I always love the material on your channel. You have what is rare in martial arts channels: a realistic mindset. TH-cam is commonly saturated with self defense channels for which are never bothered about the fact that their opponent/assailant will resist the technique the moment it is attempted. Your techniques take that reality into account. Keep posting material. Most JMA, not including Judo, are derisively sneered at, and good information is rare. I am surprised your channel is not more popular honestly.
Thanks, I appreciate the kind words 🤘🏼 I will continue to train hard and continue working on applying the material. Ninpo truly does have a lot to offer with the correct mindset and heart.
Nice Musha Dori, I remember the pressure that technique can be put on someone's shoulder. You can really cause some major tearing if you didn't wan to be nice. Thanks for the vids!
Understanding is revealed through teaching. As such, your teaching is very well rounded and effective. This complement reflects your taijutsu as well. Top instruction, sir! Musha is a vital component of good taijutsu and Kihon Happo should be a strong part of EVERY training. Gambatte!
This is probably the best breakdown of Mushadori that I've found on the internet, and you did a better job of doing so than more than a few "names" out there in Bujinkan or elsewhere. I've used this technique while bouncing in bars & clubs, and like the rest of the Kihon Happo, it remains a central part of my arsenal to this day, as it is simple & effective. Thank you, George.
@@WhatWouldNinjasDo, I'm very impressed by Robert Stevens and his students of the United States Ninpo Academy. His videos and yours set a standard which others should aspire to.
@@WhatWouldNinjasDo thx bro, it's a very important aspect in self-defense when fighting people with clothing. I managed to get away from attack with baton because the little I knew from gripping techniques without any damage. I hope you get more time to make more lethal content because I get bushido vibe from you and not bullshido and I respect that.
Generally when this entanglement is done full force against a resisting opponent it will tear the arm from the rotary cuff in the shoulder. The takedown to the ground will happen if they manage to resist or if they must be captured.
@@WhatWouldNinjasDo sounds about right, Fiore says that his version is a lock but that breaks, throws, and disarms "do not diverge" from the lock. Just cool seeing techniques from far away and probably different points in time being similar! Thanks for the great content!
Taijutsu is battlefield oriented for a great deal of techniques, so it is used with that mindset. However, for the ear example rolling while trying to pull the ear would cut your momentum, but we do have plenty of techniques that use their ears to throw and take balance.
@@WhatWouldNinjasDo you should have a crash course video where you explain the branches of ninjutsu. But I took it like an example, you could grab a finger as well and break it as you roll. It would be interesting to see the ground grappling techniques and aspects of tai jutsu. Looking forward to see more lethality ninja skills bro👍 I have a hunch that you trained other martial arts as well which solidify your ninjutsu
@@WhatWouldNinjasDo the second technique where you "pop" in the face with palm is also hidden technique for tigerclaw to eyes, it's like the atemi is hanging low fruit for technique to harvest.
@@WhatWouldNinjasDo th-cam.com/video/rWhvKnIShq4/w-d-xo.html That chin-ken is like a kyusho atemi that's a showstopper in it self and with that arm lock follow up and roll opponent will be.left blinded, dislocated shoulder and alone not knowing where you are after you roll away. Lethal
Why dont you try to put more pressure on your technic with true resistance. I’m also a ninjutsu practicer and i tru do put in my training true resistance to see if my technic is really effective. But i think that you re the best ninjutsu chanel on youtube ^^
I crosstrain and I do some safe sparring with the various techniques of Ninpo. I don't like the "my art is too dangerous for sparring" mindset, so I try to do it as safe as possible. When I want to go over specific techniques though it is quite hard to get an opponent to provide a specific stimuli that I would like to share with people. Also, the stimuli you would receive from an opponent in combat is often different from sparring but training for both provides great lessons and benefits. I appreciate the support 👍
Not Self-taught, my Sensei has trained under the various Ninpo organizations for over 30 years, we switched a few times, but training has always remained intense. However, I've started working on my own path more and am cross-training and learning more to grow as a martial artist and to help make my Ninpo grow.
Very cool. In fact, this is a technique in BJJ too. There’s a video of the Ruotolos teaching it, while the technique’s name is “manivela” the video is “money vela to footsweep” I think you did a better job explaining it, though.
Every technique is a pixel of the picture and should be trained in muscle memory and not searched to do in fight but rather you let the opportunity of various techniques come to you not the other way around.
Exactly, but it is also just as important to train in the art of creating opportunities. It is not always the best option to be on the reactive side of combat.
Sounds like you're trying to force the Musha Dori. People bend their arms all the time in combat, you just have to seize the moment and go with them (the principle of Ju), or to create an opportunity by using another threat to elicit an arm bend. It's even a counter to Hammer Locks being attempted.
@@WhatWouldNinjasDo Ive studied Ninpo in the Bujinkan. No. Quite the opposite. When we had a Musha Dori class everyone was forcing it. I was not I was looking for the bio mechanics to make the arm bend work and do it properly. Then I just gave up. Ive done the Basics in two seperate dojos. From what I gather Techniques like Musha Dori and Oni Kudaki only can be successfully put on when someone is not resisting you back. Bujinkan is a very compliant art.
@@AwakenedJus I'm sorry to hear that was your experience, but that's not my experience with the technique or the art. Same for Onikudaki, it's a great technique against Nage counters. You'll see the same techniques and biomechanics used in combat sports too. The Musha Dori in guard wad pulled off in UFC 36. If the drill is just to try to get the technique on someone it may be a flop, but if the drill is Uke try to throw your opponent, Tori try to execute Musha Dori, Onikudaki, or Muso Dori based upon the flow it'd be a good drill.
@@WhatWouldNinjasDo That sounds logical. Wait for the opportunity for the arm to bend. I found a workaround strike or "butter them up" before you move in. Most stuff like Omote Gyaku don't work out the gate. You need some form of Preliminary strike to open them up and make them vunerable to put the technique on but they don't teach you that in your typical Bujinkan class. I learned how to apply the basics better from other arts. Bujinkan does not prepare you how to apply the material in real time. Like Rokas is stating.
I always love the material on your channel. You have what is rare in martial arts channels: a realistic mindset. TH-cam is commonly saturated with self defense channels for which are never bothered about the fact that their opponent/assailant will resist the technique the moment it is attempted. Your techniques take that reality into account.
Keep posting material. Most JMA, not including Judo, are derisively sneered at, and good information is rare. I am surprised your channel is not more popular honestly.
Thanks, I appreciate the kind words 🤘🏼 I will continue to train hard and continue working on applying the material. Ninpo truly does have a lot to offer with the correct mindset and heart.
Great job brother !! Most of ninjutsu sensei don’t really do a good job at showing practical applications of the techniques
Nice Musha Dori, I remember the pressure that technique can be put on someone's shoulder. You can really cause some major tearing if you didn't wan to be nice. Thanks for the vids!
It's absolutely brutal when done 100% as it was done on the battlefields. I'm glad that you like the videos. I'm planning to make more this year.
Understanding is revealed through teaching. As such, your teaching is very well rounded and effective. This complement reflects your taijutsu as well. Top instruction, sir! Musha is a vital component of good taijutsu and Kihon Happo should be a strong part of EVERY training. Gambatte!
Thanks 🤘🏼 and it's quite an awesome journey. I love seeing how different instructors teach and share their passions.
Another great demonstration and explanation of fundamental technique and some of it's henka.
Awesome video
Somewhere out there a knight is walking around in the woods looking for this spot :/
This is probably the best breakdown of Mushadori that I've found on the internet, and you did a better job of doing so than more than a few "names" out there in Bujinkan or elsewhere. I've used this technique while bouncing in bars & clubs, and like the rest of the Kihon Happo, it remains a central part of my arsenal to this day, as it is simple & effective. Thank you, George.
Thank you, I genuinely enjoy exploring the art with a curiosity and fun at the steering wheel.
@@WhatWouldNinjasDo, I'm very impressed by Robert Stevens and his students of the United States Ninpo Academy. His videos and yours set a standard which others should aspire to.
Very effective technique
Could you make a video where you go through all gi grips? I study many martial arts and ninjutsu is one of them
That would be an interesting video. I'll add it to the queue of topics to film.
@@WhatWouldNinjasDo thx bro, it's a very important aspect in self-defense when fighting people with clothing. I managed to get away from attack with baton because the little I knew from gripping techniques without any damage.
I hope you get more time to make more lethal content because I get bushido vibe from you and not bullshido and I respect that.
Fiore uses this all the time in his early 15th century Italian treatise, called ligadura mezzana :) He doesn't take it to the ground though.
Generally when this entanglement is done full force against a resisting opponent it will tear the arm from the rotary cuff in the shoulder. The takedown to the ground will happen if they manage to resist or if they must be captured.
@@WhatWouldNinjasDo sounds about right, Fiore says that his version is a lock but that breaks, throws, and disarms "do not diverge" from the lock. Just cool seeing techniques from far away and probably different points in time being similar! Thanks for the great content!
show all basic hand strikes of the ninja
When you got the elbow lock would it be possible if you made like a cartwheel?
👍🏽👍🏽👍🏽👍🏽
Tai jutsu is layered with deadly techniques, is it true that some techniques you grab for example ear of the opponent while you roll away?
Taijutsu is battlefield oriented for a great deal of techniques, so it is used with that mindset. However, for the ear example rolling while trying to pull the ear would cut your momentum, but we do have plenty of techniques that use their ears to throw and take balance.
@@WhatWouldNinjasDo you should have a crash course video where you explain the branches of ninjutsu. But I took it like an example, you could grab a finger as well and break it as you roll.
It would be interesting to see the ground grappling techniques and aspects of tai jutsu.
Looking forward to see more lethality ninja skills bro👍
I have a hunch that you trained other martial arts as well which solidify your ninjutsu
@@WhatWouldNinjasDo the second technique where you "pop" in the face with palm is also hidden technique for tigerclaw to eyes, it's like the atemi is hanging low fruit for technique to harvest.
@@IbrahimKhalil-bt9yh that's exactly what was being done with the palm strike it's a chin-ken.
@@WhatWouldNinjasDo th-cam.com/video/rWhvKnIShq4/w-d-xo.html
That chin-ken is like a kyusho atemi that's a showstopper in it self and with that arm lock follow up and roll opponent will be.left blinded, dislocated shoulder and alone not knowing where you are after you roll away.
Lethal
Why dont you try to put more pressure on your technic with true resistance.
I’m also a ninjutsu practicer and i tru do put in my training true resistance to see if my technic is really effective.
But i think that you re the best ninjutsu chanel on youtube ^^
I crosstrain and I do some safe sparring with the various techniques of Ninpo. I don't like the "my art is too dangerous for sparring" mindset, so I try to do it as safe as possible. When I want to go over specific techniques though it is quite hard to get an opponent to provide a specific stimuli that I would like to share with people. Also, the stimuli you would receive from an opponent in combat is often different from sparring but training for both provides great lessons and benefits. I appreciate the support 👍
Haha fucking crazy. Dude is super effective and I have a feeling self taught. Incredible haha
Not Self-taught, my Sensei has trained under the various Ninpo organizations for over 30 years, we switched a few times, but training has always remained intense. However, I've started working on my own path more and am cross-training and learning more to grow as a martial artist and to help make my Ninpo grow.
You could also make it a throw instead of kicking but then snap his shoulder in the air
Frank Mir subimit Pete Williams doing it from full guard in UFC.
Very cool. In fact, this is a technique in BJJ too. There’s a video of the Ruotolos teaching it, while the technique’s name is “manivela” the video is “money vela to footsweep”
I think you did a better job explaining it, though.
Haven't s2en any new content in a awhile. I hope you're ok.
Peace
Every technique is a pixel of the picture and should be trained in muscle memory and not searched to do in fight but rather you let the opportunity of various techniques come to you not the other way around.
Exactly, but it is also just as important to train in the art of creating opportunities. It is not always the best option to be on the reactive side of combat.
@@WhatWouldNinjasDo yes 100% allways strive to be preemptive and counter active if the initial move fails
Musha Dori 9 times out of 10 does not work because people don't bend their arms easily. It only works on compliant training partners.
Sounds like you're trying to force the Musha Dori. People bend their arms all the time in combat, you just have to seize the moment and go with them (the principle of Ju), or to create an opportunity by using another threat to elicit an arm bend. It's even a counter to Hammer Locks being attempted.
You can also pull it off from guard if you find yourself on the ground.
@@WhatWouldNinjasDo Ive studied Ninpo in the Bujinkan. No. Quite the opposite. When we had a Musha Dori class everyone was forcing it. I was not I was looking for the bio mechanics to make the arm bend work and do it properly. Then I just gave up. Ive done the Basics in two seperate dojos. From what I gather Techniques like Musha Dori and Oni Kudaki only can be successfully put on when someone is not resisting you back. Bujinkan is a very compliant art.
@@AwakenedJus I'm sorry to hear that was your experience, but that's not my experience with the technique or the art. Same for Onikudaki, it's a great technique against Nage counters. You'll see the same techniques and biomechanics used in combat sports too. The Musha Dori in guard wad pulled off in UFC 36. If the drill is just to try to get the technique on someone it may be a flop, but if the drill is Uke try to throw your opponent, Tori try to execute Musha Dori, Onikudaki, or Muso Dori based upon the flow it'd be a good drill.
@@WhatWouldNinjasDo That sounds logical. Wait for the opportunity for the arm to bend. I found a workaround strike or "butter them up" before you move in. Most stuff like Omote Gyaku don't work out the gate. You need some form of Preliminary strike to open them up and make them vunerable to put the technique on but they don't teach you that in your typical Bujinkan class. I learned how to apply the basics better from other arts. Bujinkan does not prepare you how to apply the material in real time. Like Rokas is stating.