The problem with that scene for me was that it was a bit too unfocused, for the majority of the previous shots it was focused on his ring and all of a sudden you get a full shot of Gatsby without any specific feature to look at, sure the fireworks express his flamboyance and extravagance but there is no personality. Whereas the previous shots of him in the window and the close-ups tell us that he is cautious, solitary elusive and mysterious. Its not enough to just unveil a enigmatic character, but when unveiled, the scene needs to tell us something more about him that we dont know to have an impact
The shark from Jaws. He was built up all movie between POV shots, that incredible score, the carnage, and then FINALLY we get the "you're gonna need a bigger boat" scene. Awesome
Dr. Frank N. Furter deserves at least a mention. There’s something so perfect about it. You get the elements of prior reputation, small initial visual details, the stunned reactions of Janet and Brad mixed with the excitement of everyone else in the room... and then he just immediately belts out this killer song with swagger equivalent to a mob boss. It’s just perfect and really gives the audience an immediate impression that “yeeaaahhh, this dude’s gonna be a favorite.”
I liked the list and descriptions of various character introductions, but the omission of Dr. Frank N. Furter kind of undermines the whole project, doesn’t it?
@@dickiewallace Abso-fricken-lutely, dude 🤣 And thank you ❤️ I, personally, definitely think that Gene Wilder’s Wonka is the absolute greatest character-intro, but Frank N. Furter is an extremely close second. The others listed are great too, but can’t even come close (immediate impact-wise and characterization-wise) to those particular two.
I like how CineFix doesn't just reference films that most of us are familiar with, generally from 1980 onwards, but goes back over the entire history of cinema. I've learned about movies and directors I would not otherwise have heard of or am not that familiar with. Fritz Lang I knew about from Metropolis obviously, but not the film showcased here.
"M" is why you should think twice whistling "In the Hall of the Mountain King" on the street... especially when there are children around. Ironically, it wasn't Peter Lorre who was whistling, he couldn't do it. Lang himself was whistling instead.
M is a masterpice. I really love it even more than the silent Metropolis. Dont get me wrong.. metropolis is a work of art but Lang`s use of suspense and paranoia in M is pretty well remarkable.
Absolutely. And, with Hitchcock's "Blackmail," it is a primer on how to use sound to build suspense and character, and it does it brilliantly so early in the development of sound film.
I value M way higher than Metropolis. Lang's first foray into sound involves so many thoughtful applications, and even though he's being innovative as hell in that area, he doesn't neglect to be just as creative in his visual imagery and use of characters. It's a movie that demonstrates just about every cinematographic device possible. You can watch any movie today and not find a single technique Lang wasn't already employing when he made it (other than CG/effects). You could easily offer it as the single example subject of film school instruction.
As well as Lang's amazing filmmaking technique in M, there is Peter Lorre's phenomenal performance, and the way he generates sympathy in such a villainous role. I don't think Hollywood really made a film quite like M until the 1950s.
Regardless of anything he ever did, he's still a really good actor. Learn to separate the man from the characters that he plays. They aren't the same thing.
I still think the original introduction of Han Solo is among the best intro's ever, all you need to know about the character in two iconic lines : "yes, i'll bet you have"(BLAST!) and "sorry about the mess" (flips coin to bartender) Absolute gold.
I am so surprised that Yoda in 'The Empire Strikes Back' did not get a number. There are only few instances where you are introduced to a character that is the complete opposite of what we were expecting to see. Not only that, we meet him without meeting him as he plays off of his own stereotype appearance, the little funny side kick looking person, who in a turn of everything moment, is revealed to be perhaps the most powerful being in the galaxy of Star Wars. The oldest, the wisest, he is the ant at our feet who if we saw in the street would think little to nothing of.
IKMNification Kinda but not really. See in those films, when a young apprentice goes out to seek said master and when they find them they are a drunk or a cripple, the master in not hiding his identity and is kind of a disgrace in a way, the student is underwhelmed and thinks he cannot learn anything from this drunk. It is not until a test of ability does the master prove he still "Has it" and his legend exists for a reason. Where as in Yoda, no one knew shit about him, or that his "defect" was what made him who he was. Its all similar, but can you see the difference?
When Frodo noticed a strange-looking weather-beaten man sitting in the shadows near the wall, he was also listening intently to the hobbit-talk. He had a tall tankard in front of him, and was smoking a long-stemmed pipe curiously carved. His legs were stretched out before him, showing high boots of supple leather that fitted him well, but had seen much wear and were now caked with mud. A travel-stained cloak of heavy dark-green cloth was drawn close about him, and in spite of the heat of the room he wore a hood that overshadowed his face; but the gleam of his eyes could be seen as he watched the hobbits. He appears then after Frodo falls, yanks him by his jacket into the stairwell "while he whispers menacingly "you draw far too much attention to yourself Mr. Underhill" I just love that scene. Aragorn's first appearance in The LOTR.
I'm happy Gene Wilder was #1, his intro was his brain child. He refused to act the character unless they added that intro scene. He wanted to keep everyone from knowing if his character was lying or telling the truth. He was right. 😊
Yeah, but Roald Dahl hated his potrayal, so in my opinion he shouldn't be on this list. If you act the role so badly that the author of the book disowns the film, then you've done something very wrong.
Another great entrance is the slow moving camera on the sky of london as an oveture is playing where suddenly perched on a cloud Mary Poppins is doing her make up like its nothing.
Thanks for including so many films to which Millennial and Gen-Z viewers may not have previously introduced. So many of these "10 Best" lists include only the films which are part of the current zeitgeist. By acknowledging such pics (and picks) as Stagecoach, M, The Third Man, Cool Hand Luke, Lolita, even Yojimbo and 7 Samurai, classically aged (or aging) treasures of the big screen, you are doing an immeasurable service to cinema culture. Among the many who profess to know film, you actually seem to do just that...KNOW, not profess to know.
Also bravo for your #1 pick. I've always thought that Gene Wilder's entrance as Willy Wonka has been unmatched in cinema. How he not only starts by breaking expectations in walking out disabled, but breaks them again in showing that he's not. He shows us immediately that he's a prankster. He's putting everyone on from minute one and loving every second of it.
Harry Lime in The Third Man is the coolest and greatest character introduction of all time. The character of Lime was so hyped up and having Orson Welles show up was so great.
The T- Rex from Jurassic Park should be in this list. She is mysteriously hinted at by John Hammond saying " We clocked the T-Rex at 30 miles per hour. The leadup is masterfully suspenseful with the goat appearing and the guests growing bored of the wait , the storm approaches then the power goes out paired with the screech of loose electrical fence posts and a claw on the wires to test if the power to the fence is still on. Then the Trex bulldozes its way out, showing a fence was not powerful enough to contain her.
On the subject of Tim Curry his introduction at the beginning of IT is also a classic character introduction. The entire conversation Pennywise has with Georgie, the fact that its a perfectly made up and clean clown popping out of the sewer, his fast talkin car salesmen voice and his consistent eerie smile tell us everything we need to know about how fucking scary and evil this clown is.
Here's something you never noticed about the Willy Wonka entrance: One single paver in the courtyard was pulled out, and replaced with a similar color sand. Wilder sticks the cane into the sand without looking, the lets go. The Foley artist made the cane make the same exact sound when it was pushed into the sand as when it tapped against the pavers. Maybe a Foley award is in order...
Lets also note that Wilder hit that mark perfectly. Not sure which take that was, but it was his idea for his intro to be against expectations...and none of the child actors knew it beforehand.
Gatsby, Gatsby all the way: first his silhouette, then the over the shoulder shots, the close ups of his hand with the Daisy motif ring, then finally the climax when the figure turns round and zooms in on Leo's face, he then says the most simple line "I'm Gatsby" then the fireworks show up, the music starts and the slow motion raise of his cocktail glass. Absolutely perfect and timeless. ❤️
No. Gatsby´s introduction is so overdone that becomes bad cinema. Not to mention that it does not capture F. Scott Fitzgerald´s intentions for the character (he's not a cartoon but a complex enigmatic human being).
@@colettecavazos6543 I mostly agree with what you say. What I meant by "introduction" was not the suspense up to Gatsby´s first camera shot (which follows the book well) but the design of the film, which I think of poor taste.
YES. THIS. One of the best entrances in cinematic history. But again, this channel is heavily bro-centered, so queer characters are anathema. I can't think of a single time one has been featured here. The focus is heavily skewed towards testosterone fests.
Sorry, but the long closeup of Rhett Butler in GONE WITH THE WIND is one of the great movie moments ever. And in the library later, when Scarlett smashes the vase against the wall and he lurches up and says, "Has the war started?" Priceless. I do agree about Harry Lime; that's one of the greats, for sure. And nothing beats the intro of Indiana Jones. But you did miss Rhett Butler, and that's one you shouldn't have missed.
I would add Kurtz in Apocalypse Now. The whole film you're eagerly awaiting his appearance, and then it gets there and it's even better than you hoped.
Exactly what I was thinking too. I mean, its literally like 2.5 hours of not knowing who this mysterious mythical guy looks like so the anticipation to see him was huge
I was writing basically the same thing, and before I submitted and I scrolled down the comments. Glad I did. I 100% agree with you, and personally I think Kurtz should have been #1.
The characters have a great introduction in "The Incredibles." It opens with casual dialogue that shows the personalities of all the characters and almost instantly makes them three-dimensional. It's also just a great movie intro.
And their views during those interviews are swapped when they are forced into hiding. Bob wanted to live a simple and humble life, raise a family etc. However he couldn't get over the glory days. Helen didn't want to stop being the hero, but accepted reality for what it became.
I know it's not a cinematic masterpiece, but the intro of Miranda Priestly in The Devil Wears Prada feels like it should be an honorable mention somewhere here. The titular Prada bag swinging carelessly at her side that costs more than your rent. The frenzy of her coworkers aka her underlings anticipating/dreading her early, unexpected arrivial. The way everyone in the lobby meekly kowtows to her and graciously accommodates her every move; even ensuring she has an entire elevator to herself. The sheer panic that runs through the office, punctured by Stanly Tucci's warning shot to "gird your loins!" -- a line that apparently took a dozen takes to get the inflection just right. Not to mention Meryl Streep took many cues from Clint Eastwood, namely to never raise her voice yet rule every room she walks into.
I really love all the videos you guys put up. They are informative and eclectic. The inclusions of M (one of the most disturbing films I have ever seen) and The Third man are very welcome. You understand that cinema fans can accept films prior to 1980. That is not always the case with many film sites. And, a nice and well deserved tribute to Gene Wilder. Thanks, Ted
Truthfully, I thought #1 - especially given the description of the category - was going to be the Great and Powerful Oz. For the entire movie, he's just an idea of a character based on what others think and say and have heard about him. During the reveal, almost at the end of the film, he defies every expectation of what and who the audience (and the other characters) is/are meant to believe about him. He even admits this himself. The film is eponymously titled for him and yet, he essentially plays the smallest role in terms of advancing the plot even though his presence is mentioned throughout the whole film. I truly thought that would be the #1 spot.
You're right. This should have been #1, for both reveals. 1. When the heroes first meet Oz the Great and Powerful, with all the thunder and fire. Such an intimidating presence! I can only imagine how mind-blowing that must have been in 1939. 2. When they meet the man behind the image and actually get what they need.
Speaking as someone who first saw Willy Wonka as a child when it first came out-I’m so happy you made that introduction number one! As a child he almost seemed a little angry when he first came out-then when he does that somersault it’s such a great moment and I never forgot it! RIP Gene Wilder-you’ll always be Willy Wonka to me!
I really like how they talked about the difference in genders and how they're often portrayed in movies. It irks me sometimes and I'm glad to hear a great channel talk about it. We just need more reveals like Rocky Horror from _Rocky Horror Picture Show._
really? i took issue at the characterization and found it ill-mannered projection. i've watched all of those movies and never thought that a woman was something to be owned or possessed. i always thought to myself, that those beautiful woman, like in Rear Window, (not Lolita, for pete's sake...) were someone to whom to prove yourself worthy of their love and adoration.
@@quirkasaurussaurus2896 totally fair and valid opinion! Been 3 years since I watched the video and made the comment, so my opinion may have changed over time. Or it may not have. Would have to rewatch to get full context.
@@trickytreyperfected1482 Indeed. My reaction was to his introduction of this topic near the beginning. I think Sean Connery as James Bond was on the screen. Of course, rethinking it a bit, it would be naive of me to categorically say that Hollywood _never_ presented women in terms of chattel, think "The Quiet Man", but, in my family, women were loved, not owned.
@@quirkasaurussaurus2896 Same here. I'm glad my family (at least the parts I knew/know: parents, grandparents, aunts/uncles) was also a family built around love, not ownership. And I intend to continue that trend... as soon as I find a significant other to love which may take years at this point. Sad but true. For all I know, I may not even get married because it has that sort of undertone of ownership (even down to the usual wording of the vow: "I now pronounce you man and wife" as opposed to "husband and wife", though I'm sure plenty of people change it to be the latter), but that probably has more to do with me not being religious and me growing up being shunned by the church than the undertones of ownership. Honestly, I am sure that decision will come in time when I find someone to settle down with and see what his opinions on the matter are. There's certainly something nice about celebrating the bond between the two people and having the symbolic bringing together of two families... but who says you need a wedding to do that. And at this point I've derailed the conversation lol. Sorry... I tend to do that a lot. ADHD and all.
Gene Wilder in Willy Wonka was a personal favorite. He insisted on that entrance because once you see that you can never completely trust him again. It sets up the rest of the movie. On that same note, I'd like to include Peter Pan in the movie Hook. We saw Robin Williams create the character of Peter Banning, a nerdy office worker with no time for his kids, and we knew he was really Peter Pan, but we didn't really see him. There was a seismic buildup of tension as the stakes got higher, and we felt his frustration at not being able to save his children. Where was Pan? The first moment was a real grabber - Pan's happy thought. And then there was the moment he arrived on the scene by cutting a Pan-shaped hole in the sail and then floating through it.
For me finally seeing The Predator in the original film was the big moment for me, or finally seeing Godzilla in the 1956 Americanized Godzilla King of the Monsters, or The Alien in Alien. I'm a big fan of horror and sci-fi and finally seeing the creature after a good build up is big for me. While the 1956 American version can never live up to the 1954 Japanese release, Godzilla's reveal on the island will always be my all time favourite.
We actually did one awhile ago, you can check it out if you dig back through our playlist. But we're not shy about revisiting something if there's more to talk about, so you never know!
Freddy Kruger had a good entrance. There was so much build up that something was wrong, but nobody could pinpoint the problem. Then finally he shows up, strolling down the alley with his arms stretching impossibly long and his blades scraping the walls!
Yes. It occurred to me on watching it in your list that the children were dissppointed to see WW limping... did they feel poorly for him ? Did they think he wouldn't be as much fun ? Were I wheelchair-bound I'd know well the reactions of other folks. "Ablist" is a real thing. But I think in this film it is as Wilder said - so you'd never know whether he was being honest. Had WW continued to limp, but showed what he could do and changed people's thoughts about a mobility- challenged person, might have been better but not made Wilder's point. Just saying - walk a mile in someone else's shoes, especially if they can't walk. Take nothing for granted. Mind your assumptions...
Amen! As well as Hannibal Lecter in The Silence of the Lambs. The omission of those two is a total head scratcher. It’s almost as though the narrator tries so hard to think outside the box and be different that he omits material that is genuinely brilliant and timeless despite its pop culture appeal. A famous and mainstream movie or character can absolutely be the very best too, not just lesser known and older material.
I wouldn't, his reveal in the film is nice but not number one, I feel like his full entrance is seen at the end of the wedding as we see him deal with a variety of situations. From clients to Family, and the suaveness he has.
was thinking the same... I expected that to be one of the honourable mentions in the first category (focusing on parts of the body, etc, before you see the face)
Or either the T-rex or the Raptors from Jurassic Park. Or hell, even the Dilophosaurus. Spielberg was on a roll when it came to introducing the monsters in that movie.
Lord Baktor Prior to the special editions, I'd include Jabba the Hutt on this list: you hear about him in A New Hope & The Empire Strikes Back, but you have to wait until Return of the Jedi before you saw him. I'd also include Keyser Söze on this list: you hear stories about him all through The Usual Suspects. The entire film is about his identity & the question of who is the man behind the myth. The twist ending even clouds his real identity until the very end; despite having a face to put to the name, the film never really answers the question: "Who's Keyser Söze?"
Long awaited reveals has to go to marlon brando colonel kurtz from apocalypse now he's so built up and not at all what you expect he comes in at the end of the movie and steals the show the horror the horror
When Willy Wonka approached the factory gates, the children's reactions were real, not rehearsed. They were actually meeting Gene for the first time...the producer wanted their reactions to be genuine, so they weren't allowed to see him before then.
I've always liked the introduction of Lando Calrissian in Empire Strikes Back. Not knowing if he is friend or foe is in that category of introduction as Sharif Ali in Lawrence of Arabia. Maybe not on that level but still massively enjoyable.
Gone With the Wind...when the camera first focuses on Scarlett O'Hara at Tara and then when it moves in to focus on Rhett Butler at the bottom of the stairs at Twelve Oaks.
Not sure if this counts as a character introduction, but the introduction to the Joker in the 1989 Batman film. Though we were already introduced to Jack Napier, to me the Joker is a entire new character. When Jack Nicholson's Joker steps out of the shadows to reveal himself, it's cinematically unforgettable and one of the best introductions to a villain.
if we will be talking about Tarantino Universe, my vote will be for Reservoir Dogs opening scene for all characters, Django Unchained 's Dr. King Schultz, Bill of Kill Bill in volume 2, Hans Landa and Hugo Stiglitz of Inglorious Basterds
You need a new list, and you get to put this video on it. Your number one - got me crying when you said your goodbye. He totally deserved that. Thank you. Subbed.
I'd say that Beetlejuice would be a good one to put in. I think it could work with the anticipation intro. I know the characters don't know about him until about 20 minutes into the movie but the audience, I'm sure, is in anticipation waiting to see when he will finally show himself.
I've never seen the movie. We put on the production at my school, though. My ex-crush played Frank and even that intro was pretty damn good. I know I can just look his intro up, but I want to see how well one of you can try and describe his intro.
My list: 10.Indiana jones in raiders of the lost ark 9. The joker in the dark knight 8. Jimmy Stewart in rear window 7. Willy wonka in willy wonka and the chocolate factory 6. Darth Vader in a new hope 5. Simon peg in hot fuzz 4. John Doe in SE7EN 3. Oskar Schindler in schindlers list 2. Marty Mcfly in back to the future 1. James Bond in Dr. No
#2 almost could’ve been Keyser Söze from The Usual Suspects. Nobody knew if he was real or myth, but at the very end we’re introduced to an entirely new character, and we’re given so much insight.
I'd argue the opening to Back to the Future is an intro to the WHOLE movie. You get Marty, you get Doc, you get Huey Lewis, it's an awesome title sequence.
predator should have been added as a honorable mention... when you first see it uncloaking with the glowing yellow eyes staring at Arnie and his troops from the trees..... absolutely mesmerizing cinema....
That's such a beautifully written and well said quote. Short but powerful "There's perhaps no better time to reminisce about our hellos than when we say goodbye." And with Stephane Joly's "Storyteller" playing in the background >>>
“I’m afraid I haven’t been a really good host, old sport. You see, I’m Gatsby”
Yessss and daisys first scene was amazing too!
This should have been part of the list
LOL THAT'S WHAT I CAME HERE FOR LOL
The problem with that scene for me was that it was a bit too unfocused, for the majority of the previous shots it was focused on his ring and all of a sudden you get a full shot of Gatsby without any specific feature to look at, sure the fireworks express his flamboyance and extravagance but there is no personality. Whereas the previous shots of him in the window and the close-ups tell us that he is cautious, solitary elusive and mysterious. Its not enough to just unveil a enigmatic character, but when unveiled, the scene needs to tell us something more about him that we dont know to have an impact
Absolutely top 3, probably should have been for the #2 category in my opinion
Wasn't expecting the feels at the end.
Sorry, we kinda snuck that in there, didn't we?
It's okay, Gene's legacy is an everlasting gobstopper of joy.
+CineFix why art thou so cruel ?
+CineFix Rat bastiges! (It was perfect.)
Well, number one was about reversal of expectations after all
I like how this channel is waaaayy different from Watchmojo in the way they present lists..You sound like you know stuff
I would hope they know their stuff considering their channel is dedicated to film.
it's quality content rather than just clickbait
it actually sounds like they do...
Research.
Tbh on TH-cam you either have to be lucky or use click bait which is sad (click bait in either title or thumbnail)
heh a lot of watchmojo videos i watch seem very well put together and researched
My personal favorite is Jack Sparrows introduction in pirates of the caribbean
Mine too... Jhonny depp is sexy
The best. Introduction. Of all. Time.
I concur.
@@samarvora7185 Was about to write that myself
Loved it the first time in the theaters, love it every time since.
7:16 ...Wait, are you telling me that James Bond took the _"Surname, Name Surname"_ line from someone else?!?
Holy effing shit!
Sylvia Trench deserves more respect.
The OG Bond girl and paved the pay for the Bond,James Bond dialogue,and the first recurring Bond girl.
...
...well, whaddya know ...
*mind-blown!**
@Yoda _ well obviously he didn't, smartass
He was repeating what Sylvia Trench said but with his own name. Might not be the only thing Ms Trench taught him
..
The shark from Jaws. He was built up all movie between POV shots, that incredible score, the carnage, and then FINALLY we get the "you're gonna need a bigger boat" scene. Awesome
The introduction of Hans Landa in the Inglorious Basterds. One of my personal favorites.
Yes!
THAT'S A BINGO 😁
yep
I was about to type that very same...
Oh for sure, he was a great character
Dr. Frank N. Furter deserves at least a mention. There’s something so perfect about it. You get the elements of prior reputation, small initial visual details, the stunned reactions of Janet and Brad mixed with the excitement of everyone else in the room... and then he just immediately belts out this killer song with swagger equivalent to a mob boss. It’s just perfect and really gives the audience an immediate impression that “yeeaaahhh, this dude’s gonna be a favorite.”
I liked the list and descriptions of various character introductions, but the omission of Dr. Frank N. Furter kind of undermines the whole project, doesn’t it?
@@dickiewallace Abso-fricken-lutely, dude 🤣 And thank you ❤️ I, personally, definitely think that Gene Wilder’s Wonka is the absolute greatest character-intro, but Frank N. Furter is an extremely close second. The others listed are great too, but can’t even come close (immediate impact-wise and characterization-wise) to those particular two.
I looked for this comment was expecting him to number 1 but he’s not even on the list
Glad it's not only me; I was surprised he didn't make the list too.
I came to the comments to post the very same thing. Then the first thing I saw was this posting. In other word, hellyeah!
I like how CineFix doesn't just reference films that most of us are familiar with, generally from 1980 onwards, but goes back over the entire history of cinema. I've learned about movies and directors I would not otherwise have heard of or am not that familiar with. Fritz Lang I knew about from Metropolis obviously, but not the film showcased here.
"M" is why you should think twice whistling "In the Hall of the Mountain King" on the street... especially when there are children around.
Ironically, it wasn't Peter Lorre who was whistling, he couldn't do it. Lang himself was whistling instead.
M is a masterpice. I really love it even more than the silent Metropolis. Dont get me wrong.. metropolis is a work of art but Lang`s use of suspense and paranoia in M is pretty well remarkable.
Absolutely. And, with Hitchcock's "Blackmail," it is a primer on how to use sound to build suspense and character, and it does it brilliantly so early in the development of sound film.
I value M way higher than Metropolis. Lang's first foray into sound involves so many thoughtful applications, and even though he's being innovative as hell in that area, he doesn't neglect to be just as creative in his visual imagery and use of characters. It's a movie that demonstrates just about every cinematographic device possible. You can watch any movie today and not find a single technique Lang wasn't already employing when he made it (other than CG/effects). You could easily offer it as the single example subject of film school instruction.
As well as Lang's amazing filmmaking technique in M, there is Peter Lorre's phenomenal performance, and the way he generates sympathy in such a villainous role. I don't think Hollywood really made a film quite like M until the 1950s.
Somehow being caught off-guard by Kevin Spacey doesn't sound as fun anymore
Ikr, creeptastic
lmao
Regardless of anything he ever did, he's still a really good actor. Learn to separate the man from the characters that he plays. They aren't the same thing.
That movie didn’t age well for him lol 😂
@@katherynemero9355 we don’t always have to
I was just really hoping to see "I'm afraid I've been a terrible host old sport, you see... I'm gatsby" such an amazing entrance
Thegiraffe00 Yes and that grin on DiCaprio's face that's like "yes, it's me and you're welcome." I love that scene!!
Same I thought they would put that in
they're only choosing introductions from movies that were actually good.
Thegiraffe00 omg sane
Thegiraffe00 His introduction was flashy, but that's it. His introduction in the book fit the character better.
I still think the original introduction of Han Solo is among the best intro's ever, all you need to know about the character in two iconic lines : "yes, i'll bet you have"(BLAST!)
and "sorry about the mess" (flips coin to bartender)
Absolute gold.
💯 I was about to say the same thing 👍
Well, his intro was talking to Luke and Obi-Wan and commissioning his ship, and then telling Greedo he he'll have the money
Gatsby in the Great Gatsby would have been perfect for #2 "oh, you must know Gatsby!" Is said so many times before he's revealed.
Great suggestion!!
That's what I expected to be here!
Voldemort also fits in at #2
Not been any good Great Gatsby movies though
I agree. I was expecting to see it in this list or at least an honorable mention.
An 'Every Frame a Painting' video and a Cinefix top ten in the same day??? Best monday ever
same. love these guys.
Yeah me too. Glad to see we watch the same channels!
I was just thinking that as well! Also a cinematography database video if you watch that channel as well.
Same af
Yeah I do agree when he asked do a piece of marvel music I immediately hummed the avenger's theme
I am so surprised that Yoda in 'The Empire Strikes Back' did not get a number. There are only few instances where you are introduced to a character that is the complete opposite of what we were expecting to see. Not only that, we meet him without meeting him as he plays off of his own stereotype appearance, the little funny side kick looking person, who in a turn of everything moment, is revealed to be perhaps the most powerful being in the galaxy of Star Wars. The oldest, the wisest, he is the ant at our feet who if we saw in the street would think little to nothing of.
slow clap
+CineFix Hire this man
Except, like much of Star Wars, that idea was inspired by something else, the old martial arts master who pretends to be a drunk or cripple.
IKMNification Kinda but not really. See in those films, when a young apprentice goes out to seek said master and when they find them they are a drunk or a cripple, the master in not hiding his identity and is kind of a disgrace in a way, the student is underwhelmed and thinks he cannot learn anything from this drunk. It is not until a test of ability does the master prove he still "Has it" and his legend exists for a reason. Where as in Yoda, no one knew shit about him, or that his "defect" was what made him who he was. Its all similar, but can you see the difference?
yeah but ideas are very rarely original they are always inspired by something
I love how with each number a catergory was given along with the honorable mentions for it. Smart
When Frodo noticed a strange-looking weather-beaten man sitting in the shadows near the wall, he was also listening intently to the hobbit-talk. He had a tall tankard in front of him, and was smoking a long-stemmed pipe curiously carved. His legs were stretched out before him, showing high boots of supple leather that fitted him well, but had seen much wear and were now caked with mud. A travel-stained cloak of heavy dark-green cloth was drawn close about him, and in spite of the heat of the room he wore a hood that overshadowed his face; but the gleam of his eyes could be seen as he watched the hobbits. He appears then after Frodo falls, yanks him by his jacket into the stairwell "while he whispers menacingly "you draw far too much attention to yourself Mr. Underhill" I just love that scene. Aragorn's first appearance in The LOTR.
I WAS LOOKING FOR THIS COMMENT
You are so right. I kept expecting to see Viggo M's intro as Strider on the list, huge overlook of a great intro.
YES!!!!!!!
and thank the Lord Viggo took that role
thank you...now im back with the books.
Every frame a painting uploading 2 videos now THIS? TH-cam truly is a great place.
Exactly!
Yeah, it was a good evening overall.
Yup a good day for cinephiles!
you get my like just for being subscribed to every frame a painting :)
What a good day to be a fan of film analysis.
I'm happy Gene Wilder was #1, his intro was his brain child.
He refused to act the character unless they added that intro scene.
He wanted to keep everyone from knowing if his character was lying or telling the truth.
He was right. 😊
I love the cane they used. It was so flexible that it was almost useless. Funny.
I miss that man!
The genius of Wilder. Never quite sure if Wonka was an arsehole or not. He wasn't a nice person but you liked him anyway
I didn’t know it was his brainchild-it was brilliant! I first saw this as a child and I never forgot it. I do miss Gene Wilder.
Yeah, but Roald Dahl hated his potrayal, so in my opinion he shouldn't be on this list. If you act the role so badly that the author of the book disowns the film, then you've done something very wrong.
I would say that the introduction of Sylvia Trench is just as iconic as James Bond's.
The build up to the reveal of Kyser Soze is fantastic.
It is often overlooked what a confident and independent character Sylvia Trench is.
We get to know James Bond via a self reliant woman.
"detective.... detective..... dETECTIIIIIVE!!!" I just can't get over it.
When he entered the movie u knew u were watching a classic
This movie scarred me for life but I'm also hooked for life
Another great entrance is the slow moving camera on the sky of london as an oveture is playing where suddenly perched on a cloud Mary Poppins is doing her make up like its nothing.
As ridiculous as it is, Mr. Chow in The Hangover would be a great addition to this list.
dead
Thanks for including so many films to which Millennial and Gen-Z viewers may not have previously introduced. So many of these "10 Best" lists include only the films which are part of the current zeitgeist. By acknowledging such pics (and picks) as Stagecoach, M, The Third Man, Cool Hand Luke, Lolita, even Yojimbo and 7 Samurai, classically aged (or aging) treasures of the big screen, you are doing an immeasurable service to cinema culture. Among the many who profess to know film, you actually seem to do just that...KNOW, not profess to know.
Agreed. 6:35 The Ringo Kid entrance is the best of all time imo. One of the first truly badass introductions. Someone please use that gun flip again!
Also bravo for your #1 pick. I've always thought that Gene Wilder's entrance as Willy Wonka has been unmatched in cinema. How he not only starts by breaking expectations in walking out disabled, but breaks them again in showing that he's not. He shows us immediately that he's a prankster. He's putting everyone on from minute one and loving every second of it.
There is only one Willy Wonka, and it is and always will be Gene Wilder. End of.
This channel has taught me more about beginning a film in the last half hour than 2 1/2 years of film school has. Kudos.
Harry Lime in The Third Man is the coolest and greatest character introduction of all time. The character of Lime was so hyped up and having Orson Welles show up was so great.
Hey, Paul!
I'm gonna say this and I'm going to get an axe in the head for it but I don't understand the hype behind the Third Man.
Léon: The Professional... I have never seen it done better.
I was expecting Joker from Dark knight... well at least he was mentioned.
Thate honestly top 3 for me
@@arthas640 The Dark Knight and Inglorious Bastards are 2 of my all time opening scenes in movies.. I dare anybody to find better ..
@@pudder68 I mean, they dared and found.
Yeah me too
eating sugar no papa well if a movie is the 3rd best movie of all time (according to IMDb), you kind of have to take it seriously
The T- Rex from Jurassic Park should be in this list. She is mysteriously hinted at by John Hammond saying " We clocked the T-Rex at 30 miles per hour. The leadup is masterfully suspenseful with the goat appearing and the guests growing bored of the wait , the storm approaches then the power goes out paired with the screech of loose electrical fence posts and a claw on the wires to test if the power to the fence is still on. Then the Trex bulldozes its way out, showing a fence was not powerful enough to contain her.
God damn right
Good list, but....
Vito Corleone - The Godfather
Hans Landa - Inglorious Basterds
These 2 were the very first that came to mind for me
I couldnt have said it any better :)
Keyser Soze
Apocalypse now too
Hans Landa? Ooh, that's a bingo!
"He's a man of focus, commitment and sheer will."
~ Vigo, John Wick
Greatest character introduction ever!
Totally missed my favorite introduction, the musical introduction, and its winner, Tim Curry in Rocky Horror. Forgiven given the Wilder.
Maybe that will be number one once Tim Curry passes away.
yes
Yup, I too thought we'd see it. I was almost shivering with anticipation.
On the subject of Tim Curry his introduction at the beginning of IT is also a classic character introduction. The entire conversation Pennywise has with Georgie, the fact that its a perfectly made up and clean clown popping out of the sewer, his fast talkin car salesmen voice and his consistent eerie smile tell us everything we need to know about how fucking scary and evil this clown is.
i love the erratic zoom, very jarring, great scene
I know it wasn't really an intro, but the scene in The Exorcist with Father Merrin under the street lamp was pretty iconic.
True, it wasn't his intro, but you are 100% right: Merrin in that beam of street lamp is one of the most perfect movie images ever.
Here's something you never noticed about the Willy Wonka entrance: One single paver in the courtyard was pulled out, and replaced with a similar color sand. Wilder sticks the cane into the sand without looking, the lets go. The Foley artist made the cane make the same exact sound when it was pushed into the sand as when it tapped against the pavers. Maybe a Foley award is in order...
Lets also note that Wilder hit that mark perfectly. Not sure which take that was, but it was his idea for his intro to be against expectations...and none of the child actors knew it beforehand.
Yes. Raiders intro is fantastic. It really sets the tone of the entire movie.
6:47 "This is the part I really like, this is when she does that shit with her hair."
That's you Red?
Yeah, I know, I've seen it three times this month.
the scene that followed fucked me up pretty good....not as much as Andy was but pretty close.....pretty close indeed.
I just got a boner for it
rita the hottest redhead ever
I'm not sure if this counts as a character intro, but the first scene with the TRex in the original Jurassic Park is simply magnificent.
Jack Sparrow's introduction has to be the best thing I've ever seen.
Missing one: Starlord from Guardians of the Galaxy. Deliciously unexpected.
I have arrived! It's awesome to dive into the unforgettable entrances our unique characters have made. Stay safe and keep it up!
Gatsby, Gatsby all the way: first his silhouette, then the over the shoulder shots, the close ups of his hand with the Daisy motif ring, then finally the climax when the figure turns round and zooms in on Leo's face, he then says the most simple line "I'm Gatsby" then the fireworks show up, the music starts and the slow motion raise of his cocktail glass. Absolutely perfect and timeless. ❤️
No. Gatsby´s introduction is so overdone that becomes bad cinema. Not to mention that it does not capture F. Scott Fitzgerald´s intentions for the character (he's not a cartoon but a complex enigmatic human being).
@@colettecavazos6543 I mostly agree with what you say. What I meant by "introduction" was not the suspense up to Gatsby´s first camera shot (which follows the book well) but the design of the film, which I think of poor taste.
@@biffbutowski2447 Because its Leo, not because its Gatsby.
Brad and Janet argue while Fanknfurter slowly descends in the elevator behind them.
Dr.franknfurters entdance in rocky horror picture show though..
YES. THIS. One of the best entrances in cinematic history. But again, this channel is heavily bro-centered, so queer characters are anathema. I can't think of a single time one has been featured here. The focus is heavily skewed towards testosterone fests.
Yes! Came to the comments to say the same. Almost thought the spiel on gender was a lead in to Frankenfurter smashing the gender stereotypes.
Forgot about that one! Meat Loaf's motorcycle intro wasn't half-bad either!
hamnen though what🤷🏼♀️??
I was really expecting Frank to be on this list somewhere.
Sorry, but the long closeup of Rhett Butler in GONE WITH THE WIND is one of the great movie moments ever. And in the library later, when Scarlett smashes the vase against the wall and he lurches up and says, "Has the war started?" Priceless. I do agree about Harry Lime; that's one of the greats, for sure. And nothing beats the intro of Indiana Jones. But you did miss Rhett Butler, and that's one you shouldn't have missed.
I would add Kurtz in Apocalypse Now. The whole film you're eagerly awaiting his appearance, and then it gets there and it's even better than you hoped.
Oh I just saw the mention
Exactly what I was thinking too. I mean, its literally like 2.5 hours of not knowing who this mysterious mythical guy looks like so the anticipation to see him was huge
I was writing basically the same thing, and before I submitted and I scrolled down the comments. Glad I did. I 100% agree with you, and personally I think Kurtz should have been #1.
And not just for the suspense, but also the experience once you get there (in terms of screen, dialogue and performance).
The characters have a great introduction in "The Incredibles." It opens with casual dialogue that shows the personalities of all the characters and almost instantly makes them three-dimensional. It's also just a great movie intro.
And their views during those interviews are swapped when they are forced into hiding. Bob wanted to live a simple and humble life, raise a family etc. However he couldn't get over the glory days. Helen didn't want to stop being the hero, but accepted reality for what it became.
13:13 - More like Rosebud tinted nostalgia glasses ;)
I know it's not a cinematic masterpiece, but the intro of Miranda Priestly in The Devil Wears Prada feels like it should be an honorable mention somewhere here.
The titular Prada bag swinging carelessly at her side that costs more than your rent. The frenzy of her coworkers aka her underlings anticipating/dreading her early, unexpected arrivial. The way everyone in the lobby meekly kowtows to her and graciously accommodates her every move; even ensuring she has an entire elevator to herself. The sheer panic that runs through the office, punctured by Stanly Tucci's warning shot to "gird your loins!" -- a line that apparently took a dozen takes to get the inflection just right. Not to mention Meryl Streep took many cues from Clint Eastwood, namely to never raise her voice yet rule every room she walks into.
What do you mean by "NOT a cinematic masterpiece"?
Kurosawa's characters never seized to amaze me.
ceased?
+Alex Stark thats what I meant, thank you... Lol
Ariaditya Pramestu No problem haha
Kurosawa's characters are life, and history, and cinema.
In some weird way, Ariaditya, your erroneous phrasing still works for me...
I really love all the videos you guys put up. They are informative and eclectic. The inclusions of M (one of the most disturbing films I have ever seen) and The Third man are very welcome. You understand that cinema fans can accept films prior to 1980. That is not always the case with many film sites. And, a nice and well deserved tribute to Gene Wilder. Thanks, Ted
Definitely think the alien from Alien is a worthy Top 10 introduction.
Was actually thinking of the queen in Aliens
Chestburster or the fully grown adult? I'm not sure it matters, they were both amazing intros.
Truthfully, I thought #1 - especially given the description of the category - was going to be the Great and Powerful Oz. For the entire movie, he's just an idea of a character based on what others think and say and have heard about him. During the reveal, almost at the end of the film, he defies every expectation of what and who the audience (and the other characters) is/are meant to believe about him. He even admits this himself. The film is eponymously titled for him and yet, he essentially plays the smallest role in terms of advancing the plot even though his presence is mentioned throughout the whole film.
I truly thought that would be the #1 spot.
You're right. This should have been #1, for both reveals.
1. When the heroes first meet Oz the Great and Powerful, with all the thunder and fire. Such an intimidating presence! I can only imagine how mind-blowing that must have been in 1939.
2. When they meet the man behind the image and actually get what they need.
@@protorhinocerator142Your comment should have received a LOT more attention.
I love Grace Kelly's Intro in Rear Window but Rita Hayworth's hair flip in Gilda should have been the pick in my opinion.
Gilda, definitely!
Agreed
I would make an argument that the greatest introduction of a female character in a movie is the Statue of Liberty in Planet of the Apes.
Totally!
Speaking as someone who first saw Willy Wonka as a child when it first came out-I’m so happy you made that introduction number one! As a child he almost seemed a little angry when he first came out-then when he does that somersault it’s such a great moment and I never forgot it! RIP Gene Wilder-you’ll always be Willy Wonka to me!
Thanks for giving Willie Wonka the best spot! Gene Wilder was always great with the surprise nuances.
I really like how they talked about the difference in genders and how they're often portrayed in movies. It irks me sometimes and I'm glad to hear a great channel talk about it.
We just need more reveals like Rocky Horror from _Rocky Horror Picture Show._
really? i took issue at the characterization and found it ill-mannered projection. i've watched all of those movies and never thought that a woman was something to be owned or possessed. i always thought to myself, that those beautiful woman, like in Rear Window, (not Lolita, for pete's sake...) were someone to whom to prove yourself worthy of their love and adoration.
@@quirkasaurussaurus2896 totally fair and valid opinion! Been 3 years since I watched the video and made the comment, so my opinion may have changed over time. Or it may not have. Would have to rewatch to get full context.
@@trickytreyperfected1482 Indeed. My reaction was to his introduction of this topic near the beginning. I think Sean Connery as James Bond was on the screen. Of course, rethinking it a bit, it would be naive of me to categorically say that Hollywood _never_ presented women in terms of chattel, think "The Quiet Man", but, in my family, women were loved, not owned.
@@quirkasaurussaurus2896 Same here. I'm glad my family (at least the parts I knew/know: parents, grandparents, aunts/uncles) was also a family built around love, not ownership. And I intend to continue that trend... as soon as I find a significant other to love which may take years at this point. Sad but true.
For all I know, I may not even get married because it has that sort of undertone of ownership (even down to the usual wording of the vow: "I now pronounce you man and wife" as opposed to "husband and wife", though I'm sure plenty of people change it to be the latter), but that probably has more to do with me not being religious and me growing up being shunned by the church than the undertones of ownership. Honestly, I am sure that decision will come in time when I find someone to settle down with and see what his opinions on the matter are. There's certainly something nice about celebrating the bond between the two people and having the symbolic bringing together of two families... but who says you need a wedding to do that.
And at this point I've derailed the conversation lol. Sorry... I tend to do that a lot. ADHD and all.
I get so excited everytime I see one of these Videos!
Would the T-Rex in Jurassic Park count?
Cobbie D yes
best entrance ever, hands down
the TRex always counts
She was the best character in the movie. Damn right she counts.
no, because Rexie gets her own list
Great list, but my favourite introduction is Agent Norman Stansfield's introduction in Leon, the professional.
Agreed. Oldman's out of his mind in that movie!
Gene Wilder in Willy Wonka was a personal favorite. He insisted on that entrance because once you see that you can never completely trust him again. It sets up the rest of the movie.
On that same note, I'd like to include Peter Pan in the movie Hook. We saw Robin Williams create the character of Peter Banning, a nerdy office worker with no time for his kids, and we knew he was really Peter Pan, but we didn't really see him. There was a seismic buildup of tension as the stakes got higher, and we felt his frustration at not being able to save his children. Where was Pan? The first moment was a real grabber - Pan's happy thought. And then there was the moment he arrived on the scene by cutting a Pan-shaped hole in the sail and then floating through it.
Jackie Brown (Tarantino, 1997) Pam Grier - Strong female entrance:-)
I think royal tennenbaums or grand Budapest hotel give insanely great introductions to the characters
Gene Wilder thought of that entrance and only agreed to be Wonka if he could do it!
Cool fact. Thanks for sharing 😃
This got me thinking about V for Vendetta, and how many of these styles overlap in the dual character intro of V and Evey.
For me finally seeing The Predator in the original film was the big moment for me, or finally seeing Godzilla in the 1956 Americanized Godzilla King of the Monsters, or The Alien in Alien. I'm a big fan of horror and sci-fi and finally seeing the creature after a good build up is big for me. While the 1956 American version can never live up to the 1954 Japanese release, Godzilla's reveal on the island will always be my all time favourite.
Yeah monsters could've had their own category. List making is hard, you guys!
+CineFix Is that a thing in the future?
We actually did one awhile ago, you can check it out if you dig back through our playlist. But we're not shy about revisiting something if there's more to talk about, so you never know!
One that I would have mentioned for category #1 was Dark Helmet from Spaceballs
Freddy Kruger had a good entrance. There was so much build up that something was wrong, but nobody could pinpoint the problem. Then finally he shows up, strolling down the alley with his arms stretching impossibly long and his blades scraping the walls!
Gene Wilder was an underrated genius, period. And so is Mel Brookes.
Yes. It occurred to me on watching it in your list that the children were dissppointed to see WW limping... did they feel poorly for him ? Did they think he wouldn't be as much fun ? Were I wheelchair-bound I'd know well the reactions of other folks. "Ablist" is a real thing. But I think in this film it is as Wilder said - so you'd never know whether he was being honest. Had WW continued to limp, but showed what he could do and changed people's thoughts about a mobility- challenged person, might have been better but not made Wilder's point. Just saying - walk a mile in someone else's shoes, especially if they can't walk. Take nothing for granted. Mind your assumptions...
what about Frank-N-Furter?
How do you do, I... see you've met my... faithful handymaaaaaannnn....!
I so hope the remake is not garbage!
Are you SERIOUS?!? They're REMAKING IT??? Words fail... they can try but I doubt they're recapture the glory.
I love Rocky Horror so much =)
OMG YES
Ledger’s Joker not having an official spot on this list is a crime. That’s probably the coolest introduction of a character I’ve seen
Amen! As well as Hannibal Lecter in The Silence of the Lambs. The omission of those two is a total head scratcher. It’s almost as though the narrator tries so hard to think outside the box and be different that he omits material that is genuinely brilliant and timeless despite its pop culture appeal. A famous and mainstream movie or character can absolutely be the very best too, not just lesser known and older material.
I think that Harry Lime's appearance is the greatest reveal in cinema history, and that it should be at the top of this list.
Agree fully, when the light falls on the face of Orson Welles and he smiles I can't help but get a big grin on my face as well.
In my opinion Vito Corleone in The Godfather is number 1.
I wouldn't, his reveal in the film is nice but not number one, I feel like his full entrance is seen at the end of the wedding as we see him deal with a variety of situations. From clients to Family, and the suaveness he has.
Yeah I'm surprised this wasn't even mentioned in this list?
What about Frank N Furter?!
Agreed, it's astounding.
Agree
was thinking the same... I expected that to be one of the honourable mentions in the first category (focusing on parts of the body, etc, before you see the face)
Definitely. Would put him instead of Spacey.
Exactly what i was going to put.
Dr. Franknfurter from Rocky Horror Pucture Show was a great entrance.
For the "long awaited reveal" I would have at least mentioned the Xenomorph from Alien.
Or either the T-rex or the Raptors from Jurassic Park. Or hell, even the Dilophosaurus. Spielberg was on a roll when it came to introducing the monsters in that movie.
Lord Baktor Prior to the special editions, I'd include Jabba the Hutt on this list: you hear about him in A New Hope & The Empire Strikes Back, but you have to wait until Return of the Jedi before you saw him.
I'd also include Keyser Söze on this list: you hear stories about him all through The Usual Suspects. The entire film is about his identity & the question of who is the man behind the myth. The twist ending even clouds his real identity until the very end; despite having a face to put to the name, the film never really answers the question: "Who's Keyser Söze?"
Long awaited reveals has to go to marlon brando colonel kurtz from apocalypse now he's so built up and not at all what you expect he comes in at the end of the movie and steals the show the horror the horror
Great point. The creature intro is worthy of noting.
This channel is way better than...nah, not gonna compare. It's the best at what it does
DeltaDoubleVictor WatchMojo...
kaile haukaas (slaps hand over eyes in terror) Oh no, not them.
Watchmojo is tiresome and most their videos rely on overt clickbait.
When Willy Wonka approached the factory gates, the children's reactions were real, not rehearsed. They were actually meeting Gene for the first time...the producer wanted their reactions to be genuine, so they weren't allowed to see him before then.
I love the shocked reactions of those who gaze upon Buddy Love before he's finally revealed in "The Nutty Professor" (1963).
Ending made me cry even a year on. Great video
Boo Radley could’ve gone in the honourable mentions at number 1 I think
I've always liked the introduction of Lando Calrissian in Empire Strikes Back. Not knowing if he is friend or foe is in that category of introduction as Sharif Ali in Lawrence of Arabia. Maybe not on that level but still massively enjoyable.
Gone With the Wind...when the camera first focuses on Scarlett O'Hara at Tara and then when it moves in to focus on Rhett Butler at the bottom of the stairs at Twelve Oaks.
"... Nay, the PLEASURE of his grizzly visage" lmfao
Jack sparrows introduction deserved more love on this list it’s one of my favorites, it subverts expectations in a funny way, and it’s just genius
Not sure if this counts as a character introduction, but the introduction to the Joker in the 1989 Batman film. Though we were already introduced to Jack Napier, to me the Joker is a entire new character. When Jack Nicholson's Joker steps out of the shadows to reveal himself, it's cinematically unforgettable and one of the best introductions to a villain.
He is on the list at the 8:59 mark.
You picked the right number one thats for sure, it brought a tear to my eye.
The intro of The Godfather (Brando)
What about The Jew Hunter from Inglorious Basterds?
king DOWG how could you bring up Basterds without mentioning The Bear Jew!
Forgive me
king DOWG _YES!_
Firstly: I have not seen this movie. Secondly: what the fuck kind of a name is "the Jew hunter"? 😂😂😂
Joe Yuzwa watch the movie
Hugo Stiglitz Inglorious Basterds was amazing
As well as "the bear Jew"
+Parker Partain well technically he's introduced before hand in the debriefing scene but yeah I'm with you on that
if we will be talking about Tarantino Universe, my vote will be for Reservoir Dogs opening scene for all characters, Django Unchained 's Dr. King Schultz, Bill of Kill Bill in volume 2, Hans Landa and Hugo Stiglitz of Inglorious Basterds
As well as Hans Landa himself! Starts of with a devastating and horrific action - should have been mentioned on no.7
If you're asking me, and I know no one really is, Inglorious Basterds is peak Tarantino and probably one of the 10 best movies ever.
You need a new list, and you get to put this video on it. Your number one - got me crying when you said your goodbye. He totally deserved that. Thank you. Subbed.
CINEFIX LIST! I'm liking it before I even watch it.
I'd say that Beetlejuice would be a good one to put in. I think it could work with the anticipation intro. I know the characters don't know about him until about 20 minutes into the movie but the audience, I'm sure, is in anticipation waiting to see when he will finally show himself.
Yes !
The Godfather, yo. That intro to Marlon Brando is the definition of majesty.
Came here for Harry Lime and you didn't disappoint. 👏🏿
Dr. Frank-N-Furter in The Rocky Horror Picture Show.
Exactly what I came here to say.
i was just about to comment that! definitely deserves to be on this list
I've never seen the movie. We put on the production at my school, though. My ex-crush played Frank and even that intro was pretty damn good.
I know I can just look his intro up, but I want to see how well one of you can try and describe his intro.
Hell to the yes.
these aren't really top 10's, they're more #1 of 10 categories.
ThatBugBehindYou yeah but that makes great video's
My list:
10.Indiana jones in raiders of the lost ark
9. The joker in the dark knight
8. Jimmy Stewart in rear window
7. Willy wonka in willy wonka and the chocolate factory
6. Darth Vader in a new hope
5. Simon peg in hot fuzz
4. John Doe in SE7EN
3. Oskar Schindler in schindlers list
2. Marty Mcfly in back to the future
1. James Bond in Dr. No
Keep in mind these are not in prder
Pou pere pery plose
Jessica Rabbit, the T-800 in Terminator 1&2, the T-Rex in Jurassic Park, the queen in Aliens, the shark in Jaws, etc...
***** oh yeah I complete forgot about terminator it would have definitely been on the list
Back to the Future intro with Marty is a masterpiece of cinema. imo
#2 almost could’ve been Keyser Söze from The Usual Suspects. Nobody knew if he was real or myth, but at the very end we’re introduced to an entirely new character, and we’re given so much insight.
I thought Keyser was #2 as well!
Marty Mcfly in Back to the Future was a pretty good entrance
I'd argue the opening to Back to the Future is an intro to the WHOLE movie. You get Marty, you get Doc, you get Huey Lewis, it's an awesome title sequence.
how about the introduction of T800 in terminator
predator should have been added as a honorable mention... when you first see it uncloaking with the glowing yellow eyes staring at Arnie and his troops from the trees..... absolutely mesmerizing cinema....
Hanz Landa from Inglourious Basterds?
That's such a beautifully written and well said quote. Short but powerful "There's perhaps no better time to reminisce about our hellos than when we say goodbye." And with Stephane Joly's "Storyteller" playing in the background >>>
I've been looking the name of that piece for years!! thank you so much!!!