Bach goes Big Band: "Widerstehe doch der Sünde" BWV 54
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- เผยแพร่เมื่อ 30 ม.ค. 2019
- Aria No. 1 from cantata "Widerstehe doch der Sünde"; BWV 54
Aria Nr. 1 aus der Kantate "Widerstehe doch der Sünde"; BWV 54
Adapted, arranged and conducted by Jörg Achim Keller
hr-Bigband / Frankfurt Radio Big Band
sololists: Peter Reiter, rhodes; Martin Scales, git
Live-Recording at Alte Oper Frankfurt, 14. November 2018
Bach goes Big Band shows how a contemporary big band can approach the work of the great Johann Sebastian Bach. In the interplay of Baroque rigor and jazzy looseness, of detailed composition and the freedom of improvisation, Jörg Achim Keller and the Frankfurt Radio Big Band prove the timelessness of Bach's oeuvre even for today's orchestral jazz.
deutsch:
Bach goes Big Band zeigt wie eine zeitgenössische Bigband sich dem Werk des großen Johann Sebastian Bach nähern kann. Im Zusammenspiel aus barocker Strenge und jazziger Lockerheit, aus detailgenauer Komposition und der Freiheit der Improvisation stellen Jörg Achim Keller und die hr-Bigband die Zeitlosigkeit des Bachschen Oeuvres auch für den orchestralen Jazz von heute unter Beweis.
www.hr-bigband.de
hr-Bigband:
trumpets: Frank Wellert, Thomas Vogel, Martin Auer, Axel Schlösser
saxophones: Heinz-Dieter Sauerborn, Oliver Leicht, Tony Lakatos, Steffen Weber, Rainer Heute
trombones: Günter Bollmann, Alistar Duncan, Christian Jaksjö, Manfred Honetschläger
piano/rhodes/hammond B3: Peter Reiter
bass: Hans Glawischnig
drums: Marcel Serierse
Credits:
Olaf Stötzler, manager Frankfurt Radio Bigband
Lucia Rosu, executive producer
Axel Gutzler, sound-engineer
Rainer Schwarz, sound-engineer
cameras: Manuel Pater, Jan Gleichmann, Tom Jeffers, David Elias Kar
recording manager: Sabine Wiesner
techn. production: Eric Kirchheim
project coordinator: Matthias Hohn
executive producer video: Nikolas Pieper
production manager: Hartmuth Niemczik
producer: Manuel Meyer
A production of Hessischer Rundfunk - เพลง
Excellent ! Bach composed this one with an extra strong groove, lending itself to jazz. Then the talented Martin Scales adds his swing to it.
Sehr schön gespielt.
That opening dissonant chord! Sin, one imagines.
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@Gage Jerome instablaster :)
No it's standing against sin, the suspension
This opening dissonant chord is fairly classical, a dominant chord over a tonic bass. Yes, it could be the tension between temptation and virtue.
muito bom, bravo .....
Cool 🧚
great
OMG!
Nice, be compliment!
Cool
Bach meets Charlie Brown.
Sensational! BRAVO! May I crosspost? I do not monetise my Channel, and will give full credit to your Channel, including links to it. It's fine if not. I greatly enjoyed this wonderful, wonderful performance and interpretation by highly talented musicians. Bach would have approved, I'm certain of it!
Thanks a lot AntPDC for your comments and taste for the music. If you feel like you can crosspost on your channel.
@@hrbigband Much obliged, thank you!
Yes I am certain Bach, the greatest of improvisers, would approve 😀
1:37 The otherwise excellent guitarist omitted the additional F note at an octave lower at the end of that sequence. It is a striking effect in the original score, but still, I guess that's nit-picking.
I don't think it's nit-picking. I noticed it, too, and it does create a beautiful effect in the original aria.
It was far too quiet. Should've been louder
It’s there, just very quiet
Please see and listen Nicolas Godin Widerstehe doch der Sunde, very gotic-cool jazz
Comment peut-on oser ridiculiser une telle musique sacrée ?!
Rien n'est ridiculisé ici, les musiciens sont respectueux, la musique de Bach est anticipatrice, s'il avait été immortel sa musique aurait évoluée avec le temps et il serait certainement arrivé au Jazz, d'ailleurs il n'y a pas de Jazz dans cette reprise, c'est très respectueux de l'original avec une orchestration différente et quelques improvisations, c'est tout. Bach a aussi réorchestré de ses propres oeuvres non ?
No. I mean no disrespect however, there is a time and a place and this is neither the time or the place. The most beautiful cantata ever written, cheapened to this. There are something’s best left alone.
Should we breath when you decide it's the right time?
@@musael22 agree. Just don't listen to it if you think it was "wrong" to re-interpret a song you like in its original form.
Not my cup of tea
Ridicolous and blasphemic!
I disagree. It's a valid, if unauthentic, interpretation of a great Bach work. Walter Carlos' "realisations" brought me to Bach back in the 1970's, and I'm grateful for that. Same goes for Jacques Loussier and the Swingle Singers.
Covering something is not blasphemy at all.
@@l3p3 Play a funeral march on a guitar then or your anthem on a triangle.
No.
I think Bach had fun to hear this….always stay open-minded….
Merci d'avoir écrit la vérité.
C'est totalement ridicule et rabaissant. Quelle honte, d'avoir touché à cette musique sacrée.