Great performance, exactly the way I'd want to play the solo part if I could. Orchestra was on top of things, unusually well drilled for such an unpredictable and stylistically capricious piece. I am even more convinced now that it really hangs together better in a slightly dry room. Experienced organists will tell you that much of the standard solo organ literature is REALLY hard to play well in echoey churches and other reverberant spaces.
Wonderful - brings back memories of lessons on that organ with Eric Chadwick and (sometimes) Gillian Weir. Some more details of the performers would be nice - soloist and conductor, at least. I notice also that TH-cam, in its wisdom, has listed under 'Artist' the 1970s Georges Pretre/Durufle recording.
sorry to be offtopic but does someone know of a way to log back into an instagram account? I was stupid forgot the login password. I appreciate any assistance you can give me!
@Callum Edward i really appreciate your reply. I found the site thru google and Im in the hacking process atm. Looks like it's gonna take a while so I will reply here later when my account password hopefully is recovered.
What is the name of the hall ? This is as fine a performance as I have heard---takes me back to my first exposure to this piece, sometime in the early Nineteen-sixties. The organ registrations are faultless---perfection. I wish the camera had taken in the pedal-board and stop controls---and I continue to marvel at the audacity of audience members who can't control their distracting emanations during priceless recorded performances (or any musical performances at all) !
Comme je vois des briques (qui ne sont pas les lingots d' or si prisés actuellement) , je pense qu' il s 'agit simplement du "Moulin de la galette" ( Sera-t-elle là pour la prochaine fête des rois ?).
![5 Pieces by Hans Zimmer \\ Iconic Soundtracks \\ Relaxing Piano [20min]](http://i.ytimg.com/vi/Os47nMrjw_Y/mqdefault.jpg)
Thank you for sharing my favorite by Poulenc
Toujours fascinant ce dialogue entre orchestre et orgue et subtil pour les timbales
Great performance, exactly the way I'd want to play the solo part if I could. Orchestra was on top of things, unusually well drilled for such an unpredictable and stylistically capricious piece. I am even more convinced now that it really hangs together better in a slightly dry room. Experienced organists will tell you that much of the standard solo organ literature is REALLY hard to play well in echoey churches and other reverberant spaces.
Bullshit.
Wonderful - brings back memories of lessons on that organ with Eric Chadwick and (sometimes) Gillian Weir. Some more details of the performers would be nice - soloist and conductor, at least. I notice also that TH-cam, in its wisdom, has listed under 'Artist' the 1970s Georges Pretre/Durufle recording.
sorry to be offtopic but does someone know of a way to log back into an instagram account?
I was stupid forgot the login password. I appreciate any assistance you can give me!
@Dax Ryland instablaster =)
@Callum Edward i really appreciate your reply. I found the site thru google and Im in the hacking process atm.
Looks like it's gonna take a while so I will reply here later when my account password hopefully is recovered.
@Callum Edward it did the trick and I finally got access to my account again. I am so happy:D
Thanks so much you saved my account!
@Dax Ryland happy to help :D
What is the name of the hall ?
This is as fine a performance as I have heard---takes me back to my first exposure to this piece, sometime in the early Nineteen-sixties. The organ registrations are faultless---perfection. I wish the camera had taken in the pedal-board and stop controls---and I continue to marvel at the audacity of audience members who can't control their distracting emanations during priceless recorded performances (or any musical performances at all) !
Comme je vois des briques (qui ne sont pas les lingots d' or si prisés actuellement) , je pense qu' il s 'agit simplement du "Moulin de la galette" ( Sera-t-elle là pour la prochaine fête des rois ?).