Ur not alone sir. People have long since traded fidelity for convenience. In everything from the medium we listen on, the hardware we use to play it on and to your point, the creative process itself. It’s no wonder that art is treated as disposable now…people have allowed raw consumption to replace meaningful experience.
well said. i'm definitely in the minority of people who don't believe in making that compromise at all. If i like an artist, i'll support them directly and listen to their music or viewing their art as it was intended. I know how much goes into making it. It's really a shame that this tradeoff is becoming the norm.
Man I deal with the back and forth of this mindset a lot in my music making. In the past I was always searching for that "perfect sampler" or piece of gear that made what I want to do as easy as could be. Now that I own an MPC One, I pretty well have that but I find myself dissatisfied at times with the workflow and my end product. Some of what I consider to be my best work was all done on the simplest machines, like an SP404 OG. Making entire tracks using resample and the constant, constant playback of those loops and trimming them to get them JUST RIGHT is so tedious but part of the magic that you get at the end. You feel even more connected to those tracks, you hear every single nuance and see every color.
Totally agree with this. Your looping and resampling example is spot-on. Machines that make you work a little harder sometimes end up with more unique results because YOU are really involved in the process of shaping the outcome.
I think slow cooked is better but not constantly standing over the pot. So patiently letting the beats come to you, but in those moments acting quickly and not getting into tunnel vision / perfectionism. Taking breaks, keeping it fresh. Thanks for ur thoughts as always 🙏
spot on. this is something i wished i touched upon in the video. exactly as you said, slow cooked doesn't mean noodling endlessly, but rather moving with a mix of patience and intention. thanks.
Really inspiring stuff, really made me realise there is no rush. As a new producer I always feel like I need to rush and improve constantly, but the times where I enjoy making music the most are when I don’t put too much thought into it and don’t just try to get things ‘finished’
I'm glad this resonated with you. It's important as you start out to really reflect on why you're doing this and what works best for you. Taking time may not suit everyone, but I find that it can lead to better, more fulfilling experience overall. Cheers!
I've read that (author) Franz Kafka had a sign above his writing desk that said... "Wait." "You do not need to leave your room. Remain sitting at your table and listen. Do not even listen, simply wait, be quiet, still and solitary. The world will freely offer itself to you to be unmasked, it has no choice, it will roll in ecstasy at your feet." - Franz Kafka
I totally agree brother, life inspires creativity. Content shouldn't be forced. It takes away from validity when done that like. It way more rewarding when done with timing. Happy Holidays yo.
Letting time becoming an ingredient is a beautiful way to put it. On a non musical scale and relating to your point. This last year I collected a lot of VHS and DVD and now at Christmas it’s nice to see my kids grabbing the tapes and putting them on to watch movies. A lot of these processes have been lost in music. I have no desire to get the newest gear or software but rather I’ve been saving to get another sp1200 because I miss that workflow.
yo that's beautiful to hear. i love that. i still love watching vhs and dvds -- less distractions. there's a charm to them. and regarding music -- i think an sp1200 is worth more than all these daws and plug-ins combined. i love how that machine makes you focus.
Thanks. I used to read a ton of novels and it's offensive to think that skipping through, or just getting the notes is anywhere near the same experience.
Thanks for those words.🙏 I think part of being an artist is the fact that most of the time you enjoy the process, and you can take lessons in the crafting, and that takes some time. For me one of the biggest difference between being an artist or trying to "sell" a product is love for the craft. ✨
Man, this really shines a light on something that's been haunting me. It both breaks my heart and motivates me to hear you address it so clearly haha. I've been trying to address this tendency within myself to just rush mindlessly through the music making process and I'm glad to hear you highlight this. Since the world doesn't look like it'll be slowing down in its path to be absorbed by the digital, I can, as an individual, at least resist the urge to trade convenience for value. That's what I got from this. Thanks for your insights. And for sharing your musical exploration.
Thanks for sharing this. The answer is going to be different for each of us, depending on what our relationship to the process is and what we want it to be. For some, I realize that faster and more convenient is waaay better. But it's nice that there are many who actually see value in the process, and how it can sometimes lead to better, more fulfilling results. Thanks for watching and glad this resonates.
I really like the concept of just taking my time and sitting with my music, project I make now take me longer and making beats taking me longer to do and I absolutely love it because during that time I’m taking time to appreciate what I make instead of making it and discarding it. You hit the point so well we listen to music and discard it so quick. So when I was tell people I take my time because I give my tracks to shine and I also get a chance to get life an opportunity to enjoy each day
Thanks bro. I forgot to mention that there's nothing wrong with moving quicky...it's just that some folks believe faster is better, when in reality, most people would rather have 1 timeless beat, than 10 disposable ones.
fr. It’s about intention. Setting yourself a time limit and seeing what you can do in it is way more interesting and fulfilling than trying to crank out as many things as you possibly can. Respect to those that can do it, but one is about the quality of the end product and the other is about the quantity of the end product. And no disrespect to fl either she brought me up lol.
yo, thanks so much for the support. every time i make something on this new mpc i think of all the people who chipped in to help me out of that tough spot. it's not taken for granted. much appreciation. cheers,
Golden message here! New tech/all tech has the ability to slow cook, but it's just not marketed that way. I got into a two-day argument with a few guys online about this. Which I never do anymore, but felt the need to make a point. Every year forward there's something new that eliminates the process. The process is the human experience. It gives us purpose, and gives the world our purpose. I think some of this boils down to originality. That used to be the underlying factor in artistry. Now the marketing is, "You can do this and that faster and sound like.....(insert name)". It's the wrong message. Oddly enough, I skipped the music just to write this message. And you wanted to skip your talking segment to make the music lol. So I guess we all have a rush factor in us now. But thankfully 🙏🏼 we still love to slow cook music.
You bring up something crucial that I forgot to mention in this video. It's absolutely true that new gear has the ability to slow cook. It's all in how you approach it, and how you choose to use the machines. If I could re-record this, I would add that an old school mindset with new technology is actually the best of both worlds. (that's how i work on the K.O. 2's) The ability to do things faster actually enables MORE creativity, but as you pointed out, the marketing has ruined that. And the intention of a lot of newer makers is to rush to the finish line, and while they skip the process, they're abandoning the "old school" ways and create tracks that sound like the machines basically made it for them. Ultimately, everyone has to find their own path, equipment, instruments and work flow that benefit their creative process. I had to share this video because I'm noticing a shift in mine, and I'm craving the pleasures that come with slowing down and putting more care and attention into the sound and the craft, rather than moving fast and keeping up with everyone else.
@@eddieleonard6925 Word. Whatever you left out is fine. It was a pretty important and comprehensive take on the subject. You usually cover a lot of good ground in your videos. The point is made and inquiring minds are pondering. Regarding that best of both worlds aspect, I think some things are best kept a secret. Help and guidance is love, but as you know, having a secret weapon is what separates us in this sport. We can't give it all away or we will become what AI is to the new producer. Just my opinion.
Slower... I get it, tho the memo's always helpful. Many thanks Eddie for all that you've shared. Much peace and significant forward motion now, and in 2K25.
Thanks brother! It's been on my mind a lot, and I don't want to get caught up in the rat-race without taking a second to really evaluate my actual intentions with the creative practice.
Most definitely. At the start of the journey I think optimising for quantity while you build the muscle with all the parts of the process has its merits, but there are obvious pitfalls and bad habits there. Once those fundamentals are second nature, it’s really about what we want to express and how we want to define ourselves as artists. The pursuit of which takes time to understand and develop through experimentation with our tools, techniques and ingredients. I was a DJ first and early on I fell into the trap of trying to churn out bangers to hit some arbitrary deadline to “make it” before I got too old. Once I let go of that my ideas became more unique/creative and am starting to see those successes more as a byproduct than a hard fought goal. The process is the reward that we should fall in love with.
@@DiegoFuego87 well said. totally agree. especially the part about taking time to understand your tools, your craft and developing your sound. that simply does not happen overnight.
Facts. The financial barrier to exploring cinema also prevents many potentially very good filmmakers from having the space to finding their true voice. It's a loss for us all.
haha...thanks bro. I know this approach isn't for everyone, but big picture...if the world is already flooded with music and "content", you might as well take your time and make the freshest, most complete music you possibly can and not worry about rushing and competing with the rest of the crowd.
Man i love what you do and what you impart. Art is about the art not work flow not speed but creating . Sometimes art spills out of you sometimes not. Thank you for your gift and your thoughts you share.🙏🏾
Totally agree. I hope that this type of thinking helps a lot of up and coming artists so they can discover their true voices and sound. The type or relationship to the art process that you describe is something that resonates with me for sure.
Just when you started speaking, it made me think of what's usually called the Death of the Novel. Slow burn in literature can be more rewarding than a fast paced plot almost trying to hold your attention. I think the difference between stuff that burns slowly vs processed food in music or literature is what the artist expects from the consumer (and whether the artist believes a consumer is intelligent enough to grasp slow burn). You're like the Carl Sagan of beat making dude - always making me want to go back to the MPC.
This is a great point, brother. I always appreciated when artist respected their audience and gave us the full scope of their work and trusted that some of us would want the full depths. It's ultimately a decision each of us have to make for ourselves in our own process, our work, and our relationship with whatever audience we have. There's something crafty about simplifying a message so that it's easier for your audience to digest it. it's not as easy as it looks. But there's also something satisfying in layering and not filtering what you have to say, and really giving your all to something, even if it may be harder to digest.
@@eddieleonard6925 closer home in India we have music traditions like Carnatic and Hindustani which are devotional in nature - and expect the viewer to be on the journey to meet God. Another tradition is Qwawalli where a 'song' can last upto 45-60 minutes. Considering how a lot of art forms are rooted in Shamanic rituals in all hemispheres, a case can be made for artist's highest calling in challenging the viewer, listener and taking them on a journey. In that zone, the audience is a fellow traveller, and less of a consumer - and I believe there's some merit to looking at things that way. That's why your video hits so hard, Kudos!
It's Always a Treat and a Pleasure to see a Notification from You. I always know there is going to be a Gem of some type. Today You used the S3000 Sampler and I forgot I have an S3000 CDi that I need to tinker with, I think it needs the Caps replaced. Just seeing/hearing how it sounded is giving me something to look forward to. I also took another "shot in the dark" when I purchased a Carvin S1200 Mixer in hopes that I can get some good "hums and buzzes" when I run some stuff thru it. Thanks for the Upload and the Inspiration to keep doing things the same way I did when I started WWaayyyy back in the Day. I do know for a fact the the Major difference in the Music that We Hear/Listen to today is missing the Harmonics that Electricity going thru Circuits can Produce in a way that is felt more than its heard. It is indeed the soul of the Music when We connect with it. Happy Holidays to You and Your Family as You all receive the Blessings that Earth will provide.
You're definitely right about the circuitry thing. It's a creative choice we have nowadays -- to digitally recreate that feeling or to to actually run cables and utilize various samplers, mixers, etc to get that sound. I just prefer the process of using lots of older pieces. I don't need saturation plug-ins because sampling from vinyl and cassettes into 30 year old machines thickens up the sound. The s3000xl (and all the other rackmounts) are a great value because they sound incredible, you can still turn down the sample rate if you want them to sound really "lo-fi" and because people think they're hard to learn, you can get them really cheap. But as you know, these are are some of the best samplers ever made. I"m still learning, but having fun so far.
Thanks brother. You already know the drill. We gotta let these samples speak to us, then find new arrangements. Those who put in the time ending up discovering & crafting new sounds (like you do with all them samplers you got!)
I appreciate what you’re saying. I can’t stand the “How many beats can I make in a certain amount of time” videos. However you don’t wanna take so long that you don’t commit to something or else you’ll end up making Detox. 😂
lol! Detox. I remember hearing about that for over a decade. Taking too long can be a disaster. Finding the right balance is something we each have to figure out for ourselves.
We are rushing because that’s how things are consumed these days…to keep up and remain under the scope, we need to perform in a certain way. Indeed, quality takes time but to have an impact we need to adapt and push things the way things are pushed nowadays…
You're speaking truth. We all gotta adapt. It's inevitable. But sometimes I feel like pushing back a little -- reflecting on what I want to do, rather than what the rest of the world is doing.
@ love that perspective! Keep doing what you do, stay true to yourself brother! Much love from Romania! Oh and thanks for the reminder to take a step back, take my time and enjoy it to the max!
13:15 Piano stabs and Jazz drums giving a nice Deep House vibe. Add another kick under that snare and it’d pass as a late 90’s/early 00’s Moodymann track.
When I do rush it's usually because I'm trying to get my idea down before I lose it. It happens when I conceptualize the beat then have to search for the elements to build that idea to completion.
I really appreciate you saying this. There's nothing wrong with moving quickly and making sure you keep things flowing. It's a key part of the creative process. I just find that sometimes I forget to take a moment and allow myself to play, explore, etc.
I really like your videos and the style of music you make. Excuse me for my question but what are main styles/genres of music you sample the most? They always sound like charm but when I try to search something close to it I always seem to get lost
Thanks for the support. I don't actually sample anything unique. I sample anything I can get my hands on. I love jazz, soundtracks, ambient, anything that has well recorded music on it. Jazz fusion usually has some interesting sounds. I hope this helps.
Hey I've been following your stuff for a while, absolutely love your work (it's really nice to actually see your process between chopping and arranging). One quick thing - you should really start tagging your videos better, you would get way more views. Use all 500 character spaces. I think you only used 6 tags on this
@@eddieleonard6925 No worries man. The purpose behind tagging is to direct your content towards what people are searching for in the TH-cam search bar. For example, someone may search for "MPC3000 tutorial" or "2024 mpc live beat" on TH-cam. If your video has those phrases as tags, your video is much more likely to be recommended to the people searching those phrases. Basically, just use your best guesses towards what people are searching for (phrases/words related to your content/video), and use those as tags. Hope it helps, keep up the great work!
Interesting video. Thanks. Every time I bingemake beats half of them sound like shit. The flow of making a lot of beats in a short time feels good but the result is far from satisfying. I will try to change my workflow. Maybe it will give me new ideas. And I might end up with something new. Not making the same type of beats over and over again.
I've recently tried this same experiment -- instead of making 10 beats in a day, just make 1 or 2 and spend a week refining them. For me, the results were night and day. It's how I made my last beat tape I'm about to release. This may be different for everyone, but I think many of us could benefit from slowing down a little. The "bingemake beats' is a real thing. We all gotta ask what kinda quality are we aiming for...
For some reason I'd find editing the cumbersome front panel of an Ensoniq Mirage rack more intuitive and fun than editing samples in a sampling plugin.
I can’t make beats fast because it feels like all my life experiences up until that point is channeled into the music. I can’t make something new without experiencing something new.
Yeah I don't get what's good about making a beat in ten minutes. That said I feel for a while I have been trying to make music quickly just to get tracks finished so I can start another one. Been forcing myself to spend a few days with a track. Make the rough outline of it with a rough arrangement. Come back each day and flesh it out, add some switch ups and transitions etc. Feels more like making music again instead of just cranking out beats, if that makes sense.
This is EXACTLY what i've been doing lately too. Give a track a few days, keep making edits, and then move on, instead of making everything in one session. I think it leads to better, more complete, and thoughtful music. Hows it been working for you so far?
I like to play the music as if it was back in the old days play the song all the way through. They said they did that on Michael Jackson songs play all way through without making a mistake. I guess it's OK to stop and punch in where you messed up at after it gets good cause you don't wanna throw that part away sometimes things you can only do one time
It isnt that faster is better, Dr Dre took his time and it drove artist crazy but when there music dropped they were hits and classics. The problem is everything, the entire world is moving faster and ppls attention spans is micro short. So do you keep up and give your self 5 seconds to catch someones ear? Or do you take your time and get completely dusted and overlooked?
Ur not alone sir. People have long since traded fidelity for convenience. In everything from the medium we listen on, the hardware we use to play it on and to your point, the creative process itself. It’s no wonder that art is treated as disposable now…people have allowed raw consumption to replace meaningful experience.
well said. i'm definitely in the minority of people who don't believe in making that compromise at all. If i like an artist, i'll support them directly and listen to their music or viewing their art as it was intended. I know how much goes into making it. It's really a shame that this tradeoff is becoming the norm.
Man I deal with the back and forth of this mindset a lot in my music making. In the past I was always searching for that "perfect sampler" or piece of gear that made what I want to do as easy as could be. Now that I own an MPC One, I pretty well have that but I find myself dissatisfied at times with the workflow and my end product. Some of what I consider to be my best work was all done on the simplest machines, like an SP404 OG. Making entire tracks using resample and the constant, constant playback of those loops and trimming them to get them JUST RIGHT is so tedious but part of the magic that you get at the end. You feel even more connected to those tracks, you hear every single nuance and see every color.
Totally agree with this. Your looping and resampling example is spot-on. Machines that make you work a little harder sometimes end up with more unique results because YOU are really involved in the process of shaping the outcome.
I think slow cooked is better but not constantly standing over the pot. So patiently letting the beats come to you, but in those moments acting quickly and not getting into tunnel vision / perfectionism. Taking breaks, keeping it fresh. Thanks for ur thoughts as always 🙏
spot on. this is something i wished i touched upon in the video. exactly as you said, slow cooked doesn't mean noodling endlessly, but rather moving with a mix of patience and intention. thanks.
You sound like a music, Professor, Therapist and Motivational Speaker all rolled up in one. Your videos are inspiring and influential.
I appreciate you! Thanks for taking the time to listen to me rant.
@@StatetrooperBillyBillwhere’s your music?
Really inspiring stuff, really made me realise there is no rush. As a new producer I always feel like I need to rush and improve constantly, but the times where I enjoy making music the most are when I don’t put too much thought into it and don’t just try to get things ‘finished’
I'm glad this resonated with you. It's important as you start out to really reflect on why you're doing this and what works best for you. Taking time may not suit everyone, but I find that it can lead to better, more fulfilling experience overall. Cheers!
I've read that (author) Franz Kafka had a sign above his writing desk that said... "Wait."
"You do not need to leave your room. Remain sitting at your table and listen. Do not even listen, simply wait, be quiet, still and solitary. The world will freely offer itself to you to be unmasked, it has no choice, it will roll in ecstasy at your feet."
- Franz Kafka
That's real. I love this idea. Often, if you rush and try to 'grab' life, it eludes you. Patience is key. Thanks for sharing this.
🎯!!!
Always appreciate your words 🙏🏾👊🏽
thanks for listening fam.
I totally agree brother, life inspires creativity. Content shouldn't be forced. It takes away from validity when done that like. It way more rewarding when done with timing. Happy Holidays yo.
much appreciated bro. i feel like your workflow and sound really honors this patience principle. keep on.
Letting time becoming an ingredient is a beautiful way to put it. On a non musical scale and relating to your point. This last year I collected a lot of VHS and DVD and now at Christmas it’s nice to see my kids grabbing the tapes and putting them on to watch movies. A lot of these processes have been lost in music. I have no desire to get the newest gear or software but rather I’ve been saving to get another sp1200 because I miss that workflow.
yo that's beautiful to hear. i love that. i still love watching vhs and dvds -- less distractions. there's a charm to them. and regarding music -- i think an sp1200 is worth more than all these daws and plug-ins combined. i love how that machine makes you focus.
You can't rush art ..youtube algorithm brought me here subbed
When churning and burning out tracks it feels more like a product and less like art.
thanks for taking the time. glad you agree.
i feel the same. been noticing that a lot lately.
You nailed it with the novel/footnotes analogy
Thanks. I used to read a ton of novels and it's offensive to think that skipping through, or just getting the notes is anywhere near the same experience.
Wonderful video and perspective as always 👍
Thanks fam!
Thanks for those words.🙏 I think part of being an artist is the fact that most of the time you enjoy the process, and you can take lessons in the crafting, and that takes some time. For me one of the biggest difference between being an artist or trying to "sell" a product is love for the craft. ✨
much respect for making this distinction. i think it's pretty clear who truly loves their craft and who's in it for other reasons.
Preach! 🙌. “Fast” and “convenient” should never dictate artistic expression.
right? there's nothing wrong with moving quickly, but that shouldn't be the goal.
thank you, sir!
thanks for watching.
You can't rush greatness!
facts
Perfect assessment bro! The substance is truly the art of what we do. Enjoying the experience no matter how long it takes is the beauty.
facts. i'm glad i'm not the only one who looks at it this way. leads to better music, too
Man, this really shines a light on something that's been haunting me. It both breaks my heart and motivates me to hear you address it so clearly haha. I've been trying to address this tendency within myself to just rush mindlessly through the music making process and I'm glad to hear you highlight this.
Since the world doesn't look like it'll be slowing down in its path to be absorbed by the digital, I can, as an individual, at least resist the urge to trade convenience for value. That's what I got from this.
Thanks for your insights. And for sharing your musical exploration.
Thanks for sharing this. The answer is going to be different for each of us, depending on what our relationship to the process is and what we want it to be. For some, I realize that faster and more convenient is waaay better. But it's nice that there are many who actually see value in the process, and how it can sometimes lead to better, more fulfilling results. Thanks for watching and glad this resonates.
I really like the concept of just taking my time and sitting with my music, project I make now take me longer and making beats taking me longer to do and I absolutely love it because during that time I’m taking time to appreciate what I make instead of making it and discarding it. You hit the point so well we listen to music and discard it so quick. So when I was tell people I take my time because I give my tracks to shine and I also get a chance to get life an opportunity to enjoy each day
amazing perspective and outlook. i'm glad you're able to keep this both in your creative practice and (more importantly) your life.
there is something to be said for both methodologies, fast can give you a particular rawness....slow can provide a particular introspect
Very true. I forgot to mention this in the video...there's nothing wrong with moving fast. It's good to follow your gut and make quick decisions.
Appreciate the antithesis to people speed running fl studio beats. Another banger as always.
Thanks bro. I forgot to mention that there's nothing wrong with moving quicky...it's just that some folks believe faster is better, when in reality, most people would rather have 1 timeless beat, than 10 disposable ones.
fr. It’s about intention. Setting yourself a time limit and seeing what you can do in it is way more interesting and fulfilling than trying to crank out as many things as you possibly can. Respect to those that can do it, but one is about the quality of the end product and the other is about the quantity of the end product. And no disrespect to fl either she brought me up lol.
@@pattyayyy i started on FL3! haha. does the job, great for what it is, especially back then.
Agree 100% ✅
Word.
Agree 100%. Your understanding of this is exactly why I contributed to your new studio without hesitation. Great content bro!
yo, thanks so much for the support. every time i make something on this new mpc i think of all the people who chipped in to help me out of that tough spot. it's not taken for granted. much appreciation. cheers,
Respect on the words at the top of the vid my guy
Thanks for listening fam.
Golden message here! New tech/all tech has the ability to slow cook, but it's just not marketed that way. I got into a two-day argument with a few guys online about this. Which I never do anymore, but felt the need to make a point. Every year forward there's something new that eliminates the process. The process is the human experience. It gives us purpose, and gives the world our purpose. I think some of this boils down to originality. That used to be the underlying factor in artistry. Now the marketing is, "You can do this and that faster and sound like.....(insert name)". It's the wrong message. Oddly enough, I skipped the music just to write this message. And you wanted to skip your talking segment to make the music lol. So I guess we all have a rush factor in us now. But thankfully 🙏🏼 we still love to slow cook music.
You bring up something crucial that I forgot to mention in this video. It's absolutely true that new gear has the ability to slow cook. It's all in how you approach it, and how you choose to use the machines. If I could re-record this, I would add that an old school mindset with new technology is actually the best of both worlds. (that's how i work on the K.O. 2's)
The ability to do things faster actually enables MORE creativity, but as you pointed out, the marketing has ruined that. And the intention of a lot of newer makers is to rush to the finish line, and while they skip the process, they're abandoning the "old school" ways and create tracks that sound like the machines basically made it for them.
Ultimately, everyone has to find their own path, equipment, instruments and work flow that benefit their creative process. I had to share this video because I'm noticing a shift in mine, and I'm craving the pleasures that come with slowing down and putting more care and attention into the sound and the craft, rather than moving fast and keeping up with everyone else.
@@eddieleonard6925 Word. Whatever you left out is fine. It was a pretty important and comprehensive take on the subject. You usually cover a lot of good ground in your videos. The point is made and inquiring minds are pondering. Regarding that best of both worlds aspect, I think some things are best kept a secret. Help and guidance is love, but as you know, having a secret weapon is what separates us in this sport. We can't give it all away or we will become what AI is to the new producer. Just my opinion.
@@djReason19 true true.
Slower... I get it, tho the memo's always helpful. Many thanks Eddie for all that you've shared. Much peace and significant forward motion now, and in 2K25.
Appreciate you! Thanks for listening and for the support.
Been thinking about this alot too, thanks for so eloquently vocalising it.
Thanks brother! It's been on my mind a lot, and I don't want to get caught up in the rat-race without taking a second to really evaluate my actual intentions with the creative practice.
Most definitely. At the start of the journey I think optimising for quantity while you build the muscle with all the parts of the process has its merits, but there are obvious pitfalls and bad habits there. Once those fundamentals are second nature, it’s really about what we want to express and how we want to define ourselves as artists. The pursuit of which takes time to understand and develop through experimentation with our tools, techniques and ingredients. I was a DJ first and early on I fell into the trap of trying to churn out bangers to hit some arbitrary deadline to “make it” before I got too old. Once I let go of that my ideas became more unique/creative and am starting to see those successes more as a byproduct than a hard fought goal. The process is the reward that we should fall in love with.
@@DiegoFuego87 well said. totally agree. especially the part about taking time to understand your tools, your craft and developing your sound. that simply does not happen overnight.
Eddie is a real dawg!
appreciate you g
DIG, can hella relate to the topic and what you shared.. beats were fyyye!
Appreciate it. Thanks for listening and vibing.
One of the most influential voices, I’ve discovered. Always appreciate the outlooks and approach.
Appreciate you! Thanks for taking the time to listen.
I love you man 🙏.
glad you dig the message. appreciate the support!
Every thing u said is what’s wrong with music today, movies too❤❤
Facts. The financial barrier to exploring cinema also prevents many potentially very good filmmakers from having the space to finding their true voice. It's a loss for us all.
Swear homie you always speaking truth bro said “why are we rushing” talk that shit Ed
haha...thanks bro. I know this approach isn't for everyone, but big picture...if the world is already flooded with music and "content", you might as well take your time and make the freshest, most complete music you possibly can and not worry about rushing and competing with the rest of the crowd.
That gets a thumbs up from the title alone. 👍Time to watch the video now 🎛🎵📺
i hope it was a helpful reminder.
intro ... well said... don't rush
word.
I battle with this all of the time
The struggle is real.
Man i love what you do and what you impart. Art is about the art not work flow not speed but creating . Sometimes art spills out of you sometimes not. Thank you for your gift and your thoughts you share.🙏🏾
Totally agree. I hope that this type of thinking helps a lot of up and coming artists so they can discover their true voices and sound. The type or relationship to the art process that you describe is something that resonates with me for sure.
Just when you started speaking, it made me think of what's usually called the Death of the Novel. Slow burn in literature can be more rewarding than a fast paced plot almost trying to hold your attention. I think the difference between stuff that burns slowly vs processed food in music or literature is what the artist expects from the consumer (and whether the artist believes a consumer is intelligent enough to grasp slow burn).
You're like the Carl Sagan of beat making dude - always making me want to go back to the MPC.
This is a great point, brother. I always appreciated when artist respected their audience and gave us the full scope of their work and trusted that some of us would want the full depths. It's ultimately a decision each of us have to make for ourselves in our own process, our work, and our relationship with whatever audience we have.
There's something crafty about simplifying a message so that it's easier for your audience to digest it. it's not as easy as it looks. But there's also something satisfying in layering and not filtering what you have to say, and really giving your all to something, even if it may be harder to digest.
@@eddieleonard6925 closer home in India we have music traditions like Carnatic and Hindustani which are devotional in nature - and expect the viewer to be on the journey to meet God. Another tradition is Qwawalli where a 'song' can last upto 45-60 minutes.
Considering how a lot of art forms are rooted in Shamanic rituals in all hemispheres, a case can be made for artist's highest calling in challenging the viewer, listener and taking them on a journey.
In that zone, the audience is a fellow traveller, and less of a consumer - and I believe there's some merit to looking at things that way.
That's why your video hits so hard,
Kudos!
@@screamchand love this!
I like that idea of time as an ingredient!
Thank you, sir! I hope the cooking analogy makes sense. Why not for music, too?
the terror on your face when the camera starts falling 💀
ah man...coulda been a disaster.
It's Always a Treat and a Pleasure to see a Notification from You. I always know there is going to be a Gem of some type. Today You used the S3000 Sampler and I forgot I have an S3000 CDi that I need to tinker with, I think it needs the Caps replaced. Just seeing/hearing how it sounded is giving me something to look forward to. I also took another "shot in the dark" when I purchased a Carvin S1200 Mixer in hopes that I can get some good "hums and buzzes" when I run some stuff thru it. Thanks for the Upload and the Inspiration to keep doing things the same way I did when I started WWaayyyy back in the Day. I do know for a fact the the Major difference in the Music that We Hear/Listen to today is missing the Harmonics that Electricity going thru Circuits can Produce in a way that is felt more than its heard. It is indeed the soul of the Music when We connect with it. Happy Holidays to You and Your Family as You all receive the Blessings that Earth will provide.
You're definitely right about the circuitry thing. It's a creative choice we have nowadays -- to digitally recreate that feeling or to to actually run cables and utilize various samplers, mixers, etc to get that sound. I just prefer the process of using lots of older pieces. I don't need saturation plug-ins because sampling from vinyl and cassettes into 30 year old machines thickens up the sound.
The s3000xl (and all the other rackmounts) are a great value because they sound incredible, you can still turn down the sample rate if you want them to sound really "lo-fi" and because people think they're hard to learn, you can get them really cheap. But as you know, these are are some of the best samplers ever made. I"m still learning, but having fun so far.
@@eddieleonard6925 Plus a lot of this Equipment cost more than a "Bucket" (a good used car) when it first came out.LOL
The S3000XL is so underrated.
facts.
Love this message.
thanks for listening.
💯 agree humans are transcending more to the machine hive mind, no emotions just the quick hit 👍🏾
and this is a problem for art. i don't like the direction we're headed.
Well said. Dope explorations at the end, always cool to see/hear where the samples take you.
Thanks brother. You already know the drill. We gotta let these samples speak to us, then find new arrangements. Those who put in the time ending up discovering & crafting new sounds (like you do with all them samplers you got!)
I appreciate what you’re saying. I can’t stand the “How many beats can I make in a certain amount of time” videos. However you don’t wanna take so long that you don’t commit to something or else you’ll end up making Detox. 😂
lol! Detox. I remember hearing about that for over a decade. Taking too long can be a disaster. Finding the right balance is something we each have to figure out for ourselves.
Great
thanks.
"usually the trade-off is sound - for - workflow." What's my rush?! Great challenge to us all.
it's real. glad parts of this were helpful.
💯
Thanks!
Great Beats! Love the content.
Thanks. Appreciate you taking the time to watch the process.
We are rushing because that’s how things are consumed these days…to keep up and remain under the scope, we need to perform in a certain way. Indeed, quality takes time but to have an impact we need to adapt and push things the way things are pushed nowadays…
You're speaking truth. We all gotta adapt. It's inevitable. But sometimes I feel like pushing back a little -- reflecting on what I want to do, rather than what the rest of the world is doing.
@ love that perspective! Keep doing what you do, stay true to yourself brother! Much love from Romania! Oh and thanks for the reminder to take a step back, take my time and enjoy it to the max!
13:15 Piano stabs and Jazz drums giving a nice Deep House vibe. Add another kick under that snare and it’d pass as a late 90’s/early 00’s Moodymann track.
thanks! that's the vibe i've been on lately. using old equipment probably helps.
wisdom
Thanks for listening. I appreciate it.
word brother !🫡✊
Appreciate the time, bro!
Nice video. Which camera do you use? The quality of the video is really nice!
black magic cinema
When I do rush it's usually because I'm trying to get my idea down before I lose it. It happens when I conceptualize the beat then have to search for the elements to build that idea to completion.
I really appreciate you saying this. There's nothing wrong with moving quickly and making sure you keep things flowing. It's a key part of the creative process. I just find that sometimes I forget to take a moment and allow myself to play, explore, etc.
I really like your videos and the style of music you make. Excuse me for my question but what are main styles/genres of music you sample the most? They always sound like charm but when I try to search something close to it I always seem to get lost
Thanks for the support. I don't actually sample anything unique. I sample anything I can get my hands on. I love jazz, soundtracks, ambient, anything that has well recorded music on it. Jazz fusion usually has some interesting sounds. I hope this helps.
I really like the aspect of not looking at the sounds, but using my ears with a 3k. It's the same as mixing on a board rather than itb.
me too!
Sm🧠rt 🎨rt!
Thanks.
Your MPC3000 that does the vinyl crackle as part of it's sound. Tuff
I think that's because I'm sampling vinyl.
Hey I've been following your stuff for a while, absolutely love your work (it's really nice to actually see your process between chopping and arranging). One quick thing - you should really start tagging your videos better, you would get way more views. Use all 500 character spaces. I think you only used 6 tags on this
Thanks for the tip. I never thought tags did much. But I'll try to find relevant tags for the next one. Appreciate the support!
@@eddieleonard6925 No worries man. The purpose behind tagging is to direct your content towards what people are searching for in the TH-cam search bar. For example, someone may search for "MPC3000 tutorial" or "2024 mpc live beat" on TH-cam. If your video has those phrases as tags, your video is much more likely to be recommended to the people searching those phrases. Basically, just use your best guesses towards what people are searching for (phrases/words related to your content/video), and use those as tags. Hope it helps, keep up the great work!
Interesting video. Thanks. Every time I bingemake beats half of them sound like shit. The flow of making a lot of beats in a short time feels good but the result is far from satisfying. I will try to change my workflow. Maybe it will give me new ideas. And I might end up with something new. Not making the same type of beats over and over again.
I've recently tried this same experiment -- instead of making 10 beats in a day, just make 1 or 2 and spend a week refining them. For me, the results were night and day. It's how I made my last beat tape I'm about to release. This may be different for everyone, but I think many of us could benefit from slowing down a little. The "bingemake beats' is a real thing. We all gotta ask what kinda quality are we aiming for...
For some reason I'd find editing the cumbersome front panel of an Ensoniq Mirage rack more intuitive and fun than editing samples in a sampling plugin.
same! it's muscle memory, very tactile. i also think those old machines sound fuller, which helps.
🚧🤜🏿💥💎💥🤛🏿🚧
Appreciate it.
I can’t make beats fast because it feels like all my life experiences up until that point is channeled into the music. I can’t make something new without experiencing something new.
Facts. More people should hear statements like this.
You nailed it!
I'm annoyed by all these ,,see how this producer makes 3 fire beats in 10 minutes in FL studio''
Agreed. I'd rather have 1 beat with substance than 10 crappy quick ones.
I think people who want fast want the paycheck more than they want the experience.
Yea, and I can't be mad at people getting paid. But they're losing a little something in the process.
@@eddieleonard6925 100%, and it’s a shame cuz this music creating experience adds a certain quality of life to the human experience.
people tryin to be fast is why music today has no feeling
That's a big part of it.
Yeah I don't get what's good about making a beat in ten minutes. That said I feel for a while I have been trying to make music quickly just to get tracks finished so I can start another one. Been forcing myself to spend a few days with a track. Make the rough outline of it with a rough arrangement. Come back each day and flesh it out, add some switch ups and transitions etc. Feels more like making music again instead of just cranking out beats, if that makes sense.
This is EXACTLY what i've been doing lately too. Give a track a few days, keep making edits, and then move on, instead of making everything in one session. I think it leads to better, more complete, and thoughtful music. Hows it been working for you so far?
meanwhile kids doing speedruns on fl studio for making trapbeats😆 i also prefer a slower workflow. i use an mpc 1000 and an ensoniq eps classic atm
facts. I absolutely love the sound of the eps classic. It's too big to fit on my desk, but I love running sample thru that thing.
@@eddieleonard6925i love it too! but i will buy an asr 10 when i got the money
Hey bro, can I mix some tracks for you? lmk.. let's go!
fa sho! hit me eddieleonardbeats@gmail
Difference between a musician who is a producer
and a producer that's a-----------------------???????
I like to play the music as if it was back in the old days play the song all the way through. They said they did that on Michael Jackson songs
play all way through without making a mistake.
I guess it's OK to stop and punch in where you messed up
at after it gets good cause
you don't wanna throw that part away
sometimes things you can only do one time
i like that approach. instead of just loops..focusing on the overall song and performance, even if its with electronic instruments.
It isnt that faster is better, Dr Dre took his time and it drove artist crazy but when there music dropped they were hits and classics. The problem is everything, the entire world is moving faster and ppls attention spans is micro short. So do you keep up and give your self 5 seconds to catch someones ear? Or do you take your time and get completely dusted and overlooked?
Good point. It's true that it's much bigger than music.