மஹாகவி சுப்ரமணிய பாரதியார் சொன்னது முற்றிலும் உண்மை! Shashank Subramanyam புல்லாங்குழல் வாசிப்பில், அமுது பொங்கித் ததும்பும் நல் கீதம் அளிக்கிறார். இதை கண் மூடி, வாய் திறந்தே மனம் குளிர, திரும்பத் திரும்ப கேட்போம்!! Hearty thanks for uploading this extraordinary performance clip. 🙏🙏
sarasaangi an eternal bliss taking us close to krishna...Chi.shashank & Sow.subbulakshmi took us to differnt world through their music..God bless this eternal music tradition rooted from our Vedas..
Hi S.S. sir, what an unbelievable performance u r contacting. how u r control the lakhs N lakhs music enjoyers in your small flute. thanks, keep continue.🙏👍🙏
What a superb RTP in Sarasangi (Mela 27). The purity of the rendering by both Shashank & Subbalakshmi was fantastic to hear. I felt a sense of elation very difficult to describe. My prostrations to the Lord for giving us such artistes of such sublime skill. Shankar, Melbourne.
The supreme master in action - a shear pleasure to listen. Akkarai is superb and so is Arjun Kumar. Each concert of this supreme master gives so many clues to so many variations that could be played on this devine instrument. Blessed to be living in the same time period as this supreme master.
I wonder if anyone would comment on Ajay Yadav's comments on the 'besur' coming from the 'chakkar' of speed. Some reflections and questions: Do those resonances come from the interactions between almost-simultaneous articulations of the Sarasangi notes? Or are they the result of the even-tempering of the flutes? I did notice the dissonance, but found myself quietly and almost imperceptibly ignoring them--the way one would ignore Mallikarjun Mansur clearing his phlegmy throat right in the middle of an aethereal piece of music. In a concert like this and an audience like this, the musicians are addressing the minds rather than merely the ears. When the old Semmangudi sang a few flat notes, one didn't mind it, because his musical ideas were fantastic even at that age. The RTP is particularly prone to this kind of licence, I should imagine. I have heard both CM and HM listeners and musicians themselves complain about the lack of shruti-shuddi in the South. HM wouldn't take the risks that CM would gladly take, and this is the price they pay. Different aesthetic expectations? It was a shock to read Ajay Yadav's comment on this truly amazing concert. Also an opportunity to reflect on what we hear when we hear music, and what we don't hear when we hear music. The use of the harmonium as an accompanying instrument is perhaps a measure of a tradition's standardization. And not using it is a measure of how 'open' the shrutis used currently in that tradition are, and how well preserved the old shruti conventions are, perhaps? Is it even possible to think of a dhrupad performance with a harmonium accompaniment? Why not? Varali survives despite the 72-melakartha scheme precisely because of the ability of strings (for example) to wander into dissonances? Isn't it important then to hear shruti possibilities if a musical system is to be able to respond robustly to the soundscapes around? This is not to glorify dissonance, but only to see if there is some useful thinking to be done around and with it.
![[Gegagedigedagedago] NEW Help Gegagedigedagedago Nugget escape from Nikocado Avocado Challenge](http://i.ytimg.com/vi/hJWnwRC2Fz8/mqdefault.jpg)
மஹாகவி சுப்ரமணிய பாரதியார் சொன்னது முற்றிலும் உண்மை! Shashank Subramanyam புல்லாங்குழல் வாசிப்பில், அமுது பொங்கித் ததும்பும் நல் கீதம் அளிக்கிறார். இதை கண் மூடி, வாய் திறந்தே மனம் குளிர, திரும்பத் திரும்ப கேட்போம்!! Hearty thanks for uploading this extraordinary performance clip. 🙏🙏
sarasaangi an eternal bliss taking us close to krishna...Chi.shashank & Sow.subbulakshmi took us to differnt world through their music..God bless this eternal music tradition rooted from our Vedas..
Two greats. Future of karnatic music is safe with younger generations.
Hi S.S. sir, what an unbelievable performance u r contacting. how u r control the lakhs N lakhs music enjoyers in your small flute. thanks, keep continue.🙏👍🙏
What a superb RTP in Sarasangi (Mela 27). The purity of the rendering by both Shashank & Subbalakshmi was fantastic to hear. I felt a sense of elation very difficult to describe. My prostrations to the Lord for giving us such artistes of such sublime skill. Shankar, Melbourne.
What a combo
What a chemistry
Venuganam and violin ganam
Awesome
Wahhhhhh guruji. Pranam 🙏.
Great violinist... Legendary flutist...tx for posting..😀
A briliant one i have great respect nd
Love to SHASHANK he is from
Our native dist
Vilon is super
SAIRAM
Realy flute is a excellent vadyam makes people so relaxed and happy
A beautiful Sarasaangi further beautified by this Maestro. Akkarai Subbalakshmi is just amazing! Kudos for uploading this RTP.
You are a miraculous flute player, sweet played.
So blissful Sarasangi.. uplifting
my child hood days i heard sri T.R. mahalingam sir flute, Live concert at hyderabad, it might be in 1970s, it is resembling me in your flute
A very, very talented artist indeed. So much sukham in his playing. Nothing is hurried.
Devoted n involved rendering Sarasangi superbGod bless them
The combo of Sashank and Subbalaksmi set the stage on fire
Beautiful and wonderful both flute and violin
melodious flute accompnied by akkarai subbalakshmi is a treat to ears and mind very soothhing excellant
The supreme master in action - a shear pleasure to listen. Akkarai is superb and so is Arjun Kumar. Each concert of this supreme master gives so many clues to so many variations that could be played on this devine instrument. Blessed to be living in the same time period as this supreme master.
Giridhar Tirumalai that’s not Arjun kumar it’s Manjunath B C on mridangam
@@Sam-hc4sd Wrong - 100%. Mrudangist is Mr Arjun Kumar
@@Sam-hc4sd Arjun Kumar 100%
execellent sarasangi, no words to say. god bless you shashank
Hats off toMaster Shashank. Sankethis r proud of u!
I wonder if anyone would comment on Ajay Yadav's comments on the 'besur' coming from the 'chakkar' of speed.
Some reflections and questions: Do those resonances come from the interactions between almost-simultaneous articulations of the Sarasangi notes? Or are they the result of the even-tempering of the flutes? I did notice the dissonance, but found myself quietly and almost imperceptibly ignoring them--the way one would ignore Mallikarjun Mansur clearing his phlegmy throat right in the middle of an aethereal piece of music.
In a concert like this and an audience like this, the musicians are addressing the minds rather than merely the ears. When the old Semmangudi sang a few flat notes, one didn't mind it, because his musical ideas were fantastic even at that age. The RTP is particularly prone to this kind of licence, I should imagine. I have heard both CM and HM listeners and musicians themselves complain about the lack of shruti-shuddi in the South. HM wouldn't take the risks that CM would gladly take, and this is the price they pay. Different aesthetic expectations?
It was a shock to read Ajay Yadav's comment on this truly amazing concert. Also an opportunity to reflect on what we hear when we hear music, and what we don't hear when we hear music.
The use of the harmonium as an accompanying instrument is perhaps a measure of a tradition's standardization. And not using it is a measure of how 'open' the shrutis used currently in that tradition are, and how well preserved the old shruti conventions are, perhaps? Is it even possible to think of a dhrupad performance with a harmonium accompaniment? Why not? Varali survives despite the 72-melakartha scheme precisely because of the ability of strings (for example) to wander into dissonances? Isn't it important then to hear shruti possibilities if a musical system is to be able to respond robustly to the soundscapes around?
This is not to glorify dissonance, but only to see if there is some useful thinking to be done around and with it.
Beautifully put
what an amasing performence.violin support is equally good.
1983...Благословение...
Simply superb no words
Superb
Devaganam excelent, thanks to all,.
I have become suddenly with his venuganam ,what a nice player of Vamsi
Excellent sarasangi
akkarai subbalakshmi garu played execellent,good accompanyment to the main artist
He has venu and bansuri this shashank subramanyam
Reincarnation of T R Mahalingam? My God...big applause to the whole team
Fantastic music
Very nice thanks
Utthamam.
Super
good program.
lov it
whoever reacted with thumbs down are punyatmas :-)
sounds like NatBhairav of North India.....wats da ragas name?
You are absoulutely right, it is natabhairava in the north and sarasāngi in the south. Namaskāra
+Mahesh Bharrath Sarasabgi i mean the Purbanga of Charukeshi? charukeshi's uttaranga Bhairavi.....that Sarasangi
@@swarajit1947 charukesi has lower ni, sarasangi has the higher ni. All other notes are the same
Ultimate.
bellisimo
vi piyache la musiqa di india; molti grazi.

PW
e muhtedha k bansuri hamra thik na lagela....tez bjawe ke chakkar me ajeeb tone bich bich me la dela.rakesh chourasiya ji k bansuri bhute acha ba.
Superb
Superb