Hey guys, this video was supposed to be done a month ago but I broke my big toe and was hobbled for a bit. I'm back now and I'm doing much better now. Before anyone asks the next video should be Harman Phoenix, I'll just be a little late to the party.
"Ignore the scanner artifacts" while showing an image that is just 100% scanner artifacts :D I've watched every video at least 3 times and they always crack me up
Properly stored frozen slide film ages slowly, i stil got a lot 1990s expired rolls of ektchrome 120 mostly in iso 100 and 200 in my freezer! So far i had very little problems and other then magenta shadows i am very happy with the results!
So with slide film, it's extremely important to get the first dev right. From your first roll I kind of assume that first dev ended up producing foggy negs. Foggy negatives yield semi-transparent film borders you see in that roll (compared to the very first E100 example shown), they also tend to blow out the highlights. Having base fog during chemical fogging and color dev will definitely yield color casts. You could try experimenting with adding anti-fogging agents (a bit of benzo, a bit of KI) to the first dev, decreasing the temperature and increasing the dev time to compensate (overexposing a bit would also be a good idea as these things kill the effective sensitivity). It should (in theory) allow to produce less of the base fog and less prominent color casts.
Oh! What crazy timing, i just finished shooting a roll of this from the same year. Thanks for putting into words everything i couldn't express about it.
In my time, Expired Kodak Slide has always given me nothing, while expired Fujifilm Slide and Agfachrome will survive the tests of time. Let's see how Konica holds up
Good to see your adventures again! Personally, I really like shooting expired negative and positive film.. probably because I stocked up on a huge amount of film, for literally pennies per roll, about 20 years ago, so I have tons to play with.
I got some 2000s expired Elitechrome 200, the first and only roll so far I tried produced fairly magenta heavy slides when developed as E6 by a pro lab (Fujifilm's Steenbergen facility in the Netherlands). The C41 cross process results here make me glad I can at least use it for alright color negatives, so I'll just use it as that, and spool the stuff up into things like Instamatic cartridges, or into 120 or 127 cameras
Love your videos! I have a suggestion for a future video. Ilford Ortho Plus has almost no good information about push processing. Almost no one has done it and Ilford provides no guide to do it. I suspect it could be cool, especially where reds are involved, as the already dark reds would be even more contrasty. There is very little information about pushing orthochromatic film in general.
I have 4 rolls of freezer stored P1600 that I've been waiting for a good day to shoot with. If E-6 doesn't justify it, maybe I'll have to try X process!
Where does the brown tint come from when developed in C41? I thought this was just added to c41 films to correct colours in printing. Never noticed that on your earlier cross processings. Or at least never stood out as something I don't understand. Awesome video as always, i like the experiments.
Votre vidéo est très bien faite, avec les couleurs (gamme) et vos prises de vues ensuite, en 6 X 6 du plus bel effet en diapositive.Vous montrez ensuite des planches contact en 35 mm, mais ici, les couleurs paraissent fanées,vos photos en extérieur sont très biens. Si vous développez votre diapositive comme un négatif couleur,vous aurez un négatif sans le filtre orange, et si vous allez à l'agrandisseur, il faudra sur filtrer en jaune.Un film négatif, développé comme une diapositive, vous aurez une diapo avec le filtre orange, et après tirage sur papier, vous aurez un négatif.Avant la fin de la vidéo, qu'est-ce que vous avez voulu dire avec la planche contact sans vraiment de couleurs et les dominantes sur les photos. On a l'impression d'avoir un bain de négatif qui n'aurait pas atteint la température réelle du révélateur.
Hi love your vids. I have got hold of a few boxes of very old 4x5 slide film and if they won’t look great as slides when you cross process them in C41 do you process them as normal C41 time and temperature? And also should I expose them based on their age like I would a c41 film Thanks
Speaking of expired slide film, do you by any chance have experience in developing old e-4 slide film? I came across two rolls of old infrared ektachrome film for 20 bucks expired in 1995, they might be completely toast but i want to at least try shooting it 🤔 Looking online it seems both e-6 and c41 can be used for this if you lower the temperature to 27C, but from this video im guessing that c41 will keep more of the color information. (Btw this channel is extremely informative, love your work)
are you developing them by yourself or sending to lab? also i wondered if its possible to trichrome by making multiple exposures on the same slide, shouldn't that affect only one specific layer with each filter? i wanna try that soon
Hey guys, this video was supposed to be done a month ago but I broke my big toe and was hobbled for a bit. I'm back now and I'm doing much better now.
Before anyone asks the next video should be Harman Phoenix, I'll just be a little late to the party.
Cross process it; it's weird and fantastic. As always, love your work!
pretty cool, but I still genuinely want to see an ORWO NC episode
@@jakewestbrook3214yessssss please!
Not too late, I think nobody has trichromed it yet :D
I guess that's a good excuse for not trichroming another roll... glad to hear you're doing better!
I swear.. every time you release a video, you find colors that didn't exist in the world before.
And mostly for good reason 😂😂😂
The cross process out of space
"Ignore the scanner artifacts" while showing an image that is just 100% scanner artifacts :D I've watched every video at least 3 times and they always crack me up
Properly stored frozen slide film ages slowly, i stil got a lot 1990s expired rolls of ektchrome 120 mostly in iso 100 and 200 in my freezer!
So far i had very little problems and other then magenta shadows i am very happy with the results!
So with slide film, it's extremely important to get the first dev right. From your first roll I kind of assume that first dev ended up producing foggy negs. Foggy negatives yield semi-transparent film borders you see in that roll (compared to the very first E100 example shown), they also tend to blow out the highlights. Having base fog during chemical fogging and color dev will definitely yield color casts. You could try experimenting with adding anti-fogging agents (a bit of benzo, a bit of KI) to the first dev, decreasing the temperature and increasing the dev time to compensate (overexposing a bit would also be a good idea as these things kill the effective sensitivity). It should (in theory) allow to produce less of the base fog and less prominent color casts.
one of the best film channel for sure
Oh! What crazy timing, i just finished shooting a roll of this from the same year. Thanks for putting into words everything i couldn't express about it.
I’m also in PDX. I have so much expired film. Favorite to shoot is Kodak tri-x pan pro 120 expired 1980’s looks GREATT!
In my time, Expired Kodak Slide has always given me nothing, while expired Fujifilm Slide and Agfachrome will survive the tests of time. Let's see how Konica holds up
Second this! I’ve gotten amazing results out of Konica Impresa 50 but I’m guessing that’s because it’s so low speed.
@@hellothisiskyle I have a bunch of fuji old fuji slide films like 64T and provia 400F. only had good results and always shot at box speed
Good to see your adventures again! Personally, I really like shooting expired negative and positive film.. probably because I stocked up on a huge amount of film, for literally pennies per roll, about 20 years ago, so I have tons to play with.
I got some 2000s expired Elitechrome 200, the first and only roll so far I tried produced fairly magenta heavy slides when developed as E6 by a pro lab (Fujifilm's Steenbergen facility in the Netherlands). The C41 cross process results here make me glad I can at least use it for alright color negatives, so I'll just use it as that, and spool the stuff up into things like Instamatic cartridges, or into 120 or 127 cameras
You can always bleach the bleach-bypassed film to remove metalic silver, and check what is in there.
I was about to say the same thing. I'd love to see what's in there!
Love your videos! I have a suggestion for a future video. Ilford Ortho Plus has almost no good information about push processing. Almost no one has done it and Ilford provides no guide to do it. I suspect it could be cool, especially where reds are involved, as the already dark reds would be even more contrasty. There is very little information about pushing orthochromatic film in general.
I am always looking forward to your videos. I love the picture of the cat in C41! This makes me want to dig out my roll of E400.
Yes! Trichrome everything!
Glad your doing better!
Excited about the next video.
If interested i have done or orwo film in my freezer.
Brilliant as usual, and this episode in specific might save me a bunch of headaches in the future. Cheers! 🍻
Very cool!
I have some old "Video Screen Duplicating" Ektachrome in the freezer, and I might give it a shot in C-41 after seeing this.
Uff, the magenta cast is an eternal torture, I've found that overexposing the slides often helps reduce its intensity!
Slides on a light table are my favorite thing ever
I had good results pushing those films during development.
I have 4 rolls of freezer stored P1600 that I've been waiting for a good day to shoot with. If E-6 doesn't justify it, maybe I'll have to try X process!
Where does the brown tint come from when developed in C41? I thought this was just added to c41 films to correct colours in printing. Never noticed that on your earlier cross processings. Or at least never stood out as something I don't understand.
Awesome video as always, i like the experiments.
I wondered about that too! It being puke green after being Rodinal'd was also a bit unexpected.
05:01 Rodinal activates some color dye, so when you do trichrome, use a different developer.
enjoyed the skeleton pic!
me
back in high scool
with a roll of EN 100
I don't know- a couple years ago I got reasonably decent results from a 1980 expired Ektachrome 400 processed in e6 (albeit it was a 120 roll)
Votre vidéo est très bien faite, avec les couleurs (gamme) et vos prises de vues ensuite, en 6 X 6 du plus bel effet en diapositive.Vous montrez ensuite des planches contact en 35 mm, mais ici, les couleurs paraissent fanées,vos photos en extérieur sont très biens. Si vous développez votre diapositive comme un négatif couleur,vous aurez un négatif sans le filtre orange, et si vous allez à l'agrandisseur, il faudra sur filtrer en jaune.Un film négatif, développé comme une diapositive, vous aurez une diapo avec le filtre orange, et après tirage sur
papier, vous aurez un négatif.Avant la fin de la vidéo, qu'est-ce que vous avez voulu dire avec la planche contact sans vraiment de couleurs et les dominantes sur les photos. On a l'impression d'avoir un bain de négatif qui n'aurait pas atteint la température réelle du révélateur.
Yes
Hi love your vids. I have got hold of a few boxes of very old 4x5 slide film and if they won’t look great as slides when you cross process them in C41 do you process them as normal C41 time and temperature? And also should I expose them based on their age like I would a c41 film Thanks
Speaking of expired slide film, do you by any chance have experience in developing old e-4 slide film?
I came across two rolls of old infrared ektachrome film for 20 bucks expired in 1995, they might be completely toast but i want to at least try shooting it 🤔
Looking online it seems both e-6 and c41 can be used for this if you lower the temperature to 27C, but from this video im guessing that c41 will keep more of the color information.
(Btw this channel is extremely informative, love your work)
are you developing them by yourself or sending to lab? also i wondered if its possible to trichrome by making multiple exposures on the same slide, shouldn't that affect only one specific layer with each filter? i wanna try that soon
Holy shit, C41 + Bleach Bypass ones look noisy as hell.
Hi how did you fix the film developed in rodinal? And what fixer did you use, how much did you dilute and how long did you fix?
The c41 looks way better than E6 for expired slide film
Are you going to try the new Harman Phoenix film?
I was thinking if you're going to trichrome it, but then was like: Nah, it's already in color, why would he? And then you trichromed it anyways:D
The cross processed roll still look better than that Phoenix 200 thing 👀
From what I've seen Phoenix 200 looks a lot better when flatbed or DSLR scanned. I guess something about it throws the pro scanners off.
but Phoenix 200 cross processed looks good though
Phoenix 200 has a purple base, guess thats where the scanning problems come from@@bountyjedi
What dev kit do you use for c41?
I recently got 50 sheets of fridge stored e100 expired in 1989 and uhhh this doesn't inspire confidence? We'll see, maybe yours was stored badly.
The joy every time you post. 🫶