This is great 🎉 Congrats with your first video podcast. Think you’re going to reach a greater audience with these through TH-cam. Loved that you showed images as reference to your conversation. I heard about Gareth’s early test shots, but never seen any examples before. I’ve listened to you for years, you always have such great questions and insights🤩
I would love to introduce you to Dylan Marchetti - the CEO of Variance FIlms - and the Distributor of Taylor Swift's Eras film event release that you gushed over. It's not a 4 wall event. Rather, there is a tremendous amount of work on the part of an Indie distributor to make it splash as big as it is. I met Dylan in 2008 at AFM in his first year, and have watched his team grow and grind - do the man a favor and give him credit rather than constructing a false narrative of Taylor Swift winging it - she's way too smart for that and he works way too hard for that to be the story. Basically, the truth is even more impressive than a lazy fiction.
Great episode! Two legends.
Loved this interview. So insightful!
we need more industry podcast like this. keep the content coming.
Thanks. We have a new podcast go live every week.
This is great 🎉 Congrats with your first video podcast. Think you’re going to reach a greater audience with these through TH-cam. Loved that you showed images as reference to your conversation. I heard about Gareth’s early test shots, but never seen any examples before. I’ve listened to you for years, you always have such great questions and insights🤩
Thank you!
Sony FX3 is a beast. ISO 12,800. Small form factor. Enough said, end of story.
Thanks for the interview! Good stuff.
I wonder how they handled follow focus duty, as the FX3 only has HDMI (with latency).
this was so good.
Great episode. Learned a lot and inspired me. Is Davinci Resolve the main color grading software in this movie and in general?
I would love to introduce you to Dylan Marchetti - the CEO of Variance FIlms - and the Distributor of Taylor Swift's Eras film event release that you gushed over. It's not a 4 wall event. Rather, there is a tremendous amount of work on the part of an Indie distributor to make it splash as big as it is. I met Dylan in 2008 at AFM in his first year, and have watched his team grow and grind - do the man a favor and give him credit rather than constructing a false narrative of Taylor Swift winging it - she's way too smart for that and he works way too hard for that to be the story. Basically, the truth is even more impressive than a lazy fiction.
We would be delighted to connect with Dylan. Please email us at email@camnoir.com and we'll make it happen.
Thanks, we will correct in the next episode.
Lost me with that super long intro. Wanted to learn about the creator…