Hey Brandon and team, you should check out the fibre unite converters from middle things. They could streamline your setup as one converter can do 5 channels of bi-directional fibre/SDI simultaneously plus ethernet over one MTP fibre cable.
Most of this is learning by experience and doing. We use much the same type and selection of gear at Dragon Con; similar problems solved in similar ways
I highly doubt I will ever get to this level of production, but I find it absolutely fascinating. I'm just getting started working with a small local venue recording/streaming events - with a couple BMPCC 6k's. I'm curious, how many individuals do you have on your production team?
You are really amazing... so much knowledge and experience person. What I'd give to meet you or work with you? Thanks for always being intentional about sharing what you know.
Best just to standardize on single mode, as multi mode is distance restricted and much less common. And there's something to be said for those 12G-Cross Decimators. There isn't another product quite like it out there. Blackmagic certainly doesn't have something to match and I don't think AJA has either.
Is the Constellation set to 4K or HD? It is running on FullHD, right? Otherwise it would require alot of downscalers to feed the ATEM SDI Extreme ISO and other monitors that only accept HD
Good question. When we run “playback” which means a sponsor video or ad or some sort of intro video that has audio with it, we play it from our control station and want the audience to see and hear it out by the stage. So really just when we are playing a video that has audio with it. Otherwise the sound comes from the stage to us for the live feed. Also when we occasionally showed B stage on main stage and vise versa. During set changes to keep audience entertained we showed them a performance currently happening on the other stages so they might want to visit that stage instead of staying in one place the whole time.
Audio usually reaches and comes out the speakers faster then the video signal reaches a TV/projector/video wall in general. Because of this there are a lot of ways to delay audio. Computer playback softwares can usually delay the audio as it comes out of the computer. The atem switcher can delay audio, the mixer itself can delay audio. In order to get audio and video in sync. We play a video file that makes it obvious if they are in sync or not. Usually a beep test of some sort. Then we use our eye/ear to line the audio up to the video that is playing. Once it dialed in we don’t touch it and it stays in sync for the rest of the show. Thats it!
One of the best “state-of-the-art” explanations ever.
the amount of converters involved is just out of this world. i felt like a kid in a candy shop. so much to learn..
Why does it feel like every video setup i see is a bodge connected to a bodge that somehow works xD well done y’all, this is super impressive!
😂
Hey Brandon and team, you should check out the fibre unite converters from middle things. They could streamline your setup as one converter can do 5 channels of bi-directional fibre/SDI simultaneously plus ethernet over one MTP fibre cable.
WoW Just WoW... On the edge of my seat for your next one
A lot going on in this production. Thanks for the video!
and yesterday i wasa watching all the A2Z and this channel videos wondering wheres my hero at!!
Thanks for sharing! I have always been interested in how this all works when I've been to a festival
Most of this is learning by experience and doing.
We use much the same type and selection of gear at Dragon Con; similar problems solved in similar ways
This is golden learning content. Ty do much!
this video is like 2 years in a school 😊
Great video
Absolutely love these videos
I seriously thought I ran a video production company until I watched this video. dame, talk about a reality check...🙄😳🙄
I highly doubt I will ever get to this level of production, but I find it absolutely fascinating. I'm just getting started working with a small local venue recording/streaming events - with a couple BMPCC 6k's.
I'm curious, how many individuals do you have on your production team?
You are really amazing... so much knowledge and experience person. What I'd give to meet you or work with you?
Thanks for always being intentional about sharing what you know.
Hi Brandon, what SSD are you using to record ISO on the Atem sdi extreme? thanks!
What were you using to delay the video between the Jumbotron and stage screen?
Mad Mapper!
Best just to standardize on single mode, as multi mode is distance restricted and much less common. And there's something to be said for those 12G-Cross Decimators. There isn't another product quite like it out there. Blackmagic certainly doesn't have something to match and I don't think AJA has either.
With the advancement of AV over IP do you see a feature where can we accomplish all of this with PTP/PTMP?
Is the Constellation set to 4K or HD? It is running on FullHD, right? Otherwise it would require alot of downscalers to feed the ATEM SDI Extreme ISO and other monitors that only accept HD
We were running HD and recording our ISOs in 4K directly on camera
Wow. What was your main camera on this event. URSA ?
I was wondering when you would upload again
@liveproductionmastery This is great stuff. One question. Why do you need to send audio to the stages?
Good question. When we run “playback” which means a sponsor video or ad or some sort of intro video that has audio with it, we play it from our control station and want the audience to see and hear it out by the stage. So really just when we are playing a video that has audio with it. Otherwise the sound comes from the stage to us for the live feed. Also when we occasionally showed B stage on main stage and vise versa. During set changes to keep audience entertained we showed them a performance currently happening on the other stages so they might want to visit that stage instead of staying in one place the whole time.
@@liveproductionmastery I get it now. Thanks for your behind the scenes videos. I'm learning so much.
I would love to be part of the setup to see it all work, any apprenticeships ?
What lenses and BMD Studio camera models are you using?
Canon CN-E 18-80mm T4.4 COMPACT-SERVO Cinema Zoom Lens (EF Mount)
And the 70-200
Black magic studio 6K G2 cameras
Which intercom system are you using?
What kind of work is this? And how can I do this?
to sync audio and video on stage, you delay tha audio too? can you make a video on how to sync stage audio and video? Thanks!
Audio usually reaches and comes out the speakers faster then the video signal reaches a TV/projector/video wall in general. Because of this there are a lot of ways to delay audio. Computer playback softwares can usually delay the audio as it comes out of the computer. The atem switcher can delay audio, the mixer itself can delay audio. In order to get audio and video in sync. We play a video file that makes it obvious if they are in sync or not. Usually a beep test of some sort. Then we use our eye/ear to line the audio up to the video that is playing. Once it dialed in we don’t touch it and it stays in sync for the rest of the show. Thats it!
Thanks for the answer...just one more thing, since the audio is delayed in order to be in sync with video, does the artist complains because of it?
THEY DONT TEACH this in university
Where are courses for this?
Wtf am i doing in life?
Brown Amy White Brian Taylor Scott