What Does It Mean to Be Your Own Music Publisher - LicenseYourMusic.com

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Have you ever wondered what a Music Publisher does in the Music Industry?
Today, we're going to talk about what exactly Music Publishing is, what it means to be your own publisher, and what it means to assign that role to someone else.

[@1roomstudio]

Very useful information 🙏

[@ericrukin2368]

What if the person who stole your song makes 20 million off your song, is 150k still the most you can get back?

[@michaelgrant5312]

Learned some valuable information from you thank you so much, watching from jamaica

[@renegil8691]

You talking like that because you're a publisher hell if I want to be a independent artist is to take all my s
Giving you of my hard work hell no
You on the path is because is easy money half for just doing paper work

[@MrMikomi]

Self-publishing from what I have read is a huge amount of work. Making great music is already a huge amount of work. As much as we don't like it it is nearly always better to focus on one thing. A similar thing is agents; agents take a fat %; who wants to pay an agent a fat %; well without an agent many or most people who made it big would probably be nowhere.

[@moneicorobinson3818]

Hello I here you say administration 10 or 15%! Then you went to 50%?! Was that a mistake or what’s the difference?! Thanks in advance!

[@jevgenipasechnikov4259]

thanks for the great video, mate. one thing, those banner pop ups with your site are waaaay too frequent. very distracting.

[@demolitiondayrecords]

Thank you for sharing.

[@ScarecrowzTube]

UK, Europe and Canada copyright would be good for another episode.

[@LicenseYourMusic]

100%, yes! on the list!

[@Larrycampbell-eb2iq]

How much $ you get a hit for hit you

[@willmcmillan1430]

I agree that these podcasts are very helpful. Thank you for setting aside time to make them, Jody! I submitted another ten-song collection to the Copyright Office at the Library of Congress yesterday. It now costs $85.

[@WE.ARE138]

Was that price for the entire 10 song collection? Or do they stick you for each one?

[@WE.ARE138]

Thank you for sharing, I'm very new to this part of music.

[@willmcmillan1430]

@@WE.ARE138 As long as the songs are unpublished, you can use this rate for a collection of up to ten songs.

[@ChuckHughesGuitar]

Just got my first MLC statement yesterday. I liked Eric Beall's book on self-publishing. I tried Tunecore admin 2011-2013, but found that it wasn't worth giving up a percentage of performance royalties to also collect some streaming royalties.

[@djaljurgomezartist965]

great

[@InYourDreams-Andia]

I got tripped up by a library, requesting if I represent myself or if they want to as publishers. I didn't know, now I do! Tnx

[@LicenseYourMusic]

Awesome!!

[@sterlingpeters5124]

Ok ,Thank

[@tracygoddingofficial]

Great, thanks Jody. Really clear and you made it interesting.

[@ComfortWithinNoise]

Yea I am on the fence about diving fully into the business or sticking to being solely creative. MetaData is just so involved. I thought I was doing it right till I saw your masterclass on metadata and I leave so much info out. Determining the sub-genres is a whole skill on its own. But still, no matter which direction one my choose, knowing and understanding the business is a must and a huge advantage.

[@LicenseYourMusic]

Definitely a personal choice, if you learn the business but want to focus on creative, you find a publisher to handle the business

[@claudejay5419]

Great information and presentation, thank you!

[@ComfortWithinNoise]

You're a good teacher. Loving all I learned in your course. These Podcasts are gold. Been seeking all of this knowledge for so so long. Thanks Jody!

[@InYourDreams-Andia]

💥Same!

[@mikeharwoodmusic]

Very well presented Jody, Mechanical copyright does seem to be a minefield and you’re explanation has helped my understanding. I look forward to hearing about Copyright protection in the UK and how that applies to the global market.

[@LicenseYourMusic]

My pleasure, Mike! You may enjoy our World Tour Vol. 1 Program. www.licenseyourmusic.com/worldtourvol1

[@jamesdetomaso6317]

Love the knowledge

[@raymondspagnuolo8222]

Hi Jody! This talk was very helpful. It really gives a sense of the pros and cons of being your own publisher. Thanks so much!

[@LicenseYourMusic]

Glad it was helpful!

[@trojanhorsemusik]

Very informative… didn’t know anything about Harry Fox or Songfile previously! I knew a bit about MLC, but not a lot ! Thank You !!

[@puresoulg]

Great job on explaining this information ❗️💯

[@CynthiaWashington]

Awesome. Thanks.- cw⭐⭐⭐⭐⭐

[@DarleneWelling]

This is great! Easy to understand. Thank You!

[@nataliemeenakshithegreat7780]

Thank you dear listening

[@dafingaz]

Gems!

[@DIGGY_DUBAI]

Jody happy new year my brother.