@@hemavathi2726 Right ... But here it is clear in PS2 they have scripted as 'Veera' where it was originally 'Shiva'... No context of a traditional message... They have just used the music... If they really want to give traditional message they should use it for appropriate context is what I feel...
I am pertubed as to what comment to pass about this great singer. I can only say that, not a day I pass without listening to his compositions available on TH-cam. I wish there were more compositions available on TH-cam. May you continue to mesmerize us with your renditions. 🙌🏼
I have been listening to this composition by Pt Ramakant and Umakant Gundecha ji. But Pt Uday Bhawlankar ji too is amazing. His rendition is little calmer as compared to Gudecha brothers, in whose performance the rudra ras is more prominent.
In love with the voice. Happened to know that Ponniyin Selvan 2 music “Veera Raja Veera” sounds similar to it. Love both versions. God bless the creativity!!
Such a smooth voice. I am English so forgive me if I am wrong, but is this a late evening Raag? Are evening Raags typically calmer as I enjoyed this one very much!
indeed it is a late night raga; and yes most evening ragas emote with devotion, longing, prayer ( Pooriya, Marwa, Shree, Kanadas to some extent), romance ( Hamsadhwani, Bageshree, Bihag, Nand, the Kauns varieties, Kanadas)...
Adana is not normally a very calm raga as it is sung more in the upper range and has a certain intensity. However the dhrupad style perhaps lends it some shant ras.
I can only say yes because it is the same on the version sung by Gundecha Brothers. I am a tabaliya and don't recognize this taal otherwise. In Khayaal singing, the taal may change once the alaap/jhol/jhala is done and a bandish is sung to another taal. I could not tell you about dhrupad.
This is a Taal originally called usool-e-fakta. Fakta is a bird and this Taal is based on the movement of its wings during flight. Eventually it became soolfakta and then later sooltaal. This is the old theka. No sir it is not necessary. Taal can be different in different bandish. Thanks.
The rendition is very short, and he is singing a Sultaal Dhrupad Bandish. Usually Sultaal Dhrupad Bandishes are sung fast and after a A long-time Alaap-Jod-Jhaala and slow Choutal composition. But here, he just sang this after a short alaap. I Think this is just a cut-out of a full concert, where this was not a main piece. So one composition=One taal. Very simple.
Proudly I can say...."Indian Classical Music is the Best Music in the World"🎶
Dhrupad at its best.. a great master. Spiritually inspiring, every time.
What a voice!!!!! Truely divine.....awaaz ho toh aisi...
I'm here after the 'Veera Raja Veera' song from PS-2! Maannnnnnnnnnnnnn😖❤ Feeeling melted by this!
Copy but no rights... Some will say same raga...
@@saicharan2159 Oh, even I thought the same. Is that not it? I mean, I've heard people say that a song can be built on one specific raagam.
@@hemavathi2726 Right ... But here it is clear in PS2 they have scripted as 'Veera' where it was originally 'Shiva'... No context of a traditional message... They have just used the music... If they really want to give traditional message they should use it for appropriate context is what I feel...
@@saicharan2159 Got you! Thanks :)
I am pertubed as to what comment to pass about this great singer. I can only say that, not a day I pass without listening to his compositions available on TH-cam. I wish there were more compositions available on TH-cam. May you continue to mesmerize us with your renditions. 🙌🏼
I have been listening to this composition by Pt Ramakant and Umakant Gundecha ji. But Pt Uday Bhawlankar ji too is amazing. His rendition is little calmer as compared to Gudecha brothers, in whose performance the rudra ras is more prominent.
This masterpiece influenced my soul... Huge respect for Pandit Uday Bhawalkar Ji...👏👏
Those who dislike this divine and soulful rendition are the 8th wonder of this world
In love with the voice. Happened to know that Ponniyin Selvan 2 music “Veera Raja Veera” sounds similar to it. Love both versions. God bless the creativity!!
GOLDEN Voice.... I always listen to it..
Parfaite incarnation de la perfection. TH-cam je croyais. Vous. Avoir. Demande. D interdir. Tous mes. Commentaires
Amazing voice, I listen to this so often.
There is another wonderful version sung by Gundecha brothers live in Tokyo on youtube. That is amazing too.
th-cam.com/channels/YVdZplYzjmcR40rP13K7pQ.html
superb splendid rendition, pranam Pandit Uday Ji, fantastic.
Spreading divinity all around!
O my god god gifts heaven voice no words for discribe we only listen & feel its only word Dhanwad
I LOVE his voise, and his techinique with it.
Wonderful Uday, sublime.
खूप छान !
Wonderful Singing..raag.
What a control n bhav ❤️❤️❤️❤️
Mesmerizingly beautiful!!!
Rich Indian culture ❤ hats off to the legend.
Amazing voice👌👌divine 👌
This is the first time I have been privileged to hear the singer. There are few voices that can match his.A thoroughly enjoyable performance.
wow, so beautiful.. fills me with joy
OMG....Who disliked it ?? Those guys seriously need Treatment.....
True
Soul touching exotic work of its own kind, which precisely connecting inner self!!!!
Wowwwwwwww! Koti koti pranam
Excellent rendition
A very evocative rendition. Thoroughly enjoyed it.
Thank you very much for presenting it.
Thanks for this recording!
Beautiful .
wow.. just fantastic!! loved it!
Love to your singing
A great exponent of dhrupad ! Matchless rendering of Shiva-stuti - amazing !
Lot,s love this melodyus Dhrupad singing everyday before listening this also want sing this but not catching my mind shiva shiva shiva
Adhbuut ###ky kahun shabd nahi hem🙏🙏🙏🙏🌹🌹atttttttttttttti utttttamm majjaaa aaagya wahhhh##🙏🙏🙏🌹🌹🌹
Sir ur great ...msmrsng voice
Om nam shivay 🙏🙏pranam
very nice guru ji
A great exponent of dhrupad ...rlly awsm
th-cam.com/channels/YVdZplYzjmcR40rP13K7pQ.html
Sublime and blissful...
Outstanding❤❤❤❤❤
He is a 💎💎💎💎gem
Excellent
Amazing
👏👏Very Divine,👏👏🌺
Divine Music!
There is no words for dicribe only feel ur amazing peaceful voice DHANWAD ONLY THIS words is i use IF THERE IS ANY MISTAKES PLEASE FOURGIV ME👏👏👏👏👏👍
वाह बहुत ही सुंदर गायकी हैं और तानी बहुत ही बढ़िया ली हैं क्लासिकल संगीत के लिए धन्यवाद
Beautiful!Mesmerising
simply awesome
🥺🔥 no words..
Kya baat🙋👌👍
Nice 👍🏼
EVERGREEN COMPOSITION AND RENDERING !
Seems you know the song. Can you please provide lyrics. Please
@@mrinmoymajumdar7450 शिव, शिव, शिव
शंकर आदि देव
शंभु भोलानाथ
योगी महादेव
महाबली शिव
आदि अंत शिव
पूरन सकल काज
हर हर महादेव
👍👍👍
Came here after listening to Veera Raja Veera by AR Rahman
Lovely adana.
Veera Rajaa ❤
💖💖💖💖💖🙏🙏🙏🙏🙏
Divine
👌👌👌👌
Om namah shivaya
Pronam
Such a smooth voice.
I am English so forgive me if I am wrong, but is this a late evening Raag? Are evening Raags typically calmer as I enjoyed this one very much!
Arkiture this is late night raag/raga :)
indeed it is a late night raga; and yes most evening ragas emote with devotion, longing, prayer ( Pooriya, Marwa, Shree, Kanadas to some extent), romance ( Hamsadhwani, Bageshree, Bihag, Nand, the Kauns varieties, Kanadas)...
and sohoni or adana, sung here, show aggression too!
more a late night raga - just before dawn.
Adana is not normally a very calm raga as it is sung more in the upper range and has a certain intensity. However the dhrupad style perhaps lends it some shant ras.
😇🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏
is this sultaal? is it necessary to have the same taal throughout the rendition in classical music?
I can only say yes because it is the same on the version sung by Gundecha Brothers. I am a tabaliya and don't recognize this taal otherwise. In Khayaal singing, the taal may change once the alaap/jhol/jhala is done and a bandish is sung to another taal. I could not tell you about dhrupad.
Seems to be Chautaal.
This is a Taal originally called usool-e-fakta. Fakta is a bird and this Taal is based on the movement of its wings during flight. Eventually it became soolfakta and then later sooltaal. This is the old theka.
No sir it is not necessary. Taal can be different in different bandish. Thanks.
Vivek Bijlwan no that is not necessary. Yo
The rendition is very short, and he is singing a Sultaal Dhrupad Bandish. Usually Sultaal Dhrupad Bandishes are sung fast and after a A long-time Alaap-Jod-Jhaala and slow Choutal composition. But here, he just sang this after a short alaap. I Think this is just a cut-out of a full concert, where this was not a main piece. So one composition=One taal. Very simple.
Taal anyone?
Great
Ar rehman directly copied this for veer raj raja dafaq
Ragas can be used. So it's not a problem
4:17 Out of this World.
7:12!