Très joli backing track ! La mixoblues de Fa sonne parfaitement, surtout en insistant sur la 3 et 3b au moment du degré IV et 7 et 7b sur le degré et le degré V marche également sur 2 et 2b (7eme des accords de base). Un D altéré sur le II V de la 8eme mesure est sympa également avec une belle dissonance de la 7 (equivalent 5# de la gamme F). Merci pour ton site et tes tips ;)
I know you guys really hate hearing this but here goes. I usually only practice with the metronome, either around 50-60 bpm or slow to medium on 2 and 4. I think most of the practice should be made without any accompagnying instruments. That way you can easily tell if you're swinging or simply doing something else.
Hi ! I partially agree with what you say, but playing only with a metronome is certainly not the way to know if you swing or not. Playing with a drummer who swings and plays the "AND" right where it swings, is a better way (and there are many other ways). I talk about it here : th-cam.com/video/gQ5yQnuvtIA/w-d-xo.html
I know what you are saying...but I also partially disagree with "playing solo" philosophy - playing with accompanying instruments allows you to hear the changes better. Now if your ears are "already there" that's one thing - but if you still need to develop your ears, then you should only play "solo" about half of the time- otherwise you won't hear the "clunkers" (i.e. bad notes) So... I guess the best practice techniques are really a MIX of different things - spread out over time.
At his book "Forward Motion", Hal Galper explains that practicing at 2 and 4 it's a placebo effect. You falsely believe that you are swinging. He suggest to use always 1 and 3. Btw, I agree that practicing only with metronome it's for medium to advance players. Rookies need the backing tracks.
Playing without changes might be fine for rock or traditional I-IV-V7-I blues, but with jazz and even jazz blues, you should definitely have some comping. If you know the Real Book well enough that you can hear the changes while you're playing, and a jazz fan would be able to ID the song just from your solo (without playing the melody), then by all means, practice with just a metronome. If not, I really, really, super highly suggest some chords.
@@artherladett442 one week do 100bpm, next week do 110, etc. if you start to struggle then stay at that tempo for as long as you need until ur solid on it
No, this won't be enough to sound good in jazz unfortunately. Look for information like "how to improvise on a blues in jazz". And find a good guitar teacher, because sending help messages won't help you that much I think.
Significa que se repite el compás anterior, en esta caso, el F7. El de debajo supongo que te refieres al A con un "conjunto vacío". Significa Am7 con la 5ª bemol, que forma parte de la progresión Am7b5 (II)-D7 (V)-Gm7 (I).
It’s called a minor parallel. You can easily find one by going to the 6th of your major scale. And then playing the exact same notes as the major scale but now from the 6th as starting position. Or the other way around is by going to the minor third of your minor scale and playing the exact same notes but now from the minor third as starting position. You’ll find that it’s a major scale now.
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If you want other backing tracks to be published, please give me your suggestions :-)
Stolen Sweets th-cam.com/video/RK4j6T1b69g/w-d-xo.html
i think, if you have not already, an f blues MINOR backing track. that would be awesome
Could you post your chord voicing please. Many thanks for the backing track.
Wise one Coltrane
This backing track is just …perfect
as a trumpet player if I need to practice my jazz this is such a great help to me
Same here!
Is the track's F my G on the trumpet? Are GC Aand D good for 1 4 5? I have been playing trumpet for a long time but I need to learn to improvise.
I can see this being a regular part of my practice warm up.
is perfect for every melodic instrument in my case i play guitar and i used the arpeggios and the F7 pentatonic scale,,, and walking so well thanks
I have played it dozens and dozens of times, and I keep on doing it. Thank you very much.
Totally jamming f blues pentatonic with this track
This is great. It's so chill.
A fine invitation to the blues jazz.
I see lots of backing tracks, but I keep coming back to yours. Love playing the tunes. :-)
And love to see chords while playing
Perfect, thoroughly enjoying this 😎
Awesome for alto sax improv thanks
This is so amazing for trumpet solos, thanks
It is Good for prectice. Thank you!
Très joli backing track ! La mixoblues de Fa sonne parfaitement, surtout en insistant sur la 3 et 3b au moment du degré IV et 7 et 7b sur le degré et le degré V marche également sur 2 et 2b (7eme des accords de base). Un D altéré sur le II V de la 8eme mesure est sympa également avec une belle dissonance de la 7 (equivalent 5# de la gamme F). Merci pour ton site et tes tips ;)
This helped me with my choir audition for scating
Thanks for posting the chords!!!!
Did you use Band-In-Box?
Thanks for the good track!
❤
Super, ta grille de blues ! J'adore cette ambiance jazzy, je m'en suis servi pour mon cours de ce soir. Mes élèves harmonicistes l'ont bien appréciée.
billie's bounce
jumping blues
Now's the time
it's all F blues in the end lol
@@alecalebluesthis is so funny fuck
Bags groove
Freddie freeloader
Thank you so much!
Amazing 🤩🤩🤩🤩🤩🤩🤩🤩🤩🤩🤩
Thank you
I know you guys really hate hearing this but here goes. I usually only practice with the metronome, either around 50-60 bpm or slow to medium on 2 and 4. I think most of the practice should be made without any accompagnying instruments. That way you can easily tell if you're swinging or simply doing something else.
Hi ! I partially agree with what you say, but playing only with a metronome is certainly not the way to know if you swing or not. Playing with a drummer who swings and plays the "AND" right where it swings, is a better way (and there are many other ways). I talk about it here : th-cam.com/video/gQ5yQnuvtIA/w-d-xo.html
I know what you are saying...but I also partially disagree with "playing solo" philosophy - playing with accompanying instruments allows you to hear the changes better. Now if your ears are "already there" that's one thing - but if you still need to develop your ears, then you should only play "solo" about half of the time- otherwise you won't hear the "clunkers" (i.e. bad notes) So... I guess the best practice techniques are really a MIX of different things - spread out over time.
@@utube9000 Best answer!
At his book "Forward Motion", Hal Galper explains that practicing at 2 and 4 it's a placebo effect. You falsely believe that you are swinging. He suggest to use always 1 and 3.
Btw, I agree that practicing only with metronome it's for medium to advance players. Rookies need the backing tracks.
Playing without changes might be fine for rock or traditional I-IV-V7-I blues, but with jazz and even jazz blues, you should definitely have some comping. If you know the Real Book well enough that you can hear the changes while you're playing, and a jazz fan would be able to ID the song just from your solo (without playing the melody), then by all means, practice with just a metronome. If not, I really, really, super highly suggest some chords.
Thank you so much
semejante a la famosa Route 66, o una de muchas versiones...muy bien, I love this site
What the hell, man! I was practicing some changes and I found you here!
Nice to read you, I guess. Bless!
@@AlexBecerra Agenbite of Inwit, Alex! Small kroner world. Take good care
thank you for sharing this one
im using this for my saxophone improv tryna work on my jazz
thanks!
Hey can anyone help me on what piano and guitar modes would work on this? My guess is Mixolydian and maybe Dorian?
Sounds more like it’s in Bflat? Otherwise I’m confused as Dm scale not fitting?
This is the one
Fr
It is good
Is there anyway I can get a tab or sheet music of this piece so I can learn it?
How can I learn to comp on guitar like this?
How did you get the Yamaha drums in that track? I really need to know which software you use for this.
Thanks! great track
Jazz tuba improv time
I need it slower! I'm still learning to walk :S
Slowdown the playback speed, all the old jazz musicians did it before the internet
keep playing, it does get easier
Muito bom !
show!
Super guitar playing and lovely arrangement, I'd love another mix with the bass a bit higher, otherwise it's PERECT ! thank you
What’s “PERECT”?
😂😅....
Thanks, this is a great back track!
Route 66!
gracias
Bonjours j'ai vraiment besoin de savoir sur quelles gammes je peux improviser et à quel moment svp si vous avez des recommandations ...
Ah MDR ça fait 2ans mais ez tu peux jouer sur une gamme pentatonique de F voilà c tout
Can you post so slower jazz backing tracks? Im kinda struggling when switching scales this quick...
check this : th-cam.com/video/-ae_tBkCqeQ/w-d-xo.html
you can also go to playback speed of the video and set it to 0.75
저 A코드는 어떤거에요?
멋졍...
if its in F. do l have to use the scale of F m?
Yes Fm (f,g#,a#,b,c,d# notes) /
+Cm +Am - sometimes
F= F+A+C
0:04
감사합니다 잘쓸게요♥♥
You record these yourself?
Yes
@@guitareimprovisation That's great work.
❤️❤️👍🏻
Double the tempo and practice. That's the harderst way
Bebop bassists unite
"double the tempo" ----the question, as aspiring horn player, how does anyone achieve clarity at 200 beats per minute!?
@@artherladett442 one week do 100bpm, next week do 110, etc. if you start to struggle then stay at that tempo for as long as you need until ur solid on it
what scale do you use here?
You can use the blues scales, or minor pentatonics. If all else fails, just play the specific notes in the given chords.
Someone please help me. I want to learn hoe to improvise. Do you just play the F-pentatonic in free order to this?
No, this won't be enough to sound good in jazz unfortunately. Look for information like "how to improvise on a blues in jazz". And find a good guitar teacher, because sending help messages won't help you that much I think.
@@guitareimprovisation thanks for the quick reply. Im gonna do that.
Could you tell me how to form the chords Bb7 % and A with the circle?
a with the circle and a line means "half diminished" or m7b5 (minor 7th flat 5)
@@olcaptainahab Thank you Captain, but what does the % sign mean?
@@kimhansen6384 It simply means "repeat the previous chord" (for one bar, in this case)
@@olcaptainahab Thank you :-)
@@kimhansen6384 your a legend
Whats the Aø chord?
A half diminsihed chord
The voicing at the fourths bar, what its it? doesnt sound like a f7
F7#9b13. From lowest to high it's : A, Eb, Ab, Db. All resolving down a half-step to Bb13(add 9). Which is Ab, D, G, C.
Alguien me podría comentar que acordé es el símbolo de porcentaje y el que está debajo por favor...
Significa que se repite el compás anterior, en esta caso, el F7. El de debajo supongo que te refieres al A con un "conjunto vacío". Significa Am7 con la 5ª bemol, que forma parte de la progresión Am7b5 (II)-D7 (V)-Gm7 (I).
Sounds like Splanky
What's chord in % ???
A c e flat g flat
Why does Dm blues work so well on this?
It's I'm the same scale as f major, for example c major is the same as a min scale. Hope it helps!
It’s called a minor parallel. You can easily find one by going to the 6th of your major scale. And then playing the exact same notes as the major scale but now from the 6th as starting position.
Or the other way around is by going to the minor third of your minor scale and playing the exact same notes but now from the minor third as starting position. You’ll find that it’s a major scale now.
no me lo cortes!
😅
B flat
ㄴ
Pourquoi en F?j'aurais dit en Si bémol
Définitivement, en fa.
Fa myxolidian and Si bemol ionan
i hate blues and saxaphone and band
Why are you here then?
@@sam-nuts perfect reply
If you don't have something nice to say, don't say anything AT ALL. If the only reason you're here is to insult people, then that's just sad.
BTBeast_0208 You just came here to say that?