When appreciation by the accompanists on harmoniam and tabla is seen on the their faces for the recital of the vocalist the viewer's enjoyment gets enhanced. Compliments to Suyog Kundalkar and Bharat Kamat.
I'm not normally a fan of harmonium, but It's a pleasure to listen to the precise and sensitive acc. of Mr. Kundalkar's and behold the joy of music registered in his smiling face.
I've recently discovered this consummate musician, and am captivated both by her creativity and selfless dedication to the aesthetics of her tradition. Her accompaniment too merits a well deserved mention, starting with the Sa and piercing gaze of Ms Shenoy and the smiles of the two male giants. The harmonium too was less offensive than usual.
Waah ....Waah...what a GREAT rendition by the Great Vidushi Jayshree patnekar. Thank you First edition arts channel for bringing up such GEMS of Indian music. I must congratulate you for the EXCELLENT QUALITY OF VIDEO AND VIDEO AS ALWAYS.....
@@dvchauhan35 I am not a trained musician to tell the finer details. But the notes (swaras) as well as the musical phrases with combinations of the notes are different. That is why the moods they create also differ. To know in what respects the two rages differ you can perhaps get the information from Google search. Or from Indian music books. To experience how the two are different play recitals of Malkans and Sampurna Malkans of the same artist from U tube and listen. To
It is a composition of Pt. Nivruttibua Sarnaik, exhibiting the characteristic play with the taal. Sthaayi: kita dhoondana jaau, aali ri saare bana ghooma ke aayi || Antara: bhooshana chudi utaari ke, anga vibhoota ramaaya ke baraje aali ||
Her antara was not similar to the standard Jaipur Atrauli Edition. In one of her interviews she says that she learnt Sampurna Malkauns only because Buwa asked her to definitely learn this raga from someone in Jaipur Atrauli Gharana.
I am speechless. My regards for the singer. ❤❤❤❤
A terrific rendition! When ragadaari, gayaki and skill all come together! Gives me goosebumps every time I hear this!
When appreciation by the accompanists on harmoniam and tabla is seen on the their faces for the recital of the vocalist the viewer's enjoyment gets enhanced. Compliments to Suyog Kundalkar and Bharat Kamat.
Appreciate all these rag jayshree Tai patnekar
Khupch sunder only listen all the times she is so expert
Salam tumhala
I'm not normally a fan of harmonium, but It's a pleasure to listen to the precise and sensitive acc. of Mr. Kundalkar's and behold the joy of music registered in his smiling face.
I've recently discovered this consummate musician, and am captivated both by her creativity and selfless dedication to the aesthetics of her tradition. Her accompaniment too merits a well deserved mention, starting with the Sa and piercing gaze of Ms Shenoy and the smiles of the two male giants. The harmonium too was less offensive than usual.
🎉
I am listening first time..OPENING IT SELF. Shows her voice culture..pitch style of singing FANTASTIC. K.NAGARAJ.HYD
Simply beautiful. Pranam to Jayashritai. Beautiful support on tabla and harmonium. 👍👍👌
This deserves far more views. Mastery of the rasa...
Fantastic
She has the best bandishes
Original melodious pure classical style
काय जबरदस्त तयारी आहे.. हे फक्त आणि फक्त अथक रियाजानीच शक्य आहे. सुरांवरील ताबा, पकड आणि मींड.. अहाऽ हाऽ. 🙏🏻💐
Romantic sweet sampurna malkauns
Waah ....Waah...what a GREAT rendition by the Great Vidushi Jayshree patnekar. Thank you First edition arts channel for bringing up such GEMS of Indian music. I must congratulate you for the EXCELLENT QUALITY OF VIDEO AND VIDEO AS ALWAYS.....
excellent quality of audio and video. Thanks.
Jayashree Tai's rendition is superb and holy.
Simply superb, fantastic
Very close to Pt Mallikarjun Mansur
A god gifted voice.My pranam to the voice and and the creator
WHAT A SWEET VOICE. A HIDDEN GEM.
What a beautiful rendition Thayi 🙏
I have heard countless Malkauns renditions. For some reason I cannot truly understand, I was nearly mesmerized by this.
Also listen Malkauns by Abida parveen and on violin by Dr. N. Rajam. You will be enthralled by Violin recital.
This is Sampurn Malkans different from Malkans.
@@d14d40 how are these different, please clarify.
Thank you.
@@dvchauhan35
I am not a trained musician to tell the finer details. But the notes (swaras) as well as the musical phrases with combinations of the notes are different. That is why the moods they create also differ. To know in what respects the two rages differ you can perhaps get the information from Google search. Or from Indian music books.
To experience how the two are different play recitals of Malkans and Sampurna Malkans of the same artist from U tube and listen.
To
@@d14d40 ok sir.
Thanks for the response.
Beautiful. Pranam Madame.
Amazing rendition pure
...
Gem indeed
Marvellous rendition , deepest respects madam
What a style of singing ! marvelous.
अप्रतीम सादरीकरण
Kindly provide the lyrics of this beautiful bandish
Great ...... so confident it's great pleasure
Vah ! Farach Goad aawaj. Ragachi mandani uttam. Mi pahilyandach aaple Gaane aykle. Aapratim.
वाह... क्या बात..
sweet voice
Beautiful honest voice
Very good
Can someone please post the lyrics of the drut bandish, Kit Dhundhan Ja?
It is a composition of Pt. Nivruttibua Sarnaik, exhibiting the characteristic play with the taal.
Sthaayi: kita dhoondana jaau, aali ri saare bana ghooma ke aayi ||
Antara: bhooshana chudi utaari ke, anga vibhoota ramaaya ke baraje aali ||
Beautiful
अखंड आईकात राहावा असा गाणं आहे हे
👌👌🙏🙏
Wah wah
Khup sunder
wow naman
Her antara was not similar to the standard Jaipur Atrauli Edition. In one of her interviews she says that she learnt Sampurna Malkauns only because Buwa asked her to definitely learn this raga from someone in Jaipur Atrauli Gharana.
Oh isn't it so ... thanku for info
Aa ha
Excellent....Pranam..Truly genuine..But it is not Malkauns..It is Kaushkanhda...Plz change the title
Sampurna Malkauns it is!