Thank you, Tony! Really appreciate the simplicity of this. I think sometimes I get "Art Tatum itus", thinking I have to fill up all of those empty spaces and it just gets overwhelming. You are reminding me that those empty spaces are very desirable when in their right places. Also, I appreciate just some simple licks on the improv side, not huge runs and scales, but just some simple lines well played and developed a bit from one to the next, sometimes moving in different parts of the time signature (simple Straight No Chaser style).
Thank you Tony. Another great blues track! Perhaps you could teach us some blues B flat E and A flat, it's the voicings that I'm particularly interested in and how you approach your Blues playing. Absolutely love it Once again thank Tony. Top Man! .
thank u mr Winston for this golden nugget of blues piano playing distilled in very learnable blues chord progression also i very much appreciate your comments ideas opinion ibserbation as they are very enlightening very Insightful very helpful . Really thanks a lot
Thank you very much Maestro! Track works perfectly: I use to practice with a metronome but this is so much better 😊. And thank you for stressing how many times you have to practice something before you really interiorise it, I was getting to think that I was hard of thinking.
lovin' these. I think F is a good key as the flat 5 is a white key and a better position in the high-low range than C. (keep the middle finger tip bend going - I had 7 surgeries on mine and is 98% now)
Love your videos but was really confused with this one (the move). Started researching axis 3rd & 7ths but ony found 2 references to this and it didn't seem to relate. Thankfully I moved on to the previous video you made in C and this made 'the move' a lot clearer. BTW is this axis theory someting that exists or just 1 person's interpretation? Big thankyou for all the material you publish, it is such a generous gift and appreciated by so many
@@markfitzell1662 there are some books written by John Mehegan that present rootless voicings this way. I think it refers to which note is on the bottom, the third or the 7th. Other people have presented it as the A position and the B position
@@TonyWinston Great! Thanks Tony.. found it in his book ''The Jazz Pianist' - Outlined as the Root & 5th in the left hand, 3rd & and 7th in the right hand - (axis 3rd is 3rd on top and axis of the 7th is 7th on top). This does relate to the reference videos I found, but thank you for directing me to the source. Also have discovered John Mehegan 😊
Hey Tony, do you know some particular blues tunes in F, like this. Some examples, what is your favourite maybe. ❤thanks a lot for your lesson. Greetings from Russia 🇷🇺
Tony, to a classically trained pianist, your discussion of "position 1, position A, shape one, B position" etc. is a bit confusing. You start with an F13 chord in what you call "position 1", which appears to be a third inversion, with the 7th at the bottom. Then you go to Bb in "position 2", with the third at the bottom-- a first inversion chord. Should I stop trying to think about these hand positions in terms of chord inversions? Do you have a video in which you explain this business of positions, shapes, etc. and how they related to the traditional idea of chord inversions?
@@TonyWinstonAs far as I can tell, the concept of boxes revolves around the position of the tritone-the 3rd and 7th of the chord-and how inverting the tritone makes possible an economy of movement while working through a progression of rootless chords. Boxes 3 and 4 would seem to be simply alterations of boxes 1 and 2.
But, your A7 was b13❤
indeed !
Thank you, Tony! Really appreciate the simplicity of this. I think sometimes I get "Art Tatum itus", thinking I have to fill up all of those empty spaces and it just gets overwhelming. You are reminding me that those empty spaces are very desirable when in their right places. Also, I appreciate just some simple licks on the improv side, not huge runs and scales, but just some simple lines well played and developed a bit from one to the next, sometimes moving in different parts of the time signature (simple Straight No Chaser style).
Thank you Tony. Another great blues track! Perhaps you could teach us some blues B flat E and A flat, it's the voicings that I'm particularly interested in and how you approach your Blues playing. Absolutely love it
Once again thank Tony. Top Man!
.
Tony, love the shirt. Also great tips 'take what you know, and really get to know it' plus 'get those chords under your fingers'.
Aaaaah, so helpful!! Nice!!
thank u mr Winston for this golden nugget of blues piano playing distilled in very learnable blues chord progression
also i very much appreciate your comments ideas opinion ibserbation as they are very enlightening very Insightful very helpful . Really thanks a lot
What a great simplicity, simple but effective, simply Toni!
A thousand thanks for sharing your knowledge and talent 🙂
Thank you very much Maestro! Track works perfectly: I use to practice with a metronome but this is so much better 😊. And thank you for stressing how many times you have to practice something before you really interiorise it, I was getting to think that I was hard of thinking.
Great Inspiration, Great advice in the end…thank you and greetings from Berlin 🌸
Great show of jazzy blues nice explain
Wow, thanks. I love this guy.
Love you too!
Master, I enjoyed reading “you must believe in spring” last time. This time I want to study Black Nile
studying it now. McCoy sounds good
Tony Winston, you are the Best here!
lovin' these. I think F is a good key as the flat 5 is a white key and a better position in the high-low range than C. (keep the middle finger tip bend going - I had 7 surgeries on mine and is 98% now)
Good morning Doc Tony. Thank you very much 😊 best of wishes always Teddy korbos.
Love your videos but was really confused with this one (the move). Started researching axis 3rd & 7ths but ony found 2 references to this and it didn't seem to relate. Thankfully I moved on to the previous video you made in C and this made 'the move' a lot clearer. BTW is this axis theory someting that exists or just 1 person's interpretation? Big thankyou for all the material you publish, it is such a generous gift and appreciated by so many
@@markfitzell1662 there are some books written by John Mehegan that present rootless voicings this way. I think it refers to which note is on the bottom, the third or the 7th. Other people have presented it as the A position and the B position
@@TonyWinston Great! Thanks Tony.. found it in his book ''The Jazz Pianist' - Outlined as the Root & 5th in the left hand, 3rd & and 7th in the right hand - (axis 3rd is 3rd on top and axis of the 7th is 7th on top). This does relate to the reference videos I found, but thank you for directing me to the source. Also have discovered John Mehegan 😊
Hey Tony, do you know some particular blues tunes in F, like this. Some examples, what is your favourite maybe. ❤thanks a lot for your lesson. Greetings from Russia 🇷🇺
Increíble se avanza de una manera absoluta se necesitan más de cien veces pero ahí está el secreto de avanzar
gracias - tengo que hacerlo 200 veces jajaja
Fantastic work Tony, loved this. Can’t believe you’re nearly at 100k! I’ve been with you since 1k, enjoying the journey
Really?! That's amazing, thank you so much!!
Thank you, Maestro ⭐🌹⭐
And a well deserved 100k it is.
3 nota es mejor que 4 porque no define. Revelador. Gracias.
Btw: nice shirt, or whatever It Is.
😂😂 great teacher always again
Tony, to a classically trained pianist, your discussion of "position 1, position A, shape one, B position" etc. is a bit confusing. You start with an F13 chord in what you call "position 1", which appears to be a third inversion, with the 7th at the bottom. Then you go to Bb in "position 2", with the third at the bottom-- a first inversion chord. Should I stop trying to think about these hand positions in terms of chord inversions? Do you have a video in which you explain this business of positions, shapes, etc. and how they related to the traditional idea of chord inversions?
Search my channel for box voicings or shape voicings I think more often it is called A position or B position
@@TonyWinstonAs far as I can tell, the concept of boxes revolves around the position of the tritone-the 3rd and 7th of the chord-and how inverting the tritone makes possible an economy of movement while working through a progression of rootless chords. Boxes 3 and 4 would seem to be simply alterations of boxes 1 and 2.
Night Train, you took my baby so far away 💓
hey i am a piano beginner where should i start on your channel . my goal is to learn to make melodies.
My channel isn't well organized but I do have a playlist for beginners: th-cam.com/play/PLIOpTqumB5Kz6u90ixg70cPPlgfapQHcr.html
😂😂😂love you much
Wonderful job as usual Tony. Your lessons are fantastic. Greetings from Italy