@@cool............... it’s prob their Mics. They tour with piles of 57s and 58’s. Cause they said they are all a bit different so they roll through em till they find the ones for that room.
I don’t think I’ll ever forget the first time hearing Gillian Welch and David Rawlings…The most perfect music to help me through a dark time in my life . Thank you both for the comfort while i needed it most.
My first time was on the Hell Among The Yearlings tour. I had gone on a recommendation (and because of a fondness for the venue) not ever hearing them before. Can you imagine my (pleasant) surprise?
David Rawlings, nobody can hit all those notes that aren’t supposed to work or be there. I always hang on every note he plays, because each has such feeling.
This is proper music - pure class. Gillians vocals and Davids guitar are stunningly beautiful. They are in a different league to the shit you get in the pop charts. Pardon my French - excusez-moi.
I'm a rocker, and I could always listen to them for hours and hours. They are so very very very good. The songs, the playing, the singing, the presentation. Time has only made them better. It's music at its best.
I play guitar. At least I thought I did, until I saw and heard this man play. He aint frum earth, the man understands the instrument on a cosmic level. Christ, I wish I was born with that feel and touch. I am an old man, and knowing that I will never achieve what this guy does is kinda gallin...but, what the hell. At least I can listen to the man who owns the guitar!
I don't play -- and at 74, I never will. David Rawlings makes me feel as if I've wasted my life not learning. But as you said, I'd never reach his magic touch. But love love to listen to it. gosh, never heard the like before. Where have I been?
He comes real close to chokin that olle’ arch top out, but decided to spare its life @ the last sweet second. I’m not sure if I’ve ever heard two guitars making love before but here I am . That’s one kinky dude there 😎🤙🏼😅🤣
@@carolynwest1131 Fuck that, give it ago, whats stopping you. I started making making music during Covid in my 40s. Now I'm never going to set the world alight but who cares I enjoy it
One of the most beautiful songs written in the last 100 years. Every time it comes up in my headphones I have to stop and listen to it several times in a row.
Of all the artists I've listened to over the past forty years, these two have turned out some of the most spellbinding tunes. And they've done it more than a few times. Their work is, IMHO, nestled perfectly within the Americana they so obviously have studied and love. Dave's dissonant jags remind me of NY on electric and Willie's playing when he goes off the rails.
Tears streamed down my face when I finally got to see/hear they play this live last year here in Lexington, Ky. This guitar solo is as good as guitar gets. Rawlings is transcendent live.
This song speaks to me, so beautiful and tinged with weary regret. The talent just shines from these two like a beacon. This is as good as music ever gets.
Every time I revisit the best live performance videos I always find myself here. There are live performances as good as this, but I'm not sure there are live performances better than this.
From the very first time we heard them which was almost 20 years ago now, there hasn't been a week that we've not played their songs. We loved seeing them Live. They never disappoint. Top talents!
I am just starting to learn to play their stuff. I'm a 5 finger picker and it takes time, @ "73 and a third/rpm, years of age. Sweet harmony with a growling voice works well here too.
I gave up seeing George Thorogood at Jazzfest back in 2007 so that I could listen to Gillian and David perform. It was one of my best decisions ever but my brother and friends didn't see it that way. haha
Probably my favourite version of this song. I was very fortunate to be able to see them twice, once in 2010 as Dave Rawlings Machine and once a year later, just the two of them.
the most impressive part of this phenomenal performance is Dave's originality on each solo between verses and how he builds them dynamically. Each one is unique, clever, and spectacularly expressive. So very, very hard to pull off. True mastery of the instrument.
Possibly their best TH-cam performance - the venue and the closeness and attentiveness of the audience seems to have had a remarkable impact on the intensity of this amazing song's performance. Dave's solo is a mind blower and Gillian's singing and zen-like rhythm playing is absolutely breathtaking.
"Zen-like". Nice. It shows that perfection is better attained by simplicity than complexity, not to mention the 'beefy' Gibson sound completing the sonic spectrum with David's Epiphone.
I agree. I have seen these guys live 4-5 times and watched dozens of their videos on TH-cam and I think this BBC 4 production is them at their best as a duo. They seem to have taken it seriously, the lighting is great and of course - it's BBC - the recording and the sound are perfect. Their performance of Jacob Meyer at this show is intense and almost breathtaking.
I discovered them many years ago- I listened to them as I was running the road for my family and always loved the unique style that they were giving to us that we had never quite heard before- love Gillian and David - hope they continue to rock on for a long time - Ran many miles listening to “ I Dream A Highway Back to You “ Superb Song ‼️
I was drawn to Gillian Welch (and Dave Rawlings who came along too) by comments made by Sarah Jarosz name-checking her on a Transatlantic Sessions gig. Thanks, Sarah for your great music, and for introducing me to these two.
I loved the music immediately, but it took a few more listens to truly understand. This is the most beautiful song I've heard. Edit: Gillian has true feeling, and David is a true Nortmittmielian... there aren't many left around here, but they're here. And, they love great music.
I understood the "fader" line right away, but it just now occurred to me that "watch the waves" can refer to soundwaves as well as ocean waves. Wow! Thanks for quoting this line!
So hauntingly beautiful, it’s like thousands of years of human collective consciousness went into this song because the perfect dissonances create such an emotional reaction that the words are superfluous, ultimately. One hears the chords and immediately understands that the song is about suffering and not wanting to anymore, ever again.
That was nicely written. Lyrically, I think some of the words harken to both great moments and some of their worst, like being called a fake or an imitator just because she chose to play music she was not raised around. I suspect that was painful for her for a while, but she has continued doing what she loves and cares for and millions have enjoyed it. I think she's the bee's knees and David Rawlings is too.
Timeless, classic, and strangely unique...I can’t think of anything that sounds quite like this. Like she’s singing about my own history and then the amazing solos that give you time to really absorb the lyrics.
Rawlings is a master at using dissonance. Studying at the Berklee School of Music is a good reason for his brilliance. Listen to his guitar lines. Nobody plays like he. Positively original style. Hard to be original. But the dissonance is incredible.
His dissonance gets a lot of comments, but more amazing to me is the consistently inventive melodic lines. I think his is even better displayed on, say, Scarlet Town and Tennessee.
Darling, remember When you come to me I'm the pretender And not what I'm supposed to be But who could know if I'm a traitor Time's the revelator They caught the katy And left me a mule to ride The fortune lady Came along, she walked beside But every word seemed to date her Time's the revelator The revelator Up in the morning Up and on the ride I drive into Corning And all the spindles whine And every day is getting straighter Time's the revelator The revelator Leaving the valley And fucking out of sight I'll go back to Cali Where I can sleep out every night And watch the waves and move the fader Time's the revelator The revelator Queen of the fakes and imitators Time's the revelator
@@davidlowney634 I guess you're on the same wave length as Spock - he would always reply to Captain Kirk, "That's illogical" about any 'sayings' he couldn't understand. Here's the skinny - Words are turned on their heads by the young, and end up with the opposite meaning. Or, sometimes it's by locale. That's what happened to the word "sick." The word "wicked" means evil, but here in the greater Boston area, it's means real good or real cool...,as in "That clam chowdah was wicked good." I'm old too, so I won't say - OK Boomer................OK Boomer?
Just superb. I'm so glad I lived during this time of so much good music by people who have deep respect and affinity for this kind of engagement with the past and present.
I think I've watched every uploaded video of this arrangement and this one is the best. Rawlins is perfect throughout, stunning at the finale and Welch is at her very best all the way through.What a duo! What a piece! What a treat it must be to have seen this live. Blessed are all of you have been there to absorb it!!!!
I'm so glad the polite British crowd doesn't feel the need to yell "WOOO!" after (or during) every solo like they do here in the States. Rawlings' harmony is so close to Gillian, it's a mystery how he does it. It doesn't follow any conventional norms of harmony. Brilliant. I saw them live, and they were just this good.
Rawlings incorporates a lot of harmonics that are seldomly used in popular music, for instance the 9th (?) on the opening notes of this song. I can see why it would be perceived as "unconventional".
2007, I've watched this entire session hundreds of times by now, and I still have no idea how they do this live.... It's just brilliant, I'm so in awe of Rawling's guitar playing. He's doing such complex stuff, and only flubs one or two notes in the whole piece. Just amazing.
Amazing. This is dated BBC in 2007, and I've only recently discovered Gillian and this song. Heard an interview on Double J where she describes the joy of realising she could actually write songs. A gifted lady.
The St LUke's show is a gem. BBC....did PRO aud/vid and Revelator is.......EPIC. Gilly lays down a perfect foundation so Dave can wrestle sounds out of that old Epiphone that Guitars usualy keep secret. Really..SPECIAL stuff
I literally heard of these two an hour ago following a link to Ryan Adams album Gold, on which Gillian co-wrote the excellent Enemy Fire. Man, do I have some catching up to do! Absolutely breathtaking, the songs I've heard so far.
These two are amazing to watch live - they start to really get into what they’re doing about midway through their concerts and that’s when they magic is made. Each performance feels unique - they add little twists and flourishes to the melodies.
Just in case... Darling remember when you come to me I'm the pretender and not what I'm suppose to be But who could know if I'm a traitor? Time's the revelator . They caught the Katy and left me a mule to ride. The fortune lady came along and she walked beside And every word seemed to date her Time's the revelator, the revelator . Up in the morning, up and on the line Drive into Corning, and all the spindles whine And every day is getting straighter Time's the revelator, the revelator . Leaving the valley, fucking out of sight I'll go back to Cali where I can sleep out every night And watch the waves and move the fader Time's the revelator, the revelator . Queen of fakes and imitators Time's the revelator.
Dave's solo in this performance is full of amazing improvised bits, like the looping thing on 2:12, or an arpeggio on 3:59. My favorite version of the tune...
My buddy Bill turned me on to Gillian Welch and I'm very thankful! We went with some friends to Higher Ground, a club in Winooski, VT and they were amazing. "Fucking out of sight".
No matter how many times I find myself back with it again, this song never gets old or feels stale. And this is, by far, one of the best performances I have had the privilege to hear.
Dave looked sooooo different back then!!! I'll never forget the first time I saw him play - was at the Cat's Cradle in Chapel Hill, NC and my jaw dropped and stayed dropped while I watched him shred that ole geeeeetarrrrr!!! Love these guys!!!
song still slaps after 2 decades. will slap for centuries probably, but only time can reveal that
Love this comment - time is and will ever be the true revelator, but I agree with you ❤
I see what you did there !
Just so you know - it doesn't get a whole lot better than this.
You don't find David's guitar solo of over two minutes from 5:21 to 7:34 excessive (I mean in length, not in nature)?
Well...time; the revelator. @@benmeltzer
I could hear Rawlings guitar jams all night long@@benmeltzer
@@benmeltzerSure, the album version is much more tasteful, but I’m an addict for his lead.
@@benmeltzer It's like a sexual act between the two. Transcends.
Let’s give a hand to the sound engineer too. Excellent sound
Right 👋❤️
yeah man. BBC using simple but classic SM57s. Best mic ever.
@@cool............... cannot agree more
You noticed that too? It stood out from the intro.
@@cool............... it’s prob their Mics. They tour with piles of 57s and 58’s. Cause they said they are all a bit different so they roll through em till they find the ones for that room.
I don’t think I’ll ever forget the first time hearing Gillian Welch and David Rawlings…The most perfect music to help me through a dark time in my life . Thank you both for the comfort while i needed it most.
My first time was on the Hell Among The Yearlings tour. I had gone on a recommendation (and because of a fondness for the venue) not ever hearing them before. Can you imagine my (pleasant) surprise?
It was such a good healing through a dark time.
Their sound and harmonies are like honey and heartbreak.
...My Sweet Lord. OOooo my Lord.
I just found this song today. Today is a good day.
May your life be filled with days like this!
She is a great songwriter and his playing is sublime. True originals. Huge talent.
David Rawlings is a guitar god, and god bless the great Gillian Welch, maybe the most underrated duo on earth today, wonderful....
Not underrated by anybody who knows their music!
Dave seems to gracefully get himself out of any bottomless pit musical rabbit hole he's run down with that old Ephiphone.😊
Underrated or not dude’s brilliant
I doubt they are underrated. They aren't popstars and I bet they are happy with the careers they have had.
David Rawlings, nobody can hit all those notes that aren’t supposed to work or be there. I always hang on every note he plays, because each has such feeling.
You put it perfectly. I think Kenneth Pattengale is a good spiritual successor.
so true...that man be good, playin' a 50 year old ( probably older ) arch top guitar that has tone for miles.......
And those close harmonies he sings. Genius.
@@trudie770 absolutely
I just want to take a guess before I Google to see if I'm right, but is he from the milk carton kids?
This is proper music - pure class. Gillians vocals and Davids guitar are stunningly beautiful. They are in a different league to the shit you get in the pop charts. Pardon my French - excusez-moi.
I'm a rocker, and I could always listen to them for hours and hours. They are so very very very good. The songs, the playing, the singing, the presentation. Time has only made them better. It's music at its best.
Time. The revelator.
Once you hear this it remains with you forever.
I imagine a very painful time traveling in the Dustbowl, hot, running out of gas, a lifetime drying out, crying inside where darkness reveals.
@@DaStoneboat wow
Barry Nelson you are a poet
I play guitar. At least I thought I did, until I saw and heard this man play. He aint frum earth, the man understands the instrument on a cosmic level. Christ, I wish I was born with that feel and touch. I am an old man, and knowing that I will never achieve what this guy does is kinda gallin...but, what the hell. At least I can listen to the man who owns the guitar!
It's ok. You're an old man... Get over yourself.
I don't play -- and at 74, I never will. David Rawlings makes me feel as if I've wasted my life not learning. But as you said, I'd never reach his magic touch. But love love to listen to it. gosh, never heard the like before. Where have I been?
Ya got to go to the CROSSROADS.
He comes real close to chokin that olle’ arch top out, but decided to spare its life @ the last sweet second. I’m not sure if I’ve ever heard two guitars making love before but here I am . That’s one kinky dude there 😎🤙🏼😅🤣
@@carolynwest1131 Fuck that, give it ago, whats stopping you. I started making making music during Covid in my 40s. Now I'm never going to set the world alight but who cares I enjoy it
This may be the best folk song ever written.
One of the most beautiful songs written in the last 100 years. Every time it comes up in my headphones I have to stop and listen to it several times in a row.
Of all the artists I've listened to over the past forty years, these two have turned out some of the most spellbinding tunes. And they've done it more than a few times. Their work is, IMHO, nestled perfectly within the Americana they so obviously have studied and love. Dave's dissonant jags remind me of NY on electric and Willie's playing when he goes off the rails.
their harmonies are a National Treasure
Tears streamed down my face when I finally got to see/hear they play this live last year here in Lexington, Ky. This guitar solo is as good as guitar gets. Rawlings is transcendent live.
I agree. I would put it in the top 10.
I hear it and every time it feels like being dragged through misery, but I can't leave it. I've done something to deserve it.
This song speaks to me, so beautiful and tinged with weary regret. The talent just shines from these two like a beacon. This is as good as music ever gets.
Every time I revisit the best live performance videos I always find myself here. There are live performances as good as this, but I'm not sure there are live performances better than this.
Well said
From the very first time we heard them which was almost 20 years ago now, there hasn't been a week that we've not played their songs. We loved seeing them Live. They never disappoint. Top talents!
Almost the same time for me, too… they’re very much one the sounds of falling in love with my wife. ❤
I am just starting to learn to play their stuff. I'm a 5 finger picker and it takes time, @ "73 and a third/rpm, years of age. Sweet harmony with a growling voice works well here too.
And that, folks, is why dynamics matter.
I gave up seeing George Thorogood at Jazzfest back in 2007 so that I could listen to Gillian and David perform. It was one of my best decisions ever but my brother and friends didn't see it that way. haha
You did the right thing IMO
Love me some Lonesome George, but you made the correct choice.
ba neer nar nnahh nahownt - bad 2 da bone. x200
IMHO you have much better taste than your brother and friends, at least in this matter.
Jesus, these two are unbelievely talented
barely human
Probably my favourite version of this song. I was very fortunate to be able to see them twice, once in 2010 as Dave Rawlings Machine and once a year later, just the two of them.
5:04 luck you
Magnificent 👏
Regards from 🇦🇺 ozz
I can’t stop listening to this…..so hauntingly beautiful
Back again for a dose of this musical medicine. Just incredible.
The harmonies, the solo, the melody everything in this song is just perfect. A flawless performance.
They're so talented. I bet seeing them perform in person is phenomenal.
the most impressive part of this phenomenal performance is Dave's originality on each solo between verses and how he builds them dynamically. Each one is unique, clever, and spectacularly expressive. So very, very hard to pull off. True mastery of the instrument.
Possibly their best TH-cam performance - the venue and the closeness and attentiveness of the audience seems to have had a remarkable impact on the intensity of this amazing song's performance. Dave's solo is a mind blower and Gillian's singing and zen-like rhythm playing is absolutely breathtaking.
"Zen-like". Nice. It shows that perfection is better attained by simplicity than complexity, not to mention the 'beefy' Gibson sound completing the sonic spectrum with David's Epiphone.
I agree. I have seen these guys live 4-5 times and watched dozens of their videos on TH-cam and I think this BBC 4 production is them at their best as a duo. They seem to have taken it seriously, the lighting is great and of course - it's BBC - the recording and the sound are perfect. Their performance of Jacob Meyer at this show is intense and almost breathtaking.
@@brucekreitzberg7876caleb mayer?
I discovered them many years ago- I listened to them as I was running the road for my family and always loved the unique style that they were giving to us that we had never quite heard before- love Gillian and David - hope they continue to rock on for a long time - Ran many miles listening to “ I Dream A Highway Back to You “ Superb Song ‼️
I was drawn to Gillian Welch (and Dave Rawlings who came along too) by comments made by Sarah Jarosz name-checking her on a Transatlantic Sessions gig. Thanks, Sarah for your great music, and for introducing me to these two.
I loved the music immediately, but it took a few more listens to truly understand.
This is the most beautiful song I've heard.
Edit: Gillian has true feeling, and David is a true Nortmittmielian... there aren't many left around here, but they're here. And, they love great music.
Truly ABnormal duo,incredible and ROCKON!!!!!!!
what is "Nortmittmielian"? google does not know that word O_o
Who built this man's guitar? Body is shaped like a cello and the sound blends with that instrument. This is beauty!
I found it: 1935 Epiphone Olympic
And thanks to his talent the price of them has doubled.
I am SO captivated by Gillian. I simply can't look away............
“Watch the waves and move the fader.” Best line ever for a sound tech.
I understood the "fader" line right away, but it just now occurred to me that "watch the waves" can refer to soundwaves as well as ocean waves. Wow! Thanks for quoting this line!
@@BlueMHart Thanks for the thought, "move the fader" fits in better now.
@@BlueMHart Thanks for the thought, "move the fader" fits in better now.
Her songs are haunting and beautiful. Gillian is a brilliant songwriter!
I am sure David has a ton to do with that too. His guitar play is wizardry.
Her voice is unique! Great stuff!
these songs are nearly all co-writes.
So hauntingly beautiful, it’s like thousands of years of human collective consciousness went into this song because the perfect dissonances create such an emotional reaction that the words are superfluous, ultimately. One hears the chords and immediately understands that the song is about suffering and not wanting to anymore, ever again.
That was nicely written. Lyrically, I think some of the words harken to both great moments and some of their worst, like being called a fake or an imitator just because she chose to play music she was not raised around. I suspect that was painful for her for a while, but she has continued doing what she loves and cares for and millions have enjoyed it. I think she's the bee's knees and David Rawlings is too.
Timeless, classic, and strangely unique...I can’t think of anything that sounds quite like this. Like she’s singing about my own history and then the amazing solos that give you time to really absorb the lyrics.
Rawlings is a master at using dissonance. Studying at the Berklee School of Music is a good reason for his brilliance. Listen to his guitar lines. Nobody plays like he. Positively original style. Hard to be original. But the dissonance is incredible.
His dissonance gets a lot of comments, but more amazing to me is the consistently inventive melodic lines. I think his is even better displayed on, say, Scarlet Town and Tennessee.
its also, as my teacher told me, the spaces between the notes. they are MORE important than the notes themselves.
@@scrapheapofshame Very true...
I've invented a new term. I call it "aharmonic" (long A). It's different than true dissonance, and it describes what David does perfectly.
well, I mean this a little bit hyperbolic, he is a good guitarist, but what he does here is educated doodling, it cost him two weeks to figure out.
Darling, remember
When you come to me
I'm the pretender
And not what I'm supposed to be
But who could know if I'm a traitor
Time's the revelator
They caught the katy
And left me a mule to ride
The fortune lady
Came along, she walked beside
But every word seemed to date her
Time's the revelator
The revelator
Up in the morning
Up and on the ride
I drive into Corning
And all the spindles whine
And every day is getting straighter
Time's the revelator
The revelator
Leaving the valley
And fucking out of sight
I'll go back to Cali
Where I can sleep out every night
And watch the waves and move the fader
Time's the revelator
The revelator
Queen of the fakes and imitators
Time's the revelator
Karolyn Morovati Thank you 🙏
When she’s locked in her gaze looks like she sees things nobody else can
I could look into her face and listen to her all day long. Beautiful and beyond.
@@AndreaWestlake306 me too!
She's a hypnotizing woman, beyond the talent one of a kind.
@@igsb1999 yes she is. Mersmerizing!
These two are just sick. This stuff is for real whatever genre of music you like.
So sick they make me puke and get sick again
What the fuck does ''sick" mean?
@Patricia Louise What if your dog or cat or child was sick, would that be "really cool"? This doesn't make logical sense. Maybe I'm just old
@@davidlowney634 I guess you're on the same wave length as Spock - he would always reply to Captain Kirk, "That's illogical" about any 'sayings' he couldn't understand. Here's the skinny - Words are turned on their heads by the young, and end up with the opposite meaning. Or, sometimes it's by locale. That's what happened to the word "sick." The word "wicked" means evil, but here in the greater Boston area, it's means real good or real cool...,as in "That clam chowdah was wicked good." I'm old too, so I won't say - OK Boomer................OK Boomer?
@Patricia Louise Come to Grey Fox
Are there still beautiful things? Absolutely.
Just superb. I'm so glad I lived during this time of so much good music by people who have deep respect and affinity for this kind of engagement with the past and present.
this is a stunning song and a sublimely stunning performance. My god.
While I do enjoy the studio version of this song , this is the best version by far...
Powerful stuff...
INterestingly, almost all the live versions are better than the studio version, which, while flawless, seems passionless by comparison.
This gets me every time. It's amazing. Musical genius. ❤
Simply sublime. Must be in the top ten ever-recorded live performances
what a spectacular version ..Dave's picking is off the charts and Gillian WOW!!!!
Such a beautiful, soulful performance
I think I've watched every uploaded video of this arrangement and this one is the best. Rawlins is perfect throughout, stunning at the finale and Welch is at her very best all the way through.What a duo! What a piece! What a treat it must be to have seen this live. Blessed are all of you have been there to absorb it!!!!
I'm so glad the polite British crowd doesn't feel the need to yell "WOOO!" after (or during) every solo like they do here in the States. Rawlings' harmony is so close to Gillian, it's a mystery how he does it. It doesn't follow any conventional norms of harmony. Brilliant. I saw them live, and they were just this good.
I agree no whoooos are better.
"It doesn't follow any conventional norms of harmony." What? It so does. XD
I hate the macho, growling YE--UHH!!s of some US audiences. The US is cool, in my books, but I'm not a fan of the YE-UHH!!
Rawlings incorporates a lot of harmonics that are seldomly used in popular music, for instance the 9th (?) on the opening notes of this song. I can see why it would be perceived as "unconventional".
Saw them live around this time in Durham, NC and the audience was just as respectful. You could hear a pin drop.
This is what music should be all about. Brilliant performance and song.
2007, I've watched this entire session hundreds of times by now, and I still have no idea how they do this live.... It's just brilliant, I'm so in awe of Rawling's guitar playing. He's doing such complex stuff, and only flubs one or two notes in the whole piece. Just amazing.
O M G AMAZING!!!! I could listen to them 24/7
David Rawlings' dissonant notes on THAT guitar sound so sad and so perfectly right. I was afraid he might break it for a minute.
Amazing. This is dated BBC in 2007, and I've only recently discovered Gillian and this song. Heard an interview on Double J where she describes the joy of realising she could actually write songs. A gifted lady.
Unbelievable acoustic guitar solo, really transcendent.
The St LUke's show is a gem. BBC....did PRO aud/vid and Revelator is.......EPIC. Gilly lays down a perfect foundation so Dave can wrestle sounds out of that old Epiphone that Guitars usualy keep secret. Really..SPECIAL stuff
He seems to strangle the beauty from it!
Ron Wood; AGREE
Have not heard them in sometime. This was over the top! David Rawlings!
Chris thile brought me here - I am new to this genre but this particular song sounds like one of the best of its kind.
The title track of their best album played in their prime, wow!
2022 still back..
Classic one ...and her voice ..
Never remake this Gem..
Just cherish
What a great performance. Great combination
beautiful...no wonder this song is on my fav list...
The tone he gets out of that prewar arch top is unreal. Super performance. Harmony, songwriting, everything. All I keep looking at is that guitar.
I love it when Mr. Rawlings goes off the deep end :)
I literally heard of these two an hour ago following a link to Ryan Adams album Gold, on which Gillian co-wrote the excellent Enemy Fire. Man, do I have some catching up to do! Absolutely breathtaking, the songs I've heard so far.
These two are amazing to watch live - they start to really get into what they’re doing about midway through their concerts and that’s when they magic is made. Each performance feels unique - they add little twists and flourishes to the melodies.
I'm sorry but I can't quit listening to this and how did I miss this great music for so long
Just in case...
Darling remember when you come to me
I'm the pretender and not what I'm suppose to be
But who could know if I'm a traitor?
Time's the revelator
.
They caught the Katy and left me a mule to ride.
The fortune lady came along and she walked beside
And every word seemed to date her
Time's the revelator, the revelator
.
Up in the morning, up and on the line
Drive into Corning, and all the spindles whine
And every day is getting straighter
Time's the revelator, the revelator
.
Leaving the valley, fucking out of sight
I'll go back to Cali where I can sleep out every night
And watch the waves and move the fader
Time's the revelator, the revelator
.
Queen of fakes and imitators
Time's the revelator.
I can’t believe that goddamn Epiphone didn’t catch fire.
Well doh, was trying to figure out what he was playing... of course.
Gibson iznit??
Or just burst into splinters!!!!
@@loontil Nope. It's a 1935 Epiphone Olympic, from way before Gibson owned Epiphone.
An American treasure, these two.
Dave's solo in this performance is full of amazing improvised bits, like the looping thing on 2:12, or an arpeggio on 3:59. My favorite version of the tune...
This is truly fantastic - spine-tingling stuff.
If this song doesn't move you your a dead soul
god bless america
There are 17 so far.
You are a dead soul for not being tolerant of alternative opinions, fascist.
The sound from that 1935 Epiphone Olympic Archtop is incredible. Dave is a guitar legend.
Dude bends time and space w that thing
What a wonderful song so well presented David you have a gift and a heart it shows in your playing Thank you from Nova Scotia Canada
haunting....stunning.... beautiful....
A breathtaking song and performance. These two are the best.
One of the many highlights in life was doing work for them.
Aaah, now there's a voice that doesn't need a studio to sound perfect...
This is sublime saw that concert on bbc gobsmacked
I Love this video an this song so much it almost brings tears to my eyes.I wouldn’t admit it if it did.
My buddy Bill turned me on to Gillian Welch and I'm very thankful! We went with some friends to Higher Ground, a club in Winooski, VT and they were amazing. "Fucking out of sight".
Just gives me goosebumps watching and listening to this. Yay, they are touring here in Feb 2016. Thank you for the video.
this song is nothing short of a masterpiece
screamingly brilliant
Rips out my heart every time
No matter how many times I find myself back with it again, this song never gets old or feels stale.
And this is, by far, one of the best performances I have had the privilege to hear.
And here I am again, a year later. And the words that came to mind this afternoon were: "They never fail to amaze."
Dave looked sooooo different back then!!! I'll never forget the first time I saw him play - was at the Cat's Cradle in Chapel Hill, NC and my jaw dropped and stayed dropped while I watched him shred that ole geeeeetarrrrr!!! Love these guys!!!
Sublime. Rollins’ guitar virtuosity-a signature like no other.
Ridiculously good.
This is one of the greatest performances of all time, as well as one of the greatest songs ever.
Timeless Perfection
wow ... just, wow!
I well up everytime I hear this song. It's so damn moving.
Outstanding.
The way David Rawlings moves when he plays reminds of the way Kenneth Pattengale of The Milk Carton Kids moves when plays
Agreed, I bet Pattengale would cite Rawlings as a significant influence. Their styles are so similar.
Rawlins was a huge influence, obviously.
if you ask me whats an ammerican folk now well its gillian welch she,s the queen!
Absolutely sublime.