Kagyraa or growl depending on how you do it. If you just use that harsh throat growl to make bass heavy pitches, it’s a growl, and between that and inhale those are the techniques that allow for the lowest pitchers (I can get F0 and I’m a baritone, false cord work isn’t as dependent on true vocal range)
alot of people accuse me of fry when they hear me sing a projected B1 when i swear to god it's not fry. ( iam a tenor with a light timbre) then they hear me speak and its like wtf because then i suddenly can only produce a quiet C#2 if even D2. but then the next day i will literally comfortably speak in a loud C#2 / C2 and have a Bb1 and my entire timbre changes to darker and fuller. please explain what is going on.
Sensational! Very well, my brother! I really liked your explanation. I've been a musician for years and the explanation was great. It really makes sense. 👏🏻👏🏻👏🏻
Nice explanation! I would love a second part exploring the in betweens and fried chest! Your chest fry sounds q bit to fryed, but it’s probably because you are going for projection rather than warmth, I can actually have to distinct chest fry mix settings and the more chesty one, I can transition from chest with almost no shift or change. And then I have a pretty full and warm fried chest but my lowest is a quiet G1 :/
I enjoyed this video and it is refreshing to see someone speak about this and not condemn it like others. Chest voice I can get to an F1 on any given day. G1 is my fav chest note. E1 on a very good day. I can fry unusually low though. Lowest recently was C-3 and C-2. I will get back to posting videos and post those clips. On any given day I can fry to a B-1. I found that D0 is about as low as you can get in fry and keep a decent musical resonance to the note. Notes like the C-2 and C-3 sound like a heart beat. Anything lower and the beats become too infrequent and sound weird. I personally don't like subharmonics. The lowest I can go with it is C1 but it is something I just personally don't like.
I usually use sub-harmonics in most scenarios... vocal Fry is what I use to hit my absolute lowest register when I’m in choir and want to shake things up during a concert. My chest register: Eb4-G1 Chest-Fry: F#1-A0 Vocal Fry: Ab0-F#-1 I am a definite bass voice... my chest range is heavy and my fry register has caused speakers to fizzle out momentarily.
Mixed Voice can be broken into two categories Chest Dominant and Head Dominant. It will have a lighter and airy sound like Head Voice, but will still be supported and full like Chest Voice. It will be at the top of your transition from Mixed Voice into Head Voice: Chest - Mixed - Head - Falsetto. Work on bridging the gap between those three registers.
Good video friends,we're talking in discord a little weeks ago I don't like to chest-fry for me obvious Probally I'm make wrong because I fell so much pain in my neck when I try
Hey thank you!! Yeah it’s quite possible that you have it positioned wrong in your throat or just are doing it wrong entirely. Trying naturally sliding from chest into fry and you’ll hear where the two registers mix. That point is chest-fry/fried chest. I’m planning to also make another video talking about/explaining the difference between fried chest vs. chest-fry mix...hopefully within the next day or two.
Actually there are more classifications then that. The parentheses is the general chest range and the inside of the parentheses is the tessitura or comfortable range. The range in which a given type of voice presents its best-sounding (or characteristic) timbre. This broad definition is often interpreted to refer specifically to the pitch range that most frequently occurs within a given part of a musical piece. However, the tessitura of a part or voice is not decided by the extremes of their range, but rather by which share of this total range is most used. Countertenor: (C3)E3-E5(G5) High Tenor: (B2)D3-D5(F5) Tenor: (A2)C3-C5(Eb5) Low Tenor: (G#2)B2-B4(D5) Baritenor: (G2)Bb2-Bb4(C#5) High Baritone: (F2)A2-A4(B4) Baritone: (E2)G#2-G#4(Bb4) Low Baritone: (D2)G2-G4(A4) Bass-Baritone: (C2)F#2-F#4(G#4) Bass: (B1)E2-E4(G4) Basso Profundo: (A1)C2-C4(E4)
Yeah I can hit an E2 regularly and I've never thought of myself as a bass... According to Evan's comment I'm a low baritone, though I can get down to B1 in the mornings on a good day.
If your talking voice is below E2 in the day, you are a bass. But the voice that you get when you awake in the morning doesnt count, i was thinking that im a bass because of that morning voice, but i learned that it doesnt mean that you are bass because that you have a bass vocal range or you are talking at E2 note in the morning. When i awake, i became bass for 1 or 2 hours, my talking voice becames D2-E2 in the morning but 2 hours later, it turns to F2-C3. I really like that deep talking, i wish that i can talk at that note everyday but it just goes away. For now, im a low baritone. My vocal range is D2-A4, but if i want to sing with comfortly, it becames E2-D4. But 2 months ago, my vocal range was between F2-C4. I gained some notes with just normal singing (Im singing a bit louder than talking voice because i live in a apartment lol). I hit C2 just twice, i hope that i will gain that note too.
I think you have my same range and you're not a true bass, I think you are a bass-baritone. It's something in the middle between the bass singer and the dramatic Baritone. A regular bass have more power on the low notes and you don't have that kind of low voice. You're still bass but specifically bass-baritone.
@@evansbat You definitely have a lower voice. Your voice is totally capable of singing bass.( on-mic or off mic in choir).Infact your voice( Not the range itself ) is as low as many acapella bass singers. You're not quite a true bass or true bass baritone more like a lower baritone( still quite a low voice). Though that doesnt matter, as if you can sing bass well, no issues identifying as a bass.
@@reubenthomas7907No, it's not. He spoke in vocal fry most of the time. He is definitely not a bass, at least when this video was made. Maybe his voice changed, but he is far from a bass in this video.
With all due respect, you are not really a bass. You can barely reach D2 and when you do you seem to have to concentrate a lot, and with almost no volume, no bass has ever had to make an effort to reach D2, basses speak comfortably around that note, and that is not your case
@@evansbat Then you should record yourself singing in G1. But I don´t think you will be able to, you already started frying your voice in C2, and you didn´t really reach D#2 until you tried to sing D2. I´ve seen this many times before, baritones who try so hard to enter the bass realm, not really healthy, if I were you I would work on my resonators and my best vocal range, otherwise you will end up like most bass-fakers, with a semi-low range with no depth or volume
Dude i dont think you are a bass. Your voice has a lot of fry in it but its not that low. ive heard many dramatic and low baritones sound lower than you.
My speaking voice is not really low, but daily chest range without morning voice is (B1)C2-E4(F4) and with morning voice it’s G#1-B1 and highest recorded (belted) chest is A4 like 3-4 times and Bb4 once.
Plus I was also the deepest bass in both my high school and college choruses. In high school I was the only one who could chest below E2 and in college I’m the only one who can chest a C2.
@@evansbat everything you said points to baritone. Your passagio is not a bass passagio, your low notes (not counting the morning voice because even me, a high baritone can produce Bb1 in the morning) are not as low as you think.
Luiz Soares Agree to disagree lol. Check out some of my other videos, if you don’t believe me. Most baritones I know can’t chest below E2. I can project an E2 over 20ft. without the harmonies from a chorus to bring it out more.
Luiz Soares Eric Alatorre just sounds like a regular bass, but the guy blasts F#1’s off mic any time. Your speaking voice doesn’t define your range in most cases. It may be a close guess, but not a definite for sure.
discord.gg/6G7Bx9
Fry isn't actually made by the false folds. It's made by an aperiodic cycle of the true chords. The tecnique you're talking about is called kargyraa.
Gianluca Ranucci yeah I realized that after I made the video 😂
Kagyraa or growl depending on how you do it. If you just use that harsh throat growl to make bass heavy pitches, it’s a growl, and between that and inhale those are the techniques that allow for the lowest pitchers (I can get F0 and I’m a baritone, false cord work isn’t as dependent on true vocal range)
alot of people accuse me of fry when they hear me sing a projected B1 when i swear to god it's not fry. ( iam a tenor with a light timbre) then they hear me speak and its like wtf because then i suddenly can only produce a quiet C#2 if even D2. but then the next day i will literally comfortably speak in a loud C#2 / C2 and have a Bb1 and my entire timbre changes to darker and fuller.
please explain what is going on.
the soundeffects are hilarious lmao
thank you for the explanation!
bro you kinda look like the head mod from that BSN discord thing
Idk tho, maybe he just has one of those faces.
just saying u didnt actually hit most of the notes apart from A2 to E2
me watching this with a lot of people thinking all i use is chest-fry 👁 👄 👁
No I think you use both chest and chest-fry. It’s a little unclear at times which you’re using, but you definitely use both.
Does your vocal fry resonate in your chest? My vocal fry doesn't :(
@@Nipsu78090 It can at times, but more so in the lower neck/bottom of throat and some in the upper chest.
@@evansbat For me fry notes that are higher than about C1 can barely resonate in upper chest but mostly in bottom of throat.
Sensational! Very well, my brother! I really liked your explanation. I've been a musician for years and the explanation was great. It really makes sense. 👏🏻👏🏻👏🏻
Nice explanation! I would love a second part exploring the in betweens and fried chest! Your chest fry sounds q bit to fryed, but it’s probably because you are going for projection rather than warmth, I can actually have to distinct chest fry mix settings and the more chesty one, I can transition from chest with almost no shift or change. And then I have a pretty full and warm fried chest but my lowest is a quiet G1 :/
byChimuelo I may make another video explaining chest-fry vs. fried chest...not sure, but it’s definitely a possibility.
Thanks man.
nice video
nice channel dude!!!
Thanks I’m glad you like it!
I enjoyed this video and it is refreshing to see someone speak about this and not condemn it like others. Chest voice I can get to an F1 on any given day. G1 is my fav chest note. E1 on a very good day. I can fry unusually low though. Lowest recently was C-3 and C-2. I will get back to posting videos and post those clips. On any given day I can fry to a B-1. I found that D0 is about as low as you can get in fry and keep a decent musical resonance to the note. Notes like the C-2 and C-3 sound like a heart beat. Anything lower and the beats become too infrequent and sound weird. I personally don't like subharmonics. The lowest I can go with it is C1 but it is something I just personally don't like.
Record:
(Eb-4-F2): Vocal Fry
(C-2-C3): Inhale/Ingressive Phonation
(F0-A2): Growl
(G#0-Bb0-F4): Subharmonics
(D0-F2): Chest-Fry Mix
(D1-C3): Fried Chest/Strohbass
(G1-B4): Chest Voice
Daily:
(C-2-D2): Vocal Fry
(G-1-G2): Inhale/Ingressive Phonation
(A0-E2): Growl
(C#1-F2): Subharmonics
(G0-F2): Chest-Fry Mix
(F1-G2): Fried Chest/Strohbass
(B1-G4): Chest Voice
Where is the BSN link ma dude
good video though, mostly done
facts where it at
Tis pinned now
Great video :)
Thanks Adam!! 💞
I usually use sub-harmonics in most scenarios... vocal Fry is what I use to hit my absolute lowest register when I’m in choir and want to shake things up during a concert.
My chest register: Eb4-G1
Chest-Fry: F#1-A0
Vocal Fry: Ab0-F#-1
I am a definite bass voice... my chest range is heavy and my fry register has caused speakers to fizzle out momentarily.
Record Full Vocal Range: (Eb-4-C7)
(Eb-4-F2): Vocal Fry
(C-2-C3): Inhale/Ingressive Phonation
(F0-A2): Growl
(G#0-B0-B2): Subharmonics
(D0-F2): Chest-Fry Mix
(D1-C3): Fried Chest/Strohbass
(G#1-Bb4): Chest Voice
(A3-A5): Head Voice
(G2-Bb5): Falsetto
(G#4-C7): Whistle
Daily Full Vocal Range: (C-2-D6)
(C-2-D2): Vocal Fry
(G-1-G2): Inhale/Ingressive Phonation
(A0-E2): Growl
(C#1-F2): Subharmonics
(G0-F2): Chest-Fry Mix
(F1-G2): Fried Chest/Strohbass
(B1-G4): Chest Voice
(C4-G5): Head Voice
(B2-G5): Falsetto
(D5-D6): Whistle
Is there a difference between Chest Fry and Subharmonics?
Yes there is a big difference. They are two different extended techniques.
nice video, that helped me a lot :)
Chest fry mix didn't even know it existed.
Happy to enlighten ☺️
How to sing in head dominant mix?
Mixed Voice can be broken into two categories Chest Dominant and Head Dominant. It will have a lighter and airy sound like Head Voice, but will still be supported and full like Chest Voice. It will be at the top of your transition from Mixed Voice into Head Voice: Chest - Mixed - Head - Falsetto. Work on bridging the gap between those three registers.
Good video friends,we're talking in discord a little weeks ago
I don't like to chest-fry for me obvious
Probally I'm make wrong because I fell so much pain in my neck when I try
Hey thank you!! Yeah it’s quite possible that you have it positioned wrong in your throat or just are doing it wrong entirely. Trying naturally sliding from chest into fry and you’ll hear where the two registers mix. That point is chest-fry/fried chest. I’m planning to also make another video talking about/explaining the difference between fried chest vs. chest-fry mix...hopefully within the next day or two.
E2 is regular lowest of a bass
G2 is baritone, and C3 tenor my friend, still, nice content overall
Actually there are more classifications then that. The parentheses is the general chest range and the inside of the parentheses is the tessitura or comfortable range. The range in which a given type of voice presents its best-sounding (or characteristic) timbre. This broad definition is often interpreted to refer specifically to the pitch range that most frequently occurs within a given part of a musical piece. However, the tessitura of a part or voice is not decided by the extremes of their range, but rather by which share of this total range is most used.
Countertenor: (C3)E3-E5(G5)
High Tenor: (B2)D3-D5(F5)
Tenor: (A2)C3-C5(Eb5)
Low Tenor: (G#2)B2-B4(D5)
Baritenor: (G2)Bb2-Bb4(C#5)
High Baritone: (F2)A2-A4(B4)
Baritone: (E2)G#2-G#4(Bb4)
Low Baritone: (D2)G2-G4(A4)
Bass-Baritone: (C2)F#2-F#4(G#4)
Bass: (B1)E2-E4(G4)
Basso Profundo: (A1)C2-C4(E4)
Yeah I can hit an E2 regularly and I've never thought of myself as a bass...
According to Evan's comment I'm a low baritone, though I can get down to B1 in the mornings on a good day.
@@KristianC1994 it depends on more than just range. Look up the passaggios and see where your voice is the most resonant.
If your talking voice is below E2 in the day, you are a bass. But the voice that you get when you awake in the morning doesnt count, i was thinking that im a bass because of that morning voice, but i learned that it doesnt mean that you are bass because that you have a bass vocal range or you are talking at E2 note in the morning.
When i awake, i became bass for 1 or 2 hours, my talking voice becames D2-E2 in the morning but 2 hours later, it turns to F2-C3. I really like that deep talking, i wish that i can talk at that note everyday but it just goes away.
For now, im a low baritone. My vocal range is D2-A4, but if i want to sing with comfortly, it becames E2-D4. But 2 months ago, my vocal range was between F2-C4. I gained some notes with just normal singing (Im singing a bit louder than talking voice because i live in a apartment lol). I hit C2 just twice, i hope that i will gain that note too.
I can hit an E2 in chest voice
I think you have my same range and you're not a true bass, I think you are a bass-baritone. It's something in the middle between the bass singer and the dramatic Baritone. A regular bass have more power on the low notes and you don't have that kind of low voice. You're still bass but specifically bass-baritone.
I started to laugh when you said that you a basso)
I’m not a Basso Profundo, however I am a Bass
@@evansbat of course I noticed that you not profundo, but low notes too weak for bass. You sounds like central baritone for me
@@torrentinocom Check out my other videos, projection on this wasn’t great. I’ve projected Eb2-D2 from over 50ft away.
@@evansbat You definitely have a lower voice. Your voice is totally capable of singing bass.( on-mic or off mic in choir).Infact your voice( Not the range itself ) is as low as many acapella bass singers. You're not quite a true bass or true bass baritone more like a lower baritone( still quite a low voice). Though that doesnt matter, as if you can sing bass well, no issues identifying as a bass.
@@reubenthomas7907No, it's not. He spoke in vocal fry most of the time. He is definitely not a bass, at least when this video was made. Maybe his voice changed, but he is far from a bass in this video.
Your chest notes below E2 are very sharp, and not close to the intended note. They also lack resonance and power.
Check out my more recent stuff, this was over two years ago
With all due respect, you are not really a bass. You can barely reach D2 and when you do you seem to have to concentrate a lot, and with almost no volume, no bass has ever had to make an effort to reach D2, basses speak comfortably around that note, and that is not your case
My record lowest chest note is a G1 and I have a daily B1. I speak around F2/E2 most of the time. I can also project an E2/Eb2 from over 50ft away.
@@evansbat Then you should record yourself singing in G1. But I don´t think you will be able to, you already started frying your voice in C2, and you didn´t really reach D#2 until you tried to sing D2. I´ve seen this many times before, baritones who try so hard to enter the bass realm, not really healthy, if I were you I would work on my resonators and my best vocal range, otherwise you will end up like most bass-fakers, with a semi-low range with no depth or volume
@@pecamian Check out my more recent videos
@@evansbat post a link here, select the one you prefer
@@pecamian th-cam.com/users/shortsIhKusj7K8nw?feature=share
Dude i dont think you are a bass. Your voice has a lot of fry in it but its not that low. ive heard many dramatic and low baritones sound lower than you.
My speaking voice is not really low, but daily chest range without morning voice is (B1)C2-E4(F4) and with morning voice it’s G#1-B1 and highest recorded (belted) chest is A4 like 3-4 times and Bb4 once.
Plus I was also the deepest bass in both my high school and college choruses. In high school I was the only one who could chest below E2 and in college I’m the only one who can chest a C2.
@@evansbat everything you said points to baritone. Your passagio is not a bass passagio, your low notes (not counting the morning voice because even me, a high baritone can produce Bb1 in the morning) are not as low as you think.
Luiz Soares Agree to disagree lol. Check out some of my other videos, if you don’t believe me. Most baritones I know can’t chest below E2. I can project an E2 over 20ft. without the harmonies from a chorus to bring it out more.
Luiz Soares Eric Alatorre just sounds like a regular bass, but the guy blasts F#1’s off mic any time. Your speaking voice doesn’t define your range in most cases. It may be a close guess, but not a definite for sure.
Impressive low notes! HMU if you want help establishing your mixed voice ;)