Thank you all so much for the support. The channel gained more than 200 subscribers in the last two months! I'm really grateful! How did you like the "cinematic intro" on this one? Would this be something you'd like to see on future videos as well?
Thank you from Scotland. I've been practicing the Gnossiennes and now how 1, 2 and 3 in the bag. I struggle with arpeggios on my left hand so Gnossienne 4 needs some Andynalysis!
👏👏👏Teaching-Approach auf permanent hochqualitativem, humorvoll-lockerem Niveau! Dank Deiner Videos lernt man substanziell was dazu, aber so richtig en détail! Jetzt ist für mich Erik Satie (auch insbesondere durch Dich) der absolute Sheldon geworden, einer, der ohne Mühe einem Bach die Goldketten und den Pelzmantel stiehlt...😂😋
Very nice. Technically competent and not boring.....enlightening, even. Ah: At the end of your commentary you hit what I think is the essential thing about this music. The zeitgeist of that time. Satie evokes it more profoundly than any of his contemporaries. For me it is very powerful.....
Great videos, I'm an extended range bass player trying to tackle this type of music and learn about composition. Your videos are very helpful and interesting. I like your patient and clear approach.
You ask for origin of that Melody, you already answered it in your analysis Dorian, Aeolian, Lydian, Ionian etc. ancient Greeks used this melodic scales for sacral purposes so called Misterion like Eleusinian Misterion, that concludes pagan nature of Satie`s beliefs in ancient ocult misteris of greeks.
Thank you all so much for the support. The channel gained more than 200 subscribers in the last two months! I'm really grateful!
How did you like the "cinematic intro" on this one? Would this be something you'd like to see on future videos as well?
This sound suited your intro very well. A good idea you should try again in future!
A super analysis Andy. Thanks for shedding light on the magic behind Satie’s music. and Yes, I picked up on the F minor connection to Gnossienne 1.
Thank you for your kind words! :)
Thank you from Scotland. I've been practicing the Gnossiennes and now how 1, 2 and 3 in the bag. I struggle with arpeggios on my left hand so Gnossienne 4 needs some Andynalysis!
Me too Sean. I’ve learned 1-3 Gnossiennes, but The arpeggios in no. 4 are a challenge. Hope you’re making progress!
Excellent analysis!
👏👏👏Teaching-Approach auf permanent hochqualitativem, humorvoll-lockerem Niveau! Dank Deiner Videos lernt man substanziell was dazu, aber so richtig en détail! Jetzt ist für mich Erik Satie (auch insbesondere durch Dich) der absolute Sheldon geworden, einer, der ohne Mühe einem Bach die Goldketten und den Pelzmantel stiehlt...😂😋
Haha, danke für das gute Feedback!
Schön, zu hören, dass die Kombination aus Inhalt und Humor zu funktionieren scheint 😉
I am in love with this peace 😍 and I am working hard to master this myself 😊
Thanks Andy for your hard work and insight 🤗
I love the analysis! The basic math was awesome as well! This really helps people with performing a song!
Thank you, that's very nice to hear!
11:30 Oh yeah, it's all coming together ;D
Great video again! :)
Thank you! :)
Very nice. Technically competent and not boring.....enlightening, even. Ah: At the end of your commentary you hit what I think is the essential thing about this music. The zeitgeist of that time. Satie evokes it more profoundly than any of his contemporaries. For me it is very powerful.....
I love the music of Erik Satie and this insight is most helpful in understanding it better.
Glad you found it helpful! :)
Great videos, I'm an extended range bass player trying to tackle this type of music and learn about composition. Your videos are very helpful and interesting. I like your patient and clear approach.
Thank you! I'm really glad that you like the videos and find them helpful, that's always a motivation for me to keep making them 🙏🎵
Thanks so much for the explanation, love your videos!
Thank you! That means a lot!
Would you consider analysing the Sarabandes?
Great video
You ask for origin of that Melody, you already answered it in your analysis Dorian, Aeolian, Lydian, Ionian etc. ancient Greeks used this melodic scales for sacral purposes so called Misterion like Eleusinian Misterion, that concludes pagan nature of Satie`s beliefs in ancient ocult misteris of greeks.
Hah, on the first three notes my brain always goes "Haydn Surprise Symphony". Nice video!
Haha, true! :D
Thanks!
Oof what a conclusion.. The "French" sound?
Oh yeah ! Thanks for this new video. I would say "Go for cinematic intros", it definitely gives some "air" to the content
Nice! Gives me a reason to play with my new camera ;-)
👍
You're wrong 😂😂. Really.
It's a modal piece ( Harmonic Mineur) . Start on the IV degrees and go to the I.
Did you just lick me with your intro
Sounds a little strange wording it like that...but yes :DD
@@andynalysis lol