Joseph Edouard Barat: Andante et Scherzo for C or Bb trumpet and piano, "Concours du Conservatoire National de Musique de Paris" (1926). Philip Smith, trumpet. Joseph Turrin, piano.
@@albedobezobedaя сегодня первый раз его попробовал сыграть,ничего сложного нет,кроме как высоких нот с техникой и ритмом,просто нужно как можно больше играть техеические моменты и всё будет отлично🙂
Wow, I never heard this piece before and I assumed everything by this composer was super lame, but I wish I would’ve played this in high school lol. I’m gonna play it now.
@@maxcybagland8668 a solo that is considered to be challenging to the player. they are the highest rank of class . there is first second and third class
What system are you working in? Is this for a regional, or state competition? Or are you referring to NTC? This is part of the standard trumpet repertoire, but it would be easier to answer your question if you give a specific context.
@@probablyshadxw Looks like it is a level 1 solo. Here is a link so you can look for more music (not sure if TH-cam will let me put this here: www.uiltexas.org/pml/index.htm
@@StevenSudweeks in terms of how it sounds, the only difference in sound between Bb and C trumpets, is based on things like the make and model of the instrument, and the player. blindfold a trumpet expert, and have them hear 2 performances of a piece, one played on Bb, and again on C, they would not be able to tell which i which. with instruments like Flugelhorn and piccolo trumpet, yes there's a clear difference in tambr there, not between Bb and C.
@@Dr_Trumpet There is actually a subtle timbre difference between Bb and C, C being noticably brighter and more "sparkly". I'm sure if you blindfolded Tom Hooten or Phil Smith they'd be pretty accurate at telling which was being played.
The only things I take exception to are the slight spreading of chords by the pianist in places where they are perfectly playable (e.g. b 12 is the first example) and the misreading of a 2-bar figure in the scherzo which occurs 4 times. Each time the pianist has overlooked the fact that in the LH chord, the middle note changes from an E to an F. It is not tied, as he plays it. Yes, it's not the end of the world, but it is incorrect. Somebody should have spotted that!
The all state trumpets have boosted this video so much lol
Yes!!😂😂😂
Very well played.
Muy bonito, gracias por compartir ❤❤
Brilliant and beautiful sound..🖒🖒🙄
Ох... Сколько боли и страданий мне предстоит. Если я хочу хоть похоже, как он сыграть это...
Надеюсь в будущем увижу этот комментарий и посмеюсь с этого. Ха, это было легко. "надеюсь"..
@@albedobezobedaя сегодня первый раз его попробовал сыграть,ничего сложного нет,кроме как высоких нот с техникой и ритмом,просто нужно как можно больше играть техеические моменты и всё будет отлично🙂
Awesome and well done
,какой изысканный звук,лёгкий,парящий,звонкий,блестящий, шелковый спасибо.
Yall think i can learn this in a month
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Wow, I never heard this piece before and I assumed everything by this composer was super lame, but I wish I would’ve played this in high school lol.
I’m gonna play it now.
????
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is this a first class solo
what is a first class solo ?
@@maxcybagland8668 a solo that is considered to be challenging to the player. they are the highest rank of class . there is first second and third class
What system are you working in? Is this for a regional, or state competition? Or are you referring to NTC? This is part of the standard trumpet repertoire, but it would be easier to answer your question if you give a specific context.
@@Willrabuntrumpet i’m referring to the classification system of tmea my bad should of been more specific
@@probablyshadxw Looks like it is a level 1 solo. Here is a link so you can look for more music (not sure if TH-cam will let me put this here: www.uiltexas.org/pml/index.htm
the recording is in a different key then the sheet music :/
sounds like he's using a C trumpet.
He is playing the Bb version but the music shown in the video is the C Trumpet version
non pas du tout :écrit en ut et joué avec une trompette ut
@@StevenSudweeks in terms of how it sounds, the only difference in sound between Bb and C trumpets, is based on things like the make and model of the instrument, and the player. blindfold a trumpet expert, and have them hear 2 performances of a piece, one played on Bb, and again on C, they would not be able to tell which i which. with instruments like Flugelhorn and piccolo trumpet, yes there's a clear difference in tambr there, not between Bb and C.
@@Dr_Trumpet There is actually a subtle timbre difference between Bb and C, C being noticably brighter and more "sparkly". I'm sure if you blindfolded Tom Hooten or Phil Smith they'd be pretty accurate at telling which was being played.
The only things I take exception to are the slight spreading of chords by the pianist in places where they are perfectly playable (e.g. b 12 is the first example) and the misreading of a 2-bar figure in the scherzo which occurs 4 times. Each time the pianist has overlooked the fact that in the LH chord, the middle note changes from an E to an F. It is not tied, as he plays it. Yes, it's not the end of the world, but it is incorrect. Somebody should have spotted that!
Pls PDF
imslp.org/wiki/Andante_et_Scherzo_(Barat%2C_Joseph_Edouard)
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I don’t even remember commenting this lol
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