"Dear Friends, BREAKING NEWS ABOUT MATT RANGE:" I just realized that in the lows in Mk Ultra 1:58 A2 is just the highest note in the melody :O Actually also. there are an D2, two F2 and three G#2
No fucking way his a dramatic tenor like devin townsend paul stanley jack black, he definetely a full lyric tenor like stevie wonder john farnham Cant believe that shit came out of your mouth
No fucking way his a dramatic tenor like devin townsend paul stanley jack black, he definetely a full lyric tenor like stevie wonder john farnham Cant believe that shit came out of your mouth
@@hectorcheivz4113 No fucking way his a dramatic tenor like devin townsend paul stanley jack black, he definetely a full lyric tenor like stevie wonder john farnham Cant believe that shit came out of your mouth
@@prefernoto4788 i have a theory that he is counter-tenor because that type of voice has very light highs but yeah i also think he is a low tenor he goes up to B4 with belts or mix and everything else is falsetto or reinforced falsetto. He has great control on those highs and articulation though and whatever vocal type he might be he is amazing. Even i can hit B4 (even a D5) by belting and i am a very low bass.
i'm a baritone and i can do that without any push (i can go high to an A5 in falsetto without any training whatsoever), i think he's really impressive in Micro Cuts or in Survival, but that what's not "unreal" imo
Well I just turned 41......my vocal range is from a C2 to a A#6. And yes with that vocal range I cover a lot of Muse songs and currently working on "Micro Cuts". He hit the C#6 with a scream in a live performance, when it is that high that is literally the only sound you can get out is generally a scream. If I scream the final note in a line I can go up to a A#6. Since Matt's vocal range is said to be from an E2 to a C#6 because he has a slightly higher voice than me I can see him still being capable of hitting that note with a scream. The reason it is rare to hear him do it is because everyone knows the final note they can sound out is stretching the living crap out of the vocal cords, you could potentially damage your voice doing it, especially with a scream. You can compare other singers who have done it often and you can see why he isn't going to be doing it too often himself. A good example is Axl Rose, his highest note is a E7 that is a WTF note because it is impossible for about 99.9% of men to hit that high. Now listen to Axl Rose today after having surgery to repair damage done, you can clearly see that screaming a note that high will destroy vocal cords. Although I can hit an A#6 I will generally refuse to go any higher than a F#5 (the last note of Plug in Baby) because its not that hard on my vocal cords, I can feel them stretching when it gets past that and thats probably not good. It feels like it would do damage over time. I have studied Matt's method of singing over about 4 months and trying to pick up on what he is doing. The best thing out there to understand his vocal range is the acapella version of "unintended". The music is not there so you can clearly hear how he is singing and when he is engaging his mixed voice and falsetto. So my personal final conclusion on whether or not Matt can still hit a C#6, I believe the answer is simply yes he can. As I stated me being only 1 year younger than him if I can hit a A#6 with a lower voice than he has then yeah I think he can still hit it. Mainly because my lowest note being a C2 and it being the lowest note that anyone bothers to measure (lower is ridiculous) then with him only going as low as an E2 then its really only asking him to go 4 notes higher than my highest note. His lowest is already about 5 notes higher, I refuse to believe I have a wider vocal range than Matt Bellamy. If he can't hit it any more then I would have a wider vocal range than him at 41 which would be retarded. Plus his vocals changed to include a more thicker sound not any other reason, you can tell his more recent stuff like "Madness" isn't vocally as thin as something like the chorus of "Plug in Baby" when he was young. It's literally just a thicker vocal and nothing else has changed. He can probably hit it easier now than before, because practice tends to make things easier to do.
@@evilcowboy Wow, reading your comment was very intresting! I will always be fascinated on how people can sing such high notes. I dont know if maybe I'm doing it wrong, or I just have super poor voice range, but I wouldn't make it to even half of video, and im a woman. Also I have no expirience in singing. I feel like with my voice I'm unable to sing anything good enough😥
Wikipedia says Matt is an Baritone and i agree, He easy can do A4s in full chest voice but he doest go higher than that since what 2015, his highest Chest is A#4, the only B4 he did on chest was overdone with much raspyness, so me as an high tenor i can do easy my Chest D#5 but if i want to pass my limits i can really belt to F5 in chest voice but that makes me lost my voice and my voice be so tired.
Admiro como puede ejecutar los agudos sin sonar muy lírico. Los cambios son muy sutiles. Para tener ese rango vocal tan bueno arriba tiene muy buenos graves. Gruesos graves. Tiene una voz hermosa porque la noto brillos a arriba no tan ligera (salvo en las últimas notas que ejecuta) y en los graves es grueso y con cuerpo. Estudio canto lírico y hay muchas cosas que hace Matt que considero muy difíciles de ejecutar. En las últimas notas que hace tiene toda la voz en la cabeza. Bien arriba y atrás. Resuena todo en la parte superior. Eso es re difícil de ejecutar. Que Chabon más genio por dios. Me encantaría escucharlo con mucho más lírico a ver qué más puede dar. Hermoso vídeo!!!
Here’s how I would sum up Matt Bellamy as a singer: Low Register: 8/10 Great control and tone, however he can’t really use it for inflections and sudden octave drops given some of his limitations with crossing the C3 note in particular (basically due to poor vocal agility and a very labored singing style, his ability to dip below C3 in short bursts (which is what many pop and R&B singers do with their lower registers) is quite limited)… Midrange and belting: 7.5/10 Nice power in belts and great ability to sustain them for a long time, but not really good with fast and heavily syncopated melodies. Also while he CAN belt out a B4, his voice ceases to carry a tune at that note and sounds “off”, with Bb4 really being the limit, which while above average for his voice type, is only slightly so (the best singers of that voice type can use Bb4s even in fast melodies, and can belt above C5 SURPRISINGLY OFTEN (actually the best I have identified so far could belt out Eb5-F#5 range notes)). Really Bellamy sounds like he never quite figured out how to let his mix run lighter and more head dominant to belt higher and just drags up chest voice. Head voice/falsetto: 11/10 Chorus and bridge of Micro Cuts, nuff said…one of few singers able to make ENTIRE SONGS in Falsetto and have them work as well… Agility: 4/10 While capable of vocal runs, register flips, and octave jumps, Bellamy’s singing style feels quite labored, and his vocal delivery is ill suited for fast vocal melodies…really this is a huge part of why most Muse songs use relatively simple rhythms, especially for vocal melodies… Overall, I would consider Matt Bellamy solid as a singer with a truly God-tier falsetto register, but only slightly above average everywhere else, likely due to weaknesses with his singing technique that he left unaddressed from the beginning. The fact that he never really grew his belting range for his entire career is definitely not what I would consider a good thing either, especially considering that he probably had to spend an enormous amount of time to just get it to not hurt his throat. Still a very talented singer (and guitarist, and pianist) though…
Estas notas quizás te sirvan: th-cam.com/video/2JDbDKPlxTk/w-d-xo.html 3:15, es muy alto y parece la voz de matt, y en otro de tus vídeos matt hace un E6 riéndose en una entrevista, en las notas más altas de matt de A5 a A6
Hola gracias por el dato, parece ser que la nota del link esta aun en la quinta octava, entre G#5 y A5 diria yo (no estoy seguro pero parece ser que no es la sexta octava) Sobre ese E6, lo removi porque me parece mas como E5 y ademas considero que no es contable, de cualquier forma, ninguna parece pasar su nota mas alta encontrada hasta ahora
La del link tienes razón, me pareció más alta tal vez por como suena, la risa no un E5, si no recuerdo mal un E5 es new born, y parece más alta que el D6 de muscle museum, aunque yo lo hago a oído tal vez me equivoque, y si lo es, por que no cuenta?
Vocal range it's only modal register, falsetto head singing etc don't really count , if I am not wrong his higher note is the "i need to love" line at the end of madness
5:54 to me seems like a perfect example of heady mixed voice. 7:20 as well. But yes a lot of people will watch this video and think they have a high range because they have falsetto, when fact is the tone is so much more important than highest note.
Eva Eilea agreed, it also depends on the power of the persons voice. I for example, break into head voice at around D5 but i lose a fair amount of power in my voice at B4
@@janbelcher1896 now im taking lessons for singing, an my teacher said the i have a really powerful voice and a good control of the air that im using, and i thinks the thats true cuz i can sing everything that there is in this video quite easily, well evreything the my range allows me xd xd,
Hector Cheivz en la versión acústica de THE VOID creo que está su nota más baja hasta ahora, cuando dice “A star” y en los últimos “they are wrong”. Es cierto?
Muchos de sus falsetes son hechos en una voz ya casi tirándole a voz mixta, con suficiente fuerza y distorsión, poder digna de una voz mixta. Las últimas notas son casos como esos, en ese caso, tampoco el F#5 de plug un baby contaría?? O el G#5 de showbiz? Son notas igualmente "gritadas" con un falsete de por medio, pero la distorsión y salvajidad que pone en ellas las hace sonar diferente, más como voz mixta. Además que importa en que registro de voz estén?? Con que tengan buena ejecución y calidad las notas basta para ser contables
@@pendagar449 Hey tough guy, Did that make you feel good to say that to me? Do you think I would slap you silly if you said those same words in front of me? Think about it.
Ulric Raging listen to the last vocal moments of show biz or the entire vocals of micro cuts. A falsetto is like a real high note but not made by a full chest voice note, more like “high pitched” with a constant vibration feel. Hard to explain, but if you listen to those you’ll understand
Falsetto is something every male "could" do. But only a handful of artists mastered this voice type. Like the Bee Gees, Jeff Buckley, Matthew Bellamy, Thom Yorke, Justin Timberlake, Conor Mason etc.
"Dear Friends, BREAKING NEWS ABOUT MATT RANGE:"
I just realized that in the lows in Mk Ultra 1:58 A2 is just the highest note in the melody :O
Actually also. there are an D2, two F2 and three G#2
No fucking way his a dramatic tenor like devin townsend paul stanley jack black, he definetely a full lyric tenor like stevie wonder john farnham
Cant believe that shit came out of your mouth
No fucking way his a dramatic tenor like devin townsend paul stanley jack black, he definetely a full lyric tenor like stevie wonder john farnham
Cant believe that shit came out of your mouth
@@prefernoto4788 Devin Townsend is a baritone lol
@@rustyoldboat9508 no he idnt is a dramatic tenor
@@prefernoto4788 Bruh, have you even heard the lows in "Thing"?
Low notes
0:11 C3 - Falling away with you
0:17 C3 - Follow me
0:23 C3 - Assasin
0:32 C3 - Easily
0:37 C3 B2 - Can't take my eyes off you
0:44 C3 B2 - Sunburn (Astoria)
0:51 B2 - I belong to you
0:59 C#3 B2 - Knights of cydonia
1:08 Bb2 - Madness
1:14 Bb2 - Undisclosed desires
1:29 Bb2 - Uno (Astoria)
1:38 A2 - The globalist
1:45 A2 B2 - Explorers
1:58 A2 - Mk ultra
2:05 C3 A2 - Spiral static
2:11 G#2 - interview
2:20 F#2 G2 - Execution commentary
2:28 C3 E2 - Ashamed (Astoria)
2:39 E2 G2 Bb2 D2 - interview
4:29 I HIIIIIIIT B4
Hahahaha 😂😂
@@hectorcheivz4113 No fucking way his a dramatic tenor like devin townsend paul stanley jack black, he definetely a full lyric tenor like stevie wonder john farnham
Cant believe that shit came out of your mouth
@@prefernoto4788 but he doesn't do a chest B4
@@prefernoto4788 i have a theory that he is counter-tenor because that type of voice has very light highs but yeah i also think he is a low tenor he goes up to B4 with belts or mix and everything else is falsetto or reinforced falsetto. He has great control on those highs and articulation though and whatever vocal type he might be he is amazing.
Even i can hit B4 (even a D5) by belting and i am a very low bass.
@@somekindofdude1130 counter tenor is a choir role not a voice type, he is a lyric tenor most likely
8:27 is fucking unreal
i'm a baritone and i can do that without any push (i can go high to an A5 in falsetto without any training whatsoever), i think he's really impressive in Micro Cuts or in Survival, but that what's not "unreal" imo
0:17 triggered me. Follow me is off the 2nd Law album, not The Resistance.
Same here
Matt hit a C#6 in 2015?? I wonder if he still can. That's impressive.
Don't think he can, despite being just 42-years-old his voice has already aged some bit.
Well I just turned 41......my vocal range is from a C2 to a A#6. And yes with that vocal range I cover a lot of Muse songs and currently working on "Micro Cuts". He hit the C#6 with a scream in a live performance, when it is that high that is literally the only sound you can get out is generally a scream. If I scream the final note in a line I can go up to a A#6.
Since Matt's vocal range is said to be from an E2 to a C#6 because he has a slightly higher voice than me I can see him still being capable of hitting that note with a scream. The reason it is rare to hear him do it is because everyone knows the final note they can sound out is stretching the living crap out of the vocal cords, you could potentially damage your voice doing it, especially with a scream.
You can compare other singers who have done it often and you can see why he isn't going to be doing it too often himself. A good example is Axl Rose, his highest note is a E7 that is a WTF note because it is impossible for about 99.9% of men to hit that high. Now listen to Axl Rose today after having surgery to repair damage done, you can clearly see that screaming a note that high will destroy vocal cords.
Although I can hit an A#6 I will generally refuse to go any higher than a F#5 (the last note of Plug in Baby) because its not that hard on my vocal cords, I can feel them stretching when it gets past that and thats probably not good. It feels like it would do damage over time.
I have studied Matt's method of singing over about 4 months and trying to pick up on what he is doing. The best thing out there to understand his vocal range is the acapella version of "unintended". The music is not there so you can clearly hear how he is singing and when he is engaging his mixed voice and falsetto.
So my personal final conclusion on whether or not Matt can still hit a C#6, I believe the answer is simply yes he can. As I stated me being only 1 year younger than him if I can hit a A#6 with a lower voice than he has then yeah I think he can still hit it. Mainly because my lowest note being a C2 and it being the lowest note that anyone bothers to measure (lower is ridiculous) then with him only going as low as an E2 then its really only asking him to go 4 notes higher than my highest note.
His lowest is already about 5 notes higher, I refuse to believe I have a wider vocal range than Matt Bellamy. If he can't hit it any more then I would have a wider vocal range than him at 41 which would be retarded. Plus his vocals changed to include a more thicker sound not any other reason, you can tell his more recent stuff like "Madness" isn't vocally as thin as something like the chorus of "Plug in Baby" when he was young. It's literally just a thicker vocal and nothing else has changed. He can probably hit it easier now than before, because practice tends to make things easier to do.
@@evilcowboy Wow, reading your comment was very intresting! I will always be fascinated on how people can sing such high notes. I dont know if maybe I'm doing it wrong, or I just have super poor voice range, but I wouldn't make it to even half of video, and im a woman. Also I have no expirience in singing. I feel like with my voice I'm unable to sing anything good enough😥
He can’t, sadly, but he’s been training to get there again.
He sounds so good when he belts those 4 octave notes
CATRA
@@destinybennett666 SHIT IVE BEEN SPOTTED
His range is actually 3 octaves!
@@tutsybassista he means the notes in the 4th octave (from C4-B4) which is 1 octave
That D2 in the interview is crazy how relaxed he hit that is nuts
His low range has been getting better :0
OMG it isn't even a half of the video but his voice is already so high... what I will hear at the end? o_o
Follow Me was in 2012 on The 2nd Law by the way
Zvarri Velociraptor yep, a wrong thing mine
matt's voice in B range is so sexy... just like in madness & undisclosed desires. no wonder I freaking love those songs
Holy fuck i forgot how good knights of cydonia is
Id love for Matt n thom yorke to make a song together it would be awesome xxx
Thom yorke does not like muse, he says that muse is a copy of Radiohead
10:52 that face
little did he know how lucky he was
Wikipedia says Matt is an Baritone and i agree, He easy can do A4s in full chest voice but he doest go higher than that since what 2015, his highest Chest is A#4, the only B4 he did on chest was overdone with much raspyness, so me as an high tenor i can do easy my Chest D#5 but if i want to pass my limits i can really belt to F5 in chest voice but that makes me lost my voice and my voice be so tired.
7:41 sFeeling good lmao
OMG MARCELLO- HELLO-
Admiro como puede ejecutar los agudos sin sonar muy lírico. Los cambios son muy sutiles. Para tener ese rango vocal tan bueno arriba tiene muy buenos graves. Gruesos graves. Tiene una voz hermosa porque la noto brillos a arriba no tan ligera (salvo en las últimas notas que ejecuta) y en los graves es grueso y con cuerpo.
Estudio canto lírico y hay muchas cosas que hace Matt que considero muy difíciles de ejecutar. En las últimas notas que hace tiene toda la voz en la cabeza. Bien arriba y atrás. Resuena todo en la parte superior. Eso es re difícil de ejecutar. Que Chabon más genio por dios. Me encantaría escucharlo con mucho más lírico a ver qué más puede dar. Hermoso vídeo!!!
12:35 that sounded more to a D7 to me, not d6 lol
yeah no thats def in the 7th octave, that sounded like brendon uries d7 but slightly lower so maybe a C7 or C7 flat
@@mag6740 you misunderstood me, I clearly said that to me isn't d6 but D7, read good
@@vocalsvideos458 im quite literally in agreement with you, what? that isnt a d6 its in the whistle register so in the B6 c7 area
Here’s how I would sum up Matt Bellamy as a singer:
Low Register: 8/10
Great control and tone, however he can’t really use it for inflections and sudden octave drops given some of his limitations with crossing the C3 note in particular (basically due to poor vocal agility and a very labored singing style, his ability to dip below C3 in short bursts (which is what many pop and R&B singers do with their lower registers) is quite limited)…
Midrange and belting: 7.5/10
Nice power in belts and great ability to sustain them for a long time, but not really good with fast and heavily syncopated melodies. Also while he CAN belt out a B4, his voice ceases to carry a tune at that note and sounds “off”, with Bb4 really being the limit, which while above average for his voice type, is only slightly so (the best singers of that voice type can use Bb4s even in fast melodies, and can belt above C5 SURPRISINGLY OFTEN (actually the best I have identified so far could belt out Eb5-F#5 range notes)). Really Bellamy sounds like he never quite figured out how to let his mix run lighter and more head dominant to belt higher and just drags up chest voice.
Head voice/falsetto: 11/10
Chorus and bridge of Micro Cuts, nuff said…one of few singers able to make ENTIRE SONGS in Falsetto and have them work as well…
Agility: 4/10
While capable of vocal runs, register flips, and octave jumps, Bellamy’s singing style feels quite labored, and his vocal delivery is ill suited for fast vocal melodies…really this is a huge part of why most Muse songs use relatively simple rhythms, especially for vocal melodies…
Overall, I would consider Matt Bellamy solid as a singer with a truly God-tier falsetto register, but only slightly above average everywhere else, likely due to weaknesses with his singing technique that he left unaddressed from the beginning. The fact that he never really grew his belting range for his entire career is definitely not what I would consider a good thing either, especially considering that he probably had to spend an enormous amount of time to just get it to not hurt his throat. Still a very talented singer (and guitarist, and pianist) though…
12:15
GODDAMN THIS IS SO GOOD
Can you do yolandi visser die antwoord pls????
2:57
Follow me in 2009? In resistance album? I was wrong
Follow Me Is from The 2nd Law Is’nt it?
Yes
Matt Bellamy é o Vitas do Rock kkkk
I'm not professional, but does scraming really counted as vocal range😂
yes
In this case yeah, cause they're inside a musical context, though he's not singing
Estas notas quizás te sirvan: th-cam.com/video/2JDbDKPlxTk/w-d-xo.html 3:15, es muy alto y parece la voz de matt, y en otro de tus vídeos matt hace un E6 riéndose en una entrevista, en las notas más altas de matt de A5 a A6
Hola gracias por el dato, parece ser que la nota del link esta aun en la quinta octava, entre G#5 y A5 diria yo (no estoy seguro pero parece ser que no es la sexta octava)
Sobre ese E6, lo removi porque me parece mas como E5 y ademas considero que no es contable, de cualquier forma, ninguna parece pasar su nota mas alta encontrada hasta ahora
La del link tienes razón, me pareció más alta tal vez por como suena, la risa no un E5, si no recuerdo mal un E5 es new born, y parece más alta que el D6 de muscle museum, aunque yo lo hago a oído tal vez me equivoque, y si lo es, por que no cuenta?
0:44 😂😂😂
Can you do Reggie Watts please :D
EAISLY.
He compared to Jeff Buckley's voice
Where's Spiral Static for the lower notes?
I added the A2 when also hits C3 if i remember well
@@hectorcheivz4113 You're right! Sorry, I'm an idiot!! Nice video ❤️
Lmao follow me with the resistance album? 😂
Vocal range it's only modal register, falsetto head singing etc don't really count , if I am not wrong his higher note is the "i need to love" line at the end of madness
then mariah carey doesnt have 5 octave then
5:54 to me seems like a perfect example of heady mixed voice. 7:20 as well. But yes a lot of people will watch this video and think they have a high range because they have falsetto, when fact is the tone is so much more important than highest note.
My vocal range is G2 - D6, idk if that is good or something. Someone can explain me plz?
overall that's a great range! It depends where your chest voice breaks into headvoice also.
@@janbelcher1896 normaly starts breaking into head voice in like a E5, but im not sure xd
It’s a wide range but range alone doesn’t really mean anything else
Eva Eilea agreed, it also depends on the power of the persons voice. I for example, break into head voice at around D5 but i lose a fair amount of power in my voice at B4
@@janbelcher1896 now im taking lessons for singing, an my teacher said the i have a really powerful voice and a good control of the air that im using, and i thinks the thats true cuz i can sing everything that there is in this video quite easily, well evreything the my range allows me xd xd,
En mk ultra no es A1? Es super grave
Y parece voz rota además, a menos que se refiera a otra nota
La verdad dudo que pueda dar A1 en pecho juzgando que debajo de G#2 él suena poco resonante en sus bajos, debe ser él efecto del vocoder
Hector Cheivz por eso, para mi eso debe de ser vocal fry
Hector Cheivz en la versión acústica de THE VOID creo que está su nota más baja hasta ahora, cuando dice “A star” y en los últimos “they are wrong”. Es cierto?
¿Con la voz tan aguda que tiene? Imposible... 😅
follow me was 2012.. Lmao
Dear Matt: Conor Mason is coming to take your crown.
Estoy de acuerdo que Matt bellamy canta muy bien, pero los ultimos no son falsetes, son gritos 🙄
Muchos de sus falsetes son hechos en una voz ya casi tirándole a voz mixta, con suficiente fuerza y distorsión, poder digna de una voz mixta. Las últimas notas son casos como esos, en ese caso, tampoco el F#5 de plug un baby contaría?? O el G#5 de showbiz? Son notas igualmente "gritadas" con un falsete de por medio, pero la distorsión y salvajidad que pone en ellas las hace sonar diferente, más como voz mixta.
Además que importa en que registro de voz estén?? Con que tengan buena ejecución y calidad las notas basta para ser contables
Falsetto is not full voice.
shut up nerd
@@pendagar449 Hey tough guy, Did that make you feel good to say that to me? Do you think I would slap you silly if you said those same words in front of me? Think about it.
@@VIDEOHEREBOB th-cam.com/video/HKNLyjpo0Ss/w-d-xo.html
😂😂😂you two👌 that "think about it" was so good😂
still count in vocal range
Falsettos shouldn't be counted
This may sound dumb but what’s a falsetto?
Ulric Raging listen to the last vocal moments of show biz or the entire vocals of micro cuts. A falsetto is like a real high note but not made by a full chest voice note, more like “high pitched” with a constant vibration feel. Hard to explain, but if you listen to those you’ll understand
Mailo Y PORKY oh okay, thank you
Ulric Raging Easy way to describe Falsetto = Male imitate Female soft voice
Falsetto is something every male "could" do.
But only a handful of artists mastered this voice type. Like the Bee Gees, Jeff Buckley, Matthew Bellamy, Thom Yorke, Justin Timberlake, Conor Mason etc.