Ustad Pinkyji's playing here is a lesson for all Jori-pakhawaj-tabla enthusiasts. How dos one manage a composition keeping in mind the whole concert in mind. When to fall silent and when to shower thunder, when to be titillative and when to be in a state of 'samadhi'. No wonder there is such consideration for each other, celebration and joy in their performance.
We learnt from elders such as Bhai Gurcharan Singh, Avtar Singh and their mentor and elder brother Bhai Arjan Singh Tarangar that there used to be atleast two and up to 4 pakhawaj players in a Kirtan chownki! When we see this whole video, shot pretty much in an amateur mode, that Ustad Pinkyji seems tired after some time. It is only because such 'all-dhrupad' performances have not happened for a long tme and was a first for him. Believe it, Jori-pakhawj playing is an arduous task!
BPaan I have seen many of the great musicians of our age, both percussionists and otherwise, show an enormous amount of respect towards Bhai Sahib and the vidya that he holds. To these greats that tested and found Bhai Sahib a respected exponent of a tradition you are also cursing with your abuses.
For someone who has only ever seen the modern day Tabla this will seem odd, but this seems to be the traditional Pakhawaj style of playing, from which the Benaras gharana would have evolved. Great laykari.
I have no words to thank you for this fabulous video i have heard the two parts and it is simply wonderfull what a hand and BBS Jee wah kiya baat hai such a great Master Artist And Humble Man ... Thank you soooooo much and please please post more videos with such a high standing of music
This is a wonderful jugalbandi on the Jori Pakhawaj, an instrument I hope to hear more and more in Shabads... tabla is okay for the interim, but the immense history, energy and naada shakti belongs to the Jori - the Jori belongs with Shabads.
BBS had a vocal concert to sing immediately after this opening routine and Ustad Pinky Namdhari knew he had to play a long drawn accompaniment, that both of them are just playing about. BBSji is also seen here playing here a generous host, allowing Pinkyji to play and then end the sequence that Pinkyji initiates with matching 'mukaas'. General audience does love this video but so much more is happening that this rare get together is a connoisseurs delight.
I would list their names here if it weren't so extensive; though it would be for the clarification of others as you aren't even worthy of hearing the name of my dog. You haven't a clue what you are talking about and can only hide behind cowardice and a pseudonym. ~Gurusevak Singh
the beats that are being played are not just beats they have emotions.. the facial expression is outcome of the emotions which are coming from playing the particular rhythm pattern
Whilst I appreciate both artists, the style and finger placements of their playing is completely different if not opposite. Bhai Baldeep seems to have more authentic style whist pinky Bhai seems to have a hybrid Punjab and Benares cocktail.
you've obviously never spent time with either of these masters. You should see the respect they have for each other as musicians. Do you think Pinky Ji would show the enormous amount of respect for Bhai Baldeep if he didn't have any material or talent? get off your prejudicial high horse and actually spend some time with great people. you might learn something.
So, your last post has gone without your identifying yourself (merely as a fan of Ustad Pinky, without your name and details etc being not enough!) & is obviously now considered an apology from you to bhaibaldeep. Bhaibaldeep has been enriched by men & women of great learning - & when he sings or plays he is keeping alive their dream. You are nobody to dare suggest get him off the stage. He represents the oldest of all gharanas in South Asia - all others mentioned are offshoots. So grow up!
he should be in acting, bussines but he must stop playing.. this is an insult!! showing of with his stupid moves and empty sound and lack of knowledge and qualities!!
Ustad Pinkyji's playing here is a lesson for all Jori-pakhawaj-tabla enthusiasts. How dos one manage a composition keeping in mind the whole concert in mind. When to fall silent and when to shower thunder, when to be titillative and when to be in a state of 'samadhi'.
No wonder there is such consideration for each other, celebration and joy in their performance.
We learnt from elders such as Bhai Gurcharan Singh, Avtar Singh and their mentor and elder brother Bhai Arjan Singh Tarangar that there used to be atleast two and up to 4 pakhawaj players in a Kirtan chownki! When we see this whole video, shot pretty much in an amateur mode, that Ustad Pinkyji seems tired after some time. It is only because such 'all-dhrupad' performances have not happened for a long tme and was a first for him. Believe it, Jori-pakhawj playing is an arduous task!
BPaan I have seen many of the great musicians of our age, both percussionists and otherwise, show an enormous amount of respect towards Bhai Sahib and the vidya that he holds. To these greats that tested and found Bhai Sahib a respected exponent of a tradition you are also cursing with your abuses.
Fabulous, these are gems of Hindustani Classical music. Thanks for uploading and sharing such wonderful music.
namdhari have very good musicians
For someone who has only ever seen the modern day Tabla this will seem odd, but this seems to be the traditional Pakhawaj style of playing, from which the Benaras gharana would have evolved. Great laykari.
I have no words to thank you for this fabulous video i have heard the two parts and it is simply wonderfull what a hand and BBS Jee wah kiya baat hai such a great Master Artist And Humble Man ...
Thank you soooooo much and please please post more videos with such a high standing of music
lol! also the bits of atta thaat he puts on just goes flying all over the place lol!
wah ji wah nothing can replace the traditional music ... great ,,,,,
pinky is on another level all together pinky no matter wat.....but respect to bbs ji too amazing playin
This a masterpiece!
This is a wonderful jugalbandi on the Jori Pakhawaj, an instrument I hope to hear more and more in Shabads... tabla is okay for the interim, but the immense history, energy and naada shakti belongs to the Jori - the Jori belongs with Shabads.
fantastic duo. great sound grat music.
all tabla mastre's the pinky is best tabla master in the world
it's really fantastic
excellent job done by both of them
I think pinky is best
i liked the ending man you can fully tell there amount of knowledge of the Amritsar Gharana, when they play
Bhai Baldeep singh is also an amazing multinstumentalist. Some thing Pinky Mona isn't
Like a tellypethy music, Great
2 maharathi tabla bhan rahe ne ..... charan vandana 🙏🏽🙏🏽🎧🎧👌🏽👌🏽👍🏽👍🏽👏🏽👏🏽
It's Jōrī Pakhawaj
love the phakawaj
VA VA VA VA VA VA VA VA VA VA VA VA VA Kaya bat he g thanks
lol..its funnie how he just starts clapping in the middle randomly -- but it sounds good! lol!
Not randomly
why hate anyone, for what ever they do is up to them.
Please does anyone know if pinky namdhari has tabla classes in uk birmingham?
BBS had a vocal concert to sing immediately after this opening routine and Ustad Pinky Namdhari knew he had to play a long drawn accompaniment, that both of them are just playing about. BBSji is also seen here playing here a generous host, allowing Pinkyji to play and then end the sequence that Pinkyji initiates with matching 'mukaas'. General audience does love this video but so much more is happening that this rare get together is a connoisseurs delight.
what are you talking about 'there is no miracles?
hahahahhahaha... good one!
bbs ji I think that is a little unusual for the atta from your jori to come flying off ( I play the mardung)
Nai Dukan I think the atta problems maybe explained by the bayan being borrowed hastily for the impromptu duet.
I would list their names here if it weren't so extensive; though it would be for the clarification of others as you aren't even worthy of hearing the name of my dog. You haven't a clue what you are talking about and can only hide behind cowardice and a pseudonym.
~Gurusevak Singh
so I might be wrong
No disrespect but can someone explain the hand and facial movements?
the beats that are being played are not just beats they have emotions.. the facial expression is outcome of the emotions which are coming from playing the particular rhythm pattern
Whilst I appreciate both artists, the style and finger placements of their playing is completely different if not opposite. Bhai Baldeep seems to have more authentic style whist pinky Bhai seems to have a hybrid Punjab and Benares cocktail.
namdhari pinky's is so best but bhai baldeep singh is best
i am namdhari from ludhiana
i like this tabla and dilruba
swaad nahi aya bahi baldeep singh
you've obviously never spent time with either of these masters. You should see the respect they have for each other as musicians. Do you think Pinky Ji would show the enormous amount of respect for Bhai Baldeep if he didn't have any material or talent? get off your prejudicial high horse and actually spend some time with great people. you might learn something.
i think baldeep shud get off the stage,
mans sorting his pagh out every five minutes and look how low his pagh is by the ears to pinky's loool :P
pinky killed dis geeza off tho still with all due respect. this geeza didnt hav no material to play so he turned to play with the mic
Yea!
And of course, you seem to be a fan of Pinkyji - so are we - each one of us at ANAD!
@yamlasingh ਜੱਟਾ, ਸੁਆਦ ਲੈਣਾ ਈ ਤਾਂ ਗੰਨੇ ਚੂਪ, ਸਿਆਣਿਆਂ ਦੀ ਮਹਫ਼ਿਲ ਕੀ ਕਰਨ ਆਇਆ ਹੈਂ?
pinky wud kain him 4 joke wot u onna bout
So, your last post has gone without your identifying yourself (merely as a fan of Ustad Pinky, without your name and details etc being not enough!) & is obviously now considered an apology from you to bhaibaldeep.
Bhaibaldeep has been enriched by men & women of great learning - & when he sings or plays he is keeping alive their dream. You are nobody to dare suggest get him off the stage.
He represents the oldest of all gharanas in South Asia - all others mentioned are offshoots.
So grow up!
pretty shocked to see such Comments on bbs. Well, they don't know how much he had struggled to keep the paramPara alive . Really SAD
banarasi babu,in done ko chhoro tum khud kitne paani mein ho
What a shame, immature tribal Back-and-forth nonsense! Some people just need to grow up
he should be in acting, bussines but he must stop playing.. this is an insult!! showing of with his stupid moves and empty sound and lack of knowledge and qualities!!
Learn to spell