Sappho's Ode to Aphrodite in ancient Greek | Performing

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  • เผยแพร่เมื่อ 19 ก.พ. 2021
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    Someone, I tell you, in another time, will remember us. - Sappho
    How important was the rhythm in ancient Greek tragedies? How can the rhythm reveal the emotional shifts of a hero? Were the rhythms of Aeschylus, Sophocles, and Euripides so different?
    Evangelia Thalassini, an actor and researcher of ancient rhythmic theory, discusses the power and the deep meaning of rhythm in ancient Greek culture while she recites Sappho's "Ode to Aphrodite" in ancient Greek by using the original rhythm (check out the lyrics at the end of this description).
    "It is true that the prosody contains the element of the phonetic pronunciation of the letters. Still, for this video, we decided to deal only with the rhythm of the prosody and not with the phonetic pronunciation of the letters for which we know very little, and the issue is "blurred."
    So, we mainly present the rhythm of the original ancient Greek poetry, and as far as the phonetics are concerned, the pronunciation that is applied is that of modern Greek.
    We must emphasize that rhythm is the only certain thing preserved in the ancient text, so we decided to deal only with this element of prosody." - Evangelia Thalassini
    // Episode's Details in "Short Interviews Series"
    🖋 Title: Sappho's "Ode to Aphrodite" in Ancient Greek | Decoding the Ancient Rhythm
    ⏱ Duration: 5min 03sec
    🎬 Film auteur: Nikolaos Koumartzis
    ⚫ Find the perfect lyre for you at luthieros.com/
    🔵 Learn how to play the lyre and other ancient musical instruments at
    lyreacademy.com/choose-your-n...
    // Who is Evangelia?
    Evangelia has done extensive theatrical studies such as Theatre Acting at the “Veaki Drama School” in Athens, and Stage Direction at the “Royal Superior Academy of Drama” (RESAD) in Madrid. She holds a Master's degree in “Stage Arts Composition” at the University “Rey Juan Carlos” in Madrid.
    She has directed several theatrical plays in Greece and Spain, and since 2015 she has been involved exclusively in presenting tragedies in ancient Greek at archaeological museums and sites in Greece, such as Sophocles' “Antigone".
    What's more, she has been researching the musicality of the speech in ancient texts, the relation of the triptych “Music - Speech - Movement”, and the rhythm of prosody (alternation of long and sort syllabus).
    She has extensive experience in teaching the rhythms of ancient Greek poetry.
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    // Lyrics in ancient Greek
    ποικιλόθρον' ἀθανάτ' Ἀφρόδιτα,
    παῖ Δίος δολόπλοκε, λίσσομαί σε·
    μή μ' ἄσαισι μηδ' ὀνίαισι δάμνα,
    πότνια, θῦμον,
    ἀλλὰ τυίδ' ἔλθ', αἴ ποτα κἀτέρωτα
    τὰς ἔμας αὔδας ἀίοισα πήλοι
    ἔκλυες, πάτρος δὲ δόμον λίποισα
    χρύσιον ἦλθες
    ἄρμ' ὐπασδεύξαισα· κάλοι δέ σ' ἆγον
    ὤκεες στροῦθοι περὶ γᾶς μελαίνας
    πύκνα δίννεντες πτέρ' ἀπ' ὠράνω ἴθε-
    ρος διὰ μέσσω·
    αἶψα δ' ἐξίκοντο· σὺ δ', ὦ μάκαιρα,
    μειδιαίσαισ' ἀθανάτωι προσώπωι
    ἤρε' ὄττι δηὖτε πέπονθα κὤττι
    δηὖτε κάλημμι
    κὤττι μοι μάλιστα θέλω γένεσθαι
    μαινόλαι θύμωι· τίνα δηὖτε πείθω
    .. σάγην ἐς σὰν φιλότατα; τίς σ', ὦ
    Ψάπφ', ἀδικήει;
    καὶ γὰρ αἰ φεύγει, ταχέως διώξει,
    αἰ δὲ δῶρα μὴ δέκετ', ἀλλὰ δώσει,
    αἰ δὲ μὴ φίλει, ταχέως φιλήσει
    κoὐκ ἐθέλοισα.
    ἔλθε μοι καὶ νῦν, χαλέπαν δὲ λῦσον
    ἐκ μερίμναν, ὄσσα δέ μοι τέλεσσαι
    θῦμος ἰμέρρει, τέλεσον, σὺ δ' αὔτα
    σύμμαχος ἔσσο.

ความคิดเห็น • 88

  • @aussie_mozzie
    @aussie_mozzie ปีที่แล้ว +49

    This is incredibly fascinating, I wish more of her poetry was preserved or at least found.

  • @MayuMayuShell
    @MayuMayuShell ปีที่แล้ว +44

    Read Turkish translations of her poems and I wondered how the original sounded like and this is very beautiful 🙏 Bless

  • @AshofApocalypse
    @AshofApocalypse 2 ปีที่แล้ว +66

    This was really interesting to watch. I'm using this video as a source for a presentation I'm doing on Sappho's poetry so it's really cool to see it performed how it most likely was supposed to be done.

  • @scroobymovies
    @scroobymovies ปีที่แล้ว +44

    Auroral immortal Aphrodite,

  • @rachelpapa9000
    @rachelpapa9000 2 ปีที่แล้ว +32

    this is so beautiful, probably one of the most beautiful things I've ever heard

  • @massabranca
    @massabranca 3 ปีที่แล้ว +84

    It's a pleasure beyond expression, to watch and listen to Evangelia doing Sappho. Would you consider, though, also putting the original text (even if smaller than the translation) on the screen? It would be a delight. If I'm not mistaken, some of your previous videos had it. With much love from a Brazilian classicist, Flora Mangini.

  • @jessicadixon6815
    @jessicadixon6815 ปีที่แล้ว +18

    This strikes on my heart as someone sapphic..

  • @NeaeraNeaeraNeaera
    @NeaeraNeaeraNeaera 2 ปีที่แล้ว +31

    Something about the pacing/cadence reminds me of going to Ukrainian Orthodox Church and how they'd sing/sermon

  • @cemprotecta
    @cemprotecta ปีที่แล้ว +9

    How strange and mesmerizing it is, and so beautiful indeed!

  • @SOLSOUNDS_
    @SOLSOUNDS_ 2 ปีที่แล้ว +9

    This was really interesting and amazing to hear. I am revising for an exam on Love and Relationships, including Sappho, so its useful to hear this performed!

  • @learnvoiceart18
    @learnvoiceart18 2 ปีที่แล้ว +3

    So beautiful ! Thanks lots for beautiful sharing 💞🌹

  • @sherylcrowe3255
    @sherylcrowe3255 2 ปีที่แล้ว +2

    Beautiful! Thank you

  • @Moon-zq7jt
    @Moon-zq7jt 3 ปีที่แล้ว +10

    I knew subscribing to this channel was a great idea. Great content as always. Thank you!

  • @ChrysaPlati
    @ChrysaPlati 3 ปีที่แล้ว +14

    Εξαιρετική

  • @lero9301
    @lero9301 2 ปีที่แล้ว +4

    This was amazing

  • @Reikidreams911

    Thank you

  • @TheGrmany69
    @TheGrmany69 ปีที่แล้ว +5

    Increíble como el griego que hablas suena a español bien hablado, anonadado en verdad. I've been experimenting with Greek and Romance languages' phonetics and I have to say this is very similar to the results I've encountered to this point in time.

  • @svaira
    @svaira  +4

    I really liked the representation of the metre and of the accents (although it's sometimes a bit difficult to make out the different pronounciations of Akut, Gravis and Circumflex, I find the variations also interesting and this is definitely in line with classical play as far as I understand).

  • @redlipno3437
    @redlipno3437 ปีที่แล้ว +2

    So beautiful

  • @aoifetography8267
    @aoifetography8267 2 ปีที่แล้ว +3

    wonderful