....I heard it live at the Met, AND that TRIO was "lit"! All three tenors were brilliant with Brownlee in a league of his own! PS: Please let us know the dates of your next lead part including the opera company.
As a tenor, I feel that if you get a lead up like the singers got at the end, you HAVE to take that high note. I've heard a recording of this where all three tenors take the V-I progression up at the end and it is what I dream of it being when I get to sing it one day haha
Taylor Comstock Younspeak with such Authority that “you HAVE to take that high note.” Perhaps in your enthusiasm, you might consider that, as Rossini was very specific in what he wanted sung, such anachronistic and old fashioned displays are actually improper. Before you venture too far in your career, you might pay more careful attention to modern scholarship of early 19th century opera performance practice. While the aciuti you crave might be exciting, they are not appropriate, melodically or harmonically.
Rinaldo is supposed to be the first male role of the opera but doesn't have any solo piece instead of the other two tenors who have one aria each. Blake did the same in Aix with Anderson: change this supposed trio on an aria with two comprimari. But he did sang, alone, the high D at the end. You have to lesson the Scimone recording with Merritt, Bruce Ford and Matteuzzi to make justice to this trio. With three high D sing together by these three tenors 😋 You have to heard
But that's the point in Bel Canto ...all of the embellishments and interpolated high note are left up to the artists. You don't add notes in Puccini, but you sure do in Bel Canto. You don't sing Rossini exactly as written.
I love Rensburg but I think that this is not exactly the repertoire for him. Still, the only issue I have is volume wise. Brownlee totally annihilates his stage partners and well, maybe it's logical since it's the main character he's playing :)
In other performances - particularly the one with Christina Deutekom in 1973 in Bregenz Austria, the three tenors (with Umberto Grilli as Rinaldo) took the High C together at the end of the trio ....so what happened here?? ...chickens!!!
One of the most beautiful lyrical tenor voices of all time!
Astonishing
It may be a trio but it belongs to Brownlee.
NEVER GETS OLD.
....I heard it live at the Met, AND that TRIO was "lit"! All three tenors were brilliant with Brownlee in a league of his own!
PS: Please let us know the dates of your next lead part including the opera company.
Bravissima
Wonderlik wonderlik!! 👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏
Does anyone know of other tenor trios like this?
As a tenor, I feel that if you get a lead up like the singers got at the end, you HAVE to take that high note. I've heard a recording of this where all three tenors take the V-I progression up at the end and it is what I dream of it being when I get to sing it one day haha
Taylor Comstock Younspeak with such Authority that “you HAVE to take that high note.” Perhaps in your enthusiasm, you might consider that, as Rossini was very specific in what he wanted sung, such anachronistic and old fashioned displays are actually improper. Before you venture too far in your career, you might pay more careful attention to modern scholarship of early 19th century opera performance practice. While the aciuti you crave might be exciting, they are not appropriate, melodically or harmonically.
Andrew Yarosh haha, nice, just completely throw away all the fun.
@@andrewyarosh1809 interpolated acuti were common early-mid 19th century performance practice?
@@ChristopherRSkinner Not in the way they are sung today. Check out what Crutchfield and Gossett have to say on the practice.
Rinaldo is supposed to be the first male role of the opera but doesn't have any solo piece instead of the other two tenors who have one aria each. Blake did the same in Aix with Anderson: change this supposed trio on an aria with two comprimari. But he did sang, alone, the high D at the end. You have to lesson the Scimone recording with Merritt, Bruce Ford and Matteuzzi to make justice to this trio. With three high D sing together by these three tenors 😋
You have to heard
But that's the point in Bel Canto ...all of the embellishments and interpolated high note are left up to the artists. You don't add notes in Puccini, but you sure do in Bel Canto. You don't sing Rossini exactly as written.
This piece looks like the second movement from Beethoven's 16 sonate.
I love Rensburg but I think that this is not exactly the repertoire for him. Still, the only issue I have is volume wise. Brownlee totally annihilates his stage partners and well, maybe it's logical since it's the main character he's playing :)
In other performances - particularly the one with Christina Deutekom in 1973 in Bregenz Austria, the three tenors (with Umberto Grilli as Rinaldo) took the High C together at the end of the trio ....so what happened here?? ...chickens!!!
the concert version with Bruce Ford and Gimenez too
It wouldn't be fair unless all three tenors were capable--Brownlee certainly would have been.
not written that way
Brownlee is just horrible :( What a sad demise of bel canto tradition.
I think he's great. :)
Let's hear you sing it.
YOU ARE HORRIBLE !
As if you could sing it - what a joke! Ha ha
He is astounding!