@@tomjkelly I know how it is, in fact I wish I could help with that. I'm a content creator/filmmaker/video editor. I know that if we collaborated you could have more time to do other things. Let me know if you’re interested.
Ended up going for the C70 as it measures slightly better in Dynamic range and is just an overall faster camera to use. I think the C70 is probably the quickest "cinema camera" on the market. It edges out the Pocket 6K pro in battery life(the the P6K Pro screen is fastly better). The form factor is pretty nice and the 4k RAW files sizes are great.
I fully agree. I think it is currently Canons best video camera. I use it as an EF full frame camera with Canons focal reducer. I would be interested to see the next version of the C500 though.
If you want a sharper image you can always use a sharper lens. The RAW from the RED is so much better to save if something is messed up.. I own two C70 cameras and love them for their ease of use for interviews and matching.
Sharpness was never really mentioned in this test tbh as its really low down on what Im looking for in a camera. You are right about Reds RAW though, its the best although as long as the white balance can be changed non-destructively thats all I really care about with Raw.
Sorry for the slight wandering eyes from the teleprompter. I would welcome anyone who has any tips to help reduce this. Im thinking using a slightly longer lens might help but not sure. Im new to this!
Looks like the cameras were out of focus. I’ve seen test between 4K and 6K and the 6K had a lot more detail. There is something definitely wrong with the test.
But you can clearly see on the wides that the cameras are in focus. The Canon RF-EF 0.71x Focal Reducer on both cameras might be leveling the playing field a bit. I was surprised the Komodo wasn't capturing more detail too.
I own a C70 and that’s what think, it looks like video. I want the cinematic colors which I was told it had. I’ve scoured the Internet, looking for examples of C 70 footage that didn’t look like video.
@@mikewillie5902 I have a Komodo X it looks organic like film the motion and highlight rolloff is different. All Canon including the Canon C400 look like video which is OK and there is a place in the market for those cameras. This test is not good. The Komodo is over exposed.
@@rubbernun66 Its all video at the end of the day guys. Neither of these cameras are shooting film. What you put in front of the sensor will aways have more of an impact when it comes to having a certain look. The best we can ask for in any professional video camera is to give us a nice colour accurate image with decent DR that has good colour depth to allow us to manipulate that image to our individual tastes along with the glass that we choose to shoot on.
man , thank you sooooo much for this video . C70 is a beast a monster .
you're welcome. Thanks for the nice comment. Will have more regular videos coming out soon. Just been a bit busy travelling around a lot.
@@tomjkelly I know how it is, in fact I wish I could help with that. I'm a content creator/filmmaker/video editor. I know that if we collaborated you could have more time to do other things. Let me know if you’re interested.
@@tomjkellyyou’re posting less than 12 videos a year. Let’s fix it.
Love it. Practical over emotional thoughts.
Thanks Scott! Have a great weekend. :)
Ended up going for the C70 as it measures slightly better in Dynamic range and is just an overall faster camera to use. I think the C70 is probably the quickest "cinema camera" on the market. It edges out the Pocket 6K pro in battery life(the the P6K Pro screen is fastly better). The form factor is pretty nice and the 4k RAW files sizes are great.
I fully agree. I think it is currently Canons best video camera. I use it as an EF full frame camera with Canons focal reducer. I would be interested to see the next version of the C500 though.
C70 kicking the Komodo's ass 💪
The Komodo X footage is over-exposed just like the OP intended. You must not have ever graded Komodo X footage.
I agree. The Komodo X looks like crap i.e. exposure is off.
If you want a sharper image you can always use a sharper lens.
The RAW from the RED is so much better to save if something is messed up.. I own two C70 cameras and love them for their ease of use for interviews and matching.
Sharpness was never really mentioned in this test tbh as its really low down on what Im looking for in a camera. You are right about Reds RAW though, its the best although as long as the white balance can be changed non-destructively thats all I really care about with Raw.
Sorry for the slight wandering eyes from the teleprompter. I would welcome anyone who has any tips to help reduce this. Im thinking using a slightly longer lens might help but not sure. Im new to this!
Komodo X footage is over exposed.
narrow the paragraph column so your eyes don't have to track as wide
What lens was using on the c70?
I used the Canon EF 24-70mm F2.8 II L lens on both cameras with the canon speedbooster on both cameras.
@@tomjkelly looks good
Looks like you might be getting some IR pollution in the Komodo footage. Might be worth have a try of some different ND filters.
Sold the camera already!
Looks like the cameras were out of focus. I’ve seen test between 4K and 6K and the 6K had a lot more detail. There is something definitely wrong with the test.
But you can clearly see on the wides that the cameras are in focus. The Canon RF-EF 0.71x Focal Reducer on both cameras might be leveling the playing field a bit. I was surprised the Komodo wasn't capturing more detail too.
C70 looks like video.
I own a C70 and that’s what think, it looks like video. I want the cinematic colors which I was told it had. I’ve scoured the Internet, looking for examples of C 70 footage that didn’t look like video.
@@mikewillie5902 I have a Komodo X it looks organic like film the motion and highlight rolloff is different. All Canon including the Canon C400 look like video which is OK and there is a place in the market for those cameras. This test is not good. The Komodo is over exposed.
@@rubbernun66 Its all video at the end of the day guys. Neither of these cameras are shooting film. What you put in front of the sensor will aways have more of an impact when it comes to having a certain look. The best we can ask for in any professional video camera is to give us a nice colour accurate image with decent DR that has good colour depth to allow us to manipulate that image to our individual tastes along with the glass that we choose to shoot on.