very blessed to have in this cen❤tuary
Look at the way he appreciates Raja's work in Nayagan. Ilaiyaraja is definitely a great, and he has given so many evergreen hits. I feel Harris Jeyaraj has also done a great job especially between 2000-2015..so is Santhosh Narayanan, who is creating his own niche...
But Rahman is from a different league altogether, I'm not sure whether there is anyone as versatile as he is even in Hollywood. Whoever says Rahman was good between 92-2000 and after that he didn't do anything exceptional are all butthurt fans of certain musicians, who are unable to accept the obvious.
I'm pretty sure they would have never heard Delhi6, RDB, Rockstar, Highway , Tamasha etc etc
Nope it's not worth tht it's a geniune review anyday Raja is Better.Loved arr work till 2012 post which no... Rockstar is ok... Compared to his earlier works in Dilse ..which I felt is the best out of all
@@sudarshanramachandran8778 then you have not listened to Raanjhnaa , Rockstar et al.
@@wazimakram9302after listening only telling dude
@@sudarshanramachandran8778 songs like Khalbali, Tum Ho, Sadda Haq , Enga pona rasa, Piya milenge et al, Raja can't even dream of doing.
All these songs and movies came after 2004,2005...so my statement stands. Nothing to argue really.
@22:23 : This sums up the extra-ordinary relationship between ARR and Mani Ratnam and the kind and generous person ARR is. Who cares if PS-II will break box office record (but it is on its way), ARR's prayers are enuf ❤
Was waiting for this.
Btw, Need a better thumbnail.
U should thank to ilayaraja...
I had a great time watching this Interview :)
42:08 . absolutely true thalaiva. for every songs i share this notations to my friends. they all will see me like a crazy felllow coz i emphasize that much for every small tunes in the songs and every part of the songs. love you ARR
நீங்க எல்லோரும் தமிழ் லர்களா?
ஒரு subtitile லா வது தமிழ் ல போடுங்கையா.
Big and small movies.. ARR composed any low movies.. Come on rangan.. Which low movie he has been composed... Come on rangan..
Chakkarakatti, may maadam
What was the song that ARR said Mani sir had originally cut out, then he asked him if he can keep 8 bars of it and Mani sir ended up keeping half of it?
"Chola Chola" in PS-1 (it starts off with "Kodi Kodi Kodi Parakka....")
@@MrSutharsan2 Oh yes, thanks!
This is where temple architecture comes into play along with literature, folklore songs or classical bhakti music apart from past film references for generating music in the present.
The point is whether people will buy it or like it.. This is final. In this TH-cam age people are freely accessible to all types of insane music across the globe. So if you listen to PS2 album, It's so so different than a Chikku Bukku Raile or Simtangaaran as he mentioned. 90s is gone but still we adore and enjoy it and became the standard. But unlike 90s the demography and scope has paved way to a different form of thought process and evolved. Afterall it is a survival of everything. All forms of art survive and sometimes perish. We take what we like and relate to our senses. As a customer that all we have is to find it interesting or not.❤