A few years back, I went for a friend's wedding in Bangalore. When the ceremony started, there was Carnatic music playing. It was such a mistake. All of us were fixated on the musicians and had completely forgotten about the bride and the groom. It was transcendental! ❤️
She is a legendary singer in indian classical music and the singing is not memorizing, it's all about the story of lord Krishna and the way of expressing it innovatively...
This is a segment of the same musical piece you listened to from Kuldeep M Pai. Half of this piece are vocal representations of rhythmic syllables and half are lyrics in sanskrit, they intertwine with each other. You can see that the rhythmic syllables Aruna Ma'am sings is parallel to what was played on the mridangam, almost as if she commanded or directed the rhythm. This is a dance piece, the rhythmic syllables are commonly used to direct Bharathanatyam dancers, and the song itself describes Lord Krishna's dance upon the Snake Kalinga. The raga or scale used in this piece is Ghambeera Nattai, a very sweet raga, child of the parent raga Chalanata. "Ghambeera" means boldness or grandness and thus the raga conveys grand feelings. This is a Carnatic piece. The instruments played were the Mridangam, Veena, Violin, Ghatam and the Tambura Notes on the discussion: she only used one raga in this piece, the transitioning took place between the 'melody and lyrics' and the 'Rhythmic syllables'. Indian music, Carnatic in this case is composed in many languages including Tamil, Telugu, Sanskrit and Kannada. In fact Telugu is favored by many of the great composers of Carnatic music. This piece was written by oothukadu venkata subbaiyer a composer who lived in Tamil Nadu and spoke the Tamil language. The performance and the way the vocalist was having fun is _for_ the audience, it's not because she thinks she is good, as she has said many times, it's because she wants the audience to have in on the music. Also, this is a dance piece, the rhythmic syllables are used to direct Bharathanatyam dancers, so it's naturally jumpy.
You must read Krishna’s story of dueling Kalinga the Serpent. The transitions are the dance between Krishna and Kalinga - apparent adversaries, and yet Krishna the all pervasive Vishnu Avataar and Kalinga the enamored devotee who is playing his part in the cosmic dance of Krishna! Aruna Sairam is brilliant at painting a picture with her music!
The myth behind the poem: When Lord Krishna was a child he was a cowherd in the forest of Brindavan that rose along the banks of the river Yamuna. All animals near a part of the river were dying mysteriously and Krishna went to investigate. There Kalinga (Kaliya) the 9-headed snake had made it's home and it's poison was killing all the animals. Krishna asked the snake to leave, but it refused. So Krishna began to "fight" the snake by dancing on it's heads dodging the snake's attempts to bite him. When the snake finally grew tired and understood that it couldn't win, it pleaded to Krishna that it couldn't leave the river because the eagle Garuda, also the vehicle of Lord Vishnu, would hunt and kill it. Krishna told the snake that Garuda would not hunt and kill Kalinga because he would identify Krishna's footprints on the snake's heads and understand that Kalinga is a devotee of Krishna. The poet, Oothukkadu Venkata Subba Iyer, draws inspiration from this divine dance to write the poem in the form of a thillana. A thillana is composed with rhythmic syllables in the pallavi and anupallavi (chorus) and lyrics in the charanam (verse). Here the rhythmic portions correspond to the dancing, and the lyrics describe how the poet feels as he sees the divine dance unfold. This rendtion is only the last couple of lines in the full poem. You have reacted to the full rendition by Kuldeep M Pai along with his proteges, Sooryagaayathri and Rahul Vellal. th-cam.com/video/x3kU9en_G3Y/w-d-xo.html&ab_channel=OURSTUPIDREACTIONS You have already reacted, as Korbin noted, to an Aalap in the Raag Shanmukhapriya by Aruna Sairam. th-cam.com/video/BpDB64Cpj8A/w-d-xo.html&ab_channel=OURSTUPIDREACTIONS You missed identifying Jayanthi Kumaresh on the Veena. You have reacted to her Jugalbandhi with Zakir Hussain: th-cam.com/video/mHklSGOvWuE/w-d-xo.html&ab_channel=OURSTUPIDREACTIONS
I think Lord Krishna was dancing for her as she was singing. They know the raga and tala so well that they will improvise as they sing. Next year if the Tyagaraja festival is held in Cincinnati, please come. It is a week-long festival to celebrate Tyagaraja’s birthday.
She have done the same "Tillana" in another recent show.. Which you'll mesmerise!! That show is called, UTSAV - Soumik Datta - Aruna Sairam - Tillana! Please do watch!!
You have reacted to the same piece performed by Sri Kuldeep. M. Pai. You can see the difference between the two performances. The genius of her bringing in so many variations is breathtaking and mind boggling.
I have already mentioned that it was because of OSR that I was reintroduced to the Indian classical music scene. But it was this performance that cemented it as one of my new forms of entertainment. I must have listened to this and Kaushiki Chakraborthy's performance of Bhimpalasi at least 10 times each on that day alone. Because I have seen this video so many times, I can identify it just by the thumbnail. I have turned off my search and view histories so that I don't get any suggestions and watch anything only as I choose to. So I was confused when I saw Aruna Sairam's face in the suggestions. And then it dawned on me -- this wasn't just a suggestion, OSR was reacting to the performance. Oh! How I have waited for this day since August of 2019. I have always wanted you to listen to this, but I never suggested it. Mainly because at that time I wasn't someone who would interact with people on the internet. This is something that OSR has changed for me indirectly, but that's another story. And also because if you started reacting to things I would demand, then the rest of the family would miss out on you reacting to movie trailers and other things, which I don't know/care about -- and that's not fair.
@@elle7153 Have you heard the songs Aruna ma'am has done in collaboration with Soumik Datta? I found it as I was searching for a full rendition of Kalinga Nartana sung by ma'am. The RnB + Classical fusion was just mwah! The Kalinga Nartana comes as a bonus track separately. I've added the links to both the playlist and the bonus track. Playlist: th-cam.com/video/33Wsiel0Q08/w-d-xo.html Bonus: th-cam.com/video/jQqtGzdteQ8/w-d-xo.html&ab_channel=BagriFoundation
Classical Music is way greater than we think it is. You will definitely get wondered how it is. React to some of the performances by MS Subhalakshmi, Balamuralikrishna, TM Krishna, Mysore Brothers etc
In particular to your reaction w.r.t sanskrit I think you are finally getting it, the sounds are a form of energy and they are treated that way. And for a long time passed on to the next generations only by recital in Indian tradition, writing came much later.
I want to recommend this song and it just happened 🙂. Excellent rendering and most synchronised performance. Most happy to listen all the time, dedicating to Lord Krishna 🙏.
@@edwardspencer9397 this one seems to be a shorter clip of entire performance I think. Because Darbar authorities might not put the entire video on TH-cam
Plz do a research of Tamil and come to ur conclusion bro... I am not Tamil but I do a study about both Tamil and Sanskrit...u too plz do before u assume
You have reacted to this devotional song sung by Sooryagayathri, Rahul Vellal nd Kuldeep Pai .You were very impressed with them as well . Power of Carnatic music .Veena is by Jayanthi Kumaresh .She performed with Ustad Ji ❤️
in hindi darbar means the king's main assembly hall. and during the time ancient musicians and dancers always performed in the darbars in the palaces.just like mastani [deepika] performed for bajirao[ranveer] in bajirao mastani.
Aruna Sairam became popular after singing this Thillana and almost after she was 40plus of age. Even though she learnt from great Brinda Amma, she never got the break she reserved. But this one song changed all
And man aren't you something here! This girl, an out and out westerner, Emmanuelle Martin, a virtuoso Carnatic singer; you will be mesmerized her voice; such power; man, don't this miss this for anything.
dacă înțelegi cu sufletul nu numai că e ușor e și ceva natural asta înseamnă rag e mai mult decât o simpă melodie o voce ,e mult mai mult trece de orice limită și nu sunt bariere e pur RESPECT legătura cu natura cu pământul cu cerul și da nu e simplu ci doar pare așa datorită măiestriei muzicienilor 🙏💕♥️
Great observation on Raag transitions Korbin! And one added layer you’re missing is the lyrics, the playfulness of young Krishna mingled with his realization of triumph over the water-snake king is perfectly captured in her voiceplay!
Imagine Krishna dancing on the head of kaalinga- a serpent with 9 heads. He's dancing to defeat kaalinga dodging it's attack - that's were d thillaana notes come up and down ...
Indian languages are rooted in Sanskrit AND Tamil. Just correcting your statement, when you just said Sanskrit. The Dravidian language family is rooted in Old Tamil and the Indo-Aryan language family is rooted in Sanskrit. And Carnatic music is a mix of Dravidian and Indo-Aryan cultures. A lot of songs are in the languages based on both Sanskrit and Old Tamil, like Telugu, Kannada, modern Tamil.
Kalinga Narthana Thillana sings the story of Krishna and Kaliya. Context: On the banks of the river Yamuna, where lay the town of Vrindavan lived Krishna, the son of the village head, as a cowherd boy in adolescence. The legend goes that the animals began to die mysteriously in the forests of Vrindavan. One day, Krishna was playing near the river with his friends when their ball got kicked into the river. Everybody tried to dissuade Krishna from going into the river and retrieving the ball because apparently the river was poisoned by the venom of King Kaliya, a giant nine headed black serpent who had come to live in the Yamuna and had been the cause of the animals dying. Krishna despite everything jumped into the river to get the ball back in childish defiance. Some of the kids ran back and told their parents and the entire village ran to the banks of the river. Krishna as far as the eyes could see had disappeared and his mother Yashodha beat her chest and wailed as people tried to stop her from going to get her son. Meanwhile, in the depths of the river, Krishna, in search of the ball, comes across Kaliya and asks him to leave the river. Kaliya only laughs and tries to get at him but Krishna dodges the giant serpent and jumps atop his head. Krishna then proceeds to jump and dance atop Kaliya's heads as the furious beast tries to get him off and kill him. Eventually Kaliya begins to die with pain and exhaustion and pleads with Krishna to stop. When Krishna ignores him, Kaliya's wives come to the scene and plead with Krishna to spare their husband. They agree to leave the river Yamuna but tell Krishna that they've nowhere else to go as the King of Eagles, Garuda who is the ride of Lord Vishnu, will hunt them down. Krishna who is an avatar of Vishnu laughs at this and says that that won't happen because Garuda will spot the impression of Krishna's feet on Kaliya's head and recognize in him a devotee of Vishnu. The song describes the play of Krishna with his friends and then his fight with King Kaliya in the river Yamuna.
PS: She is not switching in between two ragas. She is singing one raga only. It is not common to sing multiple ragas one after another with nearly no transition time in between; although, this might me done for some sort of demonstration or comparison of two ragas.
Actually there are two Uranus jokes in the HP books. Book 4 Chapter 13 Mad-Eye Moody "Can I have a look at Uranus too, Lavender?" said Ron. Book 5 Chapter 35 Beyond the Veil "Harry, we saw Uranus up close!" said Ron, still giggling feebly. "Get it, Harry? We saw Uranus - ha ha ha -"
I actually cringed when I saw how the both of you stepped innocently into this master class, with no idea of the lady was about to start freaking out. Hope you get back to normal soon. What she does is surreal.
Please notice she sung the song without seeing any written lyric actually the song is about our God Such a wonderful memorising yes as you said most of the song is in the language sankrit
Krishna didn't do serpent dance... He danced on a 5 headed demon snake kaliya.. N the story is well known as kaliyamardan... U can also find many videos related to kaliyamardan... 💓
Latin, Ancient Greek and Sansrit are considered to be sister languages by most Linguists. The pronunciation are a bit different but if you focus you will see the obvious connections. For eg the word " To give" in Sanskrit is 'Danam', most Indian language also use some variation of the word. In Latin the word is 'Donum' and hence you get the modern words Donate, Donour, Donation, etc. So most linguistic can see the pattern and have formulated and can rightly predict how the pronunciation of a word will differ in these languages. So you see the difference is not that different if you know what to look for.
What other videos should we react to??
th-cam.com/video/fHsOuPoW4ro/w-d-xo.html
Plz react to the journey of thalapathy vijay🔥,❤️
th-cam.com/video/fHsOuPoW4ro/w-d-xo.html
Plz react to the journey of thalapathy vijay🔥,❤️
React to Carnatic Music | Jayanthi Kumaresh | Raga Kapi - Thillana (Pt. 2) | Music of India
Guys many new kannada movie trailers have dropped plz do check it out.
Plz react to KOTA FACTORY you will in love with this web series.
A few years back, I went for a friend's wedding in Bangalore. When the ceremony started, there was Carnatic music playing. It was such a mistake. All of us were fixated on the musicians and had completely forgotten about the bride and the groom. It was transcendental! ❤️
I feel Rukmini Vijayakumar's dance on Kalinga Nartan Thillana is too good, though the singer is someone else in that performance.
The singer in that audio is the famous Preethi Mahesh madam! All her songs are incredible 🙂
I have already once commented the same, to react that dance video..her dance was so so marvelous...
Yes Exactly matched , Excellent dancer
Yes! Yes! Yes! Yes!
Rukmini's namami yoga vidye is 🔥
She is a legendary singer in indian classical music and the singing is not memorizing, it's all about the story of lord Krishna and the way of expressing it innovatively...
This is a segment of the same musical piece you listened to from Kuldeep M Pai. Half of this piece are vocal representations of rhythmic syllables and half are lyrics in sanskrit, they intertwine with each other. You can see that the rhythmic syllables Aruna Ma'am sings is parallel to what was played on the mridangam, almost as if she commanded or directed the rhythm. This is a dance piece, the rhythmic syllables are commonly used to direct Bharathanatyam dancers, and the song itself describes Lord Krishna's dance upon the Snake Kalinga. The raga or scale used in this piece is Ghambeera Nattai, a very sweet raga, child of the parent raga Chalanata. "Ghambeera" means boldness or grandness and thus the raga conveys grand feelings. This is a Carnatic piece. The instruments played were the Mridangam, Veena, Violin, Ghatam and the Tambura
Notes on the discussion: she only used one raga in this piece, the transitioning took place between the 'melody and lyrics' and the 'Rhythmic syllables'.
Indian music, Carnatic in this case is composed in many languages including Tamil, Telugu, Sanskrit and Kannada. In fact Telugu is favored by many of the great composers of Carnatic music. This piece was written by oothukadu venkata subbaiyer a composer who lived in Tamil Nadu and spoke the Tamil language.
The performance and the way the vocalist was having fun is _for_ the audience, it's not because she thinks she is good, as she has said many times, it's because she wants the audience to have in on the music. Also, this is a dance piece, the rhythmic syllables are used to direct Bharathanatyam dancers, so it's naturally jumpy.
Violin=peetilu
Was it just me who felt deeply unsatisfied because there was a lag between video and audio of the thillana!
Me too! Because Aruna Ji's reaction and singing are more satisfying to see.
You must read Krishna’s story of dueling Kalinga the Serpent. The transitions are the dance between Krishna and Kalinga - apparent adversaries, and yet Krishna the all pervasive Vishnu Avataar and Kalinga the enamored devotee who is playing his part in the cosmic dance of Krishna!
Aruna Sairam is brilliant at painting a picture with her music!
Yeh!! this is best.
They already reacted to this song with subtitles before
Guys... It's high time you get introduced ti the legends of Carnatic music Bharata ratna MS and DK Pattammal.
The myth behind the poem: When Lord Krishna was a child he was a cowherd in the forest of Brindavan that rose along the banks of the river Yamuna. All animals near a part of the river were dying mysteriously and Krishna went to investigate. There Kalinga (Kaliya) the 9-headed snake had made it's home and it's poison was killing all the animals. Krishna asked the snake to leave, but it refused. So Krishna began to "fight" the snake by dancing on it's heads dodging the snake's attempts to bite him. When the snake finally grew tired and understood that it couldn't win, it pleaded to Krishna that it couldn't leave the river because the eagle Garuda, also the vehicle of Lord Vishnu, would hunt and kill it. Krishna told the snake that Garuda would not hunt and kill Kalinga because he would identify Krishna's footprints on the snake's heads and understand that Kalinga is a devotee of Krishna.
The poet, Oothukkadu Venkata Subba Iyer, draws inspiration from this divine dance to write the poem in the form of a thillana. A thillana is composed with rhythmic syllables in the pallavi and anupallavi (chorus) and lyrics in the charanam (verse). Here the rhythmic portions correspond to the dancing, and the lyrics describe how the poet feels as he sees the divine dance unfold.
This rendtion is only the last couple of lines in the full poem. You have reacted to the full rendition by Kuldeep M Pai along with his proteges, Sooryagaayathri and Rahul Vellal. th-cam.com/video/x3kU9en_G3Y/w-d-xo.html&ab_channel=OURSTUPIDREACTIONS
You have already reacted, as Korbin noted, to an Aalap in the Raag Shanmukhapriya by Aruna Sairam. th-cam.com/video/BpDB64Cpj8A/w-d-xo.html&ab_channel=OURSTUPIDREACTIONS
You missed identifying Jayanthi Kumaresh on the Veena. You have reacted to her Jugalbandhi with Zakir Hussain: th-cam.com/video/mHklSGOvWuE/w-d-xo.html&ab_channel=OURSTUPIDREACTIONS
Good information. Thanks for sharing!
How could you use the word myth ???
Sir its not myth better to call it as our History!!
Myth?? Come on!!
Apparently, some people here can't differentiate between mythology and history.
Tillana is a tongue twister and it requires enormous practice especially syncing of words with music with sudden variations
The legend of Carnatic music - Ms Subbalakshmi , Do it.
only very few know her. New gen people that is.
@@nandagopalgopakumar5626 Sad true
I am rajasthani and I love three songs
Carnatic
Rajasthani
English
I think Lord Krishna was dancing for her as she was singing. They know the raga and tala so well that they will improvise as they sing.
Next year if the Tyagaraja festival is held in Cincinnati, please come. It is a week-long festival to celebrate Tyagaraja’s birthday.
She have done the same "Tillana" in another recent show.. Which you'll mesmerise!! That show is called, UTSAV - Soumik Datta - Aruna Sairam - Tillana!
Please do watch!!
That has piano too. All were very good.
Krishna danced over the large serpent ..he didn't do snake dance 😂
😝
😂
Jai sree krishna govinda hare murari hey nath Narayan vasudeva 😊
FYI, Ex chief executive officer of PepsiCo, Indra Nooyi, is Aruna Sairam's niece
Even the veena player Jayanthi Kumaresh is another legend. Please react to some of her as well
You have reacted to the same piece performed by Sri Kuldeep. M. Pai. You can see the difference between the two performances. The genius of her bringing in so many variations is breathtaking and mind boggling.
Now you have to react to Rukmini Vijayakumar's dance choreography of the same.
Yes. She's amazing.
I have already mentioned that it was because of OSR that I was reintroduced to the Indian classical music scene. But it was this performance that cemented it as one of my new forms of entertainment. I must have listened to this and Kaushiki Chakraborthy's performance of Bhimpalasi at least 10 times each on that day alone. Because I have seen this video so many times, I can identify it just by the thumbnail.
I have turned off my search and view histories so that I don't get any suggestions and watch anything only as I choose to. So I was confused when I saw Aruna Sairam's face in the suggestions. And then it dawned on me -- this wasn't just a suggestion, OSR was reacting to the performance. Oh! How I have waited for this day since August of 2019.
I have always wanted you to listen to this, but I never suggested it. Mainly because at that time I wasn't someone who would interact with people on the internet. This is something that OSR has changed for me indirectly, but that's another story. And also because if you started reacting to things I would demand, then the rest of the family would miss out on you reacting to movie trailers and other things, which I don't know/care about -- and that's not fair.
this was the first Indian classical that i got absolutely hooked on. This is simply mesmerising, the full version even more so.
@@elle7153 Have you heard the songs Aruna ma'am has done in collaboration with Soumik Datta? I found it as I was searching for a full rendition of Kalinga Nartana sung by ma'am. The RnB + Classical fusion was just mwah! The Kalinga Nartana comes as a bonus track separately. I've added the links to both the playlist and the bonus track.
Playlist: th-cam.com/video/33Wsiel0Q08/w-d-xo.html
Bonus: th-cam.com/video/jQqtGzdteQ8/w-d-xo.html&ab_channel=BagriFoundation
Classical Music is way greater than we think it is. You will definitely get wondered how it is. React to some of the performances by MS Subhalakshmi, Balamuralikrishna, TM Krishna, Mysore Brothers etc
In particular to your reaction w.r.t sanskrit I think you are finally getting it, the sounds are a form of energy and they are treated that way. And for a long time passed on to the next generations only by recital in Indian tradition, writing came much later.
I want to recommend this song and it just happened 🙂. Excellent rendering and most synchronised performance. Most happy to listen all the time, dedicating to Lord Krishna 🙏.
the transitions from one beat to another are always so beautiful in our traditional indian music ❤☄ isn't it ??
You have heard this song sung by Suryagayathri, that brilliant little girl.
Yep, I hope they read this comment.
Both are best...
Yeah and that version was much better than this one. Also had the translations.
@@edwardspencer9397 this one seems to be a shorter clip of entire performance I think. Because Darbar authorities might not put the entire video on TH-cam
@@edwardspencer9397 huh?
I am and indian mauritian . I m proud to see your show which is amazing
I appreciate your show with a dlscovered
Thank you very much
You guys can attend "Doverlane music fest" in Kolkata, generally happens in Winter (January and February). All your favourite musicians perform there.
Would we have it for 2021........??
I don't think so. There isn't any announcement on their official website yet.
You should definitely try Shubhalaxmi next. You'll surely be mesmerized
Also Serp is a sanskrit word means 🐍
Serpentine one of the word derived from sanskrit.
Plz do a research of Tamil and come to ur conclusion bro...
I am not Tamil but I do a study about both Tamil and Sanskrit...u too plz do before u assume
You have reacted to this devotional song sung by Sooryagayathri, Rahul Vellal nd Kuldeep Pai .You were very impressed with them as well . Power of Carnatic music .Veena is by Jayanthi Kumaresh .She performed with Ustad Ji ❤️
Most amazing singer
Never clicked a video sooo fast!
Just sitting in one place and dancing, gliding, pausing, twirling in the mind and soul.
Hey guys, this was the same poem which you saw earlier the two kids and their teacher rendering. Remember Rahul and Sooryagayathri and their teacher
It's actually a "thillaana", which is not the usual Carnatic music compositions you listened to before..
in hindi darbar means the king's main assembly hall. and during the time ancient musicians and dancers always performed in the darbars in the palaces.just like mastani [deepika] performed for bajirao[ranveer] in bajirao mastani.
Indian classical music is way deeper than western people can imagine. Love you both sir :)
6:20 Exactly Korbin.^^
Had the same expression, when I heard her the first time.
The way they froze at the end... Goosebumps ❤️❤️❤️
One of the greatest performances by anyone ever.
Aruna Sairam became popular after singing this Thillana and almost after she was 40plus of age. Even though she learnt from great Brinda Amma, she never got the break she reserved. But this one song changed all
I had requested this long back but not darbar one i liked when she sung it in UTSAV you should watch that amazing...
Legend. Aruna ji
And man aren't you something here! This girl, an out and out westerner, Emmanuelle Martin, a virtuoso Carnatic singer; you will be mesmerized her voice; such power; man, don't this miss this for anything.
Same kaalinga nardhanam song sung by young boy and young girl with Guruji Kuldeep M. Pai of Vandey Guru Parambaram.THILLANA Raga
dacă înțelegi cu sufletul nu numai că e ușor e și ceva natural asta înseamnă rag e mai mult decât o simpă melodie o voce ,e mult mai mult trece de orice limită și nu sunt bariere e pur RESPECT legătura cu natura cu pământul cu cerul și da nu e simplu ci doar pare așa datorită măiestriei muzicienilor 🙏💕♥️
Great observation on Raag transitions Korbin! And one added layer you’re missing is the lyrics, the playfulness of young Krishna mingled with his realization of triumph over the water-snake king is perfectly captured in her voiceplay!
Classical singers are the backbone of Indian music
Imagine Krishna dancing on the head of kaalinga- a serpent with 9 heads. He's dancing to defeat kaalinga dodging it's attack - that's were d thillaana notes come up and down ...
That's what I am doing.
It's wonderful.
Singer is awesome.
Finally.. Have been asking for it since you reacted to Kaushiki Chakraborty... Took you long enough..
It's a power of indian classical music.....!!!!!
Was waiting for this song reaction by Aruna Sairam since months. Thanks
Also react to Panchratna Kritis at Tyagaraja festival...all the maestros congregate and sing in unison....it is amazing.
The master at work🙏🙏🙏
Haha the last line is just amazing. It's tihai and it is only the appreciation of body heart mind and dance of the god.
There's mice on the moons of Uranus.
I want to see Uranus too, Lavender.
We saw Uranus up close Harry.
Context and meaning make this song even more.awesome
This is storytelling via music.
Your appreciation now seems more in sync with our understanding of classical music. 🙏
Indian languages are rooted in Sanskrit AND Tamil. Just correcting your statement, when you just said Sanskrit. The Dravidian language family is rooted in Old Tamil and the Indo-Aryan language family is rooted in Sanskrit. And Carnatic music is a mix of Dravidian and Indo-Aryan cultures. A lot of songs are in the languages based on both Sanskrit and Old Tamil, like Telugu, Kannada, modern Tamil.
You had reacted to Suryagayathri and Rahul Vellal singing the same which was just amazing ten months back.
Kalinga Narthana Thillana sings the story of Krishna and Kaliya. Context: On the banks of the river Yamuna, where lay the town of Vrindavan lived Krishna, the son of the village head, as a cowherd boy in adolescence. The legend goes that the animals began to die mysteriously in the forests of Vrindavan. One day, Krishna was playing near the river with his friends when their ball got kicked into the river. Everybody tried to dissuade Krishna from going into the river and retrieving the ball because apparently the river was poisoned by the venom of King Kaliya, a giant nine headed black serpent who had come to live in the Yamuna and had been the cause of the animals dying. Krishna despite everything jumped into the river to get the ball back in childish defiance. Some of the kids ran back and told their parents and the entire village ran to the banks of the river. Krishna as far as the eyes could see had disappeared and his mother Yashodha beat her chest and wailed as people tried to stop her from going to get her son. Meanwhile, in the depths of the river, Krishna, in search of the ball, comes across Kaliya and asks him to leave the river. Kaliya only laughs and tries to get at him but Krishna dodges the giant serpent and jumps atop his head. Krishna then proceeds to jump and dance atop Kaliya's heads as the furious beast tries to get him off and kill him. Eventually Kaliya begins to die with pain and exhaustion and pleads with Krishna to stop. When Krishna ignores him, Kaliya's wives come to the scene and plead with Krishna to spare their husband. They agree to leave the river Yamuna but tell Krishna that they've nowhere else to go as the King of Eagles, Garuda who is the ride of Lord Vishnu, will hunt them down. Krishna who is an avatar of Vishnu laughs at this and says that that won't happen because Garuda will spot the impression of Krishna's feet on Kaliya's head and recognize in him a devotee of Vishnu. The song describes the play of Krishna with his friends and then his fight with King Kaliya in the river Yamuna.
It's a rythmic maths. Assending and Dessending order of letters.
React to Carnatic musician m s subbalakshmi
Yes its time they get introduced the carnatic music legend,bharat ratna Awardee and divine performer
December music season/Margazhi Utsavam... in chennai...u can catch month long performances of classical dance and Carnatic music.
What you heard was a thillana. it is different from a song. It involves bols (beats) in it in a ragam.
PS:
She is not switching in between two ragas. She is singing one raga only. It is not common to sing multiple ragas one after another with nearly no transition time in between; although, this might me done for some sort of demonstration or comparison of two ragas.
Please react to Bharat ratna MS subbulakshmi ❤
A vocal theatre🎭❤️
I am proud that I learnt kalinga narthana from her video❤
Genius Rick
I think this was very unique since its set on a taal or singing the beats and matching the scale to other instruments 😊🙏
U can view Minsare Kanna song from Padyappa
Playfulness, it seems to me, is the essence of this composition.
Actually there are two Uranus jokes in the HP books.
Book 4 Chapter 13 Mad-Eye Moody
"Can I have a look at Uranus too, Lavender?" said Ron.
Book 5 Chapter 35 Beyond the Veil
"Harry, we saw Uranus up close!" said Ron, still giggling feebly. "Get it, Harry? We saw Uranus - ha ha ha -"
React to Yesudas singing Carnatic classical
I actually cringed when I saw how the both of you stepped innocently into this master class, with no idea of the lady was about to start freaking out.
Hope you get back to normal soon.
What she does is surreal.
This is breathless *10
React to Carnatic Music | Jayanthi Kumaresh | Raga Kapi - Thillana (Pt. 2) | Music of India
If you close the eyes and listen then you should feel the dance of lord Krishna on the head of giant black snake called kaliya.🙏🙏
Please notice she sung the song without seeing any written lyric actually the song is about our God
Such a wonderful memorising yes as you said most of the song is in the language sankrit
Imagine...visualize Lord Krishna dancing on Kaliya's hoods!
Guys, you must react to darbarfestival - "genius of begam parveen sultana | raag puriya dhanashree". I am damn sure that it will blow you mind away ..
This is south indian classic music
Is the audio out of sync.
Splendid.
Wawwww 👏👏👏
Try to react jyothsna shrikanth's violin ( raga amristvasrshini) performance from darbar . She is fabulous .
Sounds like a rap. Awesome
Krishna didn't do serpent dance... He danced on a 5 headed demon snake kaliya.. N the story is well known as kaliyamardan... U can also find many videos related to kaliyamardan... 💓
It’s so good. I don’t know what she’s saying but it sounds comical.
Indian instruments speaks, as vocalist sings.
Tamilians will be always on top when it comes to carnatic music 🙌🏻
I am desperately waiting for a different intro video of OSR because I don't want to skip it every time☹
Rick, don't let Korbin fool you,your joke was as good as Uranus.😂
If I were the sorting hat, I would put Rick in Ravenclaw and Korbin in Slytherin but then you have a choice!
Latin, Ancient Greek and Sansrit are considered to be sister languages by most Linguists. The pronunciation are a bit different but if you focus you will see the obvious connections. For eg the word " To give" in Sanskrit is 'Danam', most Indian language also use some variation of the word. In Latin the word is 'Donum' and hence you get the modern words Donate, Donour, Donation, etc. So most linguistic can see the pattern and have formulated and can rightly predict how the pronunciation of a word will differ in these languages. So you see the difference is not that different if you know what to look for.
You can even react to the same Arunaji in the song viswakara kannan,u will be astounded
When it comes to Thillanas you have yet to deep dive in to Mangalampalli Balamuralikrishna (MBK).
First time commenter but i felt since u really enjoy the Indian classical music pls do react to nannu vidachi by sandeep narayan
You have already reacted to this song sung by Sooryagayathri & Kuldeep M Pai