bloody bloody bloody difficult this concerto. It seems she is drinking a coffee except the second part when she flyes like an angel. I'm astonished ! The orchestra is flying with her hand in the hand. Maravellous moment. Thank you sal50811.
Ravel tried 3 times for a chance to study in Rome (Prix de Rome) and failed. And now his music echoes in every corner of this ancient capital. What a beautiful irony :)
I have watched this at least 6 times and it is still breathtaking. Technical, musical and aesthetic perfection. Making the most of Ravel's genius. Her 'duos' with Maria Irsara Cor anglais and Andrea Lucchi principle trumpet are absolutely delightful.
I can't stop replaying the second movement (which starts at 8:30) . There are no words to describe it, except it makes me transcend this plane of reality and make me feel surrounded by perfection.
For this as is one of my favourite masterpieces, since , as Ravel wanted to 'reply' to the then revolutionary sounding Raphsody in Blue from his acquaintance Gershwin,the only personal note is just on the Adagio, where in certain passages, Ravel forces his attempt at jazz, save the overall beauty of the movement, with a breathtaking ending. And he forces even more in the 3rd movement. I find the 1st movement is perfect. I attended the performance.
@@antoniomonteiro3698 Also fantastic! It was my favorite, but Yuja played it with more feelings...especially in the second movement. But Michelangeli is one of the greatest ever, no doubt!
During the dialogue with the english horn her nuances of touché are outstanding; there aren't two following notes played with the same intensity .Insane!!!!
I used to be quite critical of this concerto because of its occasional dissonance. However my perspective completely changed when I found this rendition on TH-cam. Brilliant playing!
I love to watch her play. Not only her expression, but how rapidly her hands move, muscles in arms rippling. Her fingers must be unbelievably strong. She is an outstanding musician. An exemplary performance.
Quelle interprétation ! Moins qu'ailleurs la bataille entre transcendance, sensibilité, contrastes et lecture analytique. Mais oui, Ravel, si difficile, translucide et exigeant, est un tout, est authentique et magique. Ici. Merci de me faire entendre cela.
I attended the performance (in the same event, Wuja Wang performed also the marvelous Ravel's Piano Concerto for the left hand). For this as is one of my favourite masterpieces, since , as Ravel wanted to 'reply' to the then revolutionary sounding Raphsody in Blue from his acquaintance Gershwin, the only personal note is just on the Adagio, where in certain passages, Ravel forces his attempt at jazz, save the overall beauty of the movement, with a breathtaking ending. And he forces even more in the 3rd movement. I find the 1st movement is perfect. Wuja is always magic to me. She plays so 'easy'. And she is also so generous on beautiful encores!
It is important to know that is your taste, don’t forget those words are according to you, you don’t really have the right to say if it is objectively good or bad, or if things are wrong or right or forced. 😊 the second movement makes me feel great. If some passages are not to your liking, you can use that to write something more to your taste if you are able to do so. Kind words, am not trying to mean, just that it is already very hard for artists to make art, they need encouragement.
You are thinking the same I was thinking about Rhapsody in Blue by Gershwin, but I thought maybe George G. got his inspiration from Ravel (not the other way around.)
Excellent "management" by Lionel - with brilliance from the individual band members... Yuja - was Yuja. (and ridiculously beautiful!) Super concert. And what is special is her clear sense of fun at the right time. 😍 2021 - Here yet again for another dose of "Miraculous" 😇😇😇
You all prolly dont care but does any of you know of a way to get back into an Instagram account? I was stupid lost my account password. I would appreciate any help you can offer me!
The second movement is just wonderful, with the woodwind perfectly matching dynamics across all those gorgeous phrases. Well done, beautiful ensemble playing.
Points de mots pour décrire cette sublime beauté qui semble qui semble jaillir de l’Âme de l’Artiste et rend la musique Sacrée . Grand merci Yuja . Camille de Dinard
8:40 is the intersection where an extremely talented pianist and an extremely sustaining treble section of this piano come together to make the most translucent glowing sound imaginable. She didn't do this by using any sustain pedal. 11:00 She did this by holding down one key after another with one finger as her other finger started playing another note. One of the greatest challenges of the piano is to take it out of its percussive realm and make it sound like a wind instrument. Yuja is doing that beautifully!
@Frank Skoda-Simmons jennifer86010 was talking about wind instruments, I suppose it's a good example. You can add to the list instruments like violin, cello,..
@@rootlesscosmopolite You use the term "nalog". What does this mean? And, if you are referring to the piano being "digital" meaning of the fingers, you are only partially correct, because a very skilled pianist can shape the sound coming out of a piano to achieve the illusion of a wind or string instrument. It is a very advanced technique, involving keyboard finger technique and the listener's hearing. Example: If you run a film in extreme slow motion, it appears as single still photos shown in succession. As you speed up the film, those photos blend into a smooth, lifelike representation of natural movement, no longer a succession of still photos. A very skilled pianist can do the same thing on the piano, and the listener's ear perceives it as a fluid sound, not a succession of individually struck notes. This is the illusion of "legato" but it is heard as legato. Listen to Keith Jarrett play any of his solo piano ballads. He uses this technique a lot, which accounts for his amazingly fluid, rich, elegant tone and often non-percussive piano sound.
@@jennifer86010 Good question--it made me go and look up some definitions of terms I've used un-rigorously (though I think fairly correctly) for years. The definitions I found are in terms of electronics so I've had to try to adapt them to musical instruments--I could probably find a better source for the way they apply in music. But roughly speaking, a digital signal (such as the sound produced by a keyboard instrument) is made up of discrete points, which would correspond to the keys on the keyboard, the strings of the piano, the pipes of the organ etc. An analog signal is continuous. The digital signal may be complex--a fundamental tone plus harmonics or overtones--but what we actually hear--what our brains process--is a series of pitches. A string or wind instrument is able to produce a continuity of pitches between any two fundamentals. Again roughly speaking, the keyboard is like the integers, the violin is like the real numbers. I think the connection with "digits" meaning "fingers" is the idea that points on a digital scale can be counted, like the fingers, whereas the points on an analog scale are infinite. There are ways to overcome the limitations of digital instruments--I think the clarinet glissando at the beginning of "Rhapsody in Blue" is an example. Again, I'm glad you brought this up.
"Clarté française" as Ravel wanted it to be played. The greatest interpretation since Michelangeli. The second movement of the G-major concerto is in his unpretentious and deeply musical insight even better than Michelangeli. I never thought this is possible but Yuja does it.
It also surpasses ABM in the interpretations of the following composers: Bach, Scarlatti, Galuppi, Mozart, Beethoven, Schubert, Schumann, Chopin, Mendelssohn, Brahms, Tchaikovsky, Debussy, Ravel, Rachmaninov. She is the best of all the pianists currently performing at the moment, and if she ever goes from us, there will never again be a nearly as excedllable and enchanting artist.
@@rigel48 You are right. The fiery recordings of the Grieg and Liszt concertos are incomparable. I love them very much, despite the poor recording quality. My post was meant ironically. I find the adoration of a talented young woman by men who let a doll face, a presentable ass and stilettos influence their judgement ridiculous. Every now and then I hear recordings of the Chinese woman on the radio without knowing she is playing. Her playing does not impress me. It does not touch.
@@beckerhanshermann8372 There are pianists for all tastes, puritan, rebel or other. Yuja Wang seems to be tasted by all great conductors, orchestras, and audiences (and probably all present composers on earth and past composers in heaven). I'm just grateful to live in Yuja's Epoch. And she is evolving every year toward new repertoires. This year she played Mozart successfully in Jurmala and Luzern
@@LaurentPingaultLyon "I am just grateful to live in Yuja's era. " That's wonderful. Then future historians can call the first half of the 21st century the Yuja Wang Era. That is a beautiful and poetic name.
Cette pianiste est très belle et très expressive, c’est un plaisir de la regarder! Elle va jouer les 2 concertos de Ravel le 4 et le 5 octobre à la Philharmonie avec l’orchestre de Paris sous la direction du jeune chef finlandais Klaus Mäkelä (27ans!). Mais la meilleure version de ces concertos pour moi reste celle de Samson François, élève de Marguerite Long, elle-même élève de Ravel et créatrice du concerto en sol.
through the last years she grown up in expression. she always was extremely talented and technincally flawless, but now she even is perfect in emotional aspects. to me personally she is one of the best if not the best piano player these days on this planet. and what will happen if she gets even a lil bit older? i am looking forward...
This is by far the best interpretation of this concerto. So much better than any other versions I listened to! I wish so much to listen to Yuja Wang’s version of Daphnis et Chloe Suite #2 - in the piano solo version 🥺
Thank you! Some support that she can wear whatever she pleases and it doesn't matter, but THIS appearance goes to show that those super short, revealing outfits aren't really in her favour. Here, she looks her most beautifully feminine and elegant and it so well fits the music that she's playing.
Great as always. But there are other marvelous pianists out there, too. Martha Argerich did a lovely interpretation of the Ravel just a few years ago. The coming together of intelligence, talent, technique and sensibility is a wonder to experience for all of us.
This is a sensational performance, even though there are several other extraordinary performances of the Ravel Concerto: Michelangeli, Katchen, Argerich, just to mention a few.
The problem is most of us is listening with our eyes. That's why I love radio and not knowing who is playing at first. don't watch the screen and just listen with your ears and watch what happens.
Ed - I know what you mean; I first only heard Yuja playing Brahms, on Radio 3, and thought something special going on here... but her beautiful expressions really do enhance my pleasure. Often fall asleep listening with the screen off, however. :-)
I found Yuja plays live much more better than in studio there are enough number of DG recordings here to get this conclusion which is on her side wonderful amazing Pianist in all aspect
MAGYARUL: Szép a Ravel G major zongora játék. A ráadásként adott Bizet: Carme - Tündéri. A második ráadás - mennyei kertbe vitt. Köszönöm a hallást, a látást. 2024-09-03.
Her Prokofiev, Ravel and Rachmaninoff are astounding, as is the Hammerklavier of Beethoven. I would really like to hear her do the Beethoven concertos especially 4 and 5.
Depuis que le femmes ont enfin accès à la carrière de concertistes, particulièrement les pianistes, réservée quasi aux hommes 4 ou 5 femmes dominent la scène internationale, et je cite: Marta Argerich, Katia Buniatishvili, Juga Wang, Alice Sara Ott , et j'en passe ....
@@silvanomangana3822 Vous avez raison, Marta Argerich et Maria Joao Pires (vous l'avez oublié) peuvent donner des leçons à n'importe quel homme. Énergiques, inspirées, un charisme exceptionnel et une humilité qui laisse la musique s'exprimer. Pour les autres, Yuja et Katia, elles sont de la poudre aux yeux, elles maitrisent bien le piano mais ont peu de choses à dire, donc vont s'adonner a toutes sortes de maniérismes, tricheries et gesticulations afin de faire croire qu'une emotion les habite. La musique les sert, pas le contraire.
Et Clara Haskil et Marguerite Long (dont un prix de piano porte le nom) et Ginette Martenot et Alicia de Larrocha et la grand lisztienne française France Clidat? Le féminisme, c'est beau (en théorie), savoir de quoi on parle, c'est mieux.
bloody bloody bloody difficult this concerto. It seems she is drinking a coffee except the second part when she flyes like an angel. I'm astonished ! The orchestra is flying with her hand in the hand. Maravellous moment. Thank you sal50811.
In Rome a pianist born in China playing a French concerto inspired by American Jazz. A very successful combination.
I can’t ever get enough of this Beautiful Pianist and her Amazing skills at the Keyboard ! ❤❤❤❤❤❤
Ravel tried 3 times for a chance to study in Rome (Prix de Rome) and failed. And now his music echoes in every corner of this ancient capital. What a beautiful irony :)
th-cam.com/video/9zIXSqyYyq0/w-d-xo.htmlsi=65adpnXfauKpYXFE
I have watched this at least 6 times and it is still breathtaking. Technical, musical and aesthetic perfection. Making the most of Ravel's genius. Her 'duos' with Maria Irsara Cor anglais and Andrea Lucchi principle trumpet are absolutely delightful.
I can't stop replaying the second movement (which starts at 8:30) . There are no words to describe it, except it makes me transcend this plane of reality and make me feel surrounded by perfection.
For this as is one of my favourite masterpieces, since , as Ravel wanted
to 'reply' to the then revolutionary sounding Raphsody in Blue from his
acquaintance Gershwin,the only personal note is just on the Adagio, where in certain passages, Ravel forces his attempt at jazz, save the overall beauty of the movement, with a breathtaking ending. And he forces even more in the 3rd movement. I find the 1st movement is perfect.
I attended the performance.
try also michelangeli v=ZK6HMtZTeOs
@@antoniomonteiro3698 Also fantastic! It was my favorite, but Yuja played it with more feelings...especially in the second movement. But Michelangeli is one of the greatest ever, no doubt!
During the dialogue with the english horn her nuances of touché are outstanding; there aren't two following notes played with the same intensity .Insane!!!!
bruno biondo I
I used to be quite critical of this concerto because of its occasional dissonance. However my perspective completely changed when I found this rendition on TH-cam. Brilliant playing!
Yuja is a powerhouse 🎹
Amazing performance as always
love watching other musicians' reactions to her encores... so much mutuality!
Wonderfulness of Ravel‘s music she plays is immeasurable and profound
A very fine performance, probably the best I have heard, and what a mavellous orchestra too.
I love to watch her play. Not only her expression, but how rapidly her hands move, muscles in arms rippling. Her fingers must be unbelievably strong. She is an outstanding musician. An exemplary performance.
I agree. Her mother being a dancer, her father a drummer may have something to do with it?
Propably my favourite piano concerto, I love it sooo much! 😆♥
Quelle interprétation ! Moins qu'ailleurs la bataille entre transcendance, sensibilité, contrastes et lecture analytique. Mais oui, Ravel, si difficile, translucide et exigeant, est un tout, est authentique et magique. Ici. Merci de me faire entendre cela.
I attended the performance (in the same event, Wuja Wang performed also the marvelous Ravel's Piano Concerto for the left hand).
For this as is one of my favourite masterpieces, since , as Ravel wanted to 'reply' to the then revolutionary sounding Raphsody in Blue from his acquaintance Gershwin,
the only personal note is just on the Adagio, where in certain passages, Ravel forces his attempt at jazz, save the overall beauty of the movement, with a breathtaking
ending. And he forces even more in the 3rd movement. I find the 1st movement is
perfect.
Wuja is always magic to me. She plays so 'easy'. And she is also so generous on beautiful encores!
Great composers don't "force" anything. Maybe wrong word.
They are not even in the same league. That monologue. What more can any ask for?
It is important to know that is your taste, don’t forget those words are according to you, you don’t really have the right to say if it is objectively good or bad, or if things are wrong or right or forced. 😊 the second movement makes me feel great. If some passages are not to your liking, you can use that to write something more to your taste if you are able to do so. Kind words, am not trying to mean, just that it is already very hard for artists to make art, they need encouragement.
You are thinking the same I was thinking about Rhapsody in Blue by Gershwin, but I thought maybe George G. got his inspiration from Ravel (not the other way around.)
One of the most beautiful pieces of music I’ve ever heard!
Excellent "management" by Lionel - with brilliance from the individual band members... Yuja - was Yuja. (and ridiculously beautiful!) Super concert. And what is special is her clear sense of fun at the right time. 😍
2021 - Here yet again for another dose of "Miraculous" 😇😇😇
As always - a stunning gem of a performance.
I like her tone of playing, fits to rach and prokofiev and also for Ravel and even in the german reportoire. A really stunning pianist.
You all prolly dont care but does any of you know of a way to get back into an Instagram account?
I was stupid lost my account password. I would appreciate any help you can offer me!
@Milo Rocky Instablaster ;)
@@milorocky6960 uh just use the forgot password button
The second movement is just wonderful, with the woodwind perfectly matching dynamics across all those gorgeous phrases. Well done, beautiful ensemble playing.
22:08 Encore 1: Carmen Variations (Horowitz)
25:55 Encore 2: Melody (Gluck/Sgumbati)
Sgambati prego
This is absolutely outstanding, wonderful orchestra, and Yuja you are out of this World ❤️
The talent is just so incredible
The 3rd Mvt. Is an absolute gem!! That bassoon solo is SO difficult.
And the orchestration in this piece is absolutely amazing.
Points de mots pour décrire cette sublime beauté qui semble qui semble jaillir de l’Âme de l’Artiste et rend la musique Sacrée . Grand merci
Yuja . Camille de Dinard
Yuja la pianiste aux doigts volants qui fait danser les musiciens de l'orchestre ou pleurer le piano. Sublimissime...
Très juste! une artiste exceptionnelle et sa beauté n'a d'égal que son talent!
Ravel, Piano Concerto in G Minor
00:17 - 08:30 - Allegremente
08:39 - 17:23 - Adagio assai
17:31 - 21:15 - Presto
Horowitz - Carmen Fantasy: 22:13 - 25:03
24:57 - FUCKING FAST MOMENT!!!
Guck/Sgambati - Melody: 25:57 - 28:49
Thanks :-)
Absolutely fabulous!!!!!
Harry Boggon ii
8:40 is the intersection where an extremely talented pianist and an extremely sustaining treble section of this piano come together to make the most translucent glowing sound imaginable. She didn't do this by using any sustain pedal. 11:00 She did this by holding down one key after another with one finger as her other finger started playing another note. One of the greatest challenges of the piano is to take it out of its percussive realm and make it sound like a wind instrument. Yuja is doing that beautifully!
Well said! Her touch is awesome. Yeah piano just isn't naturally made for those phrases. But to do it sounds really nice.
@Frank Skoda-Simmons jennifer86010 was talking about wind instruments, I suppose it's a good example. You can add to the list instruments like violin, cello,..
Agree. You can't actually play legato on the piano--it's digital, not nalog. But you can sure work around it as she does here.
@@rootlesscosmopolite You use the term "nalog". What does this mean? And, if you are referring to the piano being "digital" meaning of the fingers, you are only partially correct, because a very skilled pianist can shape the sound coming out of a piano to achieve the illusion of a wind or string instrument. It is a very advanced technique, involving keyboard finger
technique and the listener's hearing. Example: If you run a film in extreme slow motion, it appears as single still photos shown in succession. As you speed up the film, those photos blend into a smooth, lifelike representation of natural movement, no longer a succession of still photos.
A very skilled pianist can do the same thing on the piano, and the listener's ear perceives it as a fluid sound, not a succession of individually struck notes. This is the illusion of "legato" but it is heard as legato. Listen to Keith Jarrett play any of his solo piano ballads. He uses this technique a lot, which accounts for his amazingly fluid, rich, elegant tone and often non-percussive piano sound.
@@jennifer86010 Good question--it made me go and look up some definitions of terms I've used un-rigorously (though I think fairly correctly) for years. The definitions I found are in terms of electronics so I've had to try to adapt them to musical instruments--I could probably find a better source for the way they apply in music. But roughly speaking, a digital signal (such as the sound produced by a keyboard instrument) is made up of discrete points, which would correspond to the keys on the keyboard, the strings of the piano, the pipes of the organ etc. An analog signal is continuous. The digital signal may be complex--a fundamental tone plus harmonics or overtones--but what we actually hear--what our brains process--is a series of pitches. A string or wind instrument is able to produce a continuity of pitches between any two fundamentals. Again roughly speaking, the keyboard is like the integers, the violin is like the real numbers. I think the connection with "digits" meaning "fingers" is the idea that points on a digital scale can be counted, like the fingers, whereas the points on an analog scale are infinite. There are ways to overcome the limitations of digital instruments--I think the clarinet glissando at the beginning of "Rhapsody in Blue" is an example. Again, I'm glad you brought this up.
"Clarté française" as Ravel wanted it to be played. The greatest interpretation since Michelangeli. The second movement of the G-major concerto is in his unpretentious and deeply musical insight even better than Michelangeli. I never thought this is possible but Yuja does it.
It also surpasses ABM in the interpretations of the following composers: Bach, Scarlatti, Galuppi, Mozart, Beethoven, Schubert, Schumann, Chopin, Mendelssohn, Brahms, Tchaikovsky, Debussy, Ravel, Rachmaninov. She is the best of all the pianists currently performing at the moment, and if she ever goes from us, there will never again be a nearly as excedllable and enchanting artist.
@@beckerhanshermann8372 You forgot Liszt and Grieg. But between us, don't you think you're doing a little too much? 😂
@@rigel48 You are right. The fiery recordings of the Grieg and Liszt concertos are incomparable. I love them very much, despite the poor recording quality.
My post was meant ironically. I find the adoration of a talented young woman by men who let a doll face, a presentable ass and stilettos influence their judgement ridiculous. Every now and then I hear recordings of the Chinese woman on the radio without knowing she is playing. Her playing does not impress me. It does not touch.
@@beckerhanshermann8372 There are pianists for all tastes, puritan, rebel or other. Yuja Wang seems to be tasted by all great conductors, orchestras, and audiences (and probably all present composers on earth and past composers in heaven). I'm just grateful to live in Yuja's Epoch. And she is evolving every year toward new repertoires. This year she played Mozart successfully in Jurmala and Luzern
@@LaurentPingaultLyon "I am just grateful to live in Yuja's era. "
That's wonderful. Then future historians can call the first half of the 21st century the Yuja Wang Era.
That is a beautiful and poetic name.
Amazing breath taking
Cette pianiste est très belle et très expressive, c’est un plaisir de la regarder! Elle va jouer les 2 concertos de Ravel le 4 et le 5 octobre à la Philharmonie avec l’orchestre de Paris sous la direction du jeune chef finlandais Klaus Mäkelä (27ans!).
Mais la meilleure version de ces concertos pour moi reste celle de Samson François, élève de Marguerite Long, elle-même élève de Ravel et créatrice du concerto en sol.
She's a guift from above, a great inspiration.
12:13 Ravel's cadence on this part is just beautiful and brilliant. Natural minor instead of a harmonic minor. ❤
through the last years she grown up in expression. she always was extremely talented and technincally flawless, but now she even is perfect in emotional aspects. to me personally she is one of the best if not the best piano player these days on this planet. and what will happen if she gets even a lil bit older? i am looking forward...
Like fine red wine getting richer and more flavorful?
@@zosimolee2873 nicely said :)
This is by far the best interpretation of this concerto. So much better than any other versions I listened to! I wish so much to listen to Yuja Wang’s version of Daphnis et Chloe Suite #2 - in the piano solo version 🥺
Love makes lovers blind, but also deaf. Michelangeli, Argerich, François, Zimerman are largely as good as Yuja Wang.
Wonderful YW, and very high level collaboration
Love this piece......great piano exquisite gown.....beautiful girl
Oooh yes, couldn't agree more. An angel for sound and sight for the twenty first century.
Thank you! Some support that she can wear whatever she pleases and it doesn't matter, but THIS appearance goes to show that those super short, revealing outfits aren't really in her favour. Here, she looks her most beautifully feminine and elegant and it so well fits the music that she's playing.
Great as always. But there are other marvelous pianists out there, too. Martha Argerich did a lovely interpretation of the Ravel just a few years ago. The coming together of intelligence, talent, technique and sensibility is a wonder to experience for all of us.
Nopr. Don't like the Agerich version.
ピアノとオーボエのソロ、Sクラリネットのソロも。珍しい曲ですね。
本当に素晴らしい演奏ですね。ありがとうございます。
アンコールも完璧ですね。ブラボー
Wonderful!!!
Awesome orchestra music and awesome pianist ❤
MY GOD WHAT A MAGNIFICENT BRAIN, YUJA A MASTER.
The middle movement is one of my all Tim favourite pieces if Ravel… great performacne
你是我今天的平安。 每天，除非我听您的音乐，否则我找不到安宁。 我不是专家，但是当我见到您和听您弹钢琴时，它为我提供了我急需的神圣振动，完美的和谐和纯正的情感。
Laurent - 迷人的表达 - 完全正确。
She has the most perfect hands on action,,,, see her performing Mendelssohn piano no 1 where she puts real action to work 💛💛💛✌️🌻
I'm lost for words.
2023.07.10 12.07 a.m -3 Hour Greenwisch.. Wonderschön Klavier und Orchester! Congratulation für alles Sie!
Here Wang shows playing a simple melody as well outstanding !
Bravissimi!
This for those who say that she can’t play melodic tunes
Of course she can, is just that they are boring.
@@Paroles_et_MusiqueBut by "can't play", they meant "boring"-not that she literally can't play it.
@@Paroles_et_MusiqueSo you're saying that Yuja Wang doesn't play with soul?
I'm starting to come around on Yuja
Bravíssimo!👏👏👏👏👏
cool headed playing! nice!
Yuja Wang is magic.
Heavenly. Pure enjoyment.
Such a beautiful and talented woman- BRAVO BRAVO BRAVO ♥️
Božanstveni!Toliko temperamenta❤
Bouleversante interprétation de cette œuvre tragique de Ravel par la jeune pianiste chinoise Youja Wang .
Pourquoi tragique?
This is a sensational performance, even though there are several other extraordinary performances of the Ravel Concerto: Michelangeli, Katchen, Argerich, just to mention a few.
Don’t forget Helene Grimaud….she totally owns this composition!!
I can look at her all day long
You and me both bro.. I'm crazy about her 😆
@@NikoHL you are both going to have to share with me too !
She plays the piano quite nicely, too.
I love the first encore
And the Carmen Variations go so well with the Ravel concerto. As if they were composed especially for it.
Had to listen again to this beautiful music, and encores.
とてもいいです😊
Pour défendre, Yuja je dirai que son jeu est excellent, virtuose certes mais avec beaucoup d'âme et de charme...
defendre de quoi !!!! elle est surement une des plus grande pianiste de tous les temps !!!
Bravo 👏
Esta pianista é um prodígio. Como é que consegue memorizar obras tão diversas, longas e complicadas e tocá-las com rigor e sentimento...
Pienso exactamente igual, sin duda talento y dedicación absoluta.
Glissando queen! You've converted me to this one. Not many "get it' do they? I was one. Thanks Yujia. CATHY
The problem is most of us is listening with our eyes. That's why I love radio and not knowing who is playing at first. don't watch the screen and just listen with your ears and watch what happens.
Ed - I know what you mean; I first only heard Yuja playing Brahms, on Radio 3, and thought something special going on here... but her beautiful expressions really do enhance my pleasure. Often fall asleep listening with the screen off, however. :-)
That doesn't make any difference.
When watching some other pianists playing I often would wish I couldn't see them....
Que mas se puede decir de esta de esta artista....MARAVILLOSA !!!
Parabéns para a Orquestra.!🇧🇷🇮🇹🇧🇷🕊️🕊️🕊️
Marvelous
El 15 de noviembre del 2.024, esta misma obra, este mismo genio en el Teatro de la Maestranza en Sevilla
精彩的演奏，出色的演奏！感动着听者！
Yuja è un grande genio!!!!
Maestro😍😍😍😍😍👏👏👏👏👏👌👌👌👌👌
I repeatedly listen to the same music played 17:55 by Yuga Wang and Agrech, and it is clear that more clearity in this one.
La dolcezza 👏. YUJA WANG 👏👏👏
I found Yuja plays live much more better than in studio there are enough number of DG recordings here to get this conclusion which is on her side wonderful amazing Pianist in all aspect
Listening to this wonderful music makes me think that perhaps the human species might be worth preserving after all. Perhaps.
I hope the Martians agree...
@@bloodgrss Don’t worry! Martians love classical music!
Look how she plays the 2nd movement and compare it with Helene Grimaud - a world of difference.
MAGYARUL: Szép a Ravel G major zongora játék. A ráadásként adott Bizet: Carme - Tündéri. A második ráadás - mennyei kertbe vitt. Köszönöm a hallást, a látást. 2024-09-03.
Super génial !
musicalement impeccable très fluide
テンポが前に攻めててかっこえーな！
2d Movement is the music for Joffrey Ballet's "Sea Shadow". You must see it if it ever comes your way.
Solo male / female / Pas de Deux, as if the two dancers are swimming under water.
The Gluck encore is so cool…
that second movement
wow
Merci
Brava……..MAGNIFICENT
Her Prokofiev, Ravel and Rachmaninoff are astounding, as is the Hammerklavier of Beethoven. I would really like to hear her do the Beethoven concertos especially 4 and 5.
Excelente 👌
Start of the 3d movement, I think I also hear a bit of Elgar's Enigma Variations....just a snipped as it races by.
Дай Бог ей здоровья , сил и счастья от всех нас, которых она делает счастливыми от ее игры!
难得的人才。真正伟大的钢琴家。
She flew like a butterfly and shot like a bee.my heart was numb at the moment.
Linda e talentosa!
Hermoso
Love her 2 try jazz
why everyone is speaking about just 2nd movement when we have the first one. I HADNT HEARD SUCH ENERGETIC AND LIVELU MELODY IN MY LIFE
This piano has a wonderful liquid tone, and Yuja is milking it very well in the expressive passages.
Milking 🧐
@@adrianopiano5551 😂
Depuis que le femmes ont enfin accès à la carrière de concertistes, particulièrement les pianistes, réservée quasi aux hommes 4 ou 5 femmes dominent la scène internationale, et je cite: Marta Argerich, Katia Buniatishvili, Juga Wang, Alice Sara Ott , et j'en passe ....
Depuis Clara Schumann, au XIXe siècle (!), il y a eu de très nombreuses concertistes, et non des moindres.
@@silvanomangana3822 Vous avez raison, Marta Argerich et Maria Joao Pires (vous l'avez oublié) peuvent donner des leçons à n'importe quel homme.
Énergiques, inspirées, un charisme exceptionnel et une humilité qui laisse la musique s'exprimer.
Pour les autres, Yuja et Katia, elles sont de la poudre aux yeux, elles maitrisent bien le piano mais ont peu de choses à dire, donc vont s'adonner a toutes sortes de maniérismes, tricheries et gesticulations afin de faire croire qu'une emotion les habite. La musique les sert, pas le contraire.
Et Clara Haskil et Marguerite Long (dont un prix de piano porte le nom) et Ginette Martenot et Alicia de Larrocha et la grand lisztienne française France Clidat? Le féminisme, c'est beau (en théorie), savoir de quoi on parle, c'est mieux.