ฝัง
- เผยแพร่เมื่อ 25 มิ.ย. 2016
- Español: Sonata para Piano nº4 en Mi mayor, Op. 7
1st Movement (Allegro molto e con brio)
2nd Movement (Largo, con gran espressione)
3rd Movement (Allegro)
4th Movement (Rondo: Poco allegretto e grazioso)
Work: Piano Sonata No. 4 in E flat major, Op. 7
Composer: Ludwig van Beethoven
Soloist: Daniel Barenhoim - บันเทิง
barenboim is an absolute beast in interpreting beethoven
How rare to hear Beethoven performed with everything that Beethoven has to offer: poetry, drama, passion, wit, brilliance, grace, and above all, charm! Yasher Koach, Maestro Barenboim!
Quite ironic that that salutation should be to Barenboim of all people.
@@williamshakespeare1775 Hahaha. Spot on.
25:36 -27:09 is clearly czerny music or at least influenced by czerny . ( also sweat drips at 25:36)
@@greenjay4086 Beethoven's fourth piano sonata was written during 1796-97. Carl Czerny was born in 1791: he would have been but five years of age when this was composed. In any event, Czerny only started composing at age seven and his Op.1 was published in 1805. Czerny was much more influenced than Beethoven than Beethoven was by he (if at all).
You are, however, correct about Barenboim's sweat drops. I'll give you that.
@@williamshakespeare1775idk, he was born to Jewish parents, had a Jewish wedding, he’s fluent in Hebrew and he’s an Israeli citizen. (Sure, a Palestinian citizen, too, and I see what you’re trying to say, but, I mean, it’s not totally out of place)
Its unbelievable how amazingly Beethoven was able to express his feelings through music. Pure masterpiece at 7:04 - 7:38
Stunning!!!
that last movement is so lovely
And the coda omg
That Rondo was legendary. Love it.
So was the Scherzo/Minuet and Trio. (Not sure which one it is considered)
Joe Blow in the sheet music it just says allegro. I think the movement is a mix of both a minuet and scherzo.
@@runeleichtlund1438 I always thought of it as (and played it as) a scherzo. It calls for playfulness.
@@JoeBlow-ro9fz It's a Scherzo and Trio according to the wikipedia page on the sonata.
Прекрасное Исполнение Великолепной сонаты
Phenomenal, unmatched performance!
매일한번씩 듣겠습니다
존경합니다
Beaucoup de force et de finesse dans cette interprétation.
Quelle magnifique sonate, si peu jouée par les grands pianistes, ici interprétée de manière magistrale et inspirée par le grand Barenboim !
Bravíssimo, Maestro!
Learning a lot with you!
Thank you for this precious interpretation of Beethoven’s sonatas!
Many plywell-- even superbly -, but wen it comes to Beethoven, Barenboim is peerless.
Un friggin believable
Presioso;)))
Legendary! No doubt!
제가 정말 좋아하는 곡입니다. 잘 들었습니다.^^
2 (8:30)
3 (18:12)
4 (23:17)
1 (0:10)
Very helpful, thank you.
0:00 - 30:57 = best part
감사요
Best movements 2nd and 4th, specially these parts:
16:04 - 16:36
26:42 - 27:17
29:28 - 29:51
If you are here from Hermann Freisinger's suggestion in COD Vanguard you are a legend. I can clearly see he has a good taste in music. It is exquisite and deserves his full attention .
same lol
Everywhere LEGENDRY!😊😊😊
And this is the real ending one.
I love it.
You are the pianist that is extremely famous!
🥇🥇🥇🥇🥇🥇
20:55
❤️
0:07
Genius Beethoven
Sublime.
25:35
Bravosssssiiiimo
🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣 Nice pun!!!!!
Гениально прочитана соната!!!
27:17 ここからが好き
Only put advertisers in the beginning of the entire video and In the end. Not between the movements....
How about using Brave browser. Bye bye ads.
Please!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!1
1) 00:00
2) 8:30
3) 18:12
4) 23:17
ED Cuber a
Big ol' first movement coda!
C’est le naturel, la sobriété, l’absence d’effet, la justesse, la musicalité d’un grand maître qui n’a plus rien à prouver. L’équivalent de Kempff ou d’un Gilels de la maturité. La mise en place digitale est exceptionnelle pour un concert public. Un miracle: écoutez seulement les dernières mesures: 30:08 et mettez-vous à genoux!
класс!
❤❤❤
Je ne compte plus les interruptions en plein milieu d'un mouvement pour nous balancer des messages publicitaires. La promotion de la merde ne connaît ni délai, ni trêve, ni pudeur Beethoven livré à la canaille mercantile !
The theme of the 3rd movement reminds me of Schubert's Allegretto D.915.
You mean that statement the other way around, no?😉
23:20 4th mov.
0:06
0:46
1:08
00:07
8:30
I didn’t know this was 30 minutes long. 😶
3:17
No existe ignominia más grande que insertar publicidad en una pieza clásica. Para eso existe el reggaeton. Por favor!!!!!!!!
⭐🍫
저한테는 1악장이 그렇게 좋지는 않네요..
Warum müssen Fortissimostellen immer so brutal klingen? Andererseits - jedesmal erneut - seine Lyrik ist betörend faszinierend.
Wahrscheinlich weil es Beethoven ist.
He had to move two times when writing this piece
Karl Børre Reite Because he wrote it in three flats? 😆 very funny!
@@CalebCarman Nice pun
@@bryangan3629 Victor Borge
4:36
Good
😉❣️🌱🍐
0:06
I heard this beautiful piece a lot of times but still can't understand the 2nd movement :((
It's not just didn't understand. I scores it like 10 5 10 10, so I have to skip the 2nd for the 10-point-overall piece @@
Same! This is one of my favourite sonatas by B. but I just can't get the sense of the second movement
Do you mean the Largo? It is so expressive! In my opinion this is one of the greatest pearls of early Beethoven. Listen to it again and again, sometimes it needs time to understand him. He was totally beyond human ability. Music is often somehow predictable. If you hear something, you can forecast the next few notes. And you feel good when the expected actually happens. But here it is different. I guess Beethoven knew it. He did not want to be that simple, so he often makes something unexpected. This can seem/sound weird at first glance. But it is not, it is ingenious.
@@powermod6772 Ya, I think we can't understand music without playing it (especially in classical world - where composer is also pianist). Maybe I will try it someday.
@@ImaginysLight That's understandable!
I think it would help if we close our eyes and really try to let the music penetrate our mind.
To me the 2nd mvt is expressing sorrow, melancholy, and even more so, regret and wistfulness.
It is like looking back at childhood or adolescence and thinking "If only I would have taken advantage of this particular opportunity! Or this other one! Man, I wish I could go back! Now I can only travel back in my mind, and I still have vivid memories of those places and people, but it is all in my mind only, which makes me really sad."
I think I can catch the rhythm now, in the 10th time I hear it.
But for 'Largo' and 'early Beethoven' I still prefer Piano Sonata no 7.
What a simple piece to play
Are you sure ?
I do not think that you are like Maestro Barenboim or Mr Korstick. This requires lots of skill to play. If you can played, prove it
Are you joking right? 😂
@@morganmartinez8420 no
Jordan Westfield According to the Henle Verlag Publishing house, this piece is rated an 8/9 in difficulty. So, no, this piece is not simple to play.
First!
Дык. Мы этого дяденьку знаем. Разрешаем ему всякие его глупости. В Милане ему разрешают еще больше. Слушаем.
Sadly, this performance is not one of Barenboim 's best.
I'm honestly a bit shocked how sloppy he plays this. I always thought Barenboim was famous for his precision. I guess I was wrong.
Steffen W. Sloppy?! Wow, you’re a harsh critic. Considering he’s playing the whole sonata from memory, and with so much soul and passion, I think it’s astonishing. I’ve played piano for 29 years and can only dream of playing this “sloppily”.
I don't hear sloppy. I hear reverb and rubato. And I'm saying this as a percussionist...
Please post your impeccable interpretation of this piece! We'd all love to hear it.
@@dgromanis "Wow you can play this entire piece without looking at the score memorized!!?? You look so passionate when you are playing with this piece!!!" is what usually I get from an unprofessional audience member after a performance. If you have been playing the piano for 29 years, shouldn't you already realise that Barenboim played this piece with a highly unstable tempo, way too explosive for early Beethoven, lack of precise cut in between definitions and textures of different characters....I can't name enough
@@systemafunk ummm all these rubatos and sudden accelerandos in his music are definitely not for early Beethoven....not even for late Debussy or Prokofiev or whatever....how is that not sloppy
He played this piece as if he just got the score yesterday and was probably improvising his integrities on it
Sonata noiosa!Buona notte!
0:07
8:30
8:30
0:07