Yep, 100% This recording is up there with other landmark sessions. It represents so much scope and context, in the incredible American tree that is jazz. The journey of jazz crystallised. It reminds me of Marsalis, Mingus, Morton, in its intention and belief in jazz as a serious musical discipline.
I would have tried to nonchalantly exit the room if I was going to play a solo after Patrick Bartley . I was scared for Bruce Harris , but he pulled an awesome solo out of his genius mind .It took guts to follow Mr. Bartley. Amazing Stuff it doesn’t get any better then this
@@seabasszamarripa8252not sure about the sound but at least in terms of notes Harris played way more out stuff than Brown did, at least according to my limited number of Brown’s recording I listened to. Both are awesome though!
ur doing the jazz community a big favour by transcribing all these solos. i loved that you kept this in concert pitch with chords and the line it makes it really easy to follow! wonderful job keep up the great work!!!
The entire video with every single note from each musicians lives rent free in my head ! It's true that Mister Bartley Went full Super Sayan in this one. And the way Mr Harris picks up and sets up his own mood in his solo afterwards is just phenomenal ! I love you guys, thank you for giving us such beauty.
Patrick is absolutely a beast on saxophone! Thank you for putting this together. Well deserved recognition of greatness by all involved in this epic artistic creation.
@@seabasszamarripa8252haha you are insane, this lick in „brownie speaks“ is actually played in the original at 0:45s by Cliff Brown. Thanks for letting me know ;)
Amazing work man. This performance is one for the ages in terms of its formal exploration of jazz, and to see it notated makes you appreciate it on whole other levels. Congrats
I tried clicking on the link to the transcribed solos, but was brought to an error page! beastly transcriptions for one of my favorite live from emmet's place recordings. absolutely beautiful job.
Geniales Solo von Patrick Bartley aber leider falsch transkribiert für Alt-Saxophon. Das Instrument hat einen Tonumfang vom tiefen Bb (Bb 0)bis zum hohen Fis (F# 3). Nicht mehr und nicht weniger. Das wusste wohl die Software nicht?
Es ist in Konzerttonhöhe geschrieben, um das melodische Material des Solos analysieren zu können. Ich verstehe, was Sie sagen (ich spiele auch ein bisschen Altsaxophon). Auf meiner Website (lukabolte05.wixsite.com/my-site-3) finden Sie die korrekte Transkription zum Spielen des Solos (Tonart Eb).
Bar 1, beat 3, LH: That's a G below middle C, not middle C. Bar 5, 'and' of beat 1, LH: That's a perfect fifth interval of Bb and F, not an octave. Bar 500, 'and' of beat 3, LH: This chord goes EbBbD, i.e. Ebmin(maj7). The second voicing is correct.
Hey Debbie, I'm glad you like it! If i remember correctly took about 2 -3 days (I was in my final year of school at the time and was still getting around how to use the notation software)!
@@fresamouse Brilliant work! I've done a couple of "transcriptions" of Emmet Cohen's ballad cadenza's: Not perfect, but listened repeatedly to his ideas, figured them out at the piano best as I could, jotted down first in pencil, entered by hand onto an old notation software called Encore - a very old school way - but satisfying to be able to feel EC's gorgeous ideas in my own hands & good training for my (non perfect pitch) ears! What software did you use?
sure thing. so Emmet is essentially starting midway through the B section of the melody. In the song, the chord progression repeats twice, except for the change of that second time variation it lingers on the ii minor chord (Cm - G7 - Cm) tonicsizing it with the dominant, instead of a 2 5 1 into the tonic as it does the first time. He's basically starting on the lyric "someday when you feel lonely." as playing through almost the entire second half of the changes as the intro ( Cm / G7 / Cm / Ebm7 Ab7 / Bb / Am7(b5) D7 / Gm / Gdim7 / Dm7 / G7 / Cm7 / F7 / Bb / / / E+7 )
Why is the trumpet transcription writing in c? You have to transpose the trumpet up 1 step. Same with sax, it's written in c but it's supposed to be Eb. Yeah you can play the parts on piano, but not on the correct instruments.
glad you asked. it's a concert pitch transcription for objectivity's sake. when there are three solos in one video, you can examine the difference in approach to soloing in the three players(what chord tones/ extensions they rely on, space, etc.). But there are also Eb, and Bb transcriptions in the link in the description. :)
The short answer is "bebop," which tends to involve a lot of complex flowing melodic lines, rhythmic call and response, small band improvisation, and often a simple understandable 32 bar harmonic structure. Here Patrick Bartley is taking inspiration from musicians like Cannonball Adderly, Miles Davis etc.
I guess it's alright, but too many rhythmic mistakes make this a bad follow. Like in the case of bar 161 -the worst culprit-, that's clearly not how the line goes.
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Amazing work!!
hi emmet
Please get someone to transcribe your solo from the other live performance you guys did on this tune. It was amazing and longer. Big fan
It’s the man himself. I really appreciate everything you’re doing for the jazz scene and music as a whole.
🐐🐐🐐🐐
🐐🐐🐐🐐🐐
One of the greatest live jazz recordings in the last decade
Literally goosebumps :)
Yep, 100% This recording is up there with other landmark sessions. It represents so much scope and context, in the incredible American tree that is jazz. The journey of jazz crystallised. It reminds me of Marsalis, Mingus, Morton, in its intention and belief in jazz as a serious musical discipline.
It really is.
My mental health could not survive transcribing this. Beautiful job
I would have tried to nonchalantly exit the room if I was going to play a solo after Patrick Bartley . I was scared for Bruce Harris , but he pulled an awesome solo out of his genius mind .It took guts to follow Mr. Bartley. Amazing Stuff it doesn’t get any better then this
In 1959, I bought a record album, The Jazz Poll Winners 1959. That album set my 13 years old ears on fire, and now this. Thank you. I'm alive again.
Bravo.
Holy shit this guy actually transcribed the whole thing
Bartley’s solo is like if Coleman Hawkins took a Time Machine 100 years into the future
Definitely, great analogy!!! I was hearing Colman Hawkins and Benny Carter
And Harris sounds like if Clifford Brown did the same!
@@seabasszamarripa8252not sure about the sound but at least in terms of notes Harris played way more out stuff than Brown did, at least according to my limited number of Brown’s recording I listened to. Both are awesome though!
1:23 - 1:45 are one of the best lines I've ever heared!
One of my fave moments at Emmet’s Place - makes me happy no matter how often I listen- great transcription
Thanks:) Yeah it's definitely one of the top shelf jams at Emmet's place. And super re-listenable.
Knowing how transcribe this is literally too much power for any one musican
Absolute masterpiece--the best music ever--especially Patrick's solo
ur doing the jazz community a big favour by transcribing all these solos. i loved that you kept this in concert pitch with chords and the line it makes it really easy to follow! wonderful job keep up the great work!!!
This deserves some kind of special award. A really special one
The entire video with every single note from each musicians lives rent free in my head ! It's true that Mister Bartley Went full Super Sayan in this one. And the way Mr Harris picks up and sets up his own mood in his solo afterwards is just phenomenal ! I love you guys, thank you for giving us such beauty.
Patrick is absolutely a beast on saxophone! Thank you for putting this together. Well deserved recognition of greatness by all involved in this epic artistic creation.
Wow, Patrick Bartley is the chef's kiss of chef's kisses. Bravo all!
4:13 absolutely insane. Whole trumpet solo soooo good. Love it.
One of my fav licks. It's a Clifford Brown quote from the tune "Brownie Speaks." Be sure to check it out if you haven't already!
@@seabasszamarripa8252haha you are insane, this lick in „brownie speaks“ is actually played in the original at 0:45s by Cliff Brown. Thanks for letting me know ;)
Amazing work man. This performance is one for the ages in terms of its formal exploration of jazz, and to see it notated makes you appreciate it on whole other levels. Congrats
Nothing to add to this beautiful post. Just commenting for the algo to show more people
This is absolutely bonkers!! just got a subscriber. incredible work Luka!
cheers :)
Bartley……killed……that…….solo. Wow.
Patricks solo was so good that I forgot how good Bruces and Emmets was
Sparklingly funny! Following Patrick Bartley from now on. Thank you all!
My favourite Patrick Bartley solo. Great job 👏
YO
service to humanity right here
This is marvelous
This a recording for eternity!
Absolutely amazing transcription work!
NO WAY. THIS IS AMAZING
Wow!!! Bravo. What a performance. And thanks so much for the transcription
Great work ❤❤❤
Cello taking my OUT! Yess!
I tried clicking on the link to the transcribed solos, but was brought to an error page! beastly transcriptions for one of my favorite live from emmet's place recordings. absolutely beautiful job.
if u email me i'll send a chart pdf if you want(lukabolte05@icloud.com)
It’s insane that you actually did this i can’t imagine how much work it took
People that transcribe and post it for free are saints
Wow! truly amazing work. thank you for sharing this. you are an absolute beast.
Insane playing from everyone involved! Thnx for the transcription
Amazing!! I've really enjoyed this interpretation 😊 Thanks for sharing!!❤
Incredible!
Amazing job, thanks for the transcription!
Waouh beautiful work …! Thanks a lot !!
Damn you guys are good
Wow ditto.....Incredible transcribing job bro!
Geniales Solo von Patrick Bartley aber leider falsch transkribiert für Alt-Saxophon. Das Instrument hat einen Tonumfang vom tiefen Bb (Bb 0)bis zum hohen Fis (F# 3). Nicht mehr und nicht weniger. Das wusste wohl die Software nicht?
Es ist in Konzerttonhöhe geschrieben, um das melodische Material des Solos analysieren zu können. Ich verstehe, was Sie sagen (ich spiele auch ein bisschen Altsaxophon). Auf meiner Website (lukabolte05.wixsite.com/my-site-3) finden Sie die korrekte Transkription zum Spielen des Solos (Tonart Eb).
Bar 1, beat 3, LH: That's a G below middle C, not middle C.
Bar 5, 'and' of beat 1, LH: That's a perfect fifth interval of Bb and F, not an octave.
Bar 500, 'and' of beat 3, LH: This chord goes EbBbD, i.e. Ebmin(maj7). The second voicing is correct.
yeah i also wrote B instead of Bb as a chord symbol a few times:)
Great Bartley!!
LOVE IT
6:55
que genios
I’m clapping at home, very enjoyable
This is sick! Thank you!!
Well Dayum!
Absolutely amazing video! Is there any way to find the transposed version of this?
Thanks for asking:) lukabolte05.wixsite.com/my-site-3 has Eb, Bb & C charts.
Whao !! Great respect
Here before 1mill remember me
man, patrick bartley!
The Eb on the fourth beat of measure 12 in the piano intro should be a Db or C#. This is amazing work and would have taken me forever to transcribe.
at 0:31, it sounds like patrick is descending down to the a instead of a half note then a rest, i could be wrong tho
The Gb's in pickup to m. 394 and in 394 are just F i think. He's not putting down 2+3 valve at all until the next measure
Did you hear Tpt after Alto?...he spaced his notes & created his own space. That = musical intelligence.
absoutely. Bruce Harris - a master of space!
incredible! Subscribed
wow. swingin
Wooooooowwwwwww ❤❤❤❤❤❤❤
Nice intro!
GOD... DAMN!!!
Wow how much time does it take to make this Transcription ❤❤❤🎉
💥💥💥
I want to get the E♭score !
🔥
👏👏👏👏👏👏👏
Thanks so much for sharing this super transcription - it's an ear & eye opener! How long did it take, may I ask?
Hey Debbie, I'm glad you like it! If i remember correctly took about 2 -3 days (I was in my final year of school at the time and was still getting around how to use the notation software)!
@@fresamouse Brilliant work! I've done a couple of "transcriptions" of Emmet Cohen's ballad cadenza's: Not perfect, but listened repeatedly to his ideas, figured them out at the piano best as I could, jotted down first in pencil, entered by hand onto an old notation software called Encore - a very old school way - but satisfying to be able to feel EC's gorgeous ideas in my own hands & good training for my (non perfect pitch) ears! What software did you use?
This is amazing! How many hours did it take?
too many. like over 10 hours cos i procrastinate a lot
@@fresamouse it takes me ten hours to transcribe a 2 minute solo 💀 respect
👌
How to buy this amazing transcription?
for free (lukabolte05@icloud.com). let me know which solo and if you want Eb, Bb or concert pitch.
bro what about the drums?
Laboratory of Ideas, Jazz At Lincoln Center
형 사랑해
Is the wix down? I was hoping to see the transcriptions. Man awesome work!!!!!
should be working now. if not, email me and i'll send you the transcriptions (lukabolte05@icloud.com).
Now do the drum solo transcribe the drum solo and the rest🗿
great job!
the link is down:(
email me i'll send you pdfs(lukabolte05@icloud.com)
Can someone explain the harmony of the intro?
sure thing. so Emmet is essentially starting midway through the B section of the melody. In the song, the chord progression repeats twice, except for the change of that second time variation it lingers on the ii minor chord (Cm - G7 - Cm) tonicsizing it with the dominant, instead of a 2 5 1 into the tonic as it does the first time. He's basically starting on the lyric "someday when you feel lonely." as playing through almost the entire second half of the changes as the intro ( Cm / G7 / Cm / Ebm7 Ab7 / Bb / Am7(b5) D7 / Gm / Gdim7 / Dm7 / G7 / Cm7 / F7 / Bb / / / E+7 )
@@fresamouse Wow. Brilliant. Thank you so much.
comment le sax alto peut faire un fa aussi bas à 0:35 ?
cette transcription vidéo est en pitch de concert
@@fresamouse ok je comprends mieux, je te remercie pour cette précision
Why is the trumpet transcription writing in c? You have to transpose the trumpet up 1 step. Same with sax, it's written in c but it's supposed to be Eb. Yeah you can play the parts on piano, but not on the correct instruments.
glad you asked. it's a concert pitch transcription for objectivity's sake. when there are three solos in one video, you can examine the difference in approach to soloing in the three players(what chord tones/ extensions they rely on, space, etc.). But there are also Eb, and Bb transcriptions in the link in the description. :)
8:08
Are the horn parts written in concert pitch, would explain why they're so fucked up
yep. there are Bb, and Eb transcriptions at the link in the description :)
What's this type of jazz called?
The short answer is "bebop," which tends to involve a lot of complex flowing melodic lines, rhythmic call and response, small band improvisation, and often a simple understandable 32 bar harmonic structure. Here Patrick Bartley is taking inspiration from musicians like Cannonball Adderly, Miles Davis etc.
Good jazz.
There some moments where Patrick B surpassed John C
2:58 hell ya man
:)
Why would you do something so controversial yet so brave?
Because he can.
come on transcribe the drum solo lmao
Who is the bassist?
the one and only Russell Hall! :)
Why is the sax solo so loowww
It's in concert pitch that's why
I guess it's alright, but too many rhythmic mistakes make this a bad follow. Like in the case of bar 161 -the worst culprit-, that's clearly not how the line goes.
slow it down:)
Not to be rude but at 0:32 I believe you missed the notes of Patrick playing down to the next measure
Yeah screw the drummer!
Haha no, Joe Saylor is an absolutely incredible drummer :)
Lovely work!
3:38
0:47