0:01 Chelsea Bridge 10:10 Kurt's new guitar (Godin ACS) 11:49 pianistic approch to the guitar 15:30 stride exercice 21:30 passing chords 24:48 Kurt's phrasing 26:14 how to get successful? 28:06 learning a new tune 34:05 scale work 35:38 triads on a ii V I 37:08 triads on Darn That Dream 38:45 triads from the diminished scale 41:08 harmonic rhythm in phrasing / bebop scales 44:30 harmonic rhythm in chord progression 47:54 finding your own voice 51:04 his relationship with classical music 54:56 improvising on chords that you hear in your head 59:31 hip substitutions over I vi ii V 1:00:35 who he's listening to 1:04:42 "Cubism" and parallel harmony 1:08:53 compositon 1:10:52 Kurt's guitar method book project 1:13:59 guitar books he recommands 1:16:04 the singing thing in his sound 1:18:43 non-jazz guitarists he listen to 1:20:18 right hand technique 1:21:33 warm-up ideas 1:26:19 Kurt's "three stages warm-up" concept 1:30:09 scale exercices 1:32:24 alternate tunings 1:37:09 how to keep musicality over complex music ? 1:40:13 consciousness of notes and intervals on the fretboard 1:46:32 intro 1:49:54 Falling Grace 1:58:28 intro 2:00:41 Ana Maria
Back again . Listened to it all and starting it all over. Thank you so much for this . His chordal meanderings are so amazing on their own. Any isolated chord is not so crazy on its own ( hints of ted Greene modern progressions and van Epps - just good solid chords ), but it’s where they come from and where they go to that’s so marvelous and how the melody that is improvised dictates things - that awareness of top voice ,,and all these trapdoors to anywhere are possible . So beautiful
I'll never forget the first time I heard this, the stride playing on These Foolish Things (15:30). It was 2010 I think. My whole world changed. Those few minutes of playing, and his subsequent verbal explanation of passing chords in between Eb C7 Fm and Bb completely reshaped my approach to - and understanding of - both jazz and the guitar. I still shake my head every time I hear it. The fact that he f*cks up entering the bridge, and that he speeds up quite a bit by the time he reaches the head out is the only consolation that he's human 😂.
Oh man!!! That’s fantastic. It was this particular masterclass? It was absolutely mind blowing for me when I was there and I was still a noob. Shattered my perspective in the best way.
Mats Moland Træen Unfortunately from what I’ve seen, he never pursued it much further. There is something on his site about it saying it’s been delayed permanently or something.
@@DanielSeriffMusic he's been writing eBooks to go along with his masterclasses. He just said in an interview, that for the masterclass on composition it's like 40 pages long.
26:14 on "How to get successful"....I've never heard an audience break into applause for such a profoundly depressing statement, delivered in such a timid and unconfident way. LOL love Kurt. But you could literally have used that as a British comedy sketch
@@DanielSeriffMusic "my advice to young jazz musicians is you should forget about being successful...and get ready to be poor.....and get ready to never have a girlfriend"....*AUDIENCE BREAKS OUT INTO ROARING APPLAUSE !!!!*! LOL forgive my dark humor here
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0:01 Chelsea Bridge
10:10 Kurt's new guitar (Godin ACS)
11:49 pianistic approch to the guitar
15:30 stride exercice
21:30 passing chords
24:48 Kurt's phrasing
26:14 how to get successful?
28:06 learning a new tune
34:05 scale work
35:38 triads on a ii V I
37:08 triads on Darn That Dream
38:45 triads from the diminished scale
41:08 harmonic rhythm in phrasing / bebop scales
44:30 harmonic rhythm in chord progression
47:54 finding your own voice
51:04 his relationship with classical music
54:56 improvising on chords that you hear in your head
59:31 hip substitutions over I vi ii V
1:00:35 who he's listening to
1:04:42 "Cubism" and parallel harmony
1:08:53 compositon
1:10:52 Kurt's guitar method book project
1:13:59 guitar books he recommands
1:16:04 the singing thing in his sound
1:18:43 non-jazz guitarists he listen to
1:20:18 right hand technique
1:21:33 warm-up ideas
1:26:19 Kurt's "three stages warm-up" concept
1:30:09 scale exercices
1:32:24 alternate tunings
1:37:09 how to keep musicality over complex music ?
1:40:13 consciousness of notes and intervals on the fretboard
1:46:32 intro
1:49:54 Falling Grace
1:58:28 intro
2:00:41 Ana Maria
Incredible
@@DanielSeriffMusic thank you ! now it's finished. this video is so rich in information that I had to
King
Nice man
You are a hero for this. I keep coming back to this video for inspiration and your time stamps are just so helpful
I just caught myself returning again to this one . Sometimes I lie down , like Lebowski listening to “ Venice beach playoffs 1987”
This one is amazing.
Man along with everything else his turnarounds are incredible 19:18-19:23 geezzzz
Back again . Listened to it all and starting it all over. Thank you so much for this . His chordal meanderings are so amazing on their own. Any isolated chord is not so crazy on its own ( hints of ted Greene modern progressions and van Epps - just good solid chords ), but it’s where they come from and where they go to that’s so marvelous and how the melody that is improvised dictates things - that awareness of top voice ,,and all these trapdoors to anywhere are possible . So beautiful
Man, he’s so incredible. Thanks for your comment
1:21:20 - Kurt's thoughts on practicing.
He is the man. So articulate.
Seeing and hearing his trio this friday. Cant wait.
Oh man! In for a treat.
Saw him maybe two years ago at the Vangaurd, he had a killer band, it was so good it was uncomfortable
Yes. Totally insane
Thanks to post this masterclass!
Thanks for listening. Kurt is incredible.
Genial! Muchas Gracias Daniel!
Welcome!
I'll never forget the first time I heard this, the stride playing on These Foolish Things (15:30). It was 2010 I think. My whole world changed. Those few minutes of playing, and his subsequent verbal explanation of passing chords in between Eb C7 Fm and Bb completely reshaped my approach to - and understanding of - both jazz and the guitar. I still shake my head every time I hear it. The fact that he f*cks up entering the bridge, and that he speeds up quite a bit by the time he reaches the head out is the only consolation that he's human 😂.
Oh man!!! That’s fantastic.
It was this particular masterclass? It was absolutely mind blowing for me when I was there and I was still a noob. Shattered my perspective in the best way.
Saw him live last week, he is unreal
No doubt! Most influential jazz guitarist of the last 30 years imho.
Thanks for the upload!
Realising that he further got WAY better than he was at that time is just mindblowing
You are welcome...and totally right. It's been amazing to seem him progress as an artist.
Can you elaborate a bit on his subsequent improvements?
Amazing!!
So great
wow. thank you
So glad you dug it. Best masterclass I’ve ever been to.
Thoughts on chord melody 11:25
(chord melody example) 13:41
Passing Chords - 21:12
Melody with “implied” passing chords - 23:27
He is the best
Improvising with “harmonic structures” and superimposed harmonic ideas 55:00
“Substitution” ideas at 58:00
He’s the best.
@@DanielSeriffMusic Yes and very hard to duplicate
killin' versions of chelsea bridge, falling grace and ana maria!
So great
Inspiring
Absolutely. He is so incredible and such a great teacher.
Thanks for the upload. Where and when was this?
National Guitar Workshop - maybe 2006?
nice!
Thanks for listening
Could you add a short description like recording date/location, musicians names etc. if you have these infos?
I can't remember all of the details. Been a long time. I will check my records!
ok to follow my earlier 19:13-19:23 F-7, F#-7, C#-9, EMaj7, AMaj7, F-7, F-9, E/Bb, Ebdim, Eb6/9
Man yes.
Scale patterns 34:25
Yessir
32 mins is that peter mazza
Yep!
Triads 36:30 39:54
The best
Anyone know the current status of that book he talked about writing? Sounded quite interesting.
Mats Moland Træen Unfortunately from what I’ve seen, he never pursued it much further. There is something on his site about it saying it’s been delayed permanently or something.
@@DanielSeriffMusic he's been writing eBooks to go along with his masterclasses. He just said in an interview, that for the masterclass on composition it's like 40 pages long.
?Is he playing a nylon string guitar
Ofir Noy yes, he said it was a godin nylon, I believe it’s a multiac model
Yes
Any one still have a video where he did a clinic in gdansk? all of the vids got deleted from youtube :'(
I am looking for it also. It's a great workshop with excellent practice ideas and wonderful performances!
Here's one of his clinics but I'm not sure if it is the one you were looking for:
th-cam.com/video/8dFrKzPTEMg/w-d-xo.html
I wish
What's the first solo tune?
It's Billy Strayhorn composition from 1941 called "Chelsea Bridge"
Chelsea bridge
26:14 on "How to get successful"....I've never heard an audience break into applause for such a profoundly depressing statement, delivered in such a timid and unconfident way. LOL love Kurt. But you could literally have used that as a British comedy sketch
I will have to check it out. Haven’t listened in so long.
@@DanielSeriffMusic "my advice to young jazz musicians is you should forget about being successful...and get ready to be poor.....and get ready to never have a girlfriend"....*AUDIENCE BREAKS OUT INTO ROARING APPLAUSE !!!!*! LOL forgive my dark humor here
20:32 mannn
Yessssir.
Definitely can’t draw a circle like him.
He is just incredible.