It's so jazzy, yet blues/rock riffs sounds soooo good over this track. Not to mention how well the harmonic minor mixes in over the G7. Love this track.
you probably dont give a damn but does any of you know a way to log back into an Instagram account? I was dumb lost my login password. I appreciate any help you can give me.
*SoJ :* Haahhhh... haaaahhh,...You is MINE boy... You signed right here... you signed your soul away! *Howard Moon :* What??? *SoJ :* Yeah, I own ya baby! Everytime you pick up an instrument, I'll be there... inside ya... wearing ya like a glove! Your sweet ass is mine... yo-chicka-chicka-ow! OW!!!! MY HAT IS ON FIRE! What's wrong with you, are you blind??? Why didn't you tell me? *Howard Moon :* Sorry, I thought that was your 'look' *SoJ :* No it ain't my look. It's a brand new hat! : ( Spoiled my exit now : ((((
My scale choices: Cm7 - C dorian/C melodic minor/ C dorian #4/ C dorian b2 Fm7 - F dorian/F melodic minor/ F dorian #4 / F dorian b2 Ab7- Ab Lydian flat7 (lydian dominant) G7- G superlocrian (altered)
@@ibanezsb70 It's not that you must, you can easily use C minor pentatonic through most of this harmony and it will sound OK. But when you choose a scale for each chord and you're councious of the chord changes throughout the theme, you're more able to enhance harmonic changes and play some "tasty" notes that will only work on that specific chord. For example, if you think C dorian on Cm7 you'll have the note A, that will work just fine on Cm7. When the harmony shifts to Fm7, you'll have to play the note A-flat, instead, and the constrast between those two notes will show that you're aware of the harmony, you "guide" the listener through it, instead of just playing some random "correct" notes. Hope it helps!
This is played at approximately 108 bpm. ~27 measures per minute ~2.25 choruses per minute ~26.67 seconds per chorus Thus you 11 chances to prove you can solo over the C minor blues
Hi, gotta say thanks, I come here like everyday to check out my triad pairs and other advanced ideas with some super-imposing, or just to play around basic stuff, enjoying this simple and beautiful minor blues. It makes my day much more acceptable. :)
What a fantastic backingtrack!! I have a question. Is it possible to use your backingtrack for a video on youtube? I want to play over your backingtrack and film it. I will give you your credits in the video or in the discription. Please can I use it?
Thanks for this clear comping...I'm trying to develop voice leading; Are you able to list the voicings you are using? I saw that it's Ab7#11 for bar 9 but I'd like to know all the ones for Cm7. Sounds like lots of 4th chords?
Yes, any combination of the common embellishments on that chord : 9M, P11 and sometimes M13. Also, M7 can work, and even sometimes #11 (but they are tricky to use)
Ok fellows i gotta question here...If we see it with the degree, that would make this Blues track looking like: I-I-I-I IV-IV-I-I (so far so good standard 12bar blues progression) And then VIb-V-I-I/V Is that corect?...possible?... Thanks !!
Jazz makes one begin to develop all sorts of stuff to. Draw parallel and it's just a matter of jazz and becoming acquiescent to the flow and the fluidity of such that with minimal yet efficient. Practice of even and consistent with discipline not only in the perjorative context of the word but utterly every conceivable sense that is a good. Motto keeping a sojourning musician in proper even and rhythmic standing But ultimately we who have been seduced by the way tone and harmonic relationship really. Speak at least as loud as we speak through such modalities but all that said my overall point is a beneficial. State of a hypnotic trance and not only do you submit into the luxurious bounty of the musical law you submerge your mind into the backline of the aforementioned benevolent discipline. Spirit of total acquiescence forms a grid-work or matrix of rhythmically innoculated ease it's totally accessible to all who have investiture in the bank of improvisational imperative that is so available to you not just collegiate scholars That's a known draconian practice of centuries ago when it was by design to not share what is the emperical and collective of the. Cumulative knowledge of all humanity yet fear not my Young brave jazz warriors we bring anything and all to bear if we deem it such is necessary We hold a F¢kk-ToN of influence through are effort to make sure that the torch keep burning and at the same time it's all about just making it feel Cool or groovy and more or less not getting hung-up on the. Snags of imperfections because it's purely mental the state of perfection only exists while in the real time pursuit with an enthusiasm for the struggle. Much love and respect to the. Next generation of musical progenisis take comfort in knowing your investiture in your music is. For real and more importantly take care of yourself and don't you fu¢¥ing Dare allow yourself to backslide into the resentment of the past or worry about the whole your precious ego. Needs no sympathy yet a sympathetic accompaniment is solid steel. We are bound only by are inability to forgive No no matter the score or how heinous or unrequited the score might be between you and others it's irrelevant the grown up thing and the most powerful thing to do is to forgive because no matter how heinous that score may be you're just carrying it around like chip on your shoulder and it's poisoning your focus you must be kind to yourself
Right it's a Ditto instead of rewriting the word repeat itinually over and over and over again so it's transcriptions. Short hand for expediancy I have to think I don't know the symbol system quite well at all There are various sources referencing the exact nature and the truth is that it's not a classicalized hard and fast rule or there remains at least no. Official compendium or lexicon that. Dictate what is the precise interpretation of such Perhaps I'm ignorant of a written compendium but maybe a sort of collectively established through learning scholarly type collegiate level musicians that's all notwithstanding it just in case there isn't any such tome. So forgive my ignorance I just think of the tonal relationship to the root and think 1 3 5 flatten the fifth sharpen flatten. And play harmonically and. Find my way up and down any and all. Modes intervals arpeggiation etc even though I don't read music It's really my cathartic. Eventuating of the musical law
This sounds so smooth! What does the % symbol represent tho? I've googled it and found nothing... I'm assuming its there to tell you to play some variation of other notes found in the chord that appears directly before the %? Idk I'm also not a guitarist lol
I loved this back in track so much tha I can't help stop playing over it all the time!! Nice job, guys!!!
It's so jazzy, yet blues/rock riffs sounds soooo good over this track. Not to mention how well the harmonic minor mixes in over the G7. Love this track.
You're incredible. A legend in your own mind.
Ab Hex ;)
I like your funny words magic man
you probably dont give a damn but does any of you know a way to log back into an Instagram account?
I was dumb lost my login password. I appreciate any help you can give me.
@Watson Corbin Instablaster =)
I can feel the spirit of jazz up inside me
"Righteous on that tip I can dig it. It's the breath of. Vital respiration that is a good metric of the spirit of any kind of musical vestiture
*SoJ :* Haahhhh... haaaahhh,...You is MINE boy... You signed right here... you signed your soul away!
*Howard Moon :* What???
*SoJ :* Yeah, I own ya baby! Everytime you pick up an instrument, I'll be there... inside ya... wearing ya like a glove! Your sweet ass is mine... yo-chicka-chicka-ow! OW!!!! MY HAT IS ON FIRE! What's wrong with you, are you blind??? Why didn't you tell me?
*Howard Moon :* Sorry, I thought that was your 'look'
*SoJ :* No it ain't my look. It's a brand new hat! : ( Spoiled my exit now : ((((
i use this so much! thnx! good for jazz beginners who already have experienced with the blues
My scale choices:
Cm7 - C dorian/C melodic minor/ C dorian #4/ C dorian b2
Fm7 - F dorian/F melodic minor/ F dorian #4 / F dorian b2
Ab7- Ab Lydian flat7 (lydian dominant)
G7- G superlocrian (altered)
Thanks bro! U help me a Lot!😘
We must change the scale for every chord?
@@ibanezsb70 It's not that you must, you can easily use C minor pentatonic through most of this harmony and it will sound OK. But when you choose a scale for each chord and you're councious of the chord changes throughout the theme, you're more able to enhance harmonic changes and play some "tasty" notes that will only work on that specific chord. For example, if you think C dorian on Cm7 you'll have the note A, that will work just fine on Cm7. When the harmony shifts to Fm7, you'll have to play the note A-flat, instead, and the constrast between those two notes will show that you're aware of the harmony, you "guide" the listener through it, instead of just playing some random "correct" notes. Hope it helps!
@Nyhat Nyhat ;)
@@luizcadu Qual a sua concepção pra improvisar nessa
tracking? Meu ingles nao é bom!
I love playing to this, thank you.
I literally hit every note on the fretboard ascending and descending and this backing track made me sound great!
This is one of my favourites. Perfect!
If you put it in 2x speed it becomes a Mr. PC backing track
I was thinking the same thing
Thanks for creating this backing track. Also works for trumpet. Thumbs up.
It technically works with all instruments?
It also works with:
Accordion
Acoustic bass guitar
Acoustic guitar
Acoustic bass guitar
Aeolian harp
Agung a Tamlang) (Philippine slit drum)
Agung/ agong (Philippine gong)
Ahoko (Ivory Coast rattle)
Ajaeng
Alboka (Spanish double hornpipe)
Alphorn Click to hear a Alphorn
Alpine bell
Alto clarinet
Alto flute
Alto horn
Alto sarrusophone
Alto saxophone
Angklung (tuned bamboo slide rattle)
Appalachian dulcimer
Archlute (Spanish archilaúd, Italian arciliuto, German Erzlaute, Russian Архилютня) is a European plucked string instrument developed around 1600)
Arghul (Arabic double pipe) Click to hear an Arghul
Arpa anottolini (Italian hooked harp)
Arpeggione (Italian six-string)
Array Mbira (African thumb piano)
Aru-ding (Philippine Jew’s harp)
Aulochrome (double soprano saxophone)
Babendil (Philippine gong)
Baglama/ saz (Turkish strings)
Balafon (xylophone from Ghana)
Balalaika (Central Asian 2 or 3 stringed guitar)
Bandola (plucked lute from Cuba, Chile and Peru)
Bandoneón (Argentinian concertina)
Bandurria (Spanish/ Latin American plucked lute)
Banhu (Chinese bowed stringed instrument)
Banjo Click to hear a Banjo
Barbat (Iranian plucked lute)
Baritone horn
Baritone sarrusophone
Baritone saxophone
Baroque Wooden Flute
Baryton (German Euphonium)
Bass Clarinet
Bass Drum
Bass flute
Bass guitar Click to hear a Bass Guitar
Bass sarrusophone
Bass saxophone
Bass/ baritone oboe
Basse a Pistons (French Euphonium)
Basse Cor
Basset clarinet
Basset horn
Bassoon Click to hear a Bassoon
Bawu (Chinese wind instrument)
Bayan (Russian Accordian)
Bazooka
Bell
Berimbao (Brazilian musical bow)
Bianqing (Chinese stone chimes)
Bianzhong (Chinese bells)
Bifora (Sicillian oboe)
Biniou (French bagpipe)
Biwa (Japanese short-necked lute)
Bock (German bagpipes)
Bodega (French bagpipe)
Bodhrán (Irish drum)
Boha (French bagpipe)
Bombarde
Bombardino (Spanish Euphonium)
Bongo drum
Border pipe/ lowland bagpipe
Bordonua (Puerto Rican bass guitar)
Bouzouki (Greek lute)
Brian Boru bagpipes
Bullroarer
Button accordian
Cabrette (French bagpipe)
Calliope (steam organ)
Carillon (Dutch harmonising bells)
Carillon (Dutch harmonising bells)
Castanets
Cavaco (Spanish guitar)
Cavaquinho (Portuguese guitar)
Caxixi (Brazilian idiophone)
Celesta (idiophone) invented 1886 in Paris by Auguste Mustel.
Ceng (Turkish harp)
Chabrette (French bagpipe)
Chapman stick (fretboard)
Charango (South American fretted lute)
Chenda (Indian drum)
Chi (Chinese Transverse Flute)
Chimes
Ching (Cambodian/ Thai finger cymbals)
Chitaronne (lower-toned lute)
Chitarra battebte (Italian guitar)
Chromatic accordian
Cigar box guitar
Cimbalom (Eastern European hammered dulcimer)
Cimbasso
Cimpoi (Romanian bagpipe)
Cittern (Renaissance lute)
Clapped hands
Clarinet Click to hear a Bb Clarinet
Clarinette d’amour
Classical guitar
Clavicembelo (Italian pianoforte)
Clavichord
Clavichord (European stringed keyboard)
Concertina
conch
Conga (Caribbean drum)
Contra-alto clarinet
Contra-alto flute
Contrabass á anche
Contrabass clarinet
Contrabass flute
Contrabass oboe
Contrabass Sarrusophone
Contrabass saxophone
Contrabassoon
Cornet/ Cornett/ Cornetto/ Zink
Cornish bagpipes
Cowbell
Croatian bagpipes
Cromorne
Crotales (Struck cymbals)
Crumhorn
Crwth (Welsh stringed instrument)
Cuatro (Latin American lute)
Cuíca (Brazilian drum)
Cymbals - crash, hi-hat, ride, splash, tom-toms, zil
Cymbalum (Western European hammered dulcimer)
Da’uli da’uli (Indonesian xylophone)
Dabakan (Philippine drum)
Dadihu (contrabass erhu)
Dahu (Chinese bowed stringed instrument)
Daiko (Japanese drum)
Dankiyo (Turkish bagpipe)
Daraboukka (Syrian drum)
Darabukka (Arabic drum)
Darbuka (Greek drum)
Darvyra (Greek Duct Flute)
Denis d’or (ancient Czech chordophone)
Dhol (Iranian drum)
Dholak (North Indian hand drum)
Didgeridoo (Aboriginal Natural Trumpet)
Dihu (Chinese large bowed stringed instrument)
Diyingehu (contrabass gehu)
Djembe (West African hand drum)
Doedelzak (Dutch bagpipe)
Dombak (Iranian drum)
Domra (Russian mandolin)
Dotara (bass ektara)
Double Bass Click to hear a Double Bass
Double contrabass flute
Doulophone/ cuprophone
Drum machine
Dubreq stylophone
Duct Flute
Dudelsack (German bagpipe)
Dudy (Czech bagpipes)
Duff (Islamic tambourine)
Dulcian (pre-1700’s Western European Bassoon)
Dulcimer (hammered zither)
Dulzaina (Spanish oboe)
Dumbelek (Turkish drum)
Dun dun (West African large talking drum)
Dutar (Central Asian lute)
Duxianqin (Chinese one-stringed zither)
Ektara (Indian one-string)
Electric guitar Click to hear a Electric Guitar
Electric organ Click to hear a Electric Organ
Electric piano
Electronic:
English Horn/ Cor Anglais (French tenor Oboe)
Erhu (Chinese violin)
Erxian (Chinese bowed stringed instrument)
Euphonium Click to hear a Euphonium
Fangxiang (Chinese metallophone)
Fiddle
Finger Cymbals
Fingerboard synthesizer
Fiscarmonica (Italian Accordian)
Flageolets
Flugelhorn
Flute Click to hear a Flute
Folgerphone
French Horn
Gaida (Southern Balkan bagpipes)
Gaita (Portuguese & Spanish bagpipe)
Gajdy (Eastern European bagpipes)
Gambang (Indonesian xylophone)
Gan gan (West African small talking drum)
Gandingan (Philippine set of 4 hanging gongs)
Gandingan a kayo (Philippine xylophone)
Ganza (Brazilian rattle)
Gaohu (Chinese bowed stringed instrument)
Gayageum (Korean zither)
Gehu (Chinese cello-like)
Gender (Indonesian brass xylophone)
Geomungo/ komungo (Korean zither)
Ghatam (Indian drum)
Glass marimba
Glasschord (crystallophone)
Glockenspiel Click to hear a Glockenspiel
Gong Click to hear a Gong
Gottuvadhyam (Indian 21-stringed guitar)
Great Highland bagpipe
Great Irish warpipes
Guan (Chinese pipe)
Gugin (Chinese bridgeless zither)
Guiro (South & Central American notched gourd that is scraped)
Guitar
Guitar 12 Strings Click to hear a Guitar 12 Strings
Guitarrón (Mexican large bass guitar)
Guqin (Chinese plucked zither)
Gusle/ gusla (Balkan guitar)
Gusli (Russian harp)
Guzheng (Chinese zither)
Hammered dulcimer
Handbells
Hang (steel hand drum)
Hardanger fiddle
Harmonica/ Mouth Organ
Harmonium/ reed organ
Harp Click to hear a Harp
Harp guitar
Harpsichord Click to hear a Harpsichord
Heckelphone
Hegelong (Philippine fretted boat-lute)
Hélicon
Hichiriki (Japanese Oboe)
Hocchiku (Japanese flute)
Hooked harp
Horagai (Japanese conch)
Horn
Hosho (Zimbabwean rattle)
Hsaio (Chinese Duct Flute)
Huemmelchen (German smallpipes)
Huluhu (Chinese bowed stringed instrument)
Hun (Korean flute)
Hunting Horn Click to hear a Hunting Horn
Huqin (Chinese bowed stringed instrument)
Hurdy Gurdy Click to hear a Hurdy Gurdy
Igil (Tuvan bowed instrument)
Inci (Philippine flute)
Ipu (Hawaiian rattle)
Irish bouzouki
Irish Uilleann (Indoor bagpipe)
Istarski mih (Croatian bagpipe)
Janggu (Korean drum)
Japanese Bamboo Flute/ Shakuhachi
Jew’s harp
Jew’s harp (plucked idiophone)
Jiaohu (Chinese bowed stringed instrument)
Jinghu (Chinese bowed stringed instrument)
Jug
Kadlong (Philippine fretted boat-lute)
Kagul (Philippine slit drum)
Kangling (Tibetan serunai)
Kaval (Slovakian Duct Flute)
Kèn b?u (Vietnamese reed)
Kettle drum/ Timpani
Keyed Bugle
Keyed Trumpet
Khene (Northeast Thailand mouth organ)
Khim (Cambodian/ Thai hammered dulcimer)
Khloy (Cambodian flute)
Khol (South Indian drum)
Kissar (West African lyre)
Knatele (Finnish zither)
Kokyu (Japanese bowed instrument)
Komungo (Korean zither)
Kora (West African 21-string harp-lute)
Koto (Japanese zither)
Koudi (Chinese flute)
Koziol (Polish bagpipe)
Kubing (Philippine Jew’s harp)
Kulintang a kayo (Philippine xylophone)
Kulintang a putao/ kulintang a tiniok (Philippine metallophone)
Kulintang/ kolintang (Philippine gong group)
Kutiyapi (Philippine fretted boat-lute)
Kwa-yen (Chinese hanging drum)
Kwintangen kayo/ luntang (Philippine xylophone)
Lambeg (Irish drum)
Lancashire great-pipe
Langeleik (Norwegian stringed instrument)
Laruan (Chinese stringed instrument)
Lasso d’amore
Launeddas (Sardinian triple clarinet)
Leier (German hurdy gurdy)
Leiqin (Chinese bowed instrument)
Lirone
Lithophone (stone barred xylophone)
Lusheng (Chinese bamboo pipes)
Lute Click to hear a Lute
Lyre
Magyar duda (Hungarian bagpipes)
Maguhu (Chinese bowed stringed instrument)
Malimba (xylophone from the Congo)
Mando-bass (bass mandolin)
Mandocello (large mandolin)
Mandola (US/ Canadian fretted stringed instrument)
Mandolin
Mangtong (Chinese bamboo pipes)
Maraca
Marimba Click to hear a Marimba
Marimbao (Brazilian stringed instrument)
Marinbaphone
Mbira/ Sanza/ Thumb Piano (African stringed instrument)
Mellophone
Mellotron (polyphonic keyboard)
Melodeon
Melodica
Metallophones (metal barred xylophone)
Mijwiz (Arabic double pipe)
Mittlealtersackpfeife (German medieval bagpipe)
Mizwad (Arabic bagpipe)
Mohan veena (Indian guitar)
Jacob Smedley Well, that certainly gave me a chuckle...
Yeah, That guy is a regular Don Rickles.
@@smedlz looool
Superbe , vraiment de quoi passer un bon moment........... Merci Martin!
went here searching for a backing track for Equinox. And it work's :D
Très beau travail,apaisant,et appelant au travail tranquille
This is played at approximately 108 bpm.
~27 measures per minute
~2.25 choruses per minute
~26.67 seconds per chorus
Thus you 11 chances to prove you can solo over the C minor blues
thank you for creating this
Lynkevmusic do
Google stardust backing track
Hi, gotta say thanks, I come here like everyday to check out my triad pairs and other advanced ideas with some super-imposing, or just to play around basic stuff, enjoying this simple and beautiful minor blues. It makes my day much more acceptable. :)
Beautiful!
im vibing!!
Great Track, fun to play along!
salut je trouve super et je me laisse aller sur le manche de la guitare merci beaucoup
I'm hearing a swinging Billy Jean type groove. Yes, thanks, here goes nothing! 👍🏾🧸👍🏾🧸👍🏾
Just the same chord progression as "Equinox", nice!
Let me shorten this for you just what I been looking for
MAGIC!!
Great atmosphere!! Loved it!
What a fantastic backingtrack!! I have a question. Is it possible to use your backingtrack for a video on youtube? I want to play over your backingtrack and film it. I will give you your credits in the video or in the discription. Please can I use it?
Thanks ! In these conditions, yes absolutely !
I love this swing feeling. Is this track available in mp3? Merci beaucoup.
Ive got a question, If this backing track in on C minor, I must to play D minor on Bb Tenor saxophone ?
Yes
excellent - thanks.
Good for piano impov❤
Thanks for this clear comping...I'm trying to develop voice leading; Are you able to list the voicings you are using? I saw that it's Ab7#11 for bar 9 but I'd like to know all the ones for Cm7. Sounds like lots of 4th chords?
Yes, any combination of the common embellishments on that chord : 9M, P11 and sometimes M13. Also, M7 can work, and even sometimes #11 (but they are tricky to use)
@@guitareimprovisation thanks! Can you recommend a source where I can see the different grips you would use for these embellishments.
Dope!
Not even close, Juan.
Enjoyed this. Thank you.
This is really great and helpful! Thanks!
Great backing track as always man. Salutations :)
Thank you!.......
Parfait, merci beaucoup pour ces vidéos! Mes félicitacions de Chili
Muito bom!!! obrigado por compartilhar
nice, thanks for sharing
Super cool
Groovin'
Ok fellows i gotta question here...If we see it with the degree, that would make this Blues track looking like:
I-I-I-I
IV-IV-I-I (so far so good standard 12bar blues progression)
And then
VIb-V-I-I/V
Is that corect?...possible?...
Thanks !!
Yes, correct !
@@guitareimprovisation 🙇♂
Jazz makes one begin to develop all sorts of stuff to. Draw parallel and it's just a matter of jazz and becoming acquiescent to the flow and the fluidity of such that with minimal yet efficient. Practice of even and consistent with discipline not only in the perjorative context of the word but utterly every conceivable sense that is a good. Motto keeping a sojourning musician in proper even and rhythmic standing
But ultimately we who have been seduced by the way tone and harmonic relationship really. Speak at least as loud as we speak through such modalities but all that said my overall point is a beneficial. State of a hypnotic trance and not only do you submit into the luxurious bounty of the musical law you submerge your mind into the backline of the aforementioned benevolent discipline. Spirit of total acquiescence forms a
grid-work or matrix of rhythmically innoculated ease it's totally accessible to all who have investiture in the bank of improvisational imperative that is so available to you not just collegiate scholars
That's a known draconian practice of centuries ago when it was by design to not share what is the emperical and collective of the. Cumulative knowledge of all humanity yet fear not my Young brave jazz warriors we bring anything and all to bear if we deem it such is necessary
We hold a F¢kk-ToN of influence through are effort to make sure that the torch keep burning and at the same time it's all about just making it feel Cool or groovy and more or less not getting hung-up on the. Snags of imperfections because it's purely mental the state of perfection only exists while in the real time pursuit with an enthusiasm for the struggle. Much love and respect to the. Next generation of musical progenisis take comfort in knowing your investiture in your music is. For real and more importantly take care of yourself and don't you fu¢¥ing Dare allow yourself to backslide into the resentment of the past or worry about the whole your precious ego. Needs no sympathy yet a sympathetic accompaniment is solid steel. We are bound only by are inability to forgive
No no matter the score or how heinous or unrequited the score might be between you and others it's irrelevant the grown up thing and the most powerful thing to do is to forgive because no matter how heinous that score may be you're just carrying it around like chip on your shoulder and it's poisoning your focus you must be kind to yourself
Great track btw, thank u
helpful! Thanks
great job! Wich chords do you play when play the %? what does % mean? tnak you.
Same chord
Right it's a Ditto instead of rewriting the word repeat itinually over and over and over again so it's transcriptions. Short hand for expediancy I have to think I don't know the symbol system quite well at all
There are various sources referencing the exact nature and the truth is that it's not a classicalized hard and fast rule or there remains at least no. Official compendium or lexicon that. Dictate what is the precise interpretation of such
Perhaps I'm ignorant of a written compendium but maybe a sort of collectively established through learning scholarly type collegiate level musicians that's all notwithstanding it just in case there isn't any such tome. So forgive my ignorance I just think of the tonal relationship to the root and think 1 3 5 flatten the fifth sharpen flatten. And play harmonically and. Find my way up and down any and all. Modes intervals arpeggiation etc even though I don't read music
It's really my cathartic. Eventuating of the musical law
Merci!
Cool...
I NEED HELP ASAP, what blues scale is this for bFlat trumpet
This is in the key of D minor (Relative Major:F) for Bb trumpet (one flat)
Me.encanta
❤
Jazzy
Nice.
nice one
This sounds so smooth! What does the % symbol represent tho? I've googled it and found nothing... I'm assuming its there to tell you to play some variation of other notes found in the chord that appears directly before the %? Idk I'm also not a guitarist lol
% is used for the repetition of the previous chord, Cm7 is played for bar for example
nice !
what tempo is this?
thanks :D
Can I use this in my song
Yes, if you write a link aiming at the video :-)
@@guitareimprovisation sure man...why not. Thank you
Oliver Nelson's Stolen Moments Improvisation section
5t3r3054x is it the exact same solo chords?
hello can you make one in Eb minor ????? thanx
Coming soon !
what could it means the perceptual?
MUITO BOM PRÔ MOMENTO!!!
This the same chord progression as mr pc
Jared Jefferson and equinox
And the solo section of Stolen Moments
Which ab7 voicing is it?
Ab7#11 : 4x453x on the guitar (Gb C D with Ab on the bass)
esti mare super muzicant
Hate to sound stupid, but what does 0/0 notation mean....haven’t seen it before....
Thanks! It just means"same chord"
idk if the Ab belongs in this
Add a 13th.
anybody played around with dorian on the minor chords?
Chad Smith yup
What is the BPM if any of you are able to glean from the beat of its BPM
110.080
Equinox
right? I just played the melody it fits really well
but I think equinox was in B minor, thats just helf step up 😂
What is "%" mean?
same chord
Great except that the G7 is augmented.
this is mr pc
Not unless you're John Coltrane.
110bpm.
what is that %?
It means repeat tha chord brethrin
thank you.....
te pup
Not to sound like a noodge, but are the % for?
Repeated phrases for one more measure. So like a small repeat sign
Kösz.
재즈 참 어렵다. 즐기기가 힘드네....
Bring down the comping guitar. We...(I) know what the chords are.
F minor.... not Cm :)
Yes, this blues is in Cm
Okay, yes, it is :)
not good
too much voicings...