Windows server does that mess in the middle of the work day with exchange and sql services running. Its insane it's like Microsoft doesn't even know what the hell a server is for. Then it crashes in the middle of the workday and it never comes back up again if the update is bad. 😮💨
It's wild that screens are connected to the internet at all lol, I would figure all they really need is a closed local area network, unless for some odd reason they need to have the most up to date Windows updates all the time, or maybe someone messed up the local Windows Server configuration
@@Nighthunt01 Well up-to-date windows is exactly what you do want. That IT school day 1. Unpatched is a fool's gamble. But you vet your own updates on your schedule. They have whole mangement solutions just for this
@@ErichToven why would you want latest update for this specifically? being 1 or 2 versions behind should not matter, unless there is specific fix issues with the software being used, in any case it should not be set to auto update.
A suggestion to stop the echo. If you can exploit the panel's ability to curve, maybe you can corrugate the overhead panels. That way you won't have a completely flat surface above the floor and future set... you could also experiment with the depth of the corrugation so that you can have the best light coverage you want from above, but add curved surfaces to the "ceiling" panels to break up the reflections with the floor. If you standing dead centre, there will be little you can do to stop the sound focusing back to the centre point. Also, you've kind of created a whispering wall... so if someone stands on the end of one side of the wall and talk along the inside edge, the sound might travel all the way around to the other edge of the wall. Amazing setup. The tech is incredible.
You might even be able to use the whispering wall effect to your advantage. If the talent is at one focus, place a microphone at the other focus, well out of frame, and it will pick up everything they say, no matter how quietly.
@@spazoq you'd need mics and speakers to playback the phase reversed ambient so it will cancel the room sound. This is how airpods and noice canellation in general works. Although you may now be able to tell why it only works on headphones, in our case here you'd have miced up actors and their mic would also record what the speakers would playback.......
@@lameturtle1170 I'm pretty sure with a directional mic picking up only the actors voice, an AI could remove any echos without the need for additional equipment. I don't know of anyone developing that AI, but I am sure it would be possible. This isn't an analog counter-signal, it would be a digital cleaning of the small amount of echo the directional mic would pick up. Add a gimbal and tracking camera on the mic to track the person's mouth, I'm sure it would provide a very clean audio recording. Or even more expensive, LOL, a phased array of directional mics and a multi-track recording that an AI would sift through. Then your tracking could be less precise. That video wall can't be cheap.
helium is also one of the fastest disappearing resources we have on earth and Americans waste it on commercial blimps and temporary sound deadening. you really are the absolute worst
That moire pattern is noticeable on the ceiling but you did mention you are using different frame rates and processor for that. Loving the set up. Good job!
@@Its_Quash It's more for reflections. Everything is reflective, what changes between a chrome sphere's reflection and our hands' reflection is its "blurriness".
Amazing. Thank's for sharing. ( maybe a large rolling gobo that gets moved behind opposite camera?) Thanks for for letting us in on how you put together these incredible systems.
Where is that stage? Also, creating the volume in a less circular shape can help quite a bit with audio, however with the hard ceiling and floor being parallel you will always be fighting that. I usually prefer to keep the walls open in more of a bell shape or a "J" shape, unless I'm shooting something that requires full enclosure.
I'm still in awe that there exists whole industry providing and supplying such systems. Which means there exists such demand and a high number of paying customers. Mind blowing.
How do I get involved in working in this industry. I've been a product manager for a 3D VR company in the media industry for a few years and I love the virtual production possibilities. What are the skills most in demand for a volume studio like this?
Hey Brandon, how are you? Recently I'm having a lot of delay when doing IMAG in the events I broadcast. What approach do you use when doing IMAG at events? I tried using the direct outputs from the ATEM 1 M/E Constellation 4K that I currently use and nothing. I remember you talking about this in some video on A2Z but I don't remember which one. Thank you and take care.
Hey yeah the atem’s with direct SDI out do very well with low latency signal for imag. What cameras are you using? What projectors or video walls are you using? Trying to determine where your delay or lag is coming from? Also are you doing a bunch of conversions in signal after the atem or direct to your screens via SDI/fiber?
You are close to matching The Sphere. What is the volume going to be used for? Or what it the challenge? Is there some type of acoustical tile for the flooring that could help? Would sound panels work BEHIND the LED panels in the walls and ceiling? Not only would this be great for movie-making, but any type of recording of choirs, theatre, videos, etc. You could make that a very high-end club, as long as patrons kept the drinks away from the walls. How long Was the build? Great layout of the various components and its design. Thank you Brandon for the video!
I wonder if the panels themselves could be made in a way where each pixel sits atop a cone shape with a little bit of foam padding behind. It would make the panels thicker and heavier but could help absorb sound
Quite interesting that for a volume that big you guys are using UE's NDisplay. A solution like Disguise (I know it is terribly expensive, I use it) would take this to a whole new level, easier to setup, run, calibrations and even augmented reality.
In music studios, portable absorption panels commonly referred to as "gobos" are used to mitigate echo or shape the sound of the room depending on the current needs of the band. Perhaps as similar solution could be utilized? Owens Corning 703 is great for absorbing full-band frequencies - if you were to build a few dozen gobos on wheels that could be easily positioned within the volume, as well as some suspended paneling or thick velvet curtains from the ceiling, you could probably tame a lot of that echo. Plus, as you add set pieces or change the floor surface material depending on shoot, you will notice the sound of the room changing. There are always sound restoration tools that can be used in post production, but it is always much better if you can achieve a clean result in production!
Even if you did throw a baseball across the whole place and it broke something, youd prolly only have to replace one panel lol thats the beauty of that setup. Prolly could use a bunch of fire extinguishers in ther lol unless theirs already a fire system of some kind.
how about scooping out the floor, putting diffusion in and replacing the floor with basically metal grates? provides stability, lets through enough sound to kill off a surface of reflection. cant do much about the paralleling walls but if youd account for the perspective angle and turn it more into a cone itd be cleaning up a lot while the middle would barely get used anyway.
Wouldn't be useful for long. The floor becomes the set, so dirt, sand, etc. It needs to be flat to be set ready. Those objects also help with sound dispersion.
There are two answers to that question. There is the cost to get someone to rent which is a lot then there is the purchase (installation) which is ungodly expensive.
Wow!! Live production mastery is the best!! 😀👌 Can’t wait to learn more about what camera tracking system you guys used and the Genlock cameras you partnered with our Blackmagic constelllaiton Genlock switcher as well as Genlock NovaStars 😊❤ 136 panels wide! Wow! And all amazingly curved at 2.5degrees! 😀👌 Wonderful 2.3mm pixel pitch, big difference from the usual regular 3.9s… Interesting to see some are P4.81? For the ceiling I guess? Wow helium balloons to help with the audio sounds so interesting - was thinking would Holoplot technology used at the MGM Sphere be of value here? 😅
Do you guys offer internships or anything along those lines to get first hand experience with these technologies I have experience with networking but this seems like a whole different ball park?
I respect the corrections you stated because they are more so facts you stated than opinions and it wasn’t in a rude manner so I genuinely appreciate the feedback! Thanks!
Yes but that only works if the scene we are shooting for the movie has carpet in it. There is a lot of full body shooting and a new floor is usually painted or built for each scene that is needed.
I wonder if the floor should be a raised composite mesh/grid that has sound insulation below it. you could use an irregular grid pattern. sound reflection aint no joke and sometimes a high density foam mat doesnt cut it. you could also duct AC in from below because I'm sure this thing runs HOTTTTT (probably equivalent to a 10kw heater or more). you shouldnt try to cool the whole room when you only need to cool the people
some suggestion: combine your set up with the Disney moving Tiles. would make everything smaller! you could do a lot of more moving acting, also with more people.
lol not enough detail to render, they are using unreal engine to get as high quality as possible. In games you will see texture changing according to how far the objects are and etc etc, but with in-engine render they are getting absolutely maxed out detail regardless of anything
And here I'm building my own tiles with ESP32s... My only issue is resolution. ... And scale, I guess. Making a sign is one thing, but not just a wall but an entire room is impressive amount of sync data.
A "screen saver" is the image that appears on an unused device to protect the pixels. The picture in the background of an OS desktop is called a wallpaper.
So at around 900 amps you are using about 120kW? per hour? so that at the end of a long day you've gone through about 2100 kWh???? Do you have a small nuclear reactor on site?
This would be absolutely insane for flight sims. Even better... a spherical version where all the panels are part of the sphere with a slight curvature in the horizontal and vertical axis.
We are working on a 3 part multimedia system; (A) 10x10 switching matrix with 100 channels x 100 frequencies, including IS / AS / US (Infrasonic Sound, Audible Sound, and Ultrasonic Sound. Dedicated DSP's / GPU's, and CPU's deliver power unavailable in any other system today. Mix and match video and audio processing with 100 GB throughput per blade. 10 blade processors per server, 10 servers per rack, and 10 racks per cluster. (B) Rack Amps connected with high speed data cables from mixers, or high speed wireless signals. Arrays of IS, AS, US speakers delivering 5 hz - 500 KhZ that cover walls, floor, and ceiling. Video resolution is12K at 300 fps.
You need to paint the floor black, otherwise you have zero contrast. Technically it would be 18% grey, but that would be too bright for most scenes. 2 or 3 EV below middle grey would bounce back a realistic amount of light for a natural scene. The floor should be matte.
Absolutely insane man! I just remeber watching the home streaming setup months ago and just now found your channel again. What a wonderful suprise seeing that insane setup and how you've set it up. Keep it up dude!!
Many high-budget movies have replaced green/blue screens with these video walls because green screening has negative effects. An example of this is green spill, which often shows up on the actors/actresses. It can also be a very manual process to refine, especially for transparent objects. In contrast, a video wall allows them to skip this process, while also making the lighting/shadows realistic and allowing the performers and producers to see their environment (and make adjustments quickly).
500mm panel width / 2.3 mm between pixels = 217 pixels per row per panel. 217x217 = 47,089 pixel per panel 13 panel rows tall x 138 panels wide = 1794 panels total 1794 panels * 47,089 pixels per panel = 84,477,666 total pixels on perimeter wall (not including ceiling) Total resolution is: 217 * 13 = 2,821 pixels tall 217*138 = 29,946 pixels wide Standard screen size for TV/monitor is 16x9 This video wall is 138/13 for reference. Hope that helps!
Imagine walking into that environment as a person from 2000 years ago. Nothing in that space would be recognizable as human created technology. It would be perceived as magic in the trueist sense of the word.
Just for ease of use when we want to control specific groups of lights and preset scenes unrelated to what unreal is outputting, then having a separate controller software is useful. Best of both worlds really.
Having the whole thing break because windows decided it was "time for an update" is too funny. Awesome installation!
I always wonder why people don't set Windows to update at times they aren't using it...
Windows server does that mess in the middle of the work day with exchange and sql services running. Its insane it's like Microsoft doesn't even know what the hell a server is for. Then it crashes in the middle of the workday and it never comes back up again if the update is bad. 😮💨
It's wild that screens are connected to the internet at all lol, I would figure all they really need is a closed local area network, unless for some odd reason they need to have the most up to date Windows updates all the time, or maybe someone messed up the local Windows Server configuration
@@Nighthunt01 Well up-to-date windows is exactly what you do want. That IT school day 1. Unpatched is a fool's gamble. But you vet your own updates on your schedule. They have whole mangement solutions just for this
@@ErichToven why would you want latest update for this specifically? being 1 or 2 versions behind should not matter, unless there is specific fix issues with the software being used, in any case it should not be set to auto update.
When you accidentally orders a 74' instead of a 74" screen!
1st world problems...😅
@@neon_Nomad Yea. Totally! 🤣👍
when you accidentally ordered 65 screens instead of a 65" screen
@@neon_Nomad American mesurement problems
Brandon is so easy to understand, and he explains really well! I enjoyed the video.
A suggestion to stop the echo. If you can exploit the panel's ability to curve, maybe you can corrugate the overhead panels. That way you won't have a completely flat surface above the floor and future set... you could also experiment with the depth of the corrugation so that you can have the best light coverage you want from above, but add curved surfaces to the "ceiling" panels to break up the reflections with the floor. If you standing dead centre, there will be little you can do to stop the sound focusing back to the centre point. Also, you've kind of created a whispering wall... so if someone stands on the end of one side of the wall and talk along the inside edge, the sound might travel all the way around to the other edge of the wall. Amazing setup. The tech is incredible.
An array of microphones all around the volume and use AI to single out all echos.
You might even be able to use the whispering wall effect to your advantage. If the talent is at one focus, place a microphone at the other focus, well out of frame, and it will pick up everything they say, no matter how quietly.
@@spazoq No need for AI, just noise gate it all but this is not a solution. Prevention is always better than cure
@@spazoq you'd need mics and speakers to playback the phase reversed ambient so it will cancel the room sound. This is how airpods and noice canellation in general works. Although you may now be able to tell why it only works on headphones, in our case here you'd have miced up actors and their mic would also record what the speakers would playback.......
@@lameturtle1170 I'm pretty sure with a directional mic picking up only the actors voice, an AI could remove any echos without the need for additional equipment. I don't know of anyone developing that AI, but I am sure it would be possible. This isn't an analog counter-signal, it would be a digital cleaning of the small amount of echo the directional mic would pick up. Add a gimbal and tracking camera on the mic to track the person's mouth, I'm sure it would provide a very clean audio recording. Or even more expensive, LOL, a phased array of directional mics and a multi-track recording that an AI would sift through. Then your tracking could be less precise. That video wall can't be cheap.
Never knew Helium Balloons could be used for sound dampening 😮 thats pretty cool
helium is also one of the fastest disappearing resources we have on earth and Americans waste it on commercial blimps and temporary sound deadening. you really are the absolute worst
Density shifts.
Reminds me of silence in the higher altitudes, as the air gets thinner.
That moire pattern is noticeable on the ceiling but you did mention you are using different frame rates and processor for that. Loving the set up. Good job!
I’m pretty sure it’s mostly used for the immersion factor instead of actually filming because there is a huge gap between the wall and the ceiling
@@Its_Quash It's more for reflections. Everything is reflective, what changes between a chrome sphere's reflection and our hands' reflection is its "blurriness".
Also it was filmed at a extreme angle
Very nice Video! when you were talking about the connection management (7:54) it reminded me of how the plumbus is made.
Wow amazing behind the scenes and access to that much equipment
Amazing. Thank's for sharing. ( maybe a large rolling gobo that gets moved behind opposite camera?) Thanks for for letting us in on how you put together these incredible systems.
Great information. I will never build anything that big, but just the knowledge you are sharing is priceless. Thank you
A brompton sounds like the perfect thing to connect to a turbo encabulator.
😂😂😂😂
I just wandered into this. Really interesting to see some of the equipment that shows like the Mandalorian use. Thanks for the tour.
Fantastic. Presentation is inspiring. Setup is beyond wow.
Windows running the volume is crazy
Where is that stage? Also, creating the volume in a less circular shape can help quite a bit with audio, however with the hard ceiling and floor being parallel you will always be fighting that. I usually prefer to keep the walls open in more of a bell shape or a "J" shape, unless I'm shooting something that requires full enclosure.
I'm still in awe that there exists whole industry providing and supplying such systems. Which means there exists such demand and a high number of paying customers. Mind blowing.
How do I get involved in working in this industry. I've been a product manager for a 3D VR company in the media industry for a few years and I love the virtual production possibilities.
What are the skills most in demand for a volume studio like this?
Thank you very much! That is an incredible amount of engineering but mechanical and computer. Fantastic job!
A lot of detailes, numbers and interesting solutions. Great video.
What brand sweatpants are you wearing?
900 amps, but at what voltage? How many kilowatts does this pull when its on? And does that mean you need that much cooling air conditioning as well?
i'd imagine american standard voltage, 120v?
Hey Brandon, how are you? Recently I'm having a lot of delay when doing IMAG in the events I broadcast. What approach do you use when doing IMAG at events? I tried using the direct outputs from the ATEM 1 M/E Constellation 4K that I currently use and nothing. I remember you talking about this in some video on A2Z but I don't remember which one. Thank you and take care.
Hey yeah the atem’s with direct SDI out do very well with low latency signal for imag. What cameras are you using? What projectors or video walls are you using? Trying to determine where your delay or lag is coming from? Also are you doing a bunch of conversions in signal after the atem or direct to your screens via SDI/fiber?
What would something like this be used for movie or news studio production, art installations?
The Mandalorian used something like this
You are close to matching The Sphere. What is the volume going to be used for? Or what it the challenge?
Is there some type of acoustical tile for the flooring that could help? Would sound panels work BEHIND the LED panels in the walls and ceiling?
Not only would this be great for movie-making, but any type of recording of choirs, theatre, videos, etc. You could make that a very high-end club, as long as patrons kept the drinks away from the walls.
How long Was the build? Great layout of the various components and its design.
Thank you Brandon for the video!
I wonder if the panels themselves could be made in a way where each pixel sits atop a cone shape with a little bit of foam padding behind. It would make the panels thicker and heavier but could help absorb sound
Quite interesting that for a volume that big you guys are using UE's NDisplay. A solution like Disguise (I know it is terribly expensive, I use it) would take this to a whole new level, easier to setup, run, calibrations and even augmented reality.
Nice video! What did you use to sync the outputs between systems. i would guess Quadros with sync cards?
In music studios, portable absorption panels commonly referred to as "gobos" are used to mitigate echo or shape the sound of the room depending on the current needs of the band. Perhaps as similar solution could be utilized? Owens Corning 703 is great for absorbing full-band frequencies - if you were to build a few dozen gobos on wheels that could be easily positioned within the volume, as well as some suspended paneling or thick velvet curtains from the ceiling, you could probably tame a lot of that echo. Plus, as you add set pieces or change the floor surface material depending on shoot, you will notice the sound of the room changing.
There are always sound restoration tools that can be used in post production, but it is always much better if you can achieve a clean result in production!
Even if you did throw a baseball across the whole place and it broke something, youd prolly only have to replace one panel lol thats the beauty of that setup. Prolly could use a bunch of fire extinguishers in ther lol unless theirs already a fire system of some kind.
Great video. I love the way you explain things. I can't believe I understood the whole industry in 15 min 😄
how about scooping out the floor, putting diffusion in and replacing the floor with basically metal grates? provides stability, lets through enough sound to kill off a surface of reflection. cant do much about the paralleling walls but if youd account for the perspective angle and turn it more into a cone itd be cleaning up a lot while the middle would barely get used anyway.
Wouldn't be useful for long. The floor becomes the set, so dirt, sand, etc. It needs to be flat to be set ready. Those objects also help with sound dispersion.
@@Kaboom1212Gaming its crazy but i heard about those things called tarps.
What is this setup like this used for?!?!?! Holy crap thats amazing!!!!
How much did all of these cost
There are two answers to that question. There is the cost to get someone to rent which is a lot then there is the purchase (installation) which is ungodly expensive.
@@lamarshealey3332😂
Can you share some information on the building/Studio size?
www.creativesask.ca/film-commission/john-hopkins-regina-soundstage/
Looks sweet, are y’all planning to rent out the space once it is complete, or are you using it for your in house productions?
Brandon, the Mozart of Live Production
Why not do the floor aswell with glass ontop of the screens?
Never cease to amaze. My lord its huge!
Whats the hardware cost on this project roughly
Wow, nice, but can it run Crysis ?
Needs some Incredifall vids playing on it. You will be on another planet watching these!!
How much is suche set up? 3$mil?
how many stuck pixels are there?
Id have to imagine that there is a couple when there are that many pixels.
How do you guys fight moire in productions?
Looks cool! What's it for?
Imagine deploying a windows system without a GPO that prevents updates while in use for a time critical system like this.
Wow!! Live production mastery is the best!! 😀👌 Can’t wait to learn more about what camera tracking system you guys used and the Genlock cameras you partnered with our Blackmagic constelllaiton Genlock switcher as well as Genlock NovaStars 😊❤
136 panels wide! Wow! And all amazingly curved at 2.5degrees! 😀👌
Wonderful 2.3mm pixel pitch, big difference from the usual regular 3.9s…
Interesting to see some are P4.81? For the ceiling I guess?
Wow helium balloons to help with the audio sounds so interesting - was thinking would Holoplot technology used at the MGM Sphere be of value here? 😅
Do you guys offer internships or anything along those lines to get first hand experience with these technologies I have experience with networking but this seems like a whole different ball park?
Cost breakdown?
Getting HOT in here. Man O Man thanks for sharing such an amazing Tech-Set like this. I enjoyed every second.
Cool volume; good tour.
I respect the corrections you stated because they are more so facts you stated than opinions and it wasn’t in a rude manner so I genuinely appreciate the feedback! Thanks!
can you connect all pcs´ via spacedesk and set to extend? just as an experiment?
how does this compare to what disney has for the starwars shows?
Can't you use carpet on the floor to dampen the echo?
Yes but that only works if the scene we are shooting for the movie has carpet in it. There is a lot of full body shooting and a new floor is usually painted or built for each scene that is needed.
consider getting the LTSC version of Windows to avoid updating frequently (the Windows 11 version came out not too long ago)
I wonder if the floor should be a raised composite mesh/grid that has sound insulation below it. you could use an irregular grid pattern. sound reflection aint no joke and sometimes a high density foam mat doesnt cut it. you could also duct AC in from below because I'm sure this thing runs HOTTTTT (probably equivalent to a 10kw heater or more). you shouldnt try to cool the whole room when you only need to cool the people
some suggestion: combine your set up with the Disney moving Tiles. would make everything smaller! you could do a lot of more moving acting, also with more people.
Can you set this up to play a light gun game? You can put in actual cover and concealment...
What are those black office chairs you are using?
so how good does call of duty or GTA look on this?
lol not enough detail to render, they are using unreal engine to get as high quality as possible. In games you will see texture changing according to how far the objects are and etc etc, but with in-engine render they are getting absolutely maxed out detail regardless of anything
And here I'm building my own tiles with ESP32s...
My only issue is resolution.
...
And scale, I guess.
Making a sign is one thing, but not just a wall but an entire room is impressive amount of sync data.
Not the largest in North America; but impressive. Great video too.
It would be great to have a winter pool party inside one of these with the "virtual sun" moving overhead.
A "screen saver" is the image that appears on an unused device to protect the pixels. The picture in the background of an OS desktop is called a wallpaper.
How do you get into a Live Production career like this?
Crazy and nice setup - and that what i LOVE ....
I love Scion colored lights ☺️
This is insane! I love it!
So at around 900 amps you are using about 120kW? per hour? so that at the end of a long day you've gone through about 2100 kWh???? Do you have a small nuclear reactor on site?
120kW is not all too bad, a wind turbine can do about 3000-5000kW. And he said the 900A is like worst case
How many kW does those ~900A equate to? Is it in the order of 200kW ? Or am I way off?
I assume this is in the US, so 120V * 900A = 108kW
900A at what voltage?
Whats the cost in total? ;D
This would be absolutely insane for flight sims. Even better... a spherical version where all the panels are part of the sphere with a slight curvature in the horizontal and vertical axis.
This monitor too many but can LCDTV Plastic 150' ?
This is way too cool, great video
We are working on a 3 part multimedia system; (A) 10x10 switching matrix with 100 channels x 100 frequencies, including IS / AS / US (Infrasonic Sound, Audible Sound, and Ultrasonic Sound. Dedicated DSP's / GPU's, and CPU's deliver power unavailable in any other system today. Mix and match video and audio processing with 100 GB throughput per blade. 10 blade processors per server, 10 servers per rack, and 10 racks per cluster. (B) Rack Amps connected with high speed data cables from mixers, or high speed wireless signals. Arrays of IS, AS, US speakers delivering 5 hz - 500 KhZ that cover walls, floor, and ceiling. Video resolution is12K at 300 fps.
You need to paint the floor black, otherwise you have zero contrast. Technically it would be 18% grey, but that would be too bright for most scenes. 2 or 3 EV below middle grey would bounce back a realistic amount of light for a natural scene. The floor should be matte.
That’s pretty epic. I wonder if it’s big enough to film my TikTok’s though…
crazy setup! 😍
Absolutely insane man! I just remeber watching the home streaming setup months ago and just now found your channel again. What a wonderful suprise seeing that insane setup and how you've set it up. Keep it up dude!!
like whats the value of that set ?
th-cam.com/video/Ufp8weYYDE8/w-d-xo.html
Cost?
too much
Are you running all that on 110V or 230? 1 MW or 2 ?
Cool. What's the purpose?
Many high-budget movies have replaced green/blue screens with these video walls because green screening has negative effects. An example of this is green spill, which often shows up on the actors/actresses. It can also be a very manual process to refine, especially for transparent objects. In contrast, a video wall allows them to skip this process, while also making the lighting/shadows realistic and allowing the performers and producers to see their environment (and make adjustments quickly).
that's crazy............. this + Vr would be an acid trip
I wonder how many pixels are in those screens?
500mm panel width / 2.3 mm between pixels = 217 pixels per row per panel.
217x217 = 47,089 pixel per panel
13 panel rows tall x 138 panels wide = 1794 panels total
1794 panels * 47,089 pixels per panel = 84,477,666 total pixels on perimeter wall (not including ceiling)
Total resolution is:
217 * 13 = 2,821 pixels tall
217*138 = 29,946 pixels wide
Standard screen size for TV/monitor is 16x9
This video wall is 138/13 for reference.
Hope that helps!
@@liveproductionmastery Math checks out 🤣👍
cost to build this? spare no expense
novastar is better tho.. what is the maximum framerate for this setup?
The distant future of wallpaper
Great video!
Are those Rawr XD's?
Great tour, thanks for sharing. #goals
Scion?
Triple A Video Game studio actually buying this....
i need that screen for my Flight Sim set up. 😁
So how much electricity/power are we talking about to feed these babies at full potential ?
When I start building volumes like this I will definitely remember the tip about the brightness 🔅 🥵
You need active noise cancelling built into the panels.
Imagine walking into that environment as a person from 2000 years ago. Nothing in that space would be recognizable as human created technology. It would be perceived as magic in the trueist sense of the word.
show the back of the rack and also the unreal engine computers outputs.
Why use madmapper when Unreal can send DMX data to lights that would match your scene better and react to the moving scene?
Just for ease of use when we want to control specific groups of lights and preset scenes unrelated to what unreal is outputting, then having a separate controller software is useful. Best of both worlds really.